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LOW HIGH Lot Description Estimate Estimate Jill Davenport (American, 20th Century), "Green Boots with Hat," oil on canvas, signed lower 1 right, titled verso, overall (with frame): 25"h x 32"w $ 100 - 200 Jill Davenport (American, 20th Century), Cows in the Pasture, oil on canvas, unsigned, 2 canvas (unframed): 25"h x 32"w $ 100 - 200 Jill Davenport (American, 20th century), "Person with Pig," oil on canvas, initialed and titled 3 verso, canvas (unframed): 26"h x 38"w $ 100 - 200 Jill Davenport (American, 20th Century), "Attic Series: Clean Shirt," 1984, oil on canvas, 4 signed lower right, gallery label (J. Noblett, Sonoma, CA) with title and date affixed verso, overall (with frame): 20.5"h x 25"w $ 100 - 200 Russian School (19th century), Merchant in the Snow, 1997, oil on canvas, signed in Cyrillic 5 and dated lower right, overall (with frame): 28.5"h x 32.5"w $ 50 - 100 Portrait of a Musician, charcoal on paper, signed indistinctly lower right, 20th century, 6 overall (with frame): 32"h x 26"w $ 200 - 400 7 Minerva Bernetta (Kohlhepp) Teichert (American, 1889-1976), Portrait of a Lady in Red, oil on panel, signed lower right, panel: 24"h x 13"w, overall (with frame): 28"h x 17.5"w $ 600 - 900 American School (20th Century), Girl making pottery, oil on canvas, partial signature lower 8 right, overall (with frame): 30"h x 35.5"w $ 300 - 500 Follower of David Park (American, 1911-1960), Portrait of a Lady, oil on canvas, unsigned, 9 overall (with frame): 19.25"h x 15.25"w $ 200 - 400 10 American School (19th century), Portrait of a Gentleman, 1889, oil on paper, signed indisctinctly and dated on mat lower right, overall (with frame): 19"h x 16"w $ 200 - 400 Style of Astley David Middleton (ADM) Cooper (American, 1856-1924), Woman in Garden, 11 oil on panel, unsigned, panel (unframed): 38"h x 16"w $ 50 - 100 English School (early 18th Century), Portrait of a Gentleman, oil on canvas, unsigned, overall 12 (with frame): 36"h x 31.5"w $ 400 - 600 13 American School (early 20th century), Portrait of a Gentleman, 1912, oil on canvas affixed to board, initialed "S.K.N." and dated lower right, overall (with frame): 18"h x 15"w $ 50 - 100 American School (20th century), Lady in Grey, oil on board, unsigned, overall (with frame): 14 24.5"h x 16.5"w $ 50 - 100 Yoo Lein (Chinese, 20th Century), Young Boy, graphite on paper, signed lower right, overall 15 (with frame): 18.5"h x 22.5"w $ 100 - 200 16 Jill Davenport (American, 20th Century), "Green Lady with Hats and Bottles," oil on canvas, signed lower right, titled stretcher bar verso, overall (with frame): 24.25"h x 30.25"w $ 100 - 200 Couple on the Roof, carved composite with hand coloring, unsigned, 20th century, overall 17 (with frame): 26"h x 21.5"w $ 50 - 100 18 Portrait of a Young Girl, oil on board, signed "C. Gaines" lower right, 20th century, artist plaque affixed to frame lower center, overall (with frame): 18.25"h x 16.5"w $ 100 - 200 Page 1 of 41 Harold Mitchell Kramer (American, 1912-1995), Untitled (Original Cover Art created for a Huddie "Leadbelly" Ledbetter Record Album), gouache and ink on paperboard, signed lower 19 right, corresponding news article affixed verso, sight size: 12"h x 13.5"w, overall (with frame): 19"h x 22.5"w $ 200 - 400 20 No Lot Pierre Mas (French, b. 1933), Harlequin, 1961, oil on board, signed and dated upper right, 21 overall (with frame): 22.5"h x 19"w $ 150 - 250 Jill Davenport (American, 20th century), Woman in Glasses, oil on masonite, unsigned, 22 board (unframed): 11.5"h x 11"w $ 50 - 100 Jill Davenport (American, 20th century), The Green Lady, oil on board, signed lower right, 23 board (unframed): 16"h x 12"w $ 50 - 100 (lot of 2) Swedish School (19th century), Portrait of Man and Woman, 1895, oils on canvas, 24 each signed "E. Lundgren" and dated lower right, canvas (each): 30"h x 25"w, overall (with frame/each): 36.5"h x 31.5"w $ 1,000 - 2,000 American School (20th century), Three Children, oil on canvas, unsigned, overall (with 25 frame): 29"h x 23"w $ 50 - 100 Eastern European School (19th century), Couple in a Horse Carriage, print with oil overlay 26 on panel, unsigned, auction label (Freeman's, Sale 1260, Lot 546) affixed verso, overall (with frame): 14.5"h x 11"w $ 50 - 100 After Gerard (Terburg) Ter Borch the Younger (1617-1681), Officer Writing a Letter, 27 reproduction print, 20th century, overall (with frame): 17"h x 14"w $ 50 - 100 American School (19th century), Woman Spinning Wheel, watercolor on paper, unsigned, 28 overall (with frame): 17"h x 14"w $ 50 - 100 29 European School (19th century), "Aliza van Antwerp," circa 1870, oil on panel, artist label with date and titled affixe verso, sight: 16.5"h x 14"w, overall (with frame): 22"h x 20"w. $ 200 - 400 30 American School (19th century), Lady in Black, pastel on paper affixed to canvas, unsigned, auction label (Bohnam's California) affixed verso, canvas (unframed): 24"h x 20"w $ 100 - 200 Jill Davenport (American, 20th century), "Portait with Pink Lipstick," oil on canvas, signed 31 lower right, titled verso, canvas (unframed): 10"h x 8"w $ 50 - 100 Jill Davenport (American, 20th Century), "Don Bishop Seated," 1986, oil on canvas, signed 32 and dated lower left, titled verso, canvas (unframed): 28"h x 22"w $ 100 - 200 Jill Davenport (American, 20th Century), "Don Bishop as Model," 1986, oil on canvas, signed 33 and dated lower left, titled verso, canvas (unframed): 36"h x 25"w $ 100 - 200 Jill Davenport (American, 20th century), "Attic Series: Lawn Party," 1986, oil on canvas, 34 signed and dated lower right, artist title label affixed verso, overall (with frame): 36.5"h x 22.5"w $ 100 - 200 Jill Davenport (American, 20th century), "Attic Series: Best Dress," 1987, oil on canvas, 35 signed and dated lower right, artist title label affixed verso, overall (with frame): 30.5"h x 24.5"w $ 100 - 200 Jill Davenport (American, 20th century), "Attic Series: Yellow," oil on canvas, signed lower 36 left, titled verso, overall (with frame): 30.5"h x 24.75"w $ 100 - 200 Jill Davenport (American, 20th century), "Single Boot," oil on panel, signed lower right, titled 37 verso, overall (with frame): 19"h x 12.75"w $ 50 - 100 Page 2 of 41 38 Jill Davenport (American, 20th century), "Attic Series: Pink Dress," 1987, oil on canvas, signed and dated lower left, titled verso, overall (with frame): 27.5"h x 24.75"w $ 100 - 200 Margaret Garcia (American, 20th century), "Willie, Red Lady," 1986, oil on panel, signed 39 lower right, titled and dated verso, overall (with frame): 29"h x 21"w $ 100 - 200 Attributed to William Watts (American, 1869-1961), Crossing the Bridge, oil on panel, 40 unsigned, overall (with frame): 17"h x 13.5"w $ 100 - 200 Follower of Pierre Bonnard (French, 1867-1947), Lady Seated on a Bench, 1922, oil on 41 panel, bears initials and dated lower left, inscribed "attribue a P. Bonnard" verso, overall (with frame): 15.5"h x 12.5"w $ 300 - 500 Ki Davis (American, 1925-1983), "Untitled (Outline of Nude Woman)," conte crayon, signed 42 lower left, overall (with frame): 28"h x 33.5"w $ 100 - 200 43 Jill Davenport (American, 20th century), "Drawing of Fred," 1984, graphite on paper, signed and dated lower right, titled verso, overall (with frame): 21.5"h x 27.5"w $ 50 - 100 Eduardo Tojetti (Italian/American, 1851-1930), The Odalisque, 1926, oil on canvas, signed 44 and dated lower right, overall (with frame): 26.5"h x 36.5"w $ 300 - 500 Jill Davenport (American, 20th century), "Capri," oil on canvas, signed lower left, titled 45 stretcher bar verso, canvas (unframed): 36"h x 28"w $ 200 - 400 N. B. Miller (American, 20th century), "Memories of Martha's Vineyard," 1989, oil on 46 canvas, signed, dated, and titled verso, overall (with frame): 17.5"h x 13.5"w $ 100 - 200 47 Gertrude Julian (American, 20th century), "Vallejo Museum," watercolor, signed lower left, title label affixed verso, sight: 6"h x 9"w, overall (with frame): 10.75"h x 14"w $ 50 - 100 Traversing Through the Mountains, reproduction print on board, unsigned, 20th century 48 printing, overall (with frame): 11.5"h x 14"w $ 50 - 100 Wiktor Korecki (Polish, 1890-1980), Untitled (Marshes in Spring), oil on canvas, signed lower 49 left, canvas: 10"h x 14"w, overall (with frame): 15"h x 19"w $ 500 - 700 The White House, oil on panel, signed indistinctly upper right, 20th century, overall (with 50 frame): 17"h x 20.75"w $ 200 - 400 51 Suzanne Ferguson (American, 20th century), "Coming of Winter," mixed media on paper, pencil signed on mat lower right, titled lower left, overall (with frame): 8.75"h x 10.5"w $ 50 - 100 52 Andrew Byrne (British, b. 1946), "Burnop Fields," lithograph on paper, pencil signed lower right, titled lower center, edition 67/150, overall (with frame): 27"h x 33.5"w $ 100 - 200 James Muir Auld (Australian, 1879-1942), "Painting Lessons, Brookval Valley," 1920, 53 watercolor on paper, signed and dated lower right, gallery label (Christopher Day Gallery, Paddington, AU) with title affixed verso, sight: 16"h x 13"w, overall (with frame): 26.5"h x 27.5"w.
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  • Enlightened – the Realm of the Buddhas

    Enlightened – the Realm of the Buddhas

    Enlightened – The Realm of the Buddhas The Buddha seated on a lotus throne is one of the oldest and to date best-known representa- tions of Buddhism. Buddhist teachings emerged in northern India in the last pre-Christian millennium. From there it spread across Central and East Asia as far as Indonesia within a matter of 1,200 years. Today, Buddhism has over 380 million followers spread over the entire globe. Who was the Buddha and what was his message? How many Buddhas are there and how do they differ from one another? Is a Buddha always male? What is understood by enlightenment? The exhibition invites visitors to follow up on these and similar questions and explore the immense variety of Buddhism. At the centre stand the Three Jewels: the Buddha, his teachings, and the Buddhist community. The encounter with numerous Buddhas from South, Central, and East Asia will reveal that representations of the Buddha do not merely have a decorative function. They form the pillars of a spiritual practice and convey complex and intricate teachings. On his journey from prince to religious founder, Buddha Shakyamuni searched for the origin of suffering and for ways of overcoming it. Since his pursuit began roughly 2,500 years ago, a multitude of symbols and images of him and his teachings have emerged. What a Buddha had to look like was defined very early in various Indian writings. Unto this day, artists still follow these templates which makes recognizing a Buddha quite easy. At the same time, one is surprised again and again at the huge variety of representational modes which emerged with the spread of Buddhism and its encounter with local artistic expressions and ideas.