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Fall 2017 Banquet
Tons of Newsletter Home to the Fall Session of the Raleigh Dart League for the Banquet, Saturday, December 9, 2017 Issue #JK704 The "This Is Probably About As Close To A 'Royal' Wedding As I Will Ever Care To Be" Edition TOURNAMENT WINNERS TABLE OF CONTENTS "A" Division - Appetite for Destruction (13-11) Item Page Number Appetite ends Element's 5-Mug run by pulling out a 501 sweep Tournament & Regular Season Winning Teams 1 (just as they did in their week 14 win), punctuated by a Michael Spring 2018 RDL Season Information 1 Johnson T80 and a pair of quick 20-darters in the final 3-game set. Final Divisional Standings 2 "B" Division - Dartistic Expression (13-11) Final Divisional Tournament Results 3 Dartistic finally escapes going to 1001 with Methodical (where Tournament & Regular Season Winning Team Rosters 4 Methodical had dumped them twice previously), thus completing Sp'18 season dates, Tiebreaker Summary, good lessons 4 an ultimate nailbiter Mug run, with 12-12, 13-11, and 13-11 wins. Tournament Trophy Dart Awards 5 "C" Division - Flightmare (13-3) Other Tournament Hot Darts 5 After winning the season race by 5 matches and 50 points (the Regular Season Trophy Dart Awards 5 second-biggest margin of victory), Flightmare rolls to one of the Divisional Singles Win %-age Winners 6 most dominant tournament runs this fall, only reaching 501 once. Divisional All-Star Point %-age Winners 6 "D" Division - Dysfunctional Outlaws (12+-12) Players Who Beat the Singles Winners 6 Dysfunctional becomes the only team outside of a "top two" from Season Penalty Summary 6 the regular season to take home a set of Mugs, outlasting the List of Host Establishments 7 Bandits (who they also thumped during the season) in a 1001! Holiday blind draws, other local leagues 7 "E" Division - Inglourious Darters (14-4) RDL Address and Phone No. -
Top 40 Singles Top 40 Albums
13 March 1977 CHART #85 Top 40 Singles Top 40 Albums After The Lovin' Rose (Can I Share A Bed With You) A Night On The Town Best Of The Doobies 1 Engelbert Humperdinck 21 Toni Williams 1 Rod Stewart 21 The Doobie Brothers Last week 4 / 5 weeks EMI Last week 29 / 13 weeks FESTIVAL Last week 1 / 30 weeks WEA Last week 15 / 6 weeks WEA You Make Me Feel Like Dancing Hot Line Hotel California Crime Of The Century 2 Leo Sayer 22 The Sylvers 2 The Eagles 22 Supertramp Last week 3 / 5 weeks FESTIVAL Last week 11 / 4 weeks EMI Last week 2 / 5 weeks WEA Last week 21 / 45 weeks FESTIVAL Cocaine You're More Than A Number Lanza A Day At The Races 3 JJ Cale 23 The Drifters 3 Mario Lanza 23 Queen Last week 1 / 3 weeks FESTIVAL Last week 20 / 4 weeks EMI Last week 7 / 3 weeks RCA Last week 11 / 4 weeks WEA Don't Give Up On Us Blue Jeans Frampton Comes Alive Wind And Wuthering 4 David Soul 24 Skyhooks 4 Peter Frampton 24 Genesis Last week 2 / 3 weeks EMI Last week 27 / 9 weeks FESTIVAL Last week 3 / 31 weeks FESTIVAL Last week 18 / 4 weeks PHONOGRAM Say You'll Stay Until Tomorrow Chanson D'amour Troubador Hot August Night 5 Tom Jones 25 The Manhattan Transfer 5 JJ Cale 25 Neil Diamond Last week - / 1 weeks EMI Last week 34 / 2 weeks WEA Last week 5 / 6 weeks FESTIVAL Last week 29 / 86 weeks UNIVERSAL New Kid In Town If You Leave Me Now Wings Over America Elton John's Greatest Hits 6 The Eagles 26 Chicago 6 Wings 26 Elton John Last week 27 / 2 weeks WEA Last week 23 / 13 weeks PHONOGRAM Last week 4 / 4 weeks EMI Last week 24 / 68 weeks FESTIVAL You Don't Have To Be A Star Jeans On Arrival A Night At The Opera 7 Marilyn McCoo and Billy Davis Jnr 27 David Dundas 7 Abba 27 Queen Last week 9 / 4 weeks RCA Last week 31 / 8 weeks FESTIVAL Last week 6 / 9 weeks RCA Last week 34 / 48 weeks WEA Tonight's The Night Fernando Best Of Abba History, Greatest Hits 8 Rod Stewart 28 Abba 8 Abba 28 America Last week 12 / 16 weeks WEA Last week 36 / 37 weeks RCA Last week 8 / 50 weeks RCA Last week 19 / 53 weeks WEA Blinded By The Light Sorry Seems To Be The Hardest Wor.. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Skidmore Lead Miners of Derbyshire, and Their Descendants 1600-1915
Skidmore Lead Miners of Derbyshire & their descendants 1600-1915 Skidmore/ Scudamore One-Name Study 2015 www.skidmorefamilyhistory.com [email protected] SKIDMORE LEAD MINERS OF DERBYSHIRE, AND THEIR DESCENDANTS 1600-1915 by Linda Moffatt 2nd edition by Linda Moffatt© March 2016 1st edition by Linda Moffatt© 2015 This is a work in progress. The author is pleased to be informed of errors and omissions, alternative interpretations of the early families, additional information for consideration for future updates. She can be contacted at [email protected] DATES Prior to 1752 the year began on 25 March (Lady Day). In order to avoid confusion, a date which in the modern calendar would be written 2 February 1714 is written 2 February 1713/4 - i.e. the baptism, marriage or burial occurred in the 3 months (January, February and the first 3 weeks of March) of 1713 which 'rolled over' into what in a modern calendar would be 1714. Civil registration was introduced in England and Wales in 1837 and records were archived quarterly; hence, for example, 'born in 1840Q1' the author here uses to mean that the birth took place in January, February or March of 1840. Where only a baptism date is given for an individual born after 1837, assume the birth was registered in the same quarter. BIRTHS, MARRIAGES AND DEATHS Databases of all known Skidmore and Scudamore bmds can be found at www.skidmorefamilyhistory.com PROBATE A list of all known Skidmore and Scudamore wills - many with full transcription or an abstract of its contents - can be found at www.skidmorefamilyhistory.com in the file Skidmore/Scudamore One-Name Study Probate. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
George Chisholm
1 The TROMBONE of GEORGE CHISHOLM Solographer: Jan Evensmo Last update: March 9, 2020 2 Born: Glasgow, Scotland, March 29, 1915 Died: Milton Keynes, England, Dec. 8, 1997 Introduction: We played again and again the marvellous Benny Carter session from Holland in 1937 with Coleman Hawkins. Then we realized that there was a great trombone player in there of British origin! Glad now to realize we had identified perhaps the best vintage trombone player on this side of the Atlantic! History: He took up trombone as a teenager after hearing Jack Teagarden. In 1936 he went to London with Teddy Joyce and played in clubs, notably the Nest Club, where the following year he took part in a jam session with Fats Waller, Coleman Hawkins and Benny Carter. Carter took him to Holland with a band that recorded eight titles for Decca (1937), and he played and recorded with Bert Ambrose’s orchestra in 1937-39. Chisholm was much in demand for session work; among his recordings was one with Waller for HMV in 1938. After joining the RAF he played in the all-star dance orchestra best known as the Squadronaires (1939-50). He was a member of the BBC Radio Show Band (1950-55) and played in Wally Stott’s orchestra in the “Goon Show” radio series, then performed with Jack Parnell and in musical shows until 1965. He continued to play jazz into the 1980s, both as a soloist – notably with Keith Smith’s Hefty Jazz – and with his own band, the Gentlemen of Jazz, in pubs, clubs and festivals. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Interview with Paul Jones by Gianni Franchi, May 2016
Interview with Paul Jones by Gianni Franchi, May 2016 SB: The first news that I've found about your career see you as a young harmonica player hangin' around London blues clubs with Brian Jones. Can you tell us something about those times? PJ: I was more of a singer than harmonica-player in those days; I had a job singing with a dance- band. I had bought a harmonica after hearing Junior Wells playing on a T-Bone Walker track – but I couldn’t get anywhere near the sounds Junior was making. Brian showed me how to play ‘cross- harp’, or as it’s called these days, 2nd position. SB: How did you learn to play the harmonica, how you did you passionate about blues music, and who was your favourite harp player ? PJ: I had been a jazz enthusiast since I was 14, but after hearing Lonnie Donegan’s record of ‘Rock Island Line’, I quickly became immersed in the blues – the more you hear, the more you love. Once Brian’s lesson had sunk in to my thinking, I listened to all harmonica blues, and Muddy Waters’ harpman at the time, James Cotton, became my favourite. But the more I studied, the more I loved and followed the great Little Walter – with Sonny Boy Williamson II close behind. SB: In 1962 you became the singer and harp player of the Manfred Mann , a fantastic band that mixed blues, R & B with jazz instrumental songs. What can you tell us about that experience and why at a certain point you decided to leave the band? PJ: People never ask why I joined those guys in the first place – only why I left. -
Download the Clarinet Saxophone Classics Catalogue
CATALOGUE 2017 www.samekmusic.com Founded in 1992 by acclaimed clarinetist Victoria Soames Samek, Clarinet & Saxophone Classics celebrates the single reed in all its richness and diversity. It’s a unique specialist label devoted to releasing top quality recordings by the finest artists of today on modern and period instruments, as well as sympathetically restored historical recordings of great figures from the past supported by informative notes. Having created her own brand, Samek Music, Victoria is committed to excellence through recordings, publications, learning resources and live performances. Samek Music is dedicated to the clarinet and saxophone, giving a focus for the wonderful world of the single reed. www.samek music.com For further details contact Victoria Soames Samek, Managing Director and Artistic Director Tel: + 44 (0) 20 8472 2057 • Mobile + 44 (0) 7730 987103 • [email protected] • www.samekmusic.com Central Clarinet Repertoire 1 CC0001 COPLAND: SONATA FOR CLARINET Clarinet Music by Les Six PREMIERE RECORDING Featuring the World Premiere recording of Copland’s own reworking of his Violin Sonata, this exciting disc also has the complete music for clarinet and piano of the French group known as ‘Les Six’. Aaron Copland Sonata (premiere recording); Francis Poulenc Sonata; Germaine Tailleferre Arabesque, Sonata; Arthur Honegger Sonatine; Darius Milhaud Duo Concertant, Sonatine Victoria Soames Samek clarinet, Julius Drake piano ‘Most sheerly seductive record of the year.’ THE SUNDAY TIMES CC0011 SOLOS DE CONCOURS Brought together for the first time on CD – a fascinating collection of pieces written for the final year students studying at the paris conservatoire for the Premier Prix, by some of the most prominent French composers. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
Allan Browne & Richard Miller
ALLAN BROWNE & RICHARD MILLER: MODERNISTS & TRADITIONALISTS Interviewed by Adrian Jackson* __________________________________________________________ [This article appeared in the Winter/Spring 1986 edition of Jazz Magazine.] rummer Allan Browne and saxophonist-clarinettist Richard Miller have been making music together for more than 20 years now. Their partnership began D in 1965 when Miller joined the Red Onion Jazz Band, led by Browne and still remembered as the most successful Australian jazz band of its time. None of their records is currently available, but a cassette (Anteater 002) which contains excerpts from some of the band’s early EPs, plus a recording from a concert in Warsaw in 1967, shows that the band’s reputation was founded on real musical qualities. Many of those qualities were re-captured when the band staged a couple of sell-out reunions at the Limerick Arms Hotel in 1984. The members of the quartet Onaje, L-R, Gary Costello, Bob Sedergreen, Richard Miller, Allan Browne… Since mid-1985, the pair have also displayed their mastery of traditional jazz in the Allan Browne Jazz Band, which plays every Thursday night at the Emerald Hotel in South Melbourne. The other members of that band are trumpeter Peter Gaudion, __________________________________________________________ *In 1986 when this was published, Adrian Jackson was a freelance writer, who had been jazz critic with the Melbourne Age since 1978. 1 Richard Miller (left) and Allan Browne, outside the Limerick Arms Hotel… PHOTO COURTESY AUSTRALIAN JAZZ MUSEUM trombonjst Bill Howard, clarinettist Fred Parkes, bassist Leon Heale and guitarist- banjoist John Scurry; Browne’s wife, Margie, occasionally adds vocals or piano.