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Profiles in Style
PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
Photography Exhibition ‘This Place’ Will Be Presented by Tang Teaching Museum in Collaboration with Museums at Colgate, Hamilton and Ualbany
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College For Immediate Release Photography Exhibition ‘This Place’ will be presented by Tang Teaching Museum in collaboration with museums at Colgate, Hamilton and UAlbany The Tang to feature work by Wendy Ewald, Gilles Peress, Stephen Shore, Nick Waplington that explores Israel and the West Bank SARATOGA SPRINGS, N.Y. (December 12, 2017) — The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College is leading a four-campus exhibition of This Place, which features more than 600 images by twelve internationally acclaimed photographers who explore the personal and public spaces in Israel and the West Bank. Opening February 3 through April 22, 2018, the Tang’s presentation will feature work by four of the twelve photographers, who each took different approaches, highlighting how photography can illuminate multiple perspectives on a complex topic: Wendy Ewald, taught and photographed children and adults in fourteen communities in Israel and the West Bank in their homes and villages, collecting tens of thousands of digital images, a selection of which is on display at the Tang Museum; Gilles Peress photographed the Road of Patriarchs from Hebron to Jerusalem and the Palestinian village of Silwan in East Jerusalem, areas he considers to be fault lines in the Israeli-Palestinian conflict; Stephen Shore used a his 8 x 10 view camera and a digital camera to photograph landscapes and cityscapes, sacred places, street scenes, and community; and Nick Waplington created a photographic survey of Jewish settlements in the West Bank through both family portraits and images of the natural and built environment. -
CV 2010! Between Times
Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner! -
Download Portfolio
PHOTO LONDON ANNOUNCES 2019 TALKS PROGRAMME Photo London has announced details of the Talks Programme for the fifth edition of the Fair, which will take place from 15 - 19 May 2019 at Somerset House. The Programme will showcase the rich and diverse history of photography up until the present day, and explore the current and future direction of the medium in a dynamic format. It will feature talks, debates and discussions with some of the world’s most important and innovative photographers, artists, curators, critics and authors. As well as featuring many celebrated practitioners including Erwin Olaf, Susan Meiselas, Ralph Gibson, Hannah Starkey, Tim Walker, Maja Daniels, Ed Templeton and Vanessa Winship, the Talks Programme includes: • The Photo London Master of Photography 2019 Stephen Shore in conversation with curator David Campany • Martin Parr discusses British identity in his work with historian and broadcaster Dominic Sandbrook • The acclaimed biographer Ann Marks in conversation with the author Anna Sparham on the legacy of Vivian Maier • Gavin Turk discusses his Photo London project Portrait of an Egg with Matthew Collings • Zackary Drucker discusses her work on transgender identities in photography with Chris Boot, Executive Director of Aperture Foundation • Contemporary portrait photographer Martin Schoeller in conversation with publisher Gerhard Steidl • Liz Johnson Artur in conversation with Hans Ulrich Obrist • Photographer, electronic music producer and DJ, Eamonn Doyle discusses his special Photo London installation Made in Dublin with collaborators David Donohoe and Niall Sweeney • Panel discussions on subjects such as representations of the body; collecting photography; the future of photography curation and the legacy of the pioneering early photographer Roger Fenton • Tickets on sale now at photolondon.org/tickets – Fair tickets are not required to attend talks The Photo London Talks Programme is curated by William A. -
The Fire Station Project the Fire Station
THE FIRE STATION PROJECT THE FIRE STATION THE FIRE STATION PROJECT THE FIRE STATION PROJECT ACME STUDIOS’ WORK/LIVE RESIDENCY PROGRAMME 1997 – 2013 1 THE FIRE STATION PROJECT Published in 2013 by Acme Studios 44 Copperfield Road London E3 4RR www.acme.org.uk Edited by Jonathan Harvey and Julia Lancaster Designed by AndersonMacgee/Flit London Typeset in DIN and Avenir Printed by Empress Litho The Fire Station Project copyright © Acme Studios and the authors ISBN: 978-0-9566739-5-4 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the permission of the copyright owners and the publishers. Cover illustrations: Robert Ian Barnes Architects 2 Acme Studios is a London-based housing charity dedicated to supporting artists in economic need through the provision of studios, accommodation and professional support. Acme manages 16 buildings providing affordable, long-term and high-quality studios (620) units and work/live space (20 units). Through this resource it helps over 700 artists each year. Acme’s Residency & Awards Programme adds to this core service of studio provision by awarding selected UK-based artists with studio residencies, bursaries, professional mentoring and exhibiting opportunities at the Acme Project Space, working with a range of partners. At any one time over 20 artists benefit from this support. Acme’s International Residencies Programme currently manages 23 annual London residencies on behalf of eight agencies together with an Associate Artist Residencies programme for international artists applying directly to the organisation. -
Catalogo-FN15.Pdf
El talento de un momento congelado en el tiempo Cada fotografía es como una pequeña ventana por la que podemos asomarnos a un instante atrapado en el tiempo. Una imagen congelada para siempre, que a veces puede tener la carga expresiva de mil palabras. Nuestra vida está marcada por ellas. Nuestra vida íntima, porque nuestra memoria siguen siendo los álbumes de la infancia, de los estudios, de los veranos, de la familia... Y nuestra vida pública en cuyos recuerdos flotan imágenes de aviones chocando contra rascacielos o de un tricornio en la tribuna del Congreso. Dicen que la vida no es una fotografía, sino una película. Y tal vez tienen razón. Pero en el sentido de que una película son cientos de miles de fotografías. La diferencia entre el arte y la simple foto es, precisamente, la capacidad de quién es capaz de conseguir realizar todo un relato en una sola imagen; una película en un fotograma. Nuestra vida está marcada por esas instantáneas que son un grito mudo, una pincelada genial, una denuncia, un soplo de ternura, de amor, de rabia... Existen fotos periodísticas que sacuden las conciencias de la gente mucho más que los discursos políticos y las acciones de los Gobiernos. El cadáver de un niño tendido sobre la arena de una playa en un Mediterráneo de los horrores se aferró a las conciencias de media Europa como una garra de hielo. Hay fotos que mezclan formas y colores para despertar en el espectador una sinfonía de armonías. Existen fotos que captan la naturaleza profunda de una época, de un personaje, de un acontecimiento. -
Special Exhibition Gallery
SPECIAL EXHIBITION GALLERY Stories in the Dark Artist statements Adam Chodzko Ask the Dust 2016 Carousel slide projector and 81 x 35mm photographic slides, each containing dust taken from inside the barrel of a cannon (captured from the Chinese in 1860 during the Second Opium War) held in the Beaney Museum’s storage. Dimensions variable Duration 5 mins A slide projector back-projects ‘images’ of dust ‘explosions’ onto a blind in the Explorers and Collectors gallery, sharing this ‘screen’ with moving patches of sunlight, channeled by a large arched window. The dust silhouettes are formed by tiny particles of debris, decay collected from the barrel of a cannon (captured from the Chinese during the Second Opium War, 1860) stored in the Beaney’s archives. Their apparently random arrangements, suspended in 35mm film slide mounts, now magnified, offer the possibility of being decoded and read, like tea leaves, as premonitions. Or perhaps as the animated frames from a recording of Chinese shadow puppet performance. Exhibiting since 1991, working across media, from video installation to subtle interventions, and with a practice that is situated both within the gallery and the wider public realm, Chodzko’s work explores our collective imagination by wondering how, through the visual, we might best engage with the existence of others. His art proposes new relationships between our value and belief systems, exploring their affect on our communal and private spaces and the documents and fictions that control, describe and guide them. Chodzko’s practice operates between documentary and fantasy, (often using a form of “science fiction”, in order that art might propose alternative realities), conceptualism and surrealism and public and private space, often engaging reflexively and directly with the role of the viewer. -
Vanessa Winship
VANESSA WINSHIP 30th MAY – 31st AUGUST 2014 Untitled, from the series she dances on Jackson. United States, 2011-2012 © Vanessa Winship Press conference: May 28th, 2013 Dates: May 30th – August 31th Venue: FUNDACIÓN MAPFRE. Bárbara de Braganza,13, Madrid, Spain Curator: Carlos Martín García Production: Exhibition organised by FUNDACIÓN MAPFRE Website: http://www.exposicionesmapfrearte.com/winship Facebook www.facebook.com/fundacionmapfrecultura Twitter https://twitter.com/mapfreFcultura FUNDACIÓN MAPFRE opens a new exhibition hall in the heart of the city, alongside Madrid's main cultural institutions. Located at Calle Bárbara de Braganza 13 (on the corner of Paseo de Recoletos), opposite the National Library, the space boasts 868 square meters spread over two floors and will provide us with a city-center venue in which to host the photography exhibitions we have been organizing for several years. In 2007 FUNDACIÓN MAPFRE decided to make photography a key theme of its arts program and acquired the complete Brown Sisters series by Nicholas Nixon, marking the beginning of an incipient photography collection. This acquisition also lay the foundations for a new focus in our exhibition program, launched at our Azca gallery in January 2009, based simultaneously on the work of the grand masters and on contemporary photographers who had earned international acclaim but had never held a major retrospective of their work. Walker Evans was the subject of our first exhibition, and he has been followed by Fazal Sheikh, Graciela Iturbide, Lisette Model and others. All in all, we have hosted 18 exhibitions since that first experience, making us the only institution in Madrid that offers a regular program of four photography exhibitions a year. -
Annual Seminar Tuesday 19 October 2010 | 10.00-16.55 National Portrait Gallery Biographies of Speakers and Chairpersons
Annual seminar Tuesday 19 October 2010 | 10.00-16.55 National Portrait Gallery Biographies of speakers and chairpersons Dr Andrew Moore is Keeper of Art and Senior Curator for Norfolk Museums and Archaeology Service. He has curated or co-curated a number of exhibitions examining the cultural identity of Norfolk and East Anglia. These include regional assessments of the impact of the European Grand Tour (1985), the influence of Dutch and Flemish painting (1988) and of Portraiture (1992). In partnership with the State Hermitage Museum, St. Petersburg he has published a reassessment of the collection of Sir Robert Walpole: A Capital Collection (Yale University Press, 2002 in association with the Paul Mellon Centre of Studies in British Art). His most recent co- curated exhibition The Art of Faith is currently on show at Norwich Castle Museum & Art Gallery until 23 January 2011. Andrew Ellis read Economics at Cambridge before joining the merchant bank Robert Fleming, enticed by its fine collection of Scottish art. He stayed with Robert Fleming for almost twenty years working in London, Tokyo and other parts of Asia in a variety of equity research and management roles. Swapping visits to Japanese chemical plants for visits to UK museum storerooms, he joined the Public Catalogue Foundation as Director ahead of its launch in 2003. Nick Cohen is the BBC's multiplatform commissioner for factual and arts, a role that encompasses finding, developing and commissioning innovative interactive and cross-platform projects, as well as overseeing a portfolio of major ongoing websites, such as BBC Food and BBC Arts. Nick has been working at the forefront of digital media for over a decade and his commissions and productions have won a number of industry awards, including two Emmys. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Visual Arts Board Report 2018 Public Report Of
Committee(s): Date(s): Barbican Centre Board 18 July 2018 Subject: Visual Arts Board Report 2018 Public Report of: Artistic Director For Discussion Report Author: Jane Alison, Head of Visual Arts Summary This report provides an overview of the Visual Art department's strategy and planning, in the context of the Barbican's vision and mission and Strategic Business Plans. It is divided into the following sections: 1. Mission Statement and Strategic Objectives 2. Challenges and Opportunities 3. Exhibition Round-up 4. Income Generation 5. Equality and Inclusion 6. Future Plans (non-public) 7. Conclusion and Questions (non-public) Appendix 1: Financial and attendance analysis Appendix 2: Ticket sales reports Recommendation Members are asked to note the report. 1. MISSION STATEMENT AND STRATEGIC OBJECTIVES MISSION STATEMENT Barbican’s visual arts programme embraces art, architecture, design and photography. Many of our Art Gallery exhibitions explore the interconnections between disciplines, periods and cultures, and aim to imagine the world in new ways. Designers, artists and architects are our collaborators in this process. We are increasingly engaged in exploring the links between performance, dance and the visuals arts, as well as between art, architecture and design. We invest in the artists of today and tomorrow; the Curve gallery is one of the few galleries in London devoted to the commissioning of new work by contemporary artists. Additionally, we work directly with leading and emergent architects and designers on all our exhibitions. Through our activities we aim to inspire more people to discover and love the arts. Entrance to the Curve is free. Through Young Barbican we offer £5 tickets to 14-25 year olds for our paid exhibitions, children under 14 are free.