SELECTED BIBLIOGRAPHY
For the sake of alphabetical continuity, the titles listed here have not been divided into primary and secondary sources.
Almansi G. and Henderson S. (1983). Harold Pinter. Methuen; London.
Anderson Michael (1976). Anger and Detachment: A Study of Arden, Osborne
and Pinter Pitman Publishing: London.
Armstrong William A.(ed.) (1963). Experimental Drama. London: G. Bells and
Sons.
Aronson S.M.L. "Pinter's "Family" and Blood Knowledge" in John Lahr (ed.)
(1971). A Casebook on Harold Pinter's The Homecoming, New York:
Grove Press.
Baker and Tabachnick Stephen E. (1973). Harold Pinter. Oliver & Boyd;
Edinburgh
Barker Granville H. (1964). On Dramatic Method. Hill and Wang: New York.
Becker George J. (1963). Documents of Modem Literary Realism. N. J:
Princenton Univ. Press.
Bentley Eric (1955). The Playwright as Thinker. Meridian Books: New York.
Berkowitz Gerald M. "The Destruction of Identity in Pinter's Early Plays" in Ariel,
Vol. 9, No. 1 (January, 1978).
Bernhard F. J. "Beyond Realism: The plays of Harold Pinter". In Modern Drama
196 Ill, 2 (September, 1965).
Billington Michael (1996). The Life and Work of Harold Pinter Faber & Faber:
London
Bold Alan (1984). IHarold Pinter: You Never Heard Sucti Silence. Vision and
Barnes & Noble: London.
Bradby David. "Theories of Modern Drama" in Martin Coyle (ed.) (1991).
Encyclopedia of Literature and Criticism. Gale Research: Detroit.
Brown John Russell (1972). Tfteatre Language: A study of Arden, Osborne,
Pinter and Wesker Allen Lane: The Penguin Press: London.
Boulton James T. "Harold Pinter: The Caretaker and Other Plays" in Ganz Arthur
(ed.) (1972). Harold Pinter: A collection of Critical Essays. Prentice
Hall: Englewood Cliff, N. J.
Brustein Robert (1964). Ttie Theatre Revolt: An Approach to the Modem Drama.
Boston: Atlantic/ Little Brown.
Clifford^eech) "Two Romantics: Arnold Wesker and Harold Pinter" in Lewis Allan
(ed.) (1971). The Contemporary Theatre. New York: Crown.
Corrigan Robert. The Drama of Anton Chekhov' in Travis Bogard and William I
Oliver (ed.) (1971). Modern Drama: Essays in Criticism. Oxford:
O.U.P.
Diamond Elin (1985). Pinter's Comic Play. Associated Univ. Press: U.S.A.
Drabble Margaret (ed.) (1990). The Oxford Companion to English Literature. V
edition, O.U.P.: New York.
Dukore Bernard F. (1982). Harold Pinter The Macmillan Modern Dramatists:
197 Macmillan.
Dutton Richard (1986). Modem Tragicomedy and the British Tradition: Beckett,
Pinter, Stoppard, Albee and Storey. The Harvester Press.
Esslin Martin. "Epic Theatre, the Absurd and the Future" in Tulane Drama
Review. (Summer, 1964).
Esslin Martin. "Godot And His Children: The Theatre of Samuel Beckett and
Harold Pinter" in Armstrong William A. (ed.) (1963). Experimental
Drama. G. Bell and Sons: London.
Esslin Matin (1984). Pinter: The Playwright. Methuen Paperback. Methuen, IV
Edition: London.
Esslin Martin (1977). Pinter: A Study of His Plays. London: Methuen.
Evans Gareth Lloyd (1977). The Language of Modem Drama. Rowman and
Littlewood: Totowa, N. J.
Gale Steven H. (1977). Butter's Going Up: A Critical Analysis of Harold Pinter's
Wori<. Duke Univ. Press: Durham.
Ganz Arthur (ed.) (1972). Pinter: A Collection of Critical Essays. Prentice Hall:
N.J.
Gaskell Ronald. (1972). Drama and Reality: The European Theatre Since Ibsen.
Routledge and Kegan Paul: London.
Gassner John (1964). Ideas in the Drama. Columbia Univ. Press: New York.
Grant Damian (1970). Realism. The critical Idiom 9, Methuen: London.
Hall Peter. "Directing the Plays of Harold Pinter" in Raby Peter (ed.) {200^).The
Cambridge Companion to Harold Pinter Cambridge Univ. Press.
198 Hartnoll Phyllis (ed.) (1990). The Concise Oxford Companion to Theatre.
Oxford: O.U.P.
Hayman Ronald (1979). British Theatre Since 1955. A Reassessment. Oxford:
O.U. P.
Hayman Ronald (1980). Harold Pinter. Contemporary Playwright's Series.
Heinemann: London.
Hinchliffe Arnold P. (1967). Harold Pinter. Twayne Publishers: New York.
Hirst David L. (1984). Tragicomedy. The Critical Idiom,, Methuen: London.
Hollis James R. (1970). Harold Pinter: The Poetics of Silence. Carbondale:
Southern Illinois Univ. Press.
Hugh Nelson. "The Homecoming: Kith and Kin" in Brown John Russell (ed.)
(1960). Modem British Dramatists: A Collection of Critical Essays.
Prentice Hall of India: New Delhi-
Kaufman M.W. "Actions that Man Might Play: Pinter's The Birthday Party" in
Modern Drama. No. 16 (Sept 1973).
King Noel. "Pinter's Progress" in Modern Drama. Vol. XXIII No. 3
(September, 1980).
Knowles Ronald. "Names and Naming in the Plays of Harold Pinter" in Bold Alan
(ed.) (1984). Harold Pinter: You Never Heard Such Silence. Vision and
Barnes & Noble:London.
Knowles Ronald. "The Point of Laughter" in Scott Michael (ed.) (1986). Harold
Pinter: The Birthday Party, The Caretaker, The Homecoming. Macmillan.
Lahr John. "Pinter and Chekhov: The Bond of Naturalism" in Ganz Arthur (ed.)
199 (1972). Pinter: A Collection Of Critical Essays. Prentice Hall, N. J.
Levin Harry (1963). The Gates of Horn: A Study of Five French Realists. New
York: Dryden Press.
MCdowall Arthur (1918). Realism: A Study in Art and Thought. London: O.U.P.
Morgan Ricki. "What Max and Teddy come Home to in The Homecoming" in
Educational Theatre Journal. (March, 1973).
Nicoll Allardyce (1962). British Drama. G.G. Harrap: London.
Peacock D. Keith (1997). Harold Pinter and The New British Theatre. Green
wood Press: London.
Pinter Harold. "A Letter to Peter Wood" in Scott Michael (ed.) (1986). Harold
Pinter: The Brithday Party, The Caretaker, The Homecoming. Macmillan.
Pinter Harold. Plays: One (The Brithday Party, The Room, The Dumb Waiter, A
Slight Ache, A Night Out), London: Methuen, 1976.
Pinter Harold. Plays: Two (The Caretaker, The Lover, Night School, The Dwarfs),
London: Methuen, 1977.
Pinter Harold. Plays: Three (The Homecoming, Tea Party, The Basement,
Landscape, Silence), London: Methuen, 1978.
Pinter Harold Plays: Fowr (Old Times, No Man's Land, Betrayal, Monologue,
Family Voice), London: Methuen, 1981.
Quigley Austine E. (1975). The Pinter Problem. Princenton: N. J.
Roy Emil (1972). Bn'tish Drama Since Shaw. Southern Illinois Univ. Press:
Carbondale and Edwardville.
Sakallaridou Elizabeth (1988). Pinter's Female Portraits: A Study of Female
200 Characters in the Plays of Harold Pinter Macmillan Press.
Salmon Eric. "Harold Pinter's Ear" in Modern Drama, Vol. XVII, No. 4 (December,
1974): Harold Pinter Issue.
Scott Michael (ed.) (1986). Harold Pinter: The Bhthday Party, The Caretaker,
The Homecoming, Macmillan.
Strindberg Austgust. "Author's preface to Miss Julie" in Five Plays. London:
Methuen. (1986): trans. Harry G. Carlson.
Strindberg Austgust. "Note to A Dream Play" in Five Plays. London: Methuen,
(1986): trans. Harry G. Carlson.
Styan J. L. (1981). Modern Drama in Theory and Practice: Realism and
Naturalism. Vol. One. Cambridge Univ. Press.
Sykes Arlene (1970). Harold Pinter St. Lucia: Univ. of Queensland Press.
Taylor John R. (1969) Anger and After: A Guide to the New British Drama.
London: Methuen.
Taylor John R. (1967). The Rise and Fall of the Well-Made play. London:
Methuen.
Tenant P. F. D. (1948). Ibsen's Dramatic Technique. Bowes and Bowes,
Cambridge.
The New Encyclopedia Britannica (1987). Vol. V, The Univ. Of Chicago, U.S.A.
The Oxford English Dictionary {1978). Vol. VIII, Oxford Clarendon Press.
Thilly Frank (1993). A History of Philosophy. Central Publishing House:
Allahabad.
Thompson David (1985). Pinter: The Player's Playwright. Macmillan.
201 Trusseler Simon, (1974). The Plays of Harold Pinter: An Assessment. Victor
Gollancz Ltd: London.
Weliek Rene. "The Concept of Realism in Literary Scholarship" in (1963).
Concepts of Criticism. New Haven: New York.
Wellwarth George (1971). The Theatre of Protest and Paradox. New York Univ.
Press: New York.
Wickham Glynne (1962). Drama in a World of Science. Routledge and Kegan
Paul: London.
Worth Katherine. "Pinter and the Realist Tradition" in Scott Michael (ed.) (1986).
Harold Pinter: The Birthday Party, The Caretaker, The Homecoming.
Macmillan.
Wray Phoebe. "Pinter's Dialogue: The Play on Words" in Modern Drama. Vol.
XIII. No. 1 (May,1970).
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