Therembrandtdatabase Newsletter #4, May 2016 Research Resource on Rembrandt Paintings
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PAINTINGS CONSERVATOR Collections and Information Access Center
Job CIA.4.14 PAINTINGS CONSERVATOR Collections and Information Access Center REPORTS TO: Senior Conservator SUPERVISES: None The Oakland Museum of California values are fundamental to our institutional culture and guide our work together. Excellence: We are committed to excellence and working at the highest standards of integrity and professionalism. Community: We believe everyone should feel welcome and part of our community, both within the Museum and with our visitors and neighbors. Innovation: We embrace innovation and calculated risk-taking to achieve our mission. Commitment: Our work at the Museum demonstrates a sense of purpose and a shared accountability for the institution’s success. POSITION SUMMARY The Paintings Conservator is responsible for the welfare of the paintings within the collection by monitoring the environment, pest activity, and advocating for proper handling, packing, shipping, storage, and exhibit. Incumbent performs skilled conservation work on collections within their specialization including research, examination, documentation, treatment, and preventative maintenance. ESSENTIAL DUTIES AND RESPONSIBILITIES The following reflects OMCA’s definition of essential functions for this position, but does not restrict the tasks that may be assigned. OMCA may assign or reassign duties and responsibilities to this position at any time due to reasonable accommodation or other reasons. INSTITUTIONAL RESPONSIBILITIES • Support the Museum’s mission, values, vision, and core commitment to the visitor experience, community -
January 28, 2021 Introductions Faculty
Art Conservation Open House January 28, 2021 Introductions Faculty Debra Hess Norris Dr. Jocelyn Alcántara-García Brian Baade Maddie Hagerman Dr. Joyce Hill Stoner Nina Owczarek Photograph Conservator Conservation Scientist Paintings Conservator Objects Conservator Paintings Conservator Objects Conservator Chair and Professor of Photograph Associate Professor Assistant Professor Instructor Edward F. and Elizabeth Goodman Rosenberg Assistant Professor Conservation Professor of Material Culture Unidel Henry Francis du Pont Chair Students Director, Preservation Studies Doctoral Program Annabelle Camp Kelsey Marino Katie Rovito Miriam-Helene Rudd Art conservation major, Class of 2019 Art conservation major, Class of 2020 WUDPAC Class of 2022 Senior art conservation major, WUDPAC Class of 2022 Preprogram conservator Paintings major Class of 2021 Textile major, organic objects minor President of the Art Conservation Club What is art conservation? • Art conservation is the field dedicated to preserving cultural property • Preventive and interventive • Conservation is an interdisciplinary field that relies heavily on chemistry, art history, history, anthropology, ethics, and art Laura Sankary cleans a porcelain plate during an internship at UD Art Conservation at the University of Delaware • Three programs • Undergraduate degree (BA or BS) • Winterthur/University of Delaware Program in Art Conservation or WUDPAC (MS) at Winterthur Museum, Garden & Library near Wilmington, DE • Doctorate in Preservation Studies (PhD) Miriam-Helene Rudd cleans a -
CONSERVATORS/RESTORERS Updated: 8/2015
CONSERVATORS/RESTORERS Updated: 8/2015 **THE HOOD MUSEUM OF ART DOES NOT RECOMMEND SPECIFIC CONSERVATORS. THIS LISTING IS MADE FOR PURPOSES OF INFORMATION ONLY.** Online directory of members of AIC (American Institute for Conservation of Historic and Artistic works): www.conservation-us.org/membership/find-a-conservator GENERAL – Also see individual media below Straus Center for conservation and Technical Studies Harvard University Art Museums 32 Quincy Street Cambridge, MA 02138 Paper, Objects, Textiles P: 617/495.2392 F: 617/495.0322 Website: www.harvardartmuseums.org Isabella Stewart Gardner Museum 25 Evans Way Boston, MA 02115 P: 617/566.1401 Paper, Objects, Textiles F: 617/278.5167 Email: [email protected] Website: www.gardnermuseum.org Vermont Museum and Gallery Alliance C/O Fairbanks Museum Referrals. Good source for general 1302 Main Street information on storage, packing, and St. Johnsbury, VT 05819 care of artwork. P: 802/751.8381 Williamstown Art Conservation Center, Inc. 227 South Street Williamstown, MA 02167 Paintings, paper, objects, furniture, P: 413/458.5741 sculpture, frames, analytical F: 413/458.2314 Email: [email protected] Website: www.williamstownart.org Worcester Art Museum 55 Salisbury Street Worcester, MA 01609 Paper, Paintings P: 508/799.4406 Email: [email protected] Website: www.worcesterart.org CONSERVATORS/RESTORERS Updated: 8/2015 General Continued Art Conservation Resource Center 262 Beacon Street, #4 Paintings, paper, photographs, textiles, Boston, MA 02116 objects and sculpture P: -
Men's 100M Diamond Discipline 13.07.2021
Men's 100m Diamond Discipline 13.07.2021 Start list 100m Time: 19:25 Records Lane Athlete Nat NR PB SB 1 Isiah YOUNG USA 9.69 9.89 9.89 WR 9.58 Usain BOLT JAM Olympiastadion, Berlin 16.08.09 2 Chijindu UJAH GBR 9.87 9.96 10.03 AR 9.86 Francis OBIKWELU POR Olympic Stadium, Athina 22.08.04 3André DE GRASSECAN9.849.909.99=AR 9.86 Jimmy VICAUT FRA Paris 04.07.15 =AR 9.86 Jimmy VICAUT FRA Montreuil-sous-Bois 07.06.16 4 Trayvon BROMELL USA 9.69 9.77 9.77 NR 9.87 Linford CHRISTIE GBR Stuttgart 15.08.93 5Fred KERLEYUSA9.699.869.86WJR 9.97 Trayvon BROMELL USA Eugene, OR 13.06.14 6Zharnel HUGHESGBR9.879.9110.06MR 9.78 Tyson GAY USA 13.08.10 7 Michael RODGERS USA 9.69 9.85 10.00 DLR 9.69 Yohan BLAKE JAM Lausanne 23.08.12 8Adam GEMILIGBR9.879.9710.14SB 9.77 Trayvon BROMELL USA Miramar, FL 05.06.21 2021 World Outdoor list Medal Winners Road To The Final 9.77 +1.5 Trayvon BROMELL USA Miramar, FL (USA) 05.06.21 1Ronnie BAKER (USA) 16 9.84 +1.2 Akani SIMBINE RSA Székesfehérvár (HUN) 06.07.21 2019 - IAAF World Ch. in Athletics 2 Akani SIMBINE (RSA) 15 9.85 +1.5 Marvin BRACY USA Miramar, FL (USA) 05.06.21 1. Christian COLEMAN (USA) 9.76 3 Lamont Marcell JACOBS (ITA) 13 9.85 +0.8 Ronnie BAKER USA Eugene, OR (USA) 20.06.21 2. -
Officieele Gids Voor De Olympische Spelen Ter Viering Van De Ixe Olympiade, Amsterdam 1928
Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 samenstelling Nederlands Olympisch Comité bron Nederlands Olympisch Comité (samenstelling), Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928. Holdert & Co. en A. de la Mar Azn., z.p. z.j. [Amsterdam ca. 1928] Zie voor verantwoording: http://www.dbnl.org/tekst/_ned016offi01_01/colofon.htm © 2009 dbnl 1 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 2 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 3 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 4 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 5 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 6 [advertentie] Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 7 Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade Amsterdam 1928 UITGEGEVEN MET MEDEWERKING VAN HET COMITÉ 1928 (NED. OLYMPISCH COMITÉ) UITGAVE HOLDERT & Co. en A. DE LA MAR Azn. Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 8 Mr. A. Baron Schimmelpenninck van der Oye Voorzitter der Olympische Spelen 1928 Président du Comité Exécutif 1928 Vorsitzender des Vollzugsausschusses 1928 President of the Executive Committee 1928 Officieele gids voor de Olympische Spelen ter viering van de IXe Olympiade, Amsterdam 1928 9 Voorwoord. Een kort woord ter aanbeveling van den officieelen Gids. -
2009 Final Program
AMERICAN INSTITUTE FOR CONSERVATION OF HISTORIC AND ARTISTIC WORKS 37TH ANNUAL MEETING MAY 19-22, 2009 HYATT REGENCY CENTURY PLAZA LOS ANGELES, CA conservation 2.0 new directions FINAL PROGRAM BOARD OF DIRECTORS WELCOME FROM THE PRESIDENT Martin Burke President Meg Loew Craft Vice President Lisa Bruno Secretary Welcome to Los Angeles and AIC’s 37th Annual Brian Howard Treasurer Catharine Hawks Director, Committees & Task Forces Meeting! Since AIC’s first Annual Meeting in 1972, Paul Messier Director, Communications the meeting has grown to include workshops, Karen Pavelka Director, Professional Education Ralph Wiegandt Director, Specialty Groups tours, posters, lectures, and discussions. Many members and non-members attend each year to ANNUAL MEETING COMMITTEES take advantage of this exceptional opportunity to Meg Loew Craft Program Committee Jennifer Wade exchange ideas and information, learn about new Rebecca Rushfield products and services from our industry suppliers, and explore our Margaret A. Little Paul Himmelstein host city. Make sure to take advantage of the many opportunities Gordon Lewis that come from having so many of your peers in one place, at one Valinda Carroll Poster Session Committee Rachel Penniman time. Angela M. Elliot Jerry Podany Local Arrangements Committee This year’s meeting theme, Conservation 2.0—New Directions, Holly Moore emphasizes ways in which emerging technologies are affecting Jo Hill Ellen Pearlstein the field of conservation. The general session and specialty group Janice Schopfer Laura Stalker program committees have put together a variety of presentations Anna Zagorski that explore this theme. Papers will outline and showcase recent SPECIALTY GROUP OFFICERS advances in all specialties and address scientific analysis, treatment Architecture methods, material improvements, and documentation. -
Progpamma ! Van Den Vijfkamp Voor Officieren En Onderofficieren
NEDERLANDSCH OLYMPISCH COMITE PROGPAMMA ! VAN DEN VIJFKAMP VOOR OFFICIEREN EN ONDEROFFICIEREN VAN LAND- EN ZEEMACHT OP 19, 20, 21, 22 EN 23 JULI 1927 TE AMERSFOORT NEDERLANDSCH OLYMPISCH COMITE OPGERICHT 11 SEPTEMBER 1912 Goedgekeurd hij Koninklijk Be-sIuH van 1 November 1913 No. 39., BESTUUR PROGRAMMA 1e Voorzitter Mr. A. Baron Schimmelpenninck van der Oye. DER E ISCHEN 2e Kapt. P. W. Scharroo. Minimum Leden Jhr. Mr. E. C. U. van Doorn. Nummers OMSCHRIJVING P. W . Waller . I eischen Secr.·Penn.m. C. A. W. Hirsc hman. 1. Revolver. Wapen en munltie naar keuze. 15 trcffers Schieten. Verboden xijn ceo bijzonder aangebrachte in het zwart. EERELEDEN Afstand kolf en cen versneldt: trekker. Dr. C. r. K. van Aalst, Amsterdam. 25 M. Aantal schoten. 20 schotcn in i series van Iedere serie Mevr. J. c. Beukema toe Water.t 5 schoren. 2 proefschoten v06r iedere moet binnen H. Colyn, Oud.Minister van Financien. serie. de 5 minuten geschoten A . R. Ophorst, gep. Luit.·Gen., Amsterdam. Doel. Ringschijf groat 50 eM. zijn J. J. Rambonnet, Oud.Minister van Marine, den Haag Telling 1-10, Zwart 20 c.M. ,7 _10). C. J. Snijders, gep. Generaal, den Haag, Uitgangshouding. Arm uitgestrekt naar F . W . C. H. Baron van Tuyll van Serooskerken.t beneden, de mond van de re volver op den grand gerlcht. Dr. J. Th. de Visser, Oud-Minister van Onderwijs, Kunsten .. en Wetenschappen, den Haag. VureD. Op het commando "vuur mag men beginnen te vureD. COMMISSIE VOOR HET INRICHTEN VAN VI]F Bc:oordeeling. Ecrst geldt het aaotal trelfers, daarna het grootste aanta l 10, 9,8,7 enz. -
The Meaning of Materials in Modern and Contemporary
2012 AICCM Paintings Group + 20th Century in Paint Symposium The Meaning of Materials in Modern and Contemporary Art 2012 AICCM Paintings Group + 20th Century in Paint Symposium The Meaning of Materials in Modern and Contemporary Art Cinema B, Gallery of Modern Art, Brisbane 10-11 December 2012 1 2 3 Contents Supporters Supporters / 5 Jointly organised by ‘The Twentieth Century in Paint’ Australian Research Council (ARC) Linkage Project headed by The Centre for Cultural Materials Conservation at the University Welcome Message / 6 of Melbourne, the Queensland Art Gallery | Gallery of Modern Art Centre for Contemporary Art Conservation and the Australian Institute for the Conservation of Cultural Materials General Information / 9 (AICCM) Paintings Special Interest Group. Program / 10 The organizing committee would like to acknowledge the support of the Ian Potter Foundation. Tru Vue, the manufacturer of high-performance glazing for framing and Symposium Abstracts / 15 display applications is also pleased to support this symposium. For more information on Tru Vue glazing products, contact Jared Davis, Megawood Larson Juhl at JDavis@ Author Profiles / 32 megawoodlarsonjuhl.com.au or visit www:tru-vue.com/museums. Acknowledgments / 42 Location Map / 44 4 5 This is particularly interesting in painting media through revolutionary art contemporary museum practice. The practices in the 20th century in Australia Welcome processes by which artists transfer and parts of Southeast Asia. The project knowledge to institutions and collectors for concludes -
Conservation of Cultural and Scientific Objects
CHAPTER NINE 335 CONSERVATION OF CULTURAL AND SCIENTIFIC OBJECTS In creating the National Park Service in 1916, Congress directed it "to conserve the scenery and the natural and historic objects and the wild life" in the parks.1 The Service therefore had to address immediately the preservation of objects placed under its care. This chapter traces how it responded to this charge during its first 66 years. Those years encompassed two developmental phases of conservation practice, one largely empirical and the other increasingly scientific. Because these tended to parallel in constraints and opportunities what other agencies found possible in object preservation, a preliminary review of the conservation field may clarify Service accomplishments. Material objects have inescapably finite existence. All of them deteriorate by the action of pervasive external and internal agents of destruction. Those we wish to keep intact for future generations therefore require special care. They must receive timely and. proper protective, preventive, and often restorative attention. Such chosen objects tend to become museum specimens to ensure them enhanced protection. Curators, who have traditionally studied and cared for museum collections, have provided the front line for their defense. In 1916 they had three principal sources of information and assistance on ways to preserve objects. From observation, instruction manuals, and formularies, they could borrow the practices that artists and craftsmen had developed through generations of trial and error. They might adopt industrial solutions, which often rested on applied research that sought only a reasonable durability. And they could turn to private restorers who specialized in remedying common ills of damaged antiques or works of art. -
Newsletter # 90 March2004 V2
No.90 March 2004 National Newsletter Australian Institute of the Conservation of Cultural Material (Inc.) ISSN 0727-0364 President’s Report Eric Archer contents I hope that you have had a refreshing and restful break, as I did in Tasmania. Welcome to the new and re-elected National Council members - I am looking forward to working President’s Report 1 with you in the year ahead. There has been one change to National Council since the From the Editorial Committee 2 October meeting - Kay Söderlund has not been able to continue her work with the Education portfolio due to time constraints and business commitments - she will, however, In the Next Issue 2 remain on National Council with Membership Services responsibilities. Many thanks to Feature Article: To infinity… 3 Kay for the work she has done, particularly during the closure of the University of Canberra Letter to The Editor 6 course and the AICCM National Training Summit held in Canberra in March last year. Lab Profile 7 One year on from a hectic 2003 term - which included AICCM’s response to the closure Obituary 9 of the University of Canberra course; the National Training Summit in Canberra; AICCM’s The Centre For Cultural 10 response to the war in Iraq and subsequent looting and damage to cultural property; the Materials Conservation devastating bushfires in the ACT and Victoria; and supporting and developing SIG People & Places 11 activities – National Council will focus on a strategic agenda based on sustainability; Reviews 21 funding; accreditation; planning the October 2004 Meeting, and continued strengthening of SIG activities. -
Circular Procurement Municipality of Amersfoort
SHORT SUMMARY Organisation: Municipality of Amersfoort, www.amersfoort.nl | Contact person: Wim van Druenen (Senior Procurement Adviser), LinkedIn | Product & sector: renovation of town hall green deal circulair (Construction), construction of western link (Infra), office chairs and furnishing (Office furnishing) | inkopen Country: The Netherlands Circular procurement Municipality of Amersfoort Create awareness among clients; the project managers will then follow. The renovation of the town hall Project description procurement. For instance, circularity and the construction of the The Municipality of Amersfoort is partic- must form a standard part of the board ipating in the Green Deal and is aiming proposals for projects, so that ambitions new Amersfoort ring road. The for 10% circular procurement by 2020. do not get stuck in the board-administra- Municipality of Amersfoort Two large projects have now started: tive-client-project leader cycle. The mu- is working with circular the renovation of the town hall and the nicipality is also stimulating knowledge procurement in these two large construction of the new Amersfoort ring exchange between project leaders. An road (western link). Various initiatives online knowledge platform was estab- projects. have also started to stimulate circular lished for this so that project leaders can procurement across the municipality, share experiences with circular procure- such as the use of ambassadors and an ment. An Ambition web is also being de- online knowledge platform. veloped. This web is used for a list with a hundred frequently occurring projects, Approach such as sewerage system replacement The municipality had previously organ- or street and road reconstruction. These ised pilots, such as the circular economy kinds of projects lend themselves well to tender for office chairs and the furnish- a circular approach, as you can raise your ing of Het Groene Huis. -
Structural Conservation of Panel Paintings 306
PART FOUR Current Approaches to the Structural Conservation of Panel Paintings 306 Florentine Structural Stabilization Techniques Andrea Rothe and Giovanni Marussich by the great flood of 1966 in Florence than by both World Wars combined. Many paintings Mand other artifacts were submerged in the floodwaters for more than eighteen hours. They were covered with mud mixed with heavy deposits of heating oil that had seeped from the storage tanks housed in the many basements of the city.The worst damage was done to the large num- ber of panel paintings in Florence and the surrounding countryside; those that had been submerged swelled many inches beyond their original size. Subsequently, these paintings were subjected to a long and gradual drying process, first in the limonaia, the old hothouses built by the Medici in the Boboli Gardens for their favorite collection of citrus plants. These hothouses were quickly converted into one large humidity chamber. The humidity was raised to 95% at a temperature of 12 °C over a two-year period. Afterward, the treatment was continued in the former army bar- racks of the Fortezza da Basso, which in the meantime had been trans- formed into the largest restoration laboratory in the world; it had, in fact, become an independent governmental department, a soprintendenza, by special decree. Despite the carefully controlled drying process, many of the panels shrank considerably. This shrinkage caused severe blistering and cupping of the paint layers, as well as deformation of the supports (Cianfanelli, Ciani Passeri, and Rossi Scarzanella 1992). Consequently, many of the panel paintings had to be transferred to canvases and to new, rigid supports.