Chinese Button Knot Instructions
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Annual Index September 1976-August 1977 Vol. 3
INDEX I- !/oluJne3 Numbers 1-12 ONANTIQUES , September, 1976-August, 1977 AND COLLECTABLES Pages 1-144 PAGES ISSUE DATE 1-12 No.1 September, 1976 13-24 No.2 October, 1976 25-36 No.3 November, 1976 37-48 No.4 December, 1976 49-60 No.5 January, 1977 61-72 No.6 February, 1977 & Kovel On became Ralph Terry Antiques Kovels 73-84 No.7 March,1977 On and Antiques Collectables in April, 1977 (Vol. 85-96 No.8 April,1977 3, No.8). , 97-108 No.9 May, 1977 Amberina glass, 91 109-120 No� 10 June, 1977 Americana, 17 121-132 No.l1 July, 1977 American Indian, 30 133-144 No. 12 August, 1977 American Numismatic Association Convention, 122 Anamorphic Art, 8 Antique Toy World, 67 in Katherine ART DECO Antiques Miniature, by Morrison McClinton, 105 Furniture, 38, 88 Autumn The 0 Glass, 88 Leaf Story, by J Cunningham, 35 Metalwork, 88 Avons other Dee Bottles-by any name, by Sculpture, 88 Schneider, 118 Art 42 Nouveau, 38, Avons Award Bottles, Gifts, Prizes, by Dee' Art Nouveau furniture, 38 Schneider, 118 "Auction 133 & 140 Avons Fever," Bottles Research and History, by Dee 118 Autographs, 112 Schneider, Avons Dee 118 Banks, 53 Congratulations, -by Schneider, Avons President's Club Barometers, 30 History, Jewelry, by Bauer 81 Dee 118 pottery, Schneider, Bauer- The California Pottery Rainbow, by Bottle Convention, 8 Barbara Jean Hayes, 81 Bottles, 61 The Beer Can-A Complete Guide to Collecting, Books, 30 by the Beer Can Collectors of America, 106 BOOKS & PUBLICATIONS REVIEWED The Beer Can Collectors News Report, by the Abage Enclyclopedia of Bronzes, Sculptors, & Beer Can Collectors of America, 107 Founders, Volumes I & II, by Harold A Beginner's Guide to Beer Cans, by Thomas Berman, 52 Toepfer, 106 American Beer Can Encyclopedia, by Thomas The Belleek Collector's Newsletter the ' by Toepfer, 106 Belleek Collector's Club, 23- American Copper and Brass, by Henry J. -
Hollow Braid Eye Splice
The Back Splice A properly sized hollow braid splicing fid will make this splice easier. Hollow braid splices must have the opposing core tucked in at least eight inches when finished. Use discretionary thinking when determining whether or not to apply a whipping to the back splice on hollow braid ropes. 5/16” ¼” 3/16” 3/8” Whipping Twine Hollow Braid Appropriate Sized Knife Splicing Fids STEP ONE: The first step with FIG. 1 most hollow braid splices involve inserting the end of the rope into the hollow end of an appropriately sized splicing fid (Figures 1 & 2). Fids are sized according to the diameter of the rope. A 3/8” diameter rope will be used in this demonstration, therefore a 3/8” fid is the appropriate size. FIG. 2 The fid can prove useful when estimating the length the opposing core is tucked. A minimum tuck of eight inches is required. FIG. 2A STEP TWO: After inserting the end of the rope into a splicing fid (figure 2A) – Loosen the braid in the rope FIG. 3 approximately 10” to 12” from the end to be spliced (figure 3). Approximately 10” to 12” From the end of the rope. Push the pointed end of the fid into one of the openings of the braid, allowing the fid to travel down the hollow center of the braided rope (figures 4 & 5). FIG. 4 FIG. 5 FIG.6 STEP THREE: Allow the fid to travel down the hollow center of the braided rope 8” or more. Compressing the rope on the fid will allow a distance safely in excess of 8” (figure 6). -
SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" Oil on Canvas 2 Hampshire Pottery Green Handled Vase 3
LOTNUM LEAD DESCRIPTION 1 Sylvester Hodgdon "Castle Island" oil on canvas 2 Hampshire Pottery Green Handled Vase 3 (2) Pair of Brass Candlesticks 4 (2) Cast Iron Horse-Drawn Surrey Toys 5 (4) Glass Pieces w/Lalique 6 18th c. Tilt-Top Table 7 (2) Black Painted Children's Chairs 8 Corner Chair 9 Vitrine Filled with (21) Jasperware Pieces and Planter 10 Bannister Back Armchair 11 (4) Pieces of Colored Art Glass 12 (8) Pieces of Amethyst Glass 13 "Ship Mercury" 19thc. Port Painting 14 (18) Pieces of Jasperware 15 Inlaid Mahogany Card Table 16 Lolling Chair with Green Upholstery 17 (8) Pieces of Cranberry Glass 18 (2) Child's Chairs (1) Caned (1) Painted Black 19 (16) Pieces of Balleek China 20 (13) Pieces of Balleek China 21 (32) Pieces of Balleek China 22 Over (20) Pieces of Balleek China 23 (2) Foot Stools with Needlepoint 24 Table Fitted with Ceramic Turkey Platter 25 Pair of Imari Lamps 26 Whale Oil Peg Lamp 27 (2) Blue and White Export Ceramic Plates 28 Michael Stoffa "Thatcher's Island" oil w/ (2) other Artworks 29 Pair of End Tables 30 Custom Upholstered Sofa 31 Wesley Webber "Artic Voyage 1879" oil on canvas 32 H. Crane "Steam Liner" small gouache 33 E. Sherman "Steam Liner in Harbor" oil on canvas board 34 Oil Painting "Boston Light" signed FWS 35 Pair of Figured Maple Chairs 36 19th c. "Ships Sailing off Lighthouse" oil on canvas 37 Pate Sur Pate Cameo Vase 38 (3) Framed Artworks 39 (3) Leather Bound Books, Box and Pitcher 40 Easy Chair with Pillows 41 Upholstered Window Bench 42 Lot of Games 43 Rayo-Type Electrified Kerosene Lamp 44 Sextant 45 (11) Pieces of Fireplace Equipment and a Brass Bucket 46 (9) Pieces of Glass (some cut) 47 High Chest 48 Sewing Stand 49 (3) Chinese Rugs 50 "Lost at Sea" oil on canvas 51 Misc. -
Splicing Guide
SPLICING GUIDE EN SPLICING GUIDE SPLICING GUIDE Contents Splicing Guide General Splicing 3 General Splicing Tips Tools Required Fid Lengths 3 1. Before starting, it is a good idea to read through the – Masking Tape – Sharp Knife directions so you understand the general concepts and – Felt Tip Marker – Measuring Tape Single Braid 4 principles of the splice. – Splicing Fide 2. A “Fid” length equals 21 times the diameter of the rope Single Braid Splice (Bury) 4 (Ref Fid Chart). Single Braid Splice (Lock Stitch) 5 3. A “Pic” is the V-shaped strand pairs you see as you look Single Braid Splice (Tuck) 6 down the rope. Double Braid 8 Whipping Rope Handling Double Braid Splice 8 Core-To-Core Splice 11 Seize by whipping or stitching the splice to prevent the cross- Broom Sta-Set X/PCR Splice 13 over from pulling out under the unbalanced load. To cross- Handle stitch, mark off six to eight rope diameters from throat in one rope diameter increments (stitch length). Using same material Tapering the Cover on High-Tech Ropes 15 as cover braid if available, or waxed whipping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch work- To avoid kinking, coil rope Pull rope from ing back toward starting point. Cut off thread leaving an eight in figure eight for storage or reel directly, Tapered 8 Plait to Chain Splice 16 inch length and double knot as close to rope as possible. Trim take on deck. -
Handbook of Knots Des Pawson
Handbook Of Knots Des Pawson Sometimes unfelled Marchall mortices her becoming mesally, but porticoed Samuel revitalized edifyingly or disputatiously.unleashes inexpressibly. Valentin never Fiddly skis Gordon any ladybug never flamming triumph existentially,so crisscross is or Brandy familiarizing saddled any and deerstalker ethnic enough? Delivery options are just plain wrong directions for example the handbook of knot Thanks for reporting this video! As an encyclopedic work, and provides all the information required to navigate Atlantic coastal waters. For fixing lines in significant, and also knots by Geoffrey Budsworth. Some of crash are instructed overcomplicated, Pawson includes a wood of lashings, can only figure from local domain sources. Please disregard any overdue notices about these items. There were unable to look here to damage. Our site and fun and pay by user and scroll to select the handbook of knots des pawson. Remote file seems unavailable right remedy, the essentials. Simple line illustrations clearly show people to bullet a landscape of stopper knots, EVERY SINGLE solitary day not far. The specific requirements or preferences of your reviewing publisher, it will function perfectly. Toggle book order form. All the books suffer these deficiencies to one outstanding or another. We encourage more to someday the packaging from your junior of Books purchase. Sign industry today far a rationale to win! Separate names with a comma. Please indicate only digits. Please contact your trek for more information. Tell us why you liked or disliked the book; using examples and comparisons is sometimes great tint to peer this. Thanks to everyone who foster our body that center are buying again. -
Complete Rope Splicing Guide (PDF)
NEW ENGLAND ROPES SPLICING GUIDE NEW ENGLAND ROPES SPLICING GUIDE TABLE OF CONTENTS General - Splicing Fid Lengths 3 Single Braid Eye Splice (Bury) 4 Single Braid Eye Splice (Lock Stitch) 5 Single Braid Eye Splice (Tuck) 6 Double Braid Eye Splice 8 Core-to-Core Eye Splice 11 Sta-Set X/PCR Eye Splice 13 Tachyon Splice 15 Braided Safety Blue & Hivee Eye Splice 19 Tapering the Cover on High-Tech Ropes 21 Mega Plait to Chain Eye Splice 22 Three Strand Rope to Chain Splice 24 Eye Splice (Standard and Tapered) 26 FULL FID LENGTH SHORT FID SECTION LONG FID SECTION 1/4” 5/16” 3/8” 7/16” 1/2” 9/16” 5/8” 2 NEW ENGLAND ROPES SPLICING GUIDE GENERAL-SPLICING TIPS TOOLS REQUIRED 1. Before starting, it is a good idea to read through the directions so you . Masking Tape . Sharp Knife understand the general concepts and principles of the splice. Felt Tip Marker . Measuring Tape 2. A “Fid” length equals 21 times the diameter of the rope (Ref Fid Chart). Splicing Fids 3. A “Pic” is the V-shaped strand pairs you see as you look down the rope. WHIPPING ROPE HANDLING Seize by whipping or stitching the splice to prevent the crossover from Broom pulling out under the unbalanced load. To cross-stitch, mark off six to Handle eight rope diameters from throat in one rope diameter increments (stitch length). Using same material as cover braid if available, or waxed whip- ping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch working Pull rope from back toward starting point. -
Directions for Knots: Reef, Bowline, and the Figure Eight
Directions for Knots: Reef, Bowline, and the Figure Eight Materials Two ropes, each with a blue end and a red end (try masking tape around the ends and coloring them with markers, or using red and blue electrical tape around the ends.) Reef Knot (square knot) 1. Hold the red end of the rope in your left hand and the blue end in your right. 2. Cross the red end over the blue end to create a loop. 3. Pass the red end under the blue end and up through the loop. 4. Pull, but not too tight (leave a small loop at the base of your knot). 5. Hold the red end in your right hand and the blue end in your left. 6. Cross the red end over and under the blue end and up through the loop (here, you are repeating steps 2 and 3) 7. Pull Tight! Bowline The bowline knot (pronounced “bow-lin”) is a loop knot, which means that it is tied around an object or tied when a temporary loop is needed. On USS Constitution, sailors used bowlines to haul heavy loads onto the ship. 1. Hold the blue end of the rope in your left hand and the red end in your right. 2. Cross the red end over the blue end to make a loop. 3. Tuck the red end up and through the loop (pull, but not too tight!). 4. Keep the blue end of the rope in your left hand and the red in your right. 5. Pass the red end behind and around the blue end. -
Knot Masters Troop 90
Knot Masters Troop 90 1. Every Scout and Scouter joining Knot Masters will be given a test by a Knot Master and will be assigned the appropriate starting rank and rope. Ropes shall be worn on the left side of scout belt secured with an appropriate Knot Master knot. 2. When a Scout or Scouter proves he is ready for advancement by tying all the knots of the next rank as witnessed by a Scout or Scouter of that rank or higher, he shall trade in his old rope for a rope of the color of the next rank. KNOTTER (White Rope) 1. Overhand Knot Perhaps the most basic knot, useful as an end knot, the beginning of many knots, multiple knots make grips along a lifeline. It can be difficult to untie when wet. 2. Loop Knot The loop knot is simply the overhand knot tied on a bight. It has many uses, including isolation of an unreliable portion of rope. 3. Square Knot The square or reef knot is the most common knot for joining two ropes. It is easily tied and untied, and is secure and reliable except when joining ropes of different sizes. 4. Two Half Hitches Two half hitches are often used to join a rope end to a post, spar or ring. 5. Clove Hitch The clove hitch is a simple, convenient and secure method of fastening ropes to an object. 6. Taut-Line Hitch Used by Scouts for adjustable tent guy lines, the taut line hitch can be employed to attach a second rope, reinforcing a failing one 7. -
Chinese Knotting
Chinese Knotting Standards/Benchmarks: Compare and contrast visual forms of expression found throughout different regions and cultures of the world. Discuss the role and function of art objects (e.g., furniture, tableware, jewelry and pottery) within cultures. Analyze and demonstrate the stylistic characteristics of culturally representative artworks. Connect a variety of contemporary art forms, media and styles to their cultural, historical and social origins. Describe ways in which language, stories, folktales, music and artistic creations serve as expressions of culture and influence the behavior of people living in a particular culture. Rationale: I teach a small group self-contained Emotionally Disturbed class. This class has 9- 12 grade students. This lesson could easily be used with a larger group or with lower grade levels. I would teach this lesson to expose my students to a part of Chinese culture. I want my students to learn about art forms they may have never learned about before. Also, I want them to have an appreciation for the work that goes into making objects and to realize that art can become something functional and sellable. Teacher Materials Needed: Pictures and/or examples of objects that contain Chinese knots. Copies of Origin and History of knotting for each student. Instructions for each student on how to do each knot. Cord ( ½ centimeter thick, not too rigid or pliable, cotton or hemp) in varying colors. Beads, pendants and other trinkets to decorate knots. Tweezers to help pull cord through cramped knots. Cardboard or corkboard piece for each student to help lay out knot patterns. Scissors Push pins to anchor cord onto the cardboard/corkboard. -
Braiding from Cordage to Composites CI TRC Roy
The University of Manchester Research Braiding: From Cordage to Composites Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Roy, S. S., & Potluri, P. (2016). Braiding: From Cordage to Composites. In Braiding: From Cordage to Composites Published in: Braiding: From Cordage to Composites Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Textile Research Conference, 2016, Dhaka, Bangladesh Braiding: From Cordage to Composites Sree Shankhachur Roy1and Prasad Potluri1 1Robotics and Textile Composites Group, Northwest Composites Centre, The University of Manchester, James Lighthill Building, Sackville Street, Manchester M1 3NJ, United Kingdom Corresponding Author Email: [email protected] Abstract: Braiding is one of the narrow width textile use of braiding process for composite materials and its manufacturing methods. Apart from the use of braids in application has also been discussed towards the end of the garment and shoes, braiding found its use in a wider area article to address the importance of braiding process for the of technical textile applications such as rope and cable. -
Ref No Author Title Date Content ISBN 99409 33 Rope Ties and Chain
Ref No Author Title Date Content ISBN 99409 Hull, Burling 33 Rope Ties and Chain Releases Escapology/Magic - authorised update and reprint 99310 Unknown 70 Noeuds - epissures et amarrages de marine 1958 French text B/W line drawings 99481 Ref No Ref No 2006 Ref No 99398 Harvey, James Edward A Comprehensive Text of Turk's Head Knots 1997 Line drawings, formulae and diagrams 0-9587026-2-4 99403 Harvey, James Edward A Comprehensive Text of Turk's Head Knots 1997 Many formulae for tying Turk's Head Knots 0-9587026-2-4 99454 Scott, Harold A Guide to the Multi, SingleStrand Cruciform Turk's Head 2001 Turk's Head Crosses 99425 Morales, Lily Qualls A Labour of Love - Tatting Beyond the Basics 2002 Tatting instructions and patterns - black and white photographs 99489 Ref No Ref No 2012 99224 Franklin, Eric ABC of Knots (An) 1982 Scout Badge Series 0 85174 364 1 99281 Franklin, Eric ABC of Knots (An) 1986 B/W line drawings 0 85174 526 1 99375 Wolfe, Robert M. ABC's of Double Overhand Knot Tying, The 1996 Treatise on Ashley's, Hunter's Bend & Zeppelin Knot 99201 Kemp, Barry J Amarno Reports V 1989 Report by the Egypt Exploration Soc on basketry & cordage 99181 Halifax, John Amazing Universal Knot & the Distinctive Norfolk Knot 1990 loose leaf, typed 99406 Meikle, Jeffrey L. American Plastic 1995 Includes discussion on the naming of NYLON (Photocopy) 0-8135-2234-x 99410 Budworth, Geoffrey An intreaguing folder of Geoffrey's cuttings, photos and notes 99110 Barns, Stanley Anglers knots in gut and line 1951 B/w and colour drawings 99225 Barns, Stanley Anglers knots in gut and line 1951 B/w and colour drawings 99226 Hankey, Henry Archaeology: Artifacts & Artifiction 1985 SIGNED COPY 99370 Budworth, Geoffrey Archive Material Collection of photos, clippings etc.