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Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Skidmore Lead Miners of Derbyshire, and Their Descendants 1600-1915
Skidmore Lead Miners of Derbyshire & their descendants 1600-1915 Skidmore/ Scudamore One-Name Study 2015 www.skidmorefamilyhistory.com [email protected] SKIDMORE LEAD MINERS OF DERBYSHIRE, AND THEIR DESCENDANTS 1600-1915 by Linda Moffatt 2nd edition by Linda Moffatt© March 2016 1st edition by Linda Moffatt© 2015 This is a work in progress. The author is pleased to be informed of errors and omissions, alternative interpretations of the early families, additional information for consideration for future updates. She can be contacted at [email protected] DATES Prior to 1752 the year began on 25 March (Lady Day). In order to avoid confusion, a date which in the modern calendar would be written 2 February 1714 is written 2 February 1713/4 - i.e. the baptism, marriage or burial occurred in the 3 months (January, February and the first 3 weeks of March) of 1713 which 'rolled over' into what in a modern calendar would be 1714. Civil registration was introduced in England and Wales in 1837 and records were archived quarterly; hence, for example, 'born in 1840Q1' the author here uses to mean that the birth took place in January, February or March of 1840. Where only a baptism date is given for an individual born after 1837, assume the birth was registered in the same quarter. BIRTHS, MARRIAGES AND DEATHS Databases of all known Skidmore and Scudamore bmds can be found at www.skidmorefamilyhistory.com PROBATE A list of all known Skidmore and Scudamore wills - many with full transcription or an abstract of its contents - can be found at www.skidmorefamilyhistory.com in the file Skidmore/Scudamore One-Name Study Probate. -
George Chisholm
1 The TROMBONE of GEORGE CHISHOLM Solographer: Jan Evensmo Last update: March 9, 2020 2 Born: Glasgow, Scotland, March 29, 1915 Died: Milton Keynes, England, Dec. 8, 1997 Introduction: We played again and again the marvellous Benny Carter session from Holland in 1937 with Coleman Hawkins. Then we realized that there was a great trombone player in there of British origin! Glad now to realize we had identified perhaps the best vintage trombone player on this side of the Atlantic! History: He took up trombone as a teenager after hearing Jack Teagarden. In 1936 he went to London with Teddy Joyce and played in clubs, notably the Nest Club, where the following year he took part in a jam session with Fats Waller, Coleman Hawkins and Benny Carter. Carter took him to Holland with a band that recorded eight titles for Decca (1937), and he played and recorded with Bert Ambrose’s orchestra in 1937-39. Chisholm was much in demand for session work; among his recordings was one with Waller for HMV in 1938. After joining the RAF he played in the all-star dance orchestra best known as the Squadronaires (1939-50). He was a member of the BBC Radio Show Band (1950-55) and played in Wally Stott’s orchestra in the “Goon Show” radio series, then performed with Jack Parnell and in musical shows until 1965. He continued to play jazz into the 1980s, both as a soloist – notably with Keith Smith’s Hefty Jazz – and with his own band, the Gentlemen of Jazz, in pubs, clubs and festivals. -
A Design Strategy for Chinatown
A Design Strategy for Chinatown 080916 The Prince’s Foundation for the Built Environment would like to thank all of the local stakeholders who attended the The Prince’s Foundation for the Built workshop for their time and expertise, Environment is an educational charity which which is crucial to the development exists to improve the quality of people’s lives by of the proposals contained in this teaching and practising timeless and ecological document. We would also like to thank ways of planning, designing and building. the following consultants who provided technical support to the Foundation We believe that if we can understand and apply during the workshop: Space Syntax, time-tested principles, building once more in WSP and The Feng Shui Agency. a sustainable way, we will reap improvements in public health, in livelier and safer streets and in a more affordable lifestyle for families The Prince’s Foundation for the Built Environment and individuals. The Prince’s Foundation for 19–22 Charlotte Road London EC2A 3SG, the Built Environment believes that building United Kingdom E [email protected] in a sustainable way will reap benefits for T +44 (0) 20 7613 8500 F +44 (0) 20 7613 8599 communities and result in neighbourhoods www.princes-foundation.org that accrue higher value over time. President: HRH The Prince of Wales. Registered Charity No. 1069969. A Company Limited by Guarantee No. 3579567. Registered in England at the listed address. VAT No. 839 8984 44. © The Prince’s Foundation for the Built Environment, 2008 Chinatown -
Beauty & Fitness
BEAUTY & FITNESS DOWNLOAD THE APP Enjoy even m re Entertainer offers on your smartphone! Outlet Name Location Spas Casa Spa Edgware Road Crystal Palace Spa Marylebone Health Aroma Thistle City Barbican Hotel Spa London Ironmonger Row Baths Day Spa Barbican Spa London Bethnal Green Old Ford Road Spa London Kensington Leisure Centre Silchester Road Spa London Marshall Street Day Spa Soho Spa London Rainbow Day Spa Epsom Spa London Swiss Cottage Boutique Spa Swiss Cottage Spa London Wimbledon Day Spa Wimbledon Spa to You London Hilton on Park Lane The Athenaeum Hotel The Athenaeum Hotel Health & Fitness Absolute Bollywood Multiple Locations Evolve Kensington KB Self Defence Euston Powertone Studios Kings Walk Mall The Booty Barre Northcote Road The Tokei Fitness Centre Magdalen Street The Transformers Multiple Locations Zip Fit Club Multiple Locations Outlet Name Location Beauty, Hair & Nails Beauty Clinic, The Hammersmith Burlingtons Boutique John Prince’s Street Cucumba Soho CV Hair & Beauty Bloomsbury CV Hair & Beauty - Mens Bloomsbury Depicool Leyden Street Elegant Hair and Beauty - Gents China Town Elegant Hair and Beauty Studio China Town Kornia Health London Harley Steet Muse of London Mortimer Street Oliver Stephens Soho Remix Hair & Beauty Broadhurst Gardens Remix Hair & Beauty - Gents Broadhurst Gardens Rock Chic Beauty Multiple Locations Rock Chic Beauty, Holborn Holborn Salt Cave, The Multiple Locations Sanrizz Beauty Cheval Place Sanrizz Bunswick Centre Brunswick Centre Sanrizz Guildford Guildford Sanrizz Knightsbridge Brompton -
Ted Heath (Bandleader) from Wikipedia, the Free Encyclopedia
Ted Heath (bandleader) From Wikipedia, the free encyclopedia Background information Birth name George Edward Heath Also known as Ted Born 30 March 1902 Wandsworth, South London, England Died 18 November 1969 (aged 67) Virginia Water, Surrey, England Genres Big Band, jazz Occupation(s) Bandleader, composer Instruments Trombone Years active 1916–1969 Labels Decca, London George Edward "Ted" Heath (30 March 1902 – 18 November 1969) was a British musician and big band leader. He led Britain's greatest post-war big band recording more than 100 albums which sold over 20 million copies. Considered the most successful band in Britain during the 1950s, it remained in existence as a ghost band long after Heath died, surviving in such a form until 2000. Musical beginnings After playing tenor horn at the age of six, encouraged by his father, the leader of the Wandsworth Town Brass Band, Heath later switched to trombone. Earning a living for his family in the post-war years he, and his brother Harold with three other musicians, formed a band that played to commuters outside London Bridge Station before winding their way along the streets in London to a location outside the Queen’s Hall Gardens venue. It was here that Heath’s professional career began as he was spotted on the street and asked to play with the Jack Hylton Band who had a residence there. He did not last long, not having the experience required, but it gave him the ambition to pursue a career as a professional musician. 1920s His first real band gig was with an American band on tour in Europe – the Southern Syncopation Orchestra – which had an engagement in Vienna, Austria and needed a trombone player. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
Trocadero, 13 Coventry Street, London
Item No. 1 CITY OF WESTMINSTER PLANNING Date Classification APPLICATIONS SUB th For General Release COMMITTEE 6 March 2018 Report of Ward(s) involved Director of Planning St James's Subject of Report Trocadero , 13 Coventry Street, London, W1D 7AB Proposal Use of part basements, part ground and part first to eleventh floor levels as a hotel (Class C1) comprising up to 740 bedrooms; erection of entrance canopy on Shaftesbury Avenue and plant enclosures at levels 07 to 11 and associated works; erection of roof extensions, plant, pool and terraces at levels 12 and 13 for use as a restaurant and bar (Class A3 and A4). Agent Savills On behalf of Criterion Capital Limited Registered Number 17/08541/FULL Date amended/ completed 29 September 17/08542/LBC 2017 Date Application 22 September 2017 Received Historic Building Grade Grade II Listed Building Conservation Area Soho 1. RECOMMENDATION 1. Grant conditional permission, subject to a S106 legal agreement to secure the following: i. The costs of implementing revisions to the traffic order to provide a shared coach and loading bay on Rupert Street and crossover works into the proposed loading bay; ii. A Crossrail payment; iii. An employment and training strategy for the demolition, construction and operational phases of the development; iv. S106 monitoring costs. 2. If the S106 legal agreements has not been completed within six weeks of the date of the Committee resolution, then: (a) The Director of Planning shall consider whether it would be possible and appropriate to issue the permission with additional conditions attached to secure the benefits listed above. -
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284 -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
5Ripper John Sangster Jazz Music Series: Volume 5 Ripper
John JAZZ Sangster MUSIC SERIES 5Ripper John Sangster Jazz music series: volume 5 Ripper 1 What was that? 3’58” 2 Ripper 3’10” 3 Ponder this 3’36” 4 Darkly 7’13” 5 The engine room 3’03” 6 Lovely 3’46” 7 The right time the right place 3’18” 8 Near the lake 9’59” 9 That’s it 4’55” This is the fifth of The music was recorded in 1980 and remastered from the original mixed tapes by five volumes of Move Records in 2018. “suites” written by John Sangster for this lively little orchestra. P 1980 / 2018 Move Records move.com.au Here is the the fifth and final in a series of 1 What was that? 3’58” suites written for this lively little orchestra, a Well, all I did was … gathering that includes some of Australia’s foremost jazz musicians: 2 Ripper 3’10” Starting down the Spencer Street end Bob Barnard: Cornet Ron Falson: Trumpet 3 Ponder this 3’36” Tony Gould: Piano Let’s remember Charles Ives Chris Qua (“Smedley”): Tree-bass Len (“Sluggsy”) Barnard: Drums 4 Darkly 7’13” Paul Furniss: Alto Saxophone and Clarinet A lighter side of dark Errol Buddle: Tenor Saxophone and Clarinet Roy Ainsworth: Baritone Saxophone 5 The engine room 3’03” and Bass-Clarinet What the … ? Tom Sparkes: Clarinet and Cor-Anglais John (“Darky”) McCarthy: Clarinet 6 Lovely 3’46” Herb Cannon or John Costelloe: Trombone Salute to the old South John Sangster: Vibraphone Ian Bloxsom: Percussions 7 The right time the right place 3’18” You just never know And the featured soloists: Graeme Lyall, Tenor Saxophone, and Keith Hounslow, 8 Near the lake 9’59” Pocket-Cornet (with the little mute and the Sounds of rain and water plunger) and Flugelhorn 9 That’s it 4’55” You’re all mad, half of you The music was recorded and mixed August/September 1980 in the Sydney studios of EMI by Martin Benge and John Sangster, who also produced the album. -
Global Gateway London an International Center for Scholarship and Collaboration
GLOBAL GATEWAY LONDON AN INTERNATIONAL CENTER FOR SCHOLARSHIP AND COLLABORATION WELCOME TO NOTRE DAME The University of Notre Dame boasts a network of extraordinary facilities and programs located around the world—the Notre Dame Global Gateways. Under the aegis of Notre Dame International (NDI), the Global Gateways are academic and intellectual centers where scholars, students, and leaders from universities, government, business, and the community gather to discuss issues of topical and enduring relevance. At each Global Gateway, the Notre Dame community and its many international partners and colleagues work together to advance knowledge across all disciplines with a view to the common good. London is home to one of six Notre Dame Global Gateways, with the others located in Beijing, Chicago, Dublin, Jerusalem, and Rome. The London Global Gateway consists of two major facilities: an academic center (Fischer Hall at Trafalgar Square) and a 270-bed residence building (Conway Hall, close to the South Bank near Waterloo Station). These two facilities, located in vibrant Central London, are within easy walking distance of each other. Whether for hosting a large conference or merely for providing office space for a day or two, Fischer Hall and Conway Hall serve the needs of the Notre Dame community in London. • The Summer Engineering Program in LONDON London exposes Notre Dame students to innovative technological achievements PROGRAMS during a six-week program. • The Law Summer Program is open The London Global Gateway is active to Notre Dame and non-Notre Dame year-round, hosting a myriad of activities law students and has between 30 including graduate and undergraduate and 40 participants.