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Palmetto Tatters Guild Glossary of Tatting Terms (Not All Inclusive!)
Palmetto Tatters Guild Glossary of Tatting Terms (not all inclusive!) Tat Days Written * or or To denote repeating lines of a pattern. Example: Rep directions or # or § from * 7 times & ( ) Eg. R: 5 + 5 – 5 – 5 (last P of prev R). Modern B Bead (Also see other bead notation below) notation BTS Bare Thread Space B or +B Put bead on picot before joining BBB B or BBB|B Three beads on knotting thread, and one bead on core thread Ch Chain ^ Construction picot or very small picot CTM Continuous Thread Method D Dimple: i.e. 1st Half Double Stitch X4, 2nd Half Double Stitch X4 dds or { } daisy double stitch DNRW DO NOT Reverse Work DS Double Stitch DP Down Picot: 2 of 1st HS, P, 2 of 2nd HS DPB Down Picot with a Bead: 2 of 1st HS, B, 2 of 2nd HS HMSR Half Moon Split Ring: Fold the second half of the Split Ring inward before closing so that the second side and first side arch in the same direction HR Half Ring: A ring which is only partially closed, so it looks like half of a ring 1st HS First Half of Double Stitch 2nd HS Second Half of Double Stitch JK Josephine Knot (Ring made of only the 1st Half of Double Stitch OR only the 2nd Half of Double Stitch) LJ or Sh+ or SLJ Lock Join or Shuttle join or Shuttle Lock Join LPPCh Last Picot of Previous Chain LPPR Last Picot of Previous Ring LS Lock Stitch: First Half of DS is NOT flipped, Second Half is flipped, as usual LCh Make a series of Lock Stitches to form a Lock Chain MP or FP Mock Picot or False Picot MR Maltese Ring Pearl Ch Chain made with pearl tatting technique (picots on both sides of the chain, made using three threads) P or - Picot Page 1 of 4 PLJ or ‘PULLED LOOP’ join or ‘PULLED LOCK’ join since it is actually a lock join made after placing thread under a finished ring and pulling this thread through a picot. -
4-H Crocheting Project Member Guide
4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue. -
October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Beginner Basics Illustrated Stitches Updated Techniques
beginner basics illustrated stitches 8 NEW updated techniques PROJECTS Crochet Made Easy Using this Book Crochet Made Easy is written for beginners, and features easy-to- understand diagrams and step-by-step instructions to illustrate crochet stitches and techniques. When you have mastered the basic techniques, try the projects included at the back of this book—they're designed especially for beginners! Products All of the projects in this book were designed and made with products from Coats & Clark—Red Heart yarns and Aunt Lydia's threads. General information is included about yarn, thread and crochet hooks. We recommend reading through the book to become familiar with terminology before picking up your hook and yarn. When you're ready, use a Medium Worsted Weight yarn (size 4 on chart at right) and a 5 mm (US-H-8) or 5.5 mm (US-I-9) hook to learn to crochet. Diagrams and Instructions Diagrams are shown for right-handers. Because of space limitations, it is not possible to show left-handed diagrams. If you are a left-hander and are hav- ing trouble understanding the diagrams, try tracing the diagrams and then turning the tracing paper over and looking at the reversed image. When read- ing instructions, substitute "left" for "right" and "right" for "left" where it appears. The abbreviation and its accompanying symbol are shown with the instruc- tions for each stitch. Visit www.redheart.com for more information and inspiration! We also recommend these sites. For additional patterns: www.coatsandclark.com For magazine information: www.crochettoday.com For television show information: www.knitandcrochettoday.com Distributed in the USA by Coats & Clark, Greer SC 29650 Learn to Crochet Yarn Yarns are available in a variety of weights. -
Working with Neon Rays Added Karen Chrissinger As a Teacher
June 2017 A Message from Jill In this Issue: On October 1, 2009, I took a big step in my and my family’s life - I A Message from Jill purchased Louise’s Needlework. Being an owner of a small business is one of the hardest yet most fulfilling jobs there is. I love the challenge of Yeah….that stitch! growing Louise’s every year and we have come so far yet there is still more Karen Chrissinger discusses the basic types of stitches and growing to do. Our move has been one of the best changes we made. We how they are worked. love our space, light and parking. In fact we wish we had more space than we have now! We have added new thread lines and continue to grow Classes others. Don’t miss out on a wonderful new class beginning soon at Louise’s. We have had great success with our clubs and will continue to add new and exciting ones in the near future. New classes have been added on A Few of Our Newest Arrivals Thursdays and we have hosted Laura Taylor (who will be back in 2018), Canvases just added – and will be hosting Kelly Clark in September. available in the store and online. Even employees have changed. We have Working with Neon Rays added Karen Chrissinger as a teacher. If you Diane Snyder gives several haven’t taken a class from her you should. helpful hints on working with this beautiful, but sometimes Karen has spread her love of needlepoint to frustrating, ribbon. -
Loose Ends & Gathered Threads
NSNG Loose Ends & Gathered Threads NEWSLETTER of the NORTH SUBURBAN NeedleArts GUILD • SEPTEMBER 2020 Comfort in Art Bryant’s class I mentioned to my husband the other day demonstrated that I felt a sense of despair over the state of that we are surrounded things. He revealed that he had similar feel- at all times by ings sometimes. We can cope for a while, but many creative then when things don’t change, it becomes possibilities. discouraging. I am basically an optimistic per- I plan to com- son, but in these times, things can feel good plete the horse, one day and not so good the next. and have lined I heard recently that Michelle Obama has up a broken tire been suffering from mild depression and I pump to morph thought, “Wow. This is affecting everyone!” into a preying Mrs. Obama says that exercise helps, as well mantis! as reaching out to others (she has a new podcast). Maggie Weiss We can only try to remove ourselves from I thoroughly enjoyed our class fear, realize that we can stay safe, express with Bryant Holsenbeck during gratitude for our health, walk, breathe, take summer seminar. Learning how in nature, MAKE ART! to repurpose discarded items to – Luan Wold, NSNG President create new art was inspiring and fun. It was brilliant seeing the ingenious work of others in class. Fall 2020 Calendar Bryant made a point of checking in with everyone and sharing on which to build, led me to try Meetings are Tues mornings at 9:30 am. their progress. -
Annual Report 2009 – 2010
Summer 2010 O L D S T U R B R I D G E Special Annual VILLAGE Report Edition Visitor 2009-2010 2009--2010 Building On Our Strengths Firing Up the Kiln Quilts from the OSV Collection Summer Events a member magazine that keeps you co m i n g b a c k Old Sturbridge Village, a museum and learning resource of 2009 Building On Our Strengths New England life, invites each visitor to find meaning, pleasure, 2010 Old Sturbridge Village Annual Report relevance, and inspiration through the exploration of history. A message from our President and CEO Jim Donahue to our V I S I T O R magazine. Old Sturbridge Village is a fitting We hope that you will learn new things and come to visit the Village soon. There is always something fun to do at place to learn a history lesson in how to deal with Welcome O l d S T u R b ri d g E V I l l a g E . challenging times and still move forward and prosper in the face of great adversity. That lesson Volume l, No. 1 Summer 2010 Special Annual Report Edition definitely played out this year during one of the Interpreter Nancy Garder wears a 1830s-style summer bonnet. On the Cover: most difficult economic periods this country has In This Issue: 2009–2010 Annual Report experienced over the last 60 years. 1 Building On Our Strengths A Message from our President and CEO Jim Donahue President and CEO Jim Donahue Vice President of Marketing and 7 Chairman’s Letter Communications Ann Lindblad Just knowing that generations before us Communications Coordinator Susie Bonta Design Yellow Inc. -
Bead Crochet / Knitting / Tatting
bead crochet / knitting / tatting Design Originals BEAD KNITTED BAGS BEAD CROCHET BASICS 10 Projects for Beaders & Knitters Beaded Bracelets, Necklaces, Jewelry and More! by Julia S. Pretl by Mary Libby Neiman . This book featured the historically rich technique of In no time at all anyone can make an entire bead knitting – a method of knitting beads directly wardrobe of beaded jewelry! The beautiful beaded into stitches to create a dense but supple tapestry- pieces explained in this book are so intricate like fabric, in the style of vintage or antique beaded looking, one could imagine they were made by bags. With detailed instructions and sequenced artisan master beaders. illustrations, the author provides clear, step-by-step BK2130 guidance, complemented by the 20 video tutorials Softcover, 96 pages on the accompanying DVD. Each of the 10 Includes Bonus DVD BK1213 projects contain a materials list, detailed knitting Sugg. Retail $21.95 Softcover, 36 pages instructions, and color-coded graphs of the entire Sugg. Retail $12.99 pattern or a repeating motif. Each project has a unique strap, closure, or edging and the author provides finishing suggestions and helpful hints throughout the book. A Beadwork® How-To Book KNIT AND CROCHET WITH BEADS BEAD CROCHET by Lily M. Chin by Bethany Barry . Nationally known knitwear designer and author Professional beader Bethany Barry shows you how Lily M. Chin introduces 23 original, fashion-savvy to combine a vibrant selection of seed and accent designs for knitters and crocheters of all skill levels. beads with simple crochet techniques to create an Features 16 techniques for knitting & crocheting enticing cache of jewelry, accessories and sculptural with beads; and 13 knitting & 10 crochet projects; pieces. -
Extract from Earth Guild's Tapestry Crochet Patterns
EXTRACT FROM EARTH GUILDS TIPS & NOTES TAPESTRY CROCHET PATTERNS: Crochet in a chair with arms that comfortably support your elbows, or at least that of your primary General Information arm. This will ease your shoulder, though it wont Color Changing do anything much for your wrist. a piece of Graph Paper When adding a new color, or a new strand of the same color, set it in as a second core yarn about six stitches before it becomes the working strand. Do TWISTING, AND WHAT TO DO ABOUT IT the same thing when you end a strand; carry it for Not as trivial as it might seem. about six stitches as an additional core before you When the colors are switched, the two strands cut it off. Leave a tail about half an inch long. Use wind around each other. This will happen it does your hook to pull tails to the front, a couple of rows not mean that you are doing something incorrectly. back into the web, so they wont get snagged as you When the twist becomes annoyingly snarly, and in work. Hanging there these ends can make it harder the way of the work, it needs to be undone. to see mistakes, or even how the design is building There are many ways to do this. While the up, so trim them or return them to the back when work is small and light, hold the two balls of yarn in youre a few rows further along. I prefer not to cut either hand, a foot or so apart. -
Annual Report 2003 Annual04c 5/23/05 3:55 PM Page 1
Annual04C 5/23/05 4:17 PM Page 1 MILWAUKEE ART MUSEUM Annual Report 2003 Annual04C 5/23/05 3:55 PM Page 1 2004 Annual Report Contents Board of Trustees 2 Board Committees 2 President’s Report 5 Director’s Report 6 Curatorial Report 8 Exhibitions, Traveling Exhibitions 10 Loans 11 Acquisitions 12 Publications 33 Attendance 34 Membership 35 Education and Programs 36 Year in Review 37 Development 44 MAM Donors 45 Support Groups 52 Support Group Officers 56 Staff 60 Financial Report 62 Independent Auditors’ Report 63 This page: Visitors at The Quilts of Gee’s Bend exhibition. Front Cover: Milwaukee Art Museum, Quadracci Pavilion designed by Santiago Calatrava. Back cover: Josiah McElheny, Modernity circa 1952, Mirrored and Reflected Infinitely (detail), 2004. See listing p. 18. www.mam.org 1 Annual04C 5/23/05 3:55 PM Page 2 BOARD OF TRUSTEES COMMITTEES OF Earlier European Arts Committee David Meissner MILWAUKEE ART MUSEUM THE BOARD OF TRUSTEES Jim Quirk Joanne Murphy Chair Dorothy Palay As of August 31, 2004 EXECUTIVE COMMITTEE Barbara Recht Sheldon B. Lubar Martha R. Bolles Vicki Samson Sheldon B. Lubar Chair Vice Chair and Secretary Suzanne Selig President Reva Shovers Christopher S. Abele Barbara B. Buzard Dorothy Stadler Donald W. Baumgartner Donald W. Baumgartner Joanne Charlton Vice President, Past President Eric Vogel Lori Bechthold Margaret S. Chester Hope Melamed Winter Frederic G. Friedman Frederic G. Friedman Stephen Einhorn Jeffrey Winter Assistant Secretary and Richard J. Glaisner George A. Evans, Jr. Terry A. Hueneke Eckhart Grohmann Legal Counsel EDUCATION COMMITTEE Mary Ann LaBahn Frederick F. -
Behind the Scenes Behind the Scenes
A Noro aficionado for more than twenty-five years, designer Cornelia Tuttle Hamilton took the trip of a BehindBehind lifetime, traveling to Japan from her home in Sweden thethe ScenesScenes to meet the man by Cornelia Tuttle Hamilton behind the yarn. y relationship with all that is Noro began in the early 1980s. It is obvious that every new day still brings new discoveries of color and I had just returned from a train trip around Europe that I form based largely on an acute observation of nature and its rhythms, M undertook to find direction in my professional life. The outcome seasons, textures and colors. Mr. Noro’s calm dignity and humor were was an ambitious decision to pursue careers in both photography and evident even though we needed an interpreter to communicate. hand-knit design. As fate would have it, the design part of my decision quickly developed and pushed out the photography—at least for the time The Company being. Eisaku Noro was raised in the town of Ichinomiya in Central Japan, a Upon my return to Manhattan I took a sales job at Fiberworks, which region known for its yarn and textile production. Impatient with school, was probably the most avant-garde yarn shop in New York at the time. Noro began working in the yarn industry after his basic education in Owned by crochet designer Judith Copeland, Fiberworks was more a spinning and dyeing was completed. He quickly learned the ropes. gallery than a yarn shop, where handcrafted yarns from Noro lit up the An innovator with an artistic eye even back then, Noro soon became shelves and were featured in artfully displayed handknit garments.