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Léon Goossens and the Oboe Quintets Of
Léon Goossens and the Oboe Quintets of Arnold Bax (1922) and Arthur Bliss (1927) By © 2017 Matthew Butterfield DMA, University of Kansas, 2017 M.M., University of Wisconsin-Madison, 2011 B.S., The Pennsylvania State University, 2009 Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Dr. Margaret Marco Dr. Colin Roust Dr. Sarah Frisof Dr. Eric Stomberg Dr. Michelle Hayes Date Defended: 2 May 2017 The dissertation committee for Matthew Butterfield certifies that this is the approved version of the following dissertation: Léon Goossens and the Oboe Quintets of Arnold Bax (1922) and Arthur Bliss (1927) Chair: Dr. Margaret Marco Date Approved: 10 May 2017 ii Abstract Léon Goossens’s virtuosity, musicality, and developments in playing the oboe expressively earned him a reputation as one of history’s finest oboists. His artistry and tone inspired British composers in the early twentieth century to consider the oboe a viable solo instrument once again. Goossens became a very popular and influential figure among composers, and many works are dedicated to him. His interest in having new music written for oboe and strings led to several prominent pieces, the earliest among them being the oboe quintets of Arnold Bax (1922) and Arthur Bliss (1927). Bax’s music is strongly influenced by German romanticism and the music of Edward Elgar. This led critics to describe his music as old-fashioned and out of touch, as it was not intellectual enough for critics, nor was it aesthetically pleasing to the masses. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Download Booklet
557921bk USA 14/3/07 10:08 am Page 5 Ashley Wass The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at BRIDGE the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. In 2002 he was made an Associate of the Royal Academy. He has spent three summers as a participant at the Marlboro Music Festival, Piano Music playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He has given recitals at most of the major British concert halls, including the Wigmore Hall, Queen Elizabeth Hall, Symphony Hall, Purcell Room, Bridgewater Hall and St David’s Hall, with Piano Sonata appearances at the City of London Festival, Bath Festival, Brighton Festival, Cheltenham Festival, Belfast Waterfront Hall, Symphony Hall in Birmingham, the Wallace Collection, LSO St Luke’s, St George’s in Bristol, Three Sketches • Pensées fugitives Chicago’s Cultural Centre and Sheffield ‘Music in the Round’. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz. -
The Musical Development of Arnold Bax
THE MUSICAL DEVELOPMENT OF ARNOLD BAX BY R. L. E. FOREMAN ONE of the most enjoyable of musical autobiographies is Arnold Downloaded from https://academic.oup.com/ml/article/LII/1/59/1326778 by guest on 30 September 2021 Bax's.1 Written in Scotland during the Second War, when he felt himself more or less unable to compose, it brilliantly evokes the composer's life up to the outbreak of the Great War, through a series of closely observed anecdotes. These include portraits of major figures of the time—Elgar, Parry, Mackenzie, Sibelius—making it an important source. Yet curiously enough, though it is the only extended account of any portion of Bax's life that we have, it is not very informative about the composer's musical development, although dealing very amusingly with individual episodes, such as the first performance of 'Christmas Eve on the Mountains'.* Until the majority of Bax's manuscripts were bequeathed to the British Museum by Harriet Cohen,' it was difficult to make even a full catalogue of his music. Now it is possible to trace much of his surviving juvenilia and early work and place it in the framework of the autobiography. In following the evolution of what was a very complex musical style during its developing years it is necessary to take into account both musical and non-musical influences. Bax's early musical influences were Wagner, Elgar, Strauss and Liszt—the latter he referred to as "the master of us all".* Later an important influence was the Russian National School, while other minor influences are noticeable in specific works, including Dvorak (particularly in the first string quartet) and Grieg (in the 'Symphonic Variations'). -
EVELYN BARBIROLLI, Oboe Assisted by · ANNE SCHNOEBELEN, Harpsichord the SHEPHERD QUARTET
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Rice University EVELYN BARBIROLLI, oboe assisted by · ANNE SCHNOEBELEN, harpsichord THE SHEPHERD QUARTET Wednesday, October 20, 1976 8:30P.M. Hamman Hall RICE UNIVERSITY Samuel Jones, Dean I SSN 76 .10. 20 SH I & II TA,!JE I PROGRAM Sonata in E-Flat Georg Philipp Telernann Largo (1681 -1767) Vivace Mesto Vivace Sonata in D Minor Johann Christoph Friedrich Bach Allegretto (1732-1795) ~ndante con recitativi Allegro Two songs Wolfgang Amadeus Mozart Das Lied der Trennung (1756-1791) _...-1 Vn moto di gioia mi sento (atr. Evelyn Rothwell) 71 u[J. 0...·'1. {) /llfil.A.C'-!,' l.raMc AI,··~ l.l. ' Les Fifres Jean Fra cois Da leu (1682-1738) (arr. Evelyn Rothwell) ' I TAPE II Intermission Quartet Massonneau Allegro madera to (18th Century French) Adagio ' Andante con variazioni Quintet in G Major for Oboe and Strings Arnold Bax Molto mo~erato - Allegro - Molto Moderato (1883-1953) Len to espressivo Allegro giocoso All meml!ers of the audiehce are cordially invited to a reception in the foyer honoring Lady Barbirolli following this evening's concert. EVELYN BARBIROLLI is internationally known as one of the few great living oboe virtuosi, and began her career th1-ough sheer chance by taking up the study qf her instrument at 17 because her school (Downe House, Newbury) needed an oboe player. Within a yenr, she won a scholarship to the Royal College of Music in London. Evelyn Rothwell immediately establis71ed her reputation Hu·ough performances and recordings at home and abroad. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
The Perfect Fool (1923)
The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD. -
Sir John in Love
REAM.2122 MONO ADD RALPH VAUGHAN WILLIAMS Sir John in Love (1924-28) An Opera in Four Acts Libretto by the composer, based on Shakespeare’s (in order of appearance) Shallow, a country Justice Heddle Nash Sir Hugh Evans, a Welsh Parson Parry Jones Slender, a foolish young gentleman, Shallow’s cousin Gerald Davies Peter Simple, his servant Andrew Gold, Page, a citizen of Windsor Denis Dowling, Sir John Falstaff Roderick Jones Bardolph John Kentish Nym Sharpers attending on Falstaff Denis Catlin Pistol } Forbes Robinson Anne Page, Page’s daughter April Cantelo Mrs Page, Page’s wife Laelia Finneberg Mrs Ford, Ford’s wife Marion Lowe Sir John in Love Fenton, a young gentleman of the Court at Windsor James Johnston Dr. Caius, a French physician Francis Loring Rugby, his servant Ronald Lewis Mrs Quickly, his housekeeper Pamela Bowden The Host of the ‘Garter Inn’ Owen Brannigan Ford, a citizen of Windsor John Cameron The BBC wordmark and the BBC logo are trade marks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 c © Of all the musical forms essayed by Ralph Vaughan Williams (1872-1958), his operas have received the least recognition or respect. His propensity to write without commissions and to encourage amateur or student groups to premiere his stage pieces 3 EVANS As we sat down in Papylon 4’36” has perhaps played a part in this neglect. Yet he was incontestably a man of the theatre. 4 HOST Peace, I say! 3’04” He produced an extensive, quasi-operatic score of incidental music for Aristophanes’ , for the Cambridge Greek Play production in 1909. -
2015/16 Season Preview and Appeal
2015/16 SEASON PREVIEW AND APPEAL SEASON PREVIEW 2015/16 01 THANK YOU WELCOME THE WIGMORE HALL TRUST WOULD LIKE TO ACKNOWLEDGE AND THANK THE FOLLOWING INDIVIDUALS AND ORGANISATIONS FOR THEIR GENEROUS SUPPORT THROUGHOUT THE 2014/15 SEASON: HONORARY PATRONS DONORS AND SPONSORS Audiences and artists have been coming together at Wigmore Hall for Aubrey Adams Mr Eric Abraham* Charles Green Rothschild André and Rosalie Hoffmann Neville and Nicola Abraham Barbara and Michael Gwinnell Ruth Rothbarth* nearly 115 years. In its intimate and welcoming environment, enthralling Sir Ralph Kohn FRS and Lady Kohn Elaine Adair Mr and Mrs Rex Harbour* The Rubinstein Circle performances of supreme musical works are experienced with a unique Mr and Mrs Paul Morgan Tony and Marion Allen* Haringey Music Service The Sainer Charity The Andor Charitable Trust Havering Music School The Sampimon Trust immediacy. As we look forward to the 2015/16 Season, the Hall is SEASON PATRONS David and Jacqueline Ansell* The Headley Trust Louise Scheuer Aubrey Adams* Arts Council England The Henry C Hoare Charitable Trust Julia Schottlander* delighted to present some of the greatest artists in the world today, as well American Friends of Wigmore Hall Anthony Austin Nicholas Hodgson Richard Sennett and Saskia Sassen* Karl Otto Bonnier* The Austin & Hope Pilkington Trust André and Rosalie Hoffmann The Shoresh Charitable Trust as talented emerging artists who explore repertoire with skill, curiosity and Cockayne‡ Ben Baglio and Richard Wilson Peter and Carol Honey* Sir Martin and -
Vaughan Williams a Cotswold Romance • the Death of Tintagiles
VAUGHAN WILLIAMS A Cotswold Romance • The Death of Tintagiles London Philharmonic Choir Rosa Mannion soprano London Symphony Orchestra Thomas Randle tenor Matthew Brook baritone Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Ralph Vaughan Williams (1872 – 1958) premiere recordings A Cotswold Romance* 39:34 Adapted from Hugh the Drover by Maurice Jacobson (1896 – 1976) in collaboration with the composer 1 1 The Men of Cotsall 3:47 2 2 Sweet Little Linnet 1:27 3 3 Hugh’s Song of the Road 4:06 4 4 Love at First Sight 6:05 5 5 The Best Man in England 2:22 6 6 Alone and Friendless 2:24 7 7 The Fight and its Sequel 4:48 8 8 Hugh in the Stocks 1:51 9 9 Mary Escapes 4:28 10 10 Freedom at Last 7:52 3 The Death of Tintagiles 14:48 11 Prelude. Largo – Andantino – Adagio – 5:37 12 1 Lento – 1:10 13 2 Allegro – 0:42 14 3 Lento – Andante tranquillo – Lento – 2:51 15 4 Moderato – 1:09 16 41/2 Allegro – 1:00 17 5 Lento 2:15 TT 54:34 Rosa Mannion soprano (Mary)* Thomas Randle tenor (Hugh)* Matthew Brook baritone* London Philharmonic Choir* London Symphony Orchestra Richard Hickox 4 Vaughan Williams: A Cotswold Romance / The Death of Tintagiles Vaughan Williams composed his ‘ballad-opera’ and ‘The Roadside Fire’ from the earlier Hugh the Drover, from which A Cotswold setting of Robert Louis Stevenson’s poetry in Romance is adapted, between 1910 and 1914. Songs of Travel. Writing to his librettist, the journalist Harold Hugh the Drover was first performed in Child, in 1910, he said: public on 14 July 1924 by forces of the British I have an idea for an opera written to real National Opera Company at His Majesty’s English words, with a certain amount of Theatre, London, conducted by Malcolm real English music… Sargent. -
We Are TEN – in This Issue
RVW No.31 NEW 2004 Final 6/10/04 10:36 Page 1 Journal of the No.31 October 2004 EDITOR Stephen Connock RVW (see address below) Society We are TEN – In this issue... and still growing! G What RVW means to me Testimonials by sixteen The RVW Society celebrated its 10th anniversary this July – just as we signed up our 1000 th new members member to mark a decade of growth and achievement. When John Bishop (still much missed), Robin Barber and I (Stephen Connock) came together to form the Society our aim was to widen from page 4 appreciation of RVW’s music, particularly through recordings of neglected but high quality music. Looking back, we feel proud of what we have achieved. G 49th Parallel World premieres Through our involvement with Richard Hickox, and Chandos, we have stimulated many fine world by Richard Young premiere recordings, including The Poisoned Kiss, A Cotswold Romance, Norfolk Rhapsody No.2, page 14 The Death of Tintagiles and the original version of A London Symphony. Our work on The Poisoned Kiss represents a special contribution as we worked closely with Ursula Vaughan Williams on shaping the libretto for the recording. And what beautiful music there is! G Index to Journals 11-29 Medal of Honour The Trustees sought to mark our Tenth Anniversary in a special way and decided to award an International Medal of Honour to people who have made a remarkable contribution to RVW’s music. The first such Award was given to Richard Hickox during the concert in Gloucester and more . -
Percy Grainger and Ralph Vaughan Williams
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band Shawna Meggan Holtz University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Folklore Commons, and the Music Commons Recommended Citation Holtz, Shawna Meggan, "Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band" (2009). Open Access Theses & Dissertations. 2710. https://digitalcommons.utep.edu/open_etd/2710 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND SHAWNA MEGGAN HOLTZ Department of Music APPROVED: _________________________________ Ron Hufstader, Ph. D., Chair ________________________________ David Ross, D.M.A. _________________________ Kim Bauer, M.F.A. ________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © By Shawna Holtz 2009 To Joshua Coleman PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND by SHAWNA MEGGAN HOLTZ, B.M.E. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO December 2009 TABLE OF CONTENTS Page TABLE OF CONTENTS.……...………………………………………………………………..…v LIST OF FIGURES………………………………………………………………………………..vi CHAPTER I.