SELECTED BIBLIOGRAPHY

For the sake of alphabetical continuity, the titles listed here have not been divided into primary and secondary sources.

Almansi G. and Henderson S. (1983). . Methuen; .

Anderson Michael (1976). Anger and Detachment: A Study of Arden, Osborne

and Pinter Pitman Publishing: London.

Armstrong William A.(ed.) (1963). Experimental Drama. London: G. Bells and

Sons.

Aronson S.M.L. "Pinter's "Family" and Blood Knowledge" in John Lahr (ed.)

(1971). A Casebook on Harold Pinter's , New York:

Grove Press.

Baker and Tabachnick Stephen E. (1973). Harold Pinter. Oliver & Boyd;

Edinburgh

Barker Granville H. (1964). On Dramatic Method. Hill and Wang: New York.

Becker George J. (1963). Documents of Modem Literary Realism. N. J:

Princenton Univ. Press.

Bentley Eric (1955). The Playwright as Thinker. Meridian Books: New York.

Berkowitz Gerald M. "The Destruction of Identity in Pinter's Early Plays" in Ariel,

Vol. 9, No. 1 (January, 1978).

Bernhard F. J. "Beyond Realism: The plays of Harold Pinter". In Modern Drama

196 Ill, 2 (September, 1965).

Billington Michael (1996). The Life and Work of Harold Pinter Faber & Faber:

London

Bold Alan (1984). IHarold Pinter: You Never Heard Sucti . Vision and

Barnes & Noble: London.

Bradby David. "Theories of Modern Drama" in Martin Coyle (ed.) (1991).

Encyclopedia of Literature and Criticism. Gale Research: Detroit.

Brown John Russell (1972). Tfteatre Language: A study of Arden, Osborne,

Pinter and Wesker Allen Lane: The Penguin Press: London.

Boulton James T. "Harold Pinter: and Other Plays" in Ganz Arthur

(ed.) (1972). Harold Pinter: A collection of Critical Essays. Prentice

Hall: Englewood Cliff, N. J.

Brustein Robert (1964). Ttie Theatre Revolt: An Approach to the Modem Drama.

Boston: Atlantic/ Little Brown.

Clifford^eech) "Two Romantics: Arnold Wesker and Harold Pinter" in Lewis Allan

(ed.) (1971). The Contemporary Theatre. New York: Crown.

Corrigan Robert. The Drama of Anton Chekhov' in Travis Bogard and William I

Oliver (ed.) (1971). Modern Drama: Essays in Criticism. Oxford:

O.U.P.

Diamond Elin (1985). Pinter's Comic Play. Associated Univ. Press: U.S.A.

Drabble Margaret (ed.) (1990). The Oxford Companion to English Literature. V

edition, O.U.P.: New York.

Dukore Bernard F. (1982). Harold Pinter The Macmillan Modern Dramatists:

197 Macmillan.

Dutton Richard (1986). Modem and the British Tradition: Beckett,

Pinter, Stoppard, Albee and Storey. The Harvester Press.

Esslin Martin. "Epic Theatre, the Absurd and the Future" in Tulane Drama

Review. (Summer, 1964).

Esslin Martin. "Godot And His Children: The Theatre of and

Harold Pinter" in Armstrong William A. (ed.) (1963). Experimental

Drama. G. Bell and Sons: London.

Esslin Matin (1984). Pinter: The Playwright. Methuen Paperback. Methuen, IV

Edition: London.

Esslin Martin (1977). Pinter: A Study of His Plays. London: Methuen.

Evans Gareth Lloyd (1977). The Language of Modem Drama. Rowman and

Littlewood: Totowa, N. J.

Gale Steven H. (1977). Butter's Going Up: A Critical Analysis of Harold Pinter's

Wori<. Duke Univ. Press: Durham.

Ganz Arthur (ed.) (1972). Pinter: A Collection of Critical Essays. Prentice Hall:

N.J.

Gaskell Ronald. (1972). Drama and Reality: The European Theatre Since Ibsen.

Routledge and Kegan Paul: London.

Gassner John (1964). Ideas in the Drama. Columbia Univ. Press: New York.

Grant Damian (1970). Realism. The critical Idiom 9, Methuen: London.

Hall Peter. "Directing the Plays of Harold Pinter" in Raby Peter (ed.) {200^).The

Cambridge Companion to Harold Pinter Cambridge Univ. Press.

198 Hartnoll Phyllis (ed.) (1990). The Concise Oxford Companion to Theatre.

Oxford: O.U.P.

Hayman Ronald (1979). British Theatre Since 1955. A Reassessment. Oxford:

O.U. P.

Hayman Ronald (1980). Harold Pinter. Contemporary Playwright's Series.

Heinemann: London.

Hinchliffe Arnold P. (1967). Harold Pinter. Twayne Publishers: New York.

Hirst David L. (1984). Tragicomedy. The Critical Idiom,, Methuen: London.

Hollis James R. (1970). Harold Pinter: The Poetics of Silence. Carbondale:

Southern Illinois Univ. Press.

Hugh Nelson. "The Homecoming: Kith and Kin" in Brown John Russell (ed.)

(1960). Modem British Dramatists: A Collection of Critical Essays.

Prentice Hall of India: New Delhi-

Kaufman M.W. "Actions that Man Might Play: Pinter's The Birthday Party" in

Modern Drama. No. 16 (Sept 1973).

King Noel. "Pinter's Progress" in Modern Drama. Vol. XXIII No. 3

(September, 1980).

Knowles Ronald. "Names and Naming in the Plays of Harold Pinter" in Bold Alan

(ed.) (1984). Harold Pinter: You Never Heard Such Silence. Vision and

Barnes & Noble:London.

Knowles Ronald. "The Point of Laughter" in Scott Michael (ed.) (1986). Harold

Pinter: The Birthday Party, The Caretaker, The Homecoming. Macmillan.

Lahr John. "Pinter and Chekhov: The Bond of Naturalism" in Ganz Arthur (ed.)

199 (1972). Pinter: A Collection Of Critical Essays. Prentice Hall, N. J.

Levin Harry (1963). The Gates of Horn: A Study of Five French Realists. New

York: Dryden Press.

MCdowall Arthur (1918). Realism: A Study in and Thought. London: O.U.P.

Morgan Ricki. "What Max and Teddy come Home to in The Homecoming" in

Educational Theatre Journal. (March, 1973).

Nicoll Allardyce (1962). British Drama. G.G. Harrap: London.

Peacock D. Keith (1997). Harold Pinter and The New British Theatre. Green

wood Press: London.

Pinter Harold. "A Letter to Peter Wood" in Scott Michael (ed.) (1986). Harold

Pinter: The Brithday Party, The Caretaker, The Homecoming. Macmillan.

Pinter Harold. Plays: One (The Brithday Party, , , A

Slight Ache, A Out), London: Methuen, 1976.

Pinter Harold. Plays: Two (The Caretaker, , , The Dwarfs),

London: Methuen, 1977.

Pinter Harold. Plays: Three (The Homecoming, , ,

Landscape, Silence), London: Methuen, 1978.

Pinter Harold Plays: Fowr (, No Man's Land, , Monologue,

Family Voice), London: Methuen, 1981.

Quigley Austine E. (1975). The Pinter Problem. Princenton: N. J.

Roy Emil (1972). Bn'tish Drama Since Shaw. Southern Illinois Univ. Press:

Carbondale and Edwardville.

Sakallaridou Elizabeth (1988). Pinter's Female Portraits: A Study of Female

200 Characters in the Plays of Harold Pinter Macmillan Press.

Salmon Eric. "Harold Pinter's Ear" in Modern Drama, Vol. XVII, No. 4 (December,

1974): Harold Pinter Issue.

Scott Michael (ed.) (1986). Harold Pinter: The Bhthday Party, The Caretaker,

The Homecoming, Macmillan.

Strindberg Austgust. "Author's preface to Miss Julie" in Five Plays. London:

Methuen. (1986): trans. Harry G. Carlson.

Strindberg Austgust. "Note to A Dream Play" in Five Plays. London: Methuen,

(1986): trans. Harry G. Carlson.

Styan J. L. (1981). Modern Drama in Theory and Practice: Realism and

Naturalism. Vol. One. Cambridge Univ. Press.

Sykes Arlene (1970). Harold Pinter St. Lucia: Univ. of Queensland Press.

Taylor John R. (1969) Anger and After: A Guide to the New British Drama.

London: Methuen.

Taylor John R. (1967). The Rise and Fall of the Well-Made play. London:

Methuen.

Tenant P. F. D. (1948). Ibsen's Dramatic Technique. Bowes and Bowes,

Cambridge.

The New Encyclopedia Britannica (1987). Vol. V, The Univ. Of Chicago, U.S.A.

The Oxford English Dictionary {1978). Vol. VIII, Oxford Clarendon Press.

Thilly Frank (1993). A History of Philosophy. Central Publishing House:

Allahabad.

Thompson David (1985). Pinter: The Player's Playwright. Macmillan.

201 Trusseler Simon, (1974). The Plays of Harold Pinter: An Assessment. Victor

Gollancz Ltd: London.

Weliek Rene. "The Concept of Realism in Literary Scholarship" in (1963).

Concepts of Criticism. New Haven: New York.

Wellwarth George (1971). The Theatre of Protest and Paradox. New York Univ.

Press: New York.

Wickham Glynne (1962). Drama in a World of Science. Routledge and Kegan

Paul: London.

Worth Katherine. "Pinter and the Realist Tradition" in Scott Michael (ed.) (1986).

Harold Pinter: The Birthday Party, The Caretaker, The Homecoming.

Macmillan.

Wray Phoebe. "Pinter's Dialogue: The Play on Words" in Modern Drama. Vol.

XIII. No. 1 (May,1970).

202