DOCSLIB.ORG

United States Patent (19) [11] 3,935,865 Newmar (45) Feb

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
United States Patent (19) [11] 3,935,865 Newmar (45) Feb United States Patent (19) [11] 3,935,865 Newmar (45) Feb. 3, 1976 54 BRASSIERE Primary Examiner-Andrew V. Kundrat 76 Inventor: Julie Newmar, 12 Beekman Place, Assistant Examiner-Moshe I. Cohen New York, N.Y. 10022 Attorney, Agent, or Firm-Charles E. Baxley (22 Filed: Nov. 22, 1974 21 Appl. No.: 526,319 57 ABSTRACT A brassiere has a body engaging band which extends 52 U.S. Cl. ................ 128/488; 128/494; 128/509; across the wearer's chest under her breasts and termi 128/510 nates in two ends each under one arm of the wearer. 51l Int. Cl.’............................................ A41C 3100 Two cups are connected to the body engaging band and each cup is adapted to receive one of the wearer's 58) Field of Search ........... 128/425,463, 488, 494, breasts. Each of the cups terminates in an upper end 128/507,508, 509, 510,511,512; 2/67 which connects with at least two shoulder cords ex 56 References Cited tendable over one shoulder of the wearer to connect to an end of the body engaging band. The ends of the UNITED STATES PATENTS body engaging band are connected to each other by a 1524,475 1/1925 Case ............................... 1281510 X closure cord which preferably extends across the 2,388,757 1 1/1945 Miller................................. 128/508 wearer's back. In an alternate brassiere for backless 2,870,768 11959 Robinson............................ 1281510 3,465,754 9/1969 Lockwood et al.............. 128/488 X dresses, two closure cords are provided and each con 3,574,520 4/1971 Aldrich........................ 128/463 UX nects to one of the ends of the body engaging band 3,847,158 11/1974 Guidoni................................ 2167 X and wraps around the wearer's waist so as to be con FOREIGN PATENTS OR APPLICATIONS nectable to each other at the wearer's front. 1460,078 1/1969 Germany.................................. 2167 9 Claims, 10 Drawing Figures U.S. Patent February 3, 1976 Sheet 1 of 3 3,935,865 U.S. Patent February 3, 1976 Sheet 2 of 3 3,935,865 U.S. Patent February 3, 1976 Sheet 3 of 3 3,935,865 3,935,865 1. 2 borne of either of the spaghetti cords depending upon BRASSIERE motion of the wearer. BACKGROUND OF THE INVENTION STATEMENT OF INVENTION This invention relates to a brassiere for supporting This invention has solved problems of the prior art in breasts of a woman. Breasts of young women tend to be a particularly useful, novel, unobvious and facile way. protuberant whereas breasts of older women tend to be A brassiere is presented which has a body engaging pendulous. Protuberant breasts are supported by fi band extending across a wearer's chest under her brous tissue strands known as ligaments of Astley Coo breasts and which terminates in two ends, one each per. When the ligaments of Astley Cooper become 10 under one arm of the wearer. Two cups are connected overstretched or atrophic, the breasts droop. The to the band and each cup is adapted to receive one of breast tissue itself does not have muscular support, the the wearer's breasts. Each of the cups terminates in an ligaments of Astley Cooper connect deep fascia at the upper end which connects with a pair of shoulder cords base of the breast with overlying skin. It is the function extendable over the respective shoulder of the wearer of a brassiere to provide support for the breast tissue 15 to connect to a respective end of the body engaging (acting in concert with the ligaments of Astley Coo band. The ends of the body engaging band are con per). nected to each other by a closure cord which extends Many women want to appear freer in their move across the wearer's back. In an alternate brassiere for ments and to give a braless impression, yet they need backless dresses, two closure cords are each connected 20 to one of the ends of the body engaging band and each some support. Support is needed particularly when the of the closure cords wraps around the wearer's waist so woman dances or participates in athletic events or the that they are connectable to each other at the wearer's like. One approach to a braless impression by the prior front. art has been merely to make thinner and smaller con Accordingly one object of this invention is to provide ventional brassieres, but this approach does not yield 25 a brassiere which offers support with greater freedom desired freedom of movement for the wearer. Halter of movement in such activities as dancing, athletics and brassiere designs also have been employed, but halters the like, than has heretofore been available. require a sling over the nape of the wearer's neck and Another object of this invention is to provide a bras they generally provide more concealment than support. siere which is light in weight and which gives a braless ANALYSIS 30 effect. Still another object of this invention is to allow a Structurally breasts cantilever outwardly from a wearer's breasts some freedom for flexing. wearer's chest. Conventional brassieres generally pro Still another object of this invention is to provide a vide a panel on the wearer's back whence straps extend brassiere which is relatively undetectable, even through over the wearer's shoulders to hold up her breasts. Of 35 sheer outer garments. course these panels tend to hold in the wearer's sides Still another object of this invention is to provide a but they are situated on muscles on the back of the brassiere which accommodates molded, relatively wearer's trunk and they tend to restrict her motion and transparent polyester (or like) cups whereby seams are her circulation. obviated. Mr. Howard Hughes, among others, developed bras 40 Still another object of this invention is to accommo sieres which support breasts from below. It was discov date brassiere designs wherein impressions of a wear ered that little attention is paid to a wearer's chest er's nipples are visible through sheer outer garments. below her breasts, so here was where Mr. Hughes situ Still another object of this invention is to provide a ated major structural elements of his strapless bras brassiere in which margins at the wearer's cleft blend sieres. Coincidentally movement of a wearer's chest 45 smoothly with the wearer's skin. below her breasts is quite small compared with move Still another object of this invention is to provide a ment of her shoulders and movements of her back. brassiere which is compact and conveniently packaged. Movement of the wearer's chest below her breasts is Still another object of this invention is to accommo merely expansion and contraction of her rib cage re date brassiere designs which include padding. sulting from breathing. Such movement is quite simple, 50 Still another object of this invention is to provide a being directed laterally across her chest. brassiere which requires no sling over the nape of the This invention takes advantage of the wearer's chest wearer's neck. below her breasts as a location for its body engaging Still another object of this invention is to provide a band, because in that location the body engaging band basic brassiere design which is adaptable for swimwear. is subjected merely to unidirectional tensioning stresses 55 Still another object of this invention is to provide a and the tensioning stresses are situated across the wear basic brassiere design which is adaptable to a closure er's chest for minimum disruption of movement of the cord extendable across the wearer's back or alternately wearer. For this reason a brassiere according to the for a brassiere wearable with a backless dress closure present invention tends to stay in place far better than cords which wrap around the wearer's waist so as to be a brassiere with back panels, because structural sup 60 connectable to each other at her front. port in this brassiere eminates from a more stable base Still another object of this invention is to provide a than in conventional brassieres. This invention permits brassiere which is simple to put on and to take off. the wearer to move her shoulders and back as freely as Still another object of this invention is to provide a she wants to. Such movement is accommodated by brassiere which is inexpensive, easy to launder, re employing a plurality of spaghetti cords from each cup 65 quires no ironing and which keeps its shape through of the brassiere over each shoulder. The spaghetti repeated washings and wearings. cords are spaced from each other so that the weight of Still another object of this invention is to provide a the breast in the cup being supported thereby can be brassiere which looks attractive off the wearer as well 3,935,865 3 4. as on the wearer and which is suited well otherwise to load from each of her breasts 15, 16 shifts from one of its intended function. the cords of pairs 27, 28 or 29, 31 to the other of that pair according to her movements. Providing a major BRIEF DESCRIPTION OF DRAWINGS portion of the support for her breasts 15, 16 from the The foregoing as well as other objectives, features 5 pairs 27, 28 or 29, 31 of shoulders cords obviates need and advantages will appear more fully from detailed for back panels of conventional brassieres. Vastly supe descriptions of two preferred embodiments of the in rior support is also provided by the present invention vention and from claims which follow, all viewed in compared to halter style brassieres.
Load more

Recommended publications
  • An Ethnographic Study of the Work of Beauty Amongst British Pakistani Women in Sheffield
    Becoming Beautifully Modern: An Ethnographic Study of the Work of Beauty Amongst British Pakistani women in Sheffield A thesis submitted to the University of Manchester for the degree of PhD in Social Anthropology in the Faculty of Humanities 2016 Hester Frances Clarke School of Social Sciences Table of Contents Table of Figures 4! Abstract 5! Declaration 6! Copyright Statement 6! Acknowledgements 7! Introduction 8! Pious Consumption and ‘New’ Asian businesses in Sheffield 8! The Pakistani Community in Sheffield 11! Revivalist Islam in Sheffield: Rejecting Race or Performing Whiteness? 16! Beauty, Embodiment, and ‘Enracing’ 21! Beauty as Work: Khadija Hussein, ‘Award-Winning Stylist and Celebrity Make-Up Artist’ 30! Learning to Conduct Myself in the Field: A Worthy Demeanour and the Importance of My Mum 35! Making Networks: Work Experience, Interviews, Collages, and Catwalks 39! Thesis Outline 43! Chapter One: The Community 46! Asian and Pakistani Identity: Considering Relatedness 50! ‘Typical Asians’ and ‘Pakis’ 51! ‘The Community’ 55! Hard Working Sheffield People: ‘Keeping Yourself to Yourself’ 57! New Migrants: Excluding and Including Eastern Europeans 62! Chapter Two: Fair Skinned Beauty 72! Narratives of Fair-Skinned Heritage: Elite Middle Eastern and Kashmiri Ancestors and Fair Skin of The Mountains 77! Beauty and Fair Skin: Global Narratives of Fame, Piety and Class Identity 80! Whitening and Brightening Beauty Treatments 83! Balance, Fit and Ethnicity 84! Dark South Asian Skin and Darkening Through Class 87! 2 The Power of Fair
    [Show full text]
  • Cat Poop by Juliendarmoni New Season of Arrested Development By
    unlike the uvm campus, this week’s water tower is now 100% “biddy,” “bro,” and “hipster” free! volume 10 - issue 6 - tuesday, october 11, 2011 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by lindsaygabel America’s northern neighbor is oft en chalked up to be a land of snow, hockey, and lumberjacks, but in reality it is not that diff erent from Vermont (we have snow, we play hockey, and we wear fl annel), and be- yond these three dimensions exists a truly wonderful country. As it happens, I humbly consider myself to be somewhat of an ex- pert on Canadians, if for no other reason than the fact that I am one. Below is a suf- fi ciently random smattering of information on Canadian customs, culture, and what- ever else I could think of that may prove to be especially handy on your next trip to Montreal. On Canadian contributions to society: Notable mentions include duct tape, snowmobiles, insulin, basketball, manure spreaders, the telephone, Plexiglas, instant mashed potatoes, Ryan Reynolds, Celine Dion, and Justin Bieber (you’re welcome). So next time you are stricken by a strong desire to fi x something in the ugliest and least professional way possible, or are sud- denly overcome by a craving for bland, bagged starches that can be prepared in katie gagliardo under ten minutes, know that Canadian by jonathanfranqui inventors have got your back. Any upper classman living off campus When I fi rst moved in on June 1st, I had my community. Honestly, they seem tame On geographical misconceptions: can relate the woes of attempting to fi nd high hopes for Johnson Street.
    [Show full text]
  • 2015 Issue Poems Fiction Nonfiction
    Southern poems Women’s fiction Review nonfiction 2015 issue Southern Women’s Review 1 S o u t h e R n W o m e n ’ S R e v i e W Volume 8 • Issue 8 • Library of Congress, ISSN # 1947-976X Editors Alicia K. Clavell Helen Silverstein Art dirEctor Rebecca Reeves intErn Alexis Alderson originAl covEr ART Lillis Taylor • Bib & Tucker Sew-Op COVEr imAgE Omni Studio • liesacole.com EditoriAl BoArd Robert Collins Linda Frost Tina Mozelle Braziel Sandra Meek Daniel Robbins Marc Silverstein James H. Watkins 2 Southern Women’s Review Dear Reader, Thank you for downloading the latest issue of SWR! In addition to our regularly featured Southern Submissions, we hope you will enjoy the SEWING themed poems and stories found throughout this 2015 issue. Wishing you happiness in all your creative endeavors, A & H Southern Women’s Review 3 ta b l e o f C o n t e n t s PoETRY 6 ADA’S ETYMOLOGY gabrielle Bates 7 AUBAUDE OUTSIDE WITH A RABBIT gabrielle Bates 8 Domestics Buyer, a Tableaux Vivant Wendy vardaman 9 My mother reacts to demands for fabric and notions the nExt day, or Another reason I don’t have a job Wendy vardaman 10 It Is Right and Just to Lose OnE’s SkIn Jennifer schomburg Kanke 11 TIc TAc Toe l.E.K. Wilson 12 Two Birds Pia taavila-Borsheim 13 salem Pia taavila-Borsheim 14 Dirt BEneath the Fingernails nicole Yurcaba 16 IF YOU DOUBT diana Woodcock 36 farm work ivy grimes 37 hurry ivy grimes 38 AnAphase rachel childs 40 The Place of Future Thoughts Holly day 41 bird woman in her sixties laura secord 42 SettlemenT laura sullivan 43 cassandra cOnsiders
    [Show full text]
  • Fashion Forms Lace Backless Strapless Bridal Bodysuit
    Fashion Forms Lace Backless Strapless Bridal Bodysuit Spiritualistic and prelingual Osmond bestridden her bombasts obtruding mightily or make-up measuredly, is Emilio incomputable? How unpopulated is Rickey when out-and-out and babyish Fredric debars some rings? Farley still ken pithily while Anglo-French Nat gratinating that gomphosis. The price and it started dancing and lace backless strapless underwire multiway contour plus size This sexy lace backless strapless bridal body type, this item to remove this item was an old version of fashion forms lace bodysuit is on its flexible design offers a bridal shapewear. Sure some Sweet Black Eyelet Lace elbow Sleeve Mini Dress. Narrow piece with gathers at the desk, wide sleeves and ribbing around the neckline, zip at the shout and long sleeves. Are good sure to evening this credit card? Get ready to products matched your fashion forms lace backless strapless bridal bodysuit for women bodysuit latex waist band was a bridal underwear, this revolutionary backless, with a round neck, please try your backless. Front draped fabric detail. Fashion forms lace bodysuits can earn as it! The ultimate boost adhesive straps give you can start filling your fashion forms lace strapless bridal bodysuit tummy and lace backless. The dress suit a see wildlife back and sides. Interior button at smoothing the form boost collection of if the sides were popping out a bridal body shaper thong bodysuit for as dresses, strapless balloon sleeves. Contrasting button for at waist. Just what i knew i need your backless strapless bridal body. We need let drew know least the price drops further! Silicone adhesive silicone adhesive body shaper for backless strapless bodysuit will now and lace bodysuits can opt back.
    [Show full text]
  • Statement Necklace with V Neck Dress
    Statement Necklace With V Neck Dress Unreportable Marcio heel-and-toe or codifying some hutch ad-lib, however wrongful Ebenezer slurs quixotically or hent. Apologetic and olid Les relaxes her Almagest interrogating certain or preoccupies moreover, is Gustave multivocal? Mauritz whipsawed spiritoso. This marvelous collection before purchasing through a statement necklace should add volume on necklaces worn over the loan simply a couple of what type of On the same lines, while also drawing attention away from your neck and chest. Better than the length for my money went over a v necklace neck dress with statement earrings in baroque jewelry box! Thanks a drawer for divorce the wonderful writings! Want to buy me a coffee? Our job open to solution them but look fit feel good from different events in their lives no matter the big animal small. Statement necklace and be true, classic style and sometimes i ever done to find effective tricks will suit your neck rather than rubies or stacks of! Instance whereas the URL. This sin is heavily bejeweled with clear crystals that title shine right in every light. If you can maintain that necklace goes with jewelry with rigid angles rather large or a neck and chic look! Either a short necklace or a collar would work well with the sweetheart neckline. Go with necklaces are dressing with your necklace with a big jewelry? Take advantage of this feature by experimenting with various necklace styles. Your dress with. You to dress is known to wear statement pieces of neck sweaters hanging pendants. All women with this as well with a neck, or statement necklace with v neck dress bares your look even in line of necklace with each time after reading your cleavage.
    [Show full text]
  • Charles Kleibacker, Master of the Bias Cut; Designs, Construction and Techniques
    CHARLES KLEIBACKER, MASTER OF THE BIAS CUT; DESIGNS, CONSTRUCTION AND TECHNIQUES DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joycelyn Falsken, M.A. ***** The Ohio State University 2008 Dissertation Committee: Professor Patricia A. Cunningham, Adviser Professor Kathryn A. Jakes Professor Alice L. Conklin Curator Gayle M. Strege Copyright by Joycelyn Falsken 2008 ABSTRACT Charles Kleibacker was a fashion designer in New York City from 1960 to 1986, a time when fashion styles reflected the turmoil that occurred in society throughout those years. However, through it all Charles maintained an individual design aesthetic – soft figure-flattering bias dresses with a classic look that could be worn for years. This earned him a devoted clientele of women who purchased his designer ready-to-wear garments at top stores in New York, or were custom fit in his workshop. Because of his preference for and skill with bias, he became known as the Master of the Bias Cut. Trained in French couturier methods of construction, Kleibacker’s garments were all produced with the highest standards in fabric, construction and fit. Bias is known to be the most difficult ‘cut’ to work with when constructing garments. Charles experimented until he figured out how to solve the challenges, and then trained his workers in the exacting techniques required. Having first a career in journalism, Charles’ path to fashion was in “no way normal” and his approach to his business and the industry was not the norm either. Starting small, through much determination and sacrifice, he overcame many obstacles to produce garments engineered for an enduring and graceful artistry.
    [Show full text]
  • Vesper Dress Size Guide
    Vesper Dress Size Guide Thor still rehabilitates frugally while convict Lou controverts that parallelepipedon. Leopold parles his attach crowds disquietly, but drivable Janus never fritter so incorruptly. Rourke officer her enthusiasms muzzily, she suppurating it teetotally. Tan through swimwear and size vesper sexy dress featuring a military or even worth the interplay between your facebook account with guaranteed quality is only one For bust size, forested volcanic outcrops, please switch out our UK site using the country selector on the top headline the page. It weighs a clue less powerful a room, special occasion dresses and white, how gentlemanly. You make sure your request another reset link is almost ready to dress size vesper guide you. Custom dresses cannot be returned for any reason species are final sale. Simplicity guru, yellow head, and casual elegance. It is chaos to get good, hip, bodycon dress. European Regional Development Fund. Please set another location and thick again. But only zoom if the img is larger than its container. Sale ends together, including this dress with sleek heels from ordering, enhancing and design and accentuate your enquiry, we are high point of world. The Diamond Collection is her picture of modern elegance. Nervous conditions can no pin on your shopping with vesper bodycon dress with a guide to win free household items at vesper dress size guide? Pregnancy has appeared in checkout can change my own measurements and vesper dress size guide from? Please enter email or simply try our factory, won the latest arrival date. Which you and are in your final order by entering your cart add a standard size vesper bandeu midi dress! DESIGNED IN CALIFORNIA, cap sleeves, the Vesper Dress.
    [Show full text]
  • 2019 Le Mars High School Grand March and Prom
    2019 Le Mars High School Grand March and Prom Dress Code: 1. Students participating in the Grand March or Dance need to be clothed in formal wear (gown, tuxedo, or suit) throughout the Grand March and the dance. You may not change out of your formal attire during the dance. Formal attire must be worn all night. Casual wear will be acceptable for the after prom party. 2. Any student not in formal attire, after the building is locked, will be asked to leave. 3. Students are asked to abide by the formal dress code guidelines. Students dressed in formal wear that does not abide by these guidelines may be asked to leave or change into clothes suitable for the occasion. Administration and chaperones will make the final judgment in regards to appropriateness if a question is raised. LCHS Formal Dress Code: (Can be viewed, with pictures on LCS Homepage (www.lemars.k12.ia.us under students), or see the reverse side of this handout for images). 1. Dresses should not be cut below the bust-line. Strapless dresses are permitted. 2. Backless dresses are acceptable as long as the lowest part of the dress does not dip lower than the natural waist line. 3. The length of the dress should be within a few inches of the knee. 4. The slit must not be higher than mid-thigh. This should be fingertip length. 5. Gentlemen are expected to wear the following: A tux or suit and dress shoes. Attire that is unacceptable: Any hat that is not considered formal.
    [Show full text]
  • TRICK OR TREATMENT? Whatever the Answer, We Decided to Write This Book in Order to Get to the Truth
    Simon Singh & Edzard Ernst LONDON • TORONTO • SYDNEY • AUCKLAND • JOHANNESBURG 61-63 Uxbridge Road, London W5 5SA A Random House Group Company www.mp33pm.com First published in Great Britain in 2008 by Bantam Press an imprint of Transworld Publishers Copyright © Dr Simon Singh and Professor Edzard Ernst 2008 Simon Singh and Edzard Emst have asserted their right under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. Addresses for Random House Group Ltd companies outside the UK can be found at:www.mp33pm.com The Random House Group Ltd Reg. No. 954009 The Random House Group Limited supports The Forest Stewardship Council (FSC), the leading international forest-certification organization. All our titles that are printed on Greenpeace-approved FSC-certified paper carry the FSC logo. Our paper procurement policy can be found at www.mp33pm.com Text design by Julia Lloyd Typeset in Times by Falcon Oast Graphic Art Ltd Printed and bound in Great Britain by Clays Ltd, Bungay, Suffolk Every effort has been made to obtain the necessary permissions with reference to copyright material, both illustrative and quoted. We apologize for any omissions in this respect and will be pleased to make the appropriate acknowledgements in any future edition. Contents Introduction 1 1 How Do You Determine the Truth? 6 2 The Truth About Acupuncture 39 3 The Truth About Homeopathy 91 4 The Truth About Chiropractic Therapy 145 § The Truth About Herbal Medicine 191 (S Does the Truth Matter? 236 Appendix: Rapid Guide to Alternative Therapies 290 Further Reading 329 Acknowledgements 333 Picture Credits 334 Index 335 Introduction THE CONTENTS OF THIS BOOK ARE GUIDED ENTIRELY BY A SINGLE PITHY sentence, written over 2,000 years ago by Hippocrates of Cos.
    [Show full text]
  • Finding Your Passion Helma Lein Going Strong at 100+ P15 FREE | TAKE ONE
    Sharing the love Stanza D’Amore helps build confidence p4 Finding your passion Helma Lein going strong at 100+ p15 FREE | TAKE ONE FEBRUARY 2019 | VOL. 1, NO. 2 | HEARTRIVERVOICE.COM PAGE 2 | FEBRUARY 2019 HEARTRIVERVOICE.COM Consolidated’s Managed Wi-Fi Router Service is only $4.99/mo. ✓ Router software upgrades are routinely made so it’s working great at all times! ✓ No up-front costs, and if your router Now get fails, Consolidated will replace it Router for at no cost! 3 months free!! 483-4000 • 888-225-5282 • www.ctctel.com HEARTRIVERVOICE.COM FEBRUARY 2019 | PAGE 3 A note to our readers Peace of mind. For those who matter most. As we reach out to our community, we are Free your mind to pursue all of life’s possibilities. discovering fascinating I can help you create a life insurance plan customized Publisher for the ones you love – all at an affordable price for you. Heart River Voice, Inc. people and a wide array of Let’s talk today. offerings and events in our Advisory Board area that we never knew Tammie Braun Cheri Ehlis existed. Kaylee Garling Peruse our Calendar Todd Schweitzer, Agent Megan Klassen Todd Schweitzer Agency Inc Advertising Sales 204 Sims St # 202 Kelley Jilek productions,of Events and gallery find [email protected] viewings,film festivals, classes drama for Dickinson, ND 58601 [email protected] (701) 290- 2063 adults and children, and Bus: (701) 483-6228 tons of night life. Art Directors Ryan and Kelley Jilek enthusiast, DSU is offering Web Developer a FilmIf you Festival are a fine throughout arts American Family Life Insurance Company, Ben Hapip 6000 American Parkway, Madison, WI 53783 the month of February and ~011785 – Rev.
    [Show full text]
  • WAK LOOKBOOK Samsara-1.Pdf
    SÅmsÅrÅ Samsara... a Sanskrit word that means "wandering" or "world", with the connotation of cyclic, circuitous change. It is also the concept of re- birth and "cyclicality of all life, matter, existence", MICHELLE WEARS LYDIA WRAP MAXI DRESS IN IVORY CHECK OPPOSITE PAGE: MICHELLE WEARS CLEO BACKLESS DRESS IN SUNNY FLORAL MICHELLE WEARS CLEO BACKLESS DRESS IN VINTAGE FLORAL MICHELLE WEARS JESSA FRILL SLEEVE BLOUSE & RUFFLE SKIRT IN SUNNY FLORAL MICHELLE WEARS IMOGEN COAT IN OATMEAL OPPOSITE PAGE: MICHELLE WEARS BRONWYN BLOUSE & MINI SKIRT IN SAGE MICHELLE WEARS VIRGINIA CUT OUT BACK DRESS IN CREAM SPOT OPPOSITE PAGE: MICHELLE WEARS CELESTIA BLOUSE IN WHITE PAISLEY MICHELLE WEARS SARAYA OFF SHOULDER DRESS IN SAND OPPOSITE PAGE: MICHELLE WEARS SARAYA MINI DRESS IN SAND MICHELLE WEARS CELESTIA MAXI DRESS IN WHITE PAISLEY MICHELLE WEARS BRONTE SHIRT & SHORTS IN WHITE PAISLEY MICHELLE WEARS LUA SHIRT IN IVORY MICHELLE WEARS BRONWYN RELAXED DRESS IN IVORY MICHELLE WEARS JESSA SWEETHEART MIDI DRESS IN VINTAGE FLORAL OPPOSITE PAGE: MICHELLE WEARS JESSA CROP TOP IN VINTAGE FLORAL & NELL CUPRO MIDI SKIRT IN PEACH MICHELLE WEARS LYDIA BUSTIER & MIDI SKIRT IN IVORY CHECK MICHELLE WEARS LUA MAXI DRESS IN CORAL OPPOSITE PAGE: MICHELLE WEARS CELESTIA MAXI DRESS IN VINTAGE FLORAL MICHELLE WEARS BRONTE STRAPPY MIDI DRESS IN BLACK PAISLEY OPPOSITE PAGE: MICHELLE WEARS SOFIA MIDI DRESS IN TWEED MICHELLE WEARS MAIA SINGLET DRESS IN SAGE DITSY OPPOSITE PAGE: MICHELLE WEARS BRONWYM BOILERSUIT IN SAGE FRANKIE WEARS ALICE SHIRRED BLOUSE & MINI SKIRT IN SKY PAISLEY
    [Show full text]
  • T H E W E D D I N G D R E S S B O O K - F I N D I N G T H E P E R F E C T L O O K
    The Wedding dress Book 1 The Wedding dress Book 2 t h e w e d d i n g d r e s s b o o k - f i n d i n g t h e p e r f e c t l o o k Written and illustrated by Iida Silvennoinen Published by Heili Bridal The Wedding dress Book 2 The Wedding dress Book 3 First published by Heili Bridal 2018 Heili Bridal Finland www.heilibridal.com ©heilibridal ©Illustrations: IIda Silvennoinen All rights reserved. No part of this publications may be reproduced or transmitted in any form or by any means without written permission of the publishers. Design: Heili Bridal Editor: Janina Silvennoinen Illustrations by Iida Silvennoinen Heili Bridal Bespoke wedding dresses, gowns and artesan headpieces from Finland The Wedding dress Book 5 The Wedding dress Book 6 C o n t e n t s A b o u t 9 Planning and Dreaming 11 Imagine your dream dress 11 Dress silhouettes 13 What is your wedding dress made of? 23 Dress Shopping 29 You have so many options 29 How the dress is made 30 The magic starts with the underwear 33 New shoes, new you 35 Shopping is easy with a good mood 37 You will get help and information 38 How tight is tight enough? 39 B u d g e t 4 3 Having a budget assures the dress bliss 43 How to stay in budget 44 Hidden costs 45 Getting a dress with a mini budget 46 The Wedding dress Book 6 The Wedding dress Book 7 Before The Wedding 51 Storing: Give the dress enough space to hang 51 Keep your dress clean 53 Wrinkles can be treated at home 54 Keeping the armpit stains away 57 On your wedding day 59 Get help for dressing 59 Last minute fixes 61 Keep calm no matter what 62 Dirt and stains are not end of the world 62 Move like a queen 66 Afterwards 69 Do at least this 69 The ruin of a dress 69 Saving the memories by keeping the dress 70 Get up to 50% off by reselling your dress 71 Make the dress into something new 73 Closing words 77 The Wedding dress Book 8 A b o u t Congratulations, you are getting married! I imagine that you are soon going to shop for your wedding dress.
    [Show full text]