Queering Beyond Pronouns: the Necessity of Indigenizing Learning Communities
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Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense. -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
(Dis)Figuring White Template Vision Through Passione Stefania Capogreco
(Dis)figuring white template vision through Passione Stefania Capogreco To cite this version: Stefania Capogreco. (Dis)figuring white template vision through Passione. Muiraquitã, Nepan Edi- tora, 2017, South-Verting Italian Studies, 5 (2). hprints-03049743 HAL Id: hprints-03049743 https://hal-hprints.archives-ouvertes.fr/hprints-03049743 Submitted on 10 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. (DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE Stefania Capogreco Macquarie University Introduction This paper suggests that north-normative thought in Italian Studies must be disrupted by recovering the various Souths haunting and inhabiting white template vision. I propose to usefully disrupt north-normative colonial cartographies of vision by disclosing the “fleshy folds” of John Turturro’s complex audio-visual work Passione: Un’Avventura Musicale (2010). Passione is a documentary film which draws on, as it narrates the story of, a broad assemblage of Neapolitan music and theatricalities. Neapolitan music is often conflated with Italian traditional song or confined to the realm of regional music, in both popular interpretations and scholarly analyses (PLASTINO, 2007). This widespread conflation of Neapolitan and Italian traditional song, resulted in the porous Neapolitan voice (always allowing itself to be interpenetrated by an indeterminate other; PLASTINO, 2007) and its embodied performance manifestations (PLASTINO & SCIORRA, 2016) being largely overlooked. -
Navajo Talking Picture
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and Chapters University of Nebraska Press Spring 2012 Navajo Talking Picture Randolph Lewis Follow this and additional works at: https://digitalcommons.unl.edu/unpresssamples Part of the Arts and Humanities Commons Lewis, Randolph, "Navajo Talking Picture" (2012). University of Nebraska Press -- Sample Books and Chapters. 55. https://digitalcommons.unl.edu/unpresssamples/55 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. navajo talking picture Buy the Book indigenous films Series Editors David Delgado Shorter Randolph Lewis Buy the Book Navajo Talking Picture: Cinema on Native Ground randolph lewis University of Nebraska Press | Lincoln and London Buy the Book © 2012 by the Board of Regents of the University of Nebraska Portions of chapter 4 previously appeared as “Questionable Intent: Documentary Cinema and the Authorial Fallacy,” Studies in Documentary Film 2, no. 3 (2007). Reprinted with permission. All rights reserved Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Lewis, Randolph, 1966– Navajo talking picture : cinema on native ground / Randolph Lewis. p. cm. — (Indigenous films) Includes bibliographical references and index. isbn 978-0-8032-3841-1 (pbk. : alk. paper) 1. Navajo Indians—Social life and cus- toms. 2. Navajo talking picture (Motion picture) 3. Bowman, Arlene—Criticism and interpretation. 4. Ethnographic films. I. -
Polymythic Female Christ Figures in Whale Rider and Steel Magnolias
Journal of Religion & Film Volume 14 Issue 1 April 2010 Article 8 April 2010 When Jesus was a Girl: Polymythic Female Christ Figures in Whale Rider and Steel Magnolias David Fillingim Shorter University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Fillingim, David (2010) "When Jesus was a Girl: Polymythic Female Christ Figures in Whale Rider and Steel Magnolias," Journal of Religion & Film: Vol. 14 : Iss. 1 , Article 8. Available at: https://digitalcommons.unomaha.edu/jrf/vol14/iss1/8 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. When Jesus was a Girl: Polymythic Female Christ Figures in Whale Rider and Steel Magnolias Abstract Partially in response to Anton Karl Kozlovic’s call for research to refine the concept of the cinematic Christ-figure, this article examines Whale Rider and Steel Magnolias as Christ-figure narratives with the intention that the Christ-figure interpretation sheds light on the meaning and significance of the films, and that the two films’ oung,y female lead characters can illuminate the Christ-figure concept. Both films are polymythic Christ-figure narratives in that Christ-figure characteristics are present alongside elements from or allusions to other spiritual and mythological traditions. Both films also convey feminist sensitivities. The relationship between the films’ polymythic elements and eministf messages suggests some of the complicated possibilities of how Christ-figure narratives can function. -
A.I. Artifical Intelligence About a Boy Abraham Lincoln: Vampire Hunter
A.I. Artifical Intelligence Almost Holy The Art of Racing in the Rain About A Boy Aloha The Artist Abraham Lincoln: Alone in Berlin Vampire Hunter As Time Goes By: The Already Tomorrow in Complete Series Abyss Hong Kong Atomic Blonde Across the Universe Amelie Atonement Ad Astra American Assassin Au Revoir Les Enfants Adam's Rib American Gods: Season 1 The Autobiography of Miss Adaptation The Americans: Seasons 1- Jane Pittman 3 After the Wedding Avatar The American Side The Aftermath Away from Her American Sniper The Age of Adaline Baby Driver Amistad Albert Nobbs Back to the Future II An American in Paris Alien Balzac and the Little Anatomy of a Murder Chinese Seamstress Alien:Covenant And the Band Played On Band of Brothers Alien 3 And Then There Were Bandits Alien Resurrection None The Band's Visit Aliens Angel Has Fallen Bang the Drum Slowly All About Eve Angels in America Barefoot Contessa All Creatures Great and Annie Hall Small Battlestar Galactica: Anywhere But Here Seasons 1-4.5 All My Friends Are Funeral Singers The Apartment Beast All of My Heart: Inn Love Approaching the Unknown Beatriz At Dinner All of My Heart: The Apocalypse Now A Beautiful Day in the Wedding Neighborhood Apollo 13 All the Money in the World Because I Said So Argo All the President's Men Becoming Jane Arn: The Knight Templar Before I Fall Black Hawk Down Bridesmaids Before Midnight Black or White Brigadoon Before Sunrise Black Panther Bridge of Spies Before Sunset Black Swan The Bridge on the River Kwai Being 17 Blade Runner Brightburn Bella Blade Runner -
1. Nossem, Eva. Queer, Frocia, Femminiellə, Ricchione
http://www.gendersexualityitaly.com g/s/i is an annual peer-reviewed journal which publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society by way of a variety of cultural productions, discourses, and practices spanning historical, social, and geopolitical boundaries. Title: Queer, Frocia, Femminiellə, Ricchione et al. – Localizing “Queer” in the Italian Context Journal Issue: gender/sexuality/italy, 6 (2019) Author: Eva Nossem, Saarland University Publication date: August 2019 Publication info: gender/sexuality/italy, “Themed Section” Permalink: http://www.gendersexualityitaly.com/?p=2865 Author Bio: Eva is the scientific coordinator of the Interreg VA Project “UniGR-Center for Border Studies” at Saarland University, Germany. She is a graduate translator for German, English, and Italian and a lecturer in English linguistics. She is currently working on her Ph.D project in Italian linguistics with the title “Un dizionario Queer – il lessico italiano della non-eteronormatività.” Her research interests include Gender and Queer Studies, Border Studies, Italian and English linguistics, and translation studies. Selected publications: Queer, Migration, and Belonging: Intersections and Assemblages, ed. together with Fellner [forthcoming 2019]; “The Politics of (Dis-)location: Queer Migration, Activism, and Coalitional Possibilities.” Gramma/Γράμμα Journal of Theory and Criticism, together with Fellner, 2018; “Queering Lexicography” In: Queering translation – translating the queer, ed. by Baer and Kaindl, Routledge, 2017; “Hetties, queens, and fag hags - ironic name giving in LGBTIQ+ discourse” degenere: Journal of Literary, Postcolonial and Gender Studies, 2016; “Potere e autorità nei dizionari” Gender/Sexuality/Italy 2, 2015. Abstract: This paper aims at examining the reception, (g)localization, and also (re)creation of different forms of “queer” in the Italian context. -
Romeo & Juliet
Romeo & Juliet by William Shakespeare The title page of Romeo & Juliet from the First Folio of Shakespeare’s plays, published in 1623. Handsome bound facsimiles of Romeo & Juliet , published in the Globe Folios series in association with the British Library, are available from the shop, price £9.99. Each volume includes an introduction by the foremost First Folio scholar, Anthony James West. Sources, early Performance and Publication Shakespeare’s principal sources for Romeo & Romeo & Juliet was almost certainly first Juliet were a long narrative poem called The performed by Shakespeare’s company, the Tragicall Historye of Romeus and Juliet by Arthur Chamberlain’s Men, in or around 1596 – a Brooke, first published in 1562 and, to a lesser ‘lyrical’ period of Shakespeare’s writing career degree, the prose romance Rhomeo and Julietta which also includes A Midsummer Night’s Dream, by William Painter. Both sources were based Richard II and many of the Sonnets . No records on a French version of the Italian story Giulietta exist to tell us where it was first seen, but it e Romeo first published in about 1530. Such is likely to have been either the Theatre or the The Curtain Theatre, Shoreditch (to the right), where Italian ‘novelles’ were popular reading in Curtain playhouse in Shoreditch. It has been Romeo & Juliet was probably first performed in or around Shakespeare’s time and Painter’s collection, suggested that Richard Burbage, the company’s 1596. A detail from Abram Booth’s ‘View of London from The Palace of Pleasure , was singled out by the leading man, took the role of Romeo (he would the North’. -
Giuseppe Bonito, Il Femminiello, 1740/1760
Giuseppe Bonito, Il Femminiello, 1740/1760 Giuseppe Bonito (Italian, 1707–1789) Il Femminiello, 1740/1760 Oil on canvas 30 3/8 x 24 7/8 inches Gift of the Ross Family Fund of Equity Foundation 2014.107.1 Owing to widespread social prejudice, cross-dressing was rarely depicted Discussion and Activities in European art until the modern era. This recently discovered painting 1. Partner with another person and position yourselves as the figures in from the mid-eighteenth century is a testament to the exceptional and Bonito’s painting. How do you think each figure feels at this moment? long-standing acceptance of cross-dressers known as femminielli in the What would each of these figures say? What happened right before great Italian city of Naples. The term, which might be translated “little this moment and what happens after this moment? Write a dialogue or female-men,” is not derogatory, but rather an expression of endearment. a scene from a story or play. Femminielli come from impoverished neighborhoods, as is evidenced by this individual’s missing tooth and goiter, a common condition among the poor 2. Many eighteenth-century paintings include one figure who invites the in the Neapolitan region. Although femminielli cross-dress from an early viewer into the scene. How does Bonito’s composition achieve this? As age, they do not try to conceal their birth sex completely. Rather than being a contemporary viewer examining a historic work, what do you think of stigmatized, they are deemed special and are accepted as a “third sex” that this approach? Does it feel authentic or staged? combines the strengths of both males and females. -
Seeing Gender Classroom Guide
CLASSROOM GUIDE Seeing Gender An Illustrated Guide to Identity and Expression Written and Illustrated by Iris Gottlieb Foreword by Meredith Talusan 978-1-4521-7661-1 • $39.95 HC 8.3 in x 10.3 in, 208 pages About Seeing Gender: Seeing Gender is an of-the-moment investigation into how we express and understand the complexities of gender today. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. It’s an essential tool for understanding and contributing to a necessary cultural conversation about gender and sexuality in the 21st century. In the classroom, Seeing Gender can be used as: • An entry point to understanding the vast complexities and histories of gender expression. • A self-education tool that will allow for nonjudgmental exploration of your own gender, increased empathy and understanding of others’ experiences, and an invitation to consider the intricacies of intersectionality. • A look into how coexisting identities (race, class, gender, sexuality, mental health) relate to gender within larger social systems. This guide contains extensive excerpts along with thought-provoking questions, quizzes, and writing prompts. To learn more about Seeing Gender, visit chroniclebooks.com/seeinggender. SEEING GENDER CLASSROOM GUIDE Table of Contents Introduction ........................................................................... 3 Discussion Questions ........................................................ 34 Terminology .........................................................................