DOCSLIB.ORG

Academy of Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Academy of Music 1 P153s. oo3cf;- BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel. Ame Vennema. Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Henry Bing, Jr.. Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti. OFFICERS Harvey Lichtenstein President and Chief Executive Officer Judith E. Daykin Executive Vice President and Genera! Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development ADMINISTRATIVE OFFICE STAFF Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk FINANCE Perry Singer Accountant Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION it Marketing Nancy Rossell Marketing Coordinator BARI Susan Levy Director, of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant Tom Caravaglia House Photographer PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Ninetta Remley Development Assistant Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jacques Brunswick Director Lee Chizman Assistant Director COMMUNITY DEVELOPMENT Mikki Shepard Director Mahmoudah Ali Associate Director Rudy Stevenson Music Consultant Francine Major Program Assistant PERFORMING ARTS PROGRAM FOR YOUNG PEOPLE Leonard Natman Director Hessie McCollum Program Coordinator Sarah Walder Sales Coordinator Susan Booker Program Assistant PRODUCTION Malcolm J. Waters Production Manager William Mintzer Lighting Consultant to BAM Sara Stuart Assistant Production Manager Martin Green Crew Chief Robert Sniecinski Wardrobe Supervisor Naaman Griffin, Steve Greer, John Fuller, William Horton, James Kehoe, Howard Larson, Patrick McDonald, Bernard Gilmartin, Donald Riordan THEATRE MANAGER John J. Miller Theatre Manager Leonard Natman Associate Theatre Manager Ken Farris, Lauren Scott, Alan Tongret BUILDING MANAGEMENT Norman MacArthur Building Manager William Koegl Assistant Building Manager Lazzaro Curato Parking Facilities Supervisor Frank Abbruscato, Leonard Abbruscato, Jahue Cooper, Nick curato, Ray Dorso, Donald Farr, Angel Guadelupe, Steve Lanza, Bernard Lawrence, Michael Maraventano Sheraf Moustafa, Nunzio Orlando, Joseph Patterson Frank Percaccia, James Postell, Gloria Simon, James Victor Sadie Vinson, Angelos Voudouris, Robert Wells BOX OFFICE BROOKLYN Saheed Baksh Box Office Treasurer Michael Glassman, Joseph Nekola Richard Lewis Mail Order Supervisor ACADEMY DIRECTORY Box Office: Monday through Friday, 10:00am to 6:00pm; Performance days till 9:00pm; Saturday and Sunday, Performance times only. OF MUSIC Lost and Found: Telephone 636-4150 Restroom: Opera House Women and Men: Mezzanine level and 5th floor; Handicapped: Orchestra level. Lepercq Space: Women and Men: Theatre level 5th floor. Public Telephones: Main lobby, Felix Street Entrance. For information about group rates on tickets call 636-4126. I The taking of photography or the use of recording devices in this theatre is strictly forbidden. Brooklyn Academy of Music, 30 Lafayette Ave. Brooklyn, NY 11217. (212) 636-4100. The Brooklyn Academy of Music is a Charter Member of The League of Historic America Theatres. 03183 BROOKLYN ACADEMY OF MUSIC BROOKLYN ACADEMY OF MUSIC PATRONS 1982-83 PRODUCERS 8500-8999 HELEN OWEN CAREY PLAYHOUSE Helen Anderson & Mrs. Robert H. Arnow/ The Brooklyn Academy of Music is Mr. Thursday, January 13, 8:00pm Mr. & Mrs. Alan G. Weiler owned by the City of New York and Mr. & Mrs. Henry Bing Friday, January 14, 8:00pm administered by the Brooklyn Acad- Eleanor Bissinger Saturday, January 15, 8:00pm emy of Music, Inc. The Brooklyn Mr. Neil Chrisman Academy of Music's operation is Robert Davenport Sunday, January 16, 2:00pm supported in part with public funds Mr. & Mrs. Charles Diker provided through the New York City Ms. Virginia Dwan Department of Cultural Affairs and Mr. Jeffrey K. Endervelt Mr. Richard Englund with grants from the National Mr. Harold Fisher Endowment for the Arts and the Mr. & Mrs. Thomas R. Gilligan New York State Council on the Arts. The Henry Goldberg Foundation In addition, the Board of Trustees Mr. & Mrs. Peter Kimmelman wishes to thank the following foun- Mr. & Mrs Harold Korzenik dations, corporations, and indiv- Mr. Arnold William F. Langer iduals who, through their leadership Mr. Jack Lawrence Mr. Harry A. Olson. Jr. and support, make these programs Judith Dunnington Peabody Possible. Mr. John Price Robert C. Rosenberg Complete as of January I. 1983 Ms. Garry Sack ler BRANCA Mr. & Mrs. David Saltonstall INDIVIDUALS AND Mr. & Mrs. Martin Segal Mr. & Mrs. Norman Segal FOUNDATIONS Mr. & Mrs. Bernard Selz Mrs. Dan Seymour LEADERSHIP 825,000 and above Aaron Sloan & Rita J. Frank SYMPHONY Janet Stovin N0.3 Louis Calder Foundation Embassy of Sweden Edna McConnell Clark Foundation LOR IA) Dr. & Mrs. Robert H. Vadheim Doll-Lepercq International Dance Fund Mr. Ben Van Meerendonk/Televizier J.M. Kaplan Fund, Inc. Magazine Henry Luce Foundation Mr. & Mrs. Franklin R. Weissberg Andrew W. Mellon Foundation The Zeitz Foundation National Endowment for the Arts MUSIC FOR THE FIRST 127 INTERVALS Mr. Sanford J. Zimmerman New York City Youth Board OF THE HARMONIC SERIES The New York Community Trust ASSOCIATE PRODUCERS New York State Council on the Arts 82504499 1983 Edward John Noble Foundation Rockefeller Brothers Fund Mr. & Mrs. M.R. Berman World Premiere for Simarka Run Foundation Brooklyn College Institute Retired Professionals & Executives Mr. & Mrs. Arne Vennema Mr. Steven H. Case PACESETTERS Mr. & Mrs. Donald H. Elliott 810,000-824,999 Mr. & Mrs. Paul Esserman George & Katherine Harris Craig Bromberg Mallet Bass Henri & Eugenia Doll Foundation Christopher LiGreci & Alex Hillman Family Foundation Margaret DeWys Keyboards Robert Ohlerking Henry & Lucy Moses Fund Mr. & Mrs. Jack Litwack Barbara Ess Keyboards Norwegian Information Service Dr. & Mrs. James McGroarty Shubert Foundation Bernard M. Manuel Michael Gira Mallet Guitar Tortuga Foundation Rev_ Francis J. Mugavero Jeffrey Glenn Bass Guitar BENEFACTORS Arlene G. Oettgen 82,500-88,899 Mr. & Mrs. Arthur J. Radin Greg Letson Keyboards Mr. & Mrs. Rubin Raskin Charles Ulrick & Josephine Bay Stephen H. Scheuer Amanda Linn Keyboards Foundation Mr. & Mrs. Irwin Schneiderman Philippe Braunschweig Thurston Moore Guitar & Keyboards Martin E. Segal Max & Victoria Dreyfus Foundation Joanna & Norman Sher Lee Ranaldo Mallet Guitar Mallory Factor Mr. & Mrs. Harry Silverstein The Hochachild Fund, Inc. Mr. & Mrs. Alan Slifka Arleen Schloss Keyboards The Heckscher Foundation for Children Mr. & Mrs. Robert K. Smith Valerie Manuel Stephan Wischerth Drums Hamish Maxwell SPONSORS 8100-8249 Dan Witz Keyboards The National Opera Institute Mr. George C. Abraham Mr. & Mrs. Everett Ortner Dr. Edward W. Altman Alice Holbrook Platt American Chai Trust Prospect Hill Foundation Axel Gross Tuning R. Steven & Jan C.K. Anderson Martha Baird Rockefeller Fund for Music Mr. Benjamin Bankson David Quinlan Instrument Builder The Helena Rubinstein Foundation Mrs. Anne Barsky The Scherman Foundation Mr. & Mrs. Werner Barusek Seth Sprague Educational and Charitable William & Julia Beadenkopt Foundation John Beaton Swedish Council of America Mr. Walter E. Beer Uris Brothers Foundation Mr. & Mrs. H. Gerard Bissinger II %%Relight Foundation Dr. Robert D. Blank Jean Marie & Neita Blondeau PRODUCERS EXECUTIVE Dr. & Mrs. Martin Bodian 81,00042,499 William B. Bolton Mrs. Vincent Astor Mr. & Mrs. Ernest Brunswick Ms. Joan Bieder & Mr. & Mrs. John Castaldi Mr William Josephson Mrs. John Chancellor Mr & Mrs. Eddo Butt Arthur W. Cohen Mary Griggs Burke Mr. & Mrs Ira Cohen Mary Livingstone Griggs and Dr & Mrs. A. Norman Cranin Mary Griggs Burke Foundation Louise Dahl-Wolfe Richard W Hulbert Judith Daykin THE NEXT WAVE: NEW MASTERS AT THE The Irvine Foundation Mr. & Mrs. Herbert Diamond BROOKLYN ACADEMY OF MUSIC is made possible, in part, by grants I. Stanley Kriegel Ms. Carrot J. Dickson Phyllis Holbrook Lichtenstein Thomas A Donnelly from: 0 Warner Communications Inc., American Telephone and Mr. & Mrs. Richard Menschel Mr. & Mrs. Issac E. Druker Telegraph Company, The J.M. Kaplan Fund, The New York Community Trust, The Netherlands America Community Mr. & Mrs. Jerome Dubroll The Martha Baird Rockefeller Fund for Music, Inc., The National Opera Association, Inc Mr Lorin Duckman Institute, the National Endowment for the Arts, and the New York State Frederick W. Richmond Foundation Mr. & Mrs. Albert H. Eaton. Council on the Arts. Richard & Dorothy Rodgers The Valhal Pub Foundation. Inc. Dr Eugene Edelman These performances of SYMPHONY NO. 3 are made possible, in part, The Starr Foundation Mr. Stephen D. Edelman by the Beard's Fund. William Tobey Mr & Mrs. Robert Ehrenbard SYMPHONY NO. 3 is dedicated to Dane Rudhyar. Michael Inch Foundation Richard Engquist John T Underwood Foundation Gail Erickson
Load more

Recommended publications
  • Michael Gira Solo Recordings at Home Mp3, Flac, Wma
    Michael Gira Solo Recordings At Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Solo Recordings At Home Country: US Released: 2001 Style: Acoustic MP3 version RAR size: 1521 mb FLAC version RAR size: 1304 mb WMA version RAR size: 1255 mb Rating: 4.1 Votes: 153 Other Formats: MP1 AA AC3 AIFF VOX RA ADX Tracklist 1 What You Were 5:36 2 All Souls' Rising 5:55 3 Love Will Save You 4:46 4 Surrogate 5:45 5 Kosinsky 4:47 6 On The Mountain 6:31 7 Waiting Beside Viragio 2:19 8 Someone Like Me 4:47 9 I Remember Who You Are 4:57 10 Mosquito Coast 5:11 11 Irish Queen 4:41 12 God's Servant 4:48 13 Mary Found John 1:13 Notes Comes with a lyric sheet with an embossed stamp though it, and a sliver of hand cut paper with a personalized thank you note to the purchaser from Michael Gira. 1st edition in black paper sleeves. Later editions were on different colored paper sleeves and produced by request, and is evidenced by a variety of years marked on them noting when purchased. 1st edition all marked 2001. Gira offered this additional 're-pressing' briefly with other handmade solo releases, those being not numbered unlike the first editions or numbered with an end point greater than the initial edition. For example, the re-press of I Am Singing To You From My Room ends at 2,000, wheres the originals end at 1,000. A collection composed primarily of home recordings by Michael Gira; tracks 11 and 12 respectively are a rare live recording and a studio outtake from the Angels of Light's first album.
    [Show full text]
  • New Masters at the Brooklyn Academy of Music
    - NEW MASTERSAT THE BROOKLYNACADEMY OF MUSIC News Contact: Ellen Lampert/212.636.4123 FOR IMMEDIATE RELEASE December 13, 1982 Contacts: Ellen Lampert Susan Spier (212) 636-4123 Glenn Branca will present the world premiere of his SYMPHONY NO. 3 (Gloria) at the Brooklyn Academy of Music, January 13-16 as part of BAM's NEXT WAVE series. Performances in the Helen Owen Carey Playhouse will be Thursday through Saturday evenings (January 13-15) at 8:00pm and Sunday (January 16) at 2:00pm. SYMPHONY NO. 3 (Gloria) will continue Branca's use of home-made instruments, as exhibited in the electric stringed instruments he used in SYMPHONY No. 2 at St. Mark's Church last year. For SYMPHONY NO. 3, Branca has designed keyboard instruments which have been built by David Quinlan, a professional builder of harpsichords and folk instruments. The sixteen musicians for SYMPHONY No. 3 include Branca himself plus Jeffrey Glenn, Lee Ranaldo, Thurston Moore, Barbara Ess, David Quinlan, Craig Bromberg, and Stephen Wischerth on drums. Branca, tagged an "art-rocker" for his new music/rock experimentation, formed an experimental rock quintet with Jeffrey Lohn in 1977, called the Theoretical Girls. His next group was called The Static, a guitar-based trio, with which he moved from rock clubs to performances in alternative art spaces such as The Performing Garage. Known for the theatricality of his performances, Branca has toured throughout the U.S. and Eu rope with The Glenn Branca Group, a,,,J li.::!LO,dcd l'NO d;i.:.urns ·for 9;-j f<.eccrds, 'Lesson No.
    [Show full text]
  • Boo-Hooray Catalog #10: Flyers
    Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon.
    [Show full text]
  • Meet Me by the Pleroma
    MEET ME BY THE PLEROMA Thesis Submitted in partial fulfillment of the requirements for the Degree of Master of Fine Arts in Electronic Music and Recording Media Mills College, May, 2009 By Charles Johnson Approved by: _______________________ Chris Brown Director of Thesis ________________________ Fred Frith Head, Music Department _________________________ Sandra C. Greer Provost and Dean of the Faculty Reading Committee: _______________________ James Fei _______________________ Pauline Oliveros Contents: 1. Introduction………………………………………………………….…..6 2. Development Process……………………………………………………9 2.1 Preliminary Work……..…………………….……………………….9 2.2 Materials…………..…………………….…………………….……15 2.3 The Form..…………………….……………………...……………..20 3. Context Within My Work………….……………………...……………21 4. Context Within My Interests…………………………………………....23 4.1 Musical Interests………………………..…………………………..23 4.2 The Sonic Other……….………………………..…………………..25 4.3 Philosophical, Social, Political…………………..………………….27 4.4 About the Title……….………………………..…………………….32 5. Concept…….………………………..…………………….…………….36 5.1 Why Difference Tones?………………….………………….………36 5.2 Considerations for the Performers……….………………….………37 5.3 Considerations for the Audience……….………………….………..38 6. Signal Flow Performance……….………………………….……………41 6.1 Staging……………………..…………………….…………………..41 6.2 Comments on Performance.…………………….…………………...42 6.3 Audience Reaction.………..…………………….…………………..43 7. Appendix A. Score to Meet me by the pleroma …………………………47 8. Appendix B. Technical details…………………………………………...50 9. Bibliography……………………………………………………………..54
    [Show full text]
  • Drone Music from Wikipedia, the Free Encyclopedia
    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
    [Show full text]
  • Program Notes
    Advance Program Notes Crash Ensemble Wednesday, March 25, 2015, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Crash Ensemble Donnacha Dennehy: Turn (arrangement for Crash Ensemble 2015) Dan Truman: Marbles (2015) world premiere Intermission Eric Lyon: Dualities (2015) world premiere Michael Gordon: Dry (2013) U.S. premiere Musicians Conductor Anna Cashell, violin Alan Pierson Lisa Dowdall, viola Kate Ellis, cello Production Malachy Robinson, double bass Susan Doyle, flute Adrian Hart, production manager and electronics Deirdre O’Leary, clarinet/bass clarinet Valerie Francis , front of house sound engineer Roddy O’Keeffe, trombone Alex Petcu, percussion Management Isabelle O’Connell, piano John Godfrey, electric guitar Kate Ellis, artistic director Donnacha Dennehy, artistic partner Neva Elliott, CEO Jonathan Pearson, tour/concerts manager Program Notes TURN (2013-14; arrangement for Crash Ensemble, 2015; U.S. premiere) DONNACHA DENNEHY This intricate, detailed piece is one of the most overtly melodic of my purely instrumental works in years. Gently lunging melodies combine to produce a bustling tapestry of sound. Turn literally turns over its phrases, varying upon each repetition. Once I decided to dedicate this piece to my mother, an inveterate knitter, it struck me: that’s exactly what a turn is in knitting, a reworking on top of an already established stitched pattern! On a larger level Turn pushes towards build-ups that end each time with a literal turn in direction. This in a major way constitutes the modus operandi of the piece.
    [Show full text]
  • PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation
    PUNK/ASKĒSIS By Robert Kenneth Richardson A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies MAY 2014 © Copyright by Robert Richardson, 2014 All Rights Reserved © Copyright by Robert Richardson, 2014 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of Robert Richardson find it satisfactory and recommend that it be accepted. ___________________________________ Carol Siegel, Ph.D., Chair ___________________________________ Thomas Vernon Reed, Ph.D. ___________________________________ Kristin Arola, Ph.D. ii ACKNOWLEDGEMENTS “Laws are like sausages,” Otto von Bismarck once famously said. “It is better not to see them being made.” To laws and sausages, I would add the dissertation. But, they do get made. I am grateful for the support and guidance I have received during this process from Carol Siegel, my chair and friend, who continues to inspire me with her deep sense of humanity, her astute insights into a broad range of academic theory and her relentless commitment through her life and work to making what can only be described as a profoundly positive contribution to the nurturing and nourishing of young talent. I would also like to thank T.V. Reed who, as the Director of American Studies, was instrumental in my ending up in this program in the first place and Kristin Arola who, without hesitation or reservation, kindly agreed to sign on to the committee at T.V.’s request, and who very quickly put me on to a piece of theory that would became one of the analytical cornerstones of this work and my thinking about it.
    [Show full text]
  • CINEMA PUNK: No Wave E Os Filmes De Vivienne Dick
    UFF - UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTES E COMUNICAÇÃO SOCIAL CURSO DE GRADUÇÃO EM CINEMA E AUDIOVISUAL HELENA DE ABOIM LESSA CINEMA PUNK: No Wave e os filmes de Vivienne Dick NITERÓI 2016 1 HELENA DE ABOIM LESSA CINEMA PUNK: NO WAVE E OS FILMES DE VIVIENNE DICK Trabalho de Conclusão de curso apresen- tado ao Curso de Cinema e Audiovisual da Universidade Federal Fluminense - UFF - como requisito para obtenção do título de Bacharel. Orientador: Cezar Migliorin Co-orientador: Frederico Benevides Niterói 2016 2 AGRADECIMENTOS Agradeço a meus pais: mãe, pai e Licinio por todo apoio e ajuda com as letras. Aos meus irmãos e amigos, Pedro e Fernando. Ao Lucas, pela força master e carinho nas crises. Aos irmãos do casarão: Pedro, Lucas, Luquitos, Catu, Gusta, Felix, Rober, Brenda, Fafi, Caio, João, Cian, Glaucus, Liza, Lazuli, Tomaz, Akira, Flor. Ao Fred, que além de orientador é amigo. Ao Cezar, pelas aulas que instigam a produzir e refletir sempre. À Marina, Vanessa, Livia, Jorge, Petrus, Patrissa, Luiza, Will, Elena, Érico, outros companheiros de batalha eterna que estiveram junto nesse tempo. Ao Petrus, de novo, que compartilhou comigo esse universo todo. Ao Érico, que faz a gente ver junto tudo de bonito que tem nas coisas. À Aline, que possibilitou o acesso vir- tual aos filmes. À Rosiléia, por toda descontração e amor. À Mayara, Morgana, Tuninho, Joca e Bartô, pelos olhares, chamego e companhia. A todos que nos instigam a criar novos mundos. Em homenagem à Vi Subversa. 3 Resumo Essa monografia pretende mapear o punk, seus modos de existência, valores e a aplicação de seus processos em produções cinematográficas, conceituando uma ideia de cinema punk.
    [Show full text]
  • Michael Smith Education 1973 Ba
    MICHAEL SMITH EDUCATION 1973 BA, Colorado College 1970, 73 Whitney Museum Independent Study Program SELECTED TEACHING 2001 – current Professor, University of Texas at Austin 2005, 2000-01 Lecturer, Yale University School of Art 2004,2000 Lecturer, Royal Danish Academy 2002 Visiting Critic, Columbia University School of the Arts 1998 Visiting Faculty in Sculpture, Cranbrook Academy of Art 1997 Visiting Faculty, CalArts; UCLA; Art Center College of Design SELECTED SOLO EXHIBITIONS 2017 Learning from Youth, Richard Telles Gallery, Los Angeles; April 15- May 13, 2017 2016 Timeline (1951 – 2016), Dan Gunn Gallery, Berlin; Sept. 17- Nov. 12, 2016 2015 USA Free-Style DisCo Championship, South London Gallery, London MiChael Smith: Videos and Works on Paper, 1975 – 1985, presented by Dan Gunn Gallery and Ellen de Bruijne Projects, Back to the Future Section, Artissima, Turin ExCuse Me!?!...I’m Looking for the ‘Fountain of Youth’, Lora Reynolds, Austin ExCuse Me!?!...I’m Looking for the ‘Fountain of Youth’, Greene Naftali, New York 2014 Government Approved Home Fallout Shelter/SnaCkbar, presented by Dan Gunn Gallery, Frieze Art Fair, London MiChael Smith: Videos and MisCellaneous Stuff from Storage (pt. 2), Tramway, Glasgow International, Glasgow 2013 Michael Smith, presented by Dan Gunn Gallery, Nada Art Fair, Miami The Suburban: MiChael Smith, in conjunction with MiChelle Grabner: I Work From Home, MOCA Cleveland The QuinQuag Arts and Wellness Centre Touring Exhibition: ArtistiC and Personal Growth in the Catskills Region, in collaboration with
    [Show full text]
  • 'The Glowing Man': a Critical Analysis of A
    “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” by Christopher Worden A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Master of Arts in Sociology Guelph, Ontario, Canada © Christopher Worden, September, 2017 ABSTRACT “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” Chris Worden Advisor: University of Guelph, 2017 Dr. Mavis Morton This thesis examines the discourse surrounding an online disclosure of sexual violence in the music field. Research questions addressed three things: 1. The discursive role of symbolic capital and the field of cultural production; 2. The extent to which features of the online feminist counter-public were represented; and 3. How the logic of the music field and strategies of the online feminist counter-public contributed to accused and complainant outcomes. A critical thematic analysis of the online discourse demonstrated that symbolic capital and position were deployed to defend the accused and discredit the complainant. The response of the online feminist counter-public countered some discrediting discourse common in sexual assault cases, but did not fully engage with the logic of the field of cultural production that was used to discredit the complainant in this case. Recommendations are offered to music journalists, arts funding organizations, and online activists to mitigate against gendered power imbalances stemming from the devaluing of women as cultural producers. iii ACKNOWLEDGEMENTS I benefited immensely from the expertise and guidance of my advisor, Dr.
    [Show full text]
  • Swans – the Glowing Man
    Swans – The Glowing Man (56:58, 61:32, 2CD,Young God/Mute Records/GoodToGo, 2016) „Walking, counting, breathing, reaching … Breathing, reaching, leaving, reaching … God, oh God, I’m leaving, I’m leaving … Surrender! Surrender! Take us! Take us! … The sun, a son, a child, a sun. I see us, take us, Take us! Take us! Save us! Save us! Save us! Save us! Children: I am blind, Children: I am blind. I am blind. I am blind .…“. Michael Gira hat wieder etwas zu sagen. In seiner ganz eigenen Art. Wie bei jedem Album zuvor, vor allem aber bei den letzten monumentalen Großtaten „The Seer“ sowie „To Be Kind“, haben die Swans mit „The Glowing Man“ ihrer eigene Hölle geschaffen – eine zweistündige Tortur in acht Abschnitten, auf die man sich nur widerstandslos einlassen kann. Zugleich ist „The Glowing Man“ auch eine Zäsur, ist es doch das letzte Album der gegenwärtigen Swans-Inkarnation. Ein Ende mit Ankündigung. Mantra-gleich spuckt Gira seine Statements ins Auditorium, eingebettet in monolithische Stücke, die wieder einmal großzügig zu halbstündigen Exzessen ausgeweitet werden. ‚Cloud For Forgetting‘ verursacht schon zu Beginn einen hypnotischen Sog, der das ganze Album über anhält. ‚Cloud Of Unknowing‘, ‚Frankie M‘ und der brachiale Titeltrack hieven uns in ein Paralleluniversum, in dem die Chaostheorie vorherrscht. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu Vimeo blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu Vimeo aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von Vimeo. Mehr Informationen zum Datenschutz von Vimeo finden Sie hier Vimeo.com Datenschutzerklärung. Vimeo Videos zukünftig nicht mehr blockieren.
    [Show full text]
  • Sonic Youth: Celebrity DIY
    Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7585 ISSN 2611-0563 Sonic Youth: celebrity DIY Alice Militello Pubblicato: 29 dicembre 2017 Abstract In New York City’s early ’80s music scene and beyond, the band Sonic Youth represents a special case of the celebrity’s concept. It cannot be reduced to the record sales or scandals, like other famous people. They don’t have the typical self-destructive streak of the stars of the show business, which is the basis of the fortune and, at the same time, the defeat of other musicians. They don’t even have the cult of personality, which has destabilized other crews of the time. However Sonic Youth, during their three decades of career, have been able to find a space in the music scene, to involve a broad segment of audience and lovers; becoming a kind of model for younger generations of musicians. Furthermore, the members of Sonic Youthcan be considered such as influencers ahead of his time, thanks to their ability to find new talents. The present study aims to analyze the concept of celebrity applied to the Sonic Youth language, from 1981 (starting year) to 1994, the year of Experimental Jet Set, Trash No Star album, which brings the group to that DIY (Do-It-Yourself) punk ethics that denotes them from the beginning; to plot the New York’s environment in which they fit; and how the entry into the mainstream world changes the aesthetics of the group. In other words, the research is a breakthrough of the band’s long career, marking the highlights that made them the Sonic Youth.
    [Show full text]