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Actores Transnacionales: Un Estudio En Cinema Internacional
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar…………………………………………………………………………………………………………. -
Restaruants Culture and Entertainment
Cormac McCarthy and the Texas The 2017 Literary Tradition The Keynote Talk by Cormac Don Graham Cormac McCarthy Don Graham, Professor of English at the University of Texas at Austin, is McCarthy an authority on Texas literature and culture. His books include Cowboys and Cadillacs: How Hollywood Looks at Texas (1983), No Name on the Bullet: A Biogra- Journal Society phy of Audie Murphy (1989); Giant Country: Essays on Texas; Lone Star Literature: A Texas Anthology (2003); Kings of Texas: The 150-Year Saga of an American Ranching Empire (2004), which won the T.I.L. Carr P. Collins Prize for Best Nonfiction Book; stacey peebles, editor Conference and State of Minds: Texas Culture and Its Discontents (2011). He has published often in Texas Monthly and has won numerous teaching awards, including The Cormac McCarthy Journal Alcalde’s Top Ten Professors Ever Award in 2014. He has been teaching UT’s famous is a peer-reviewed journal course on “Life and Literature of the Southwest” for decades. His newest book is ISSN 2333-3073 | E-ISSN 2333-3065 Giant: Elizabeth Taylor, Rock Hudson, James Dean, Edna Ferber and the Making of a focusing on the works and Biannual | Available in print or online Legendary American Film. It will be published by St. Martin’s Press in Spring 2018. influence of Cormac McCarthy. The journal publishes articles, Individuals (2018 prices) 1 Year (2 issues): $49 (print or online) notes, and reviews related to 1 Year (2 issues): $70 (print and online) Cormac McCarthy’s novels, Here’s what folks in-the-know know.. -
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Macbeth Production Notes
MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory. -
Anti-Matters: Mortal Ethics in Cormac Mccarthy's the Road
European journal of American studies 12-3 | 2017 Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road Patrick Damien O’Connor Electronic version URL: http://journals.openedition.org/ejas/12337 DOI: 10.4000/ejas.12337 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Patrick Damien O’Connor, « Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road », European journal of American studies [Online], 12-3 | 2017, Online since 28 November 2017, connection on 18 December 2017. URL : http://journals.openedition.org/ejas/12337 ; DOI : 10.4000/ejas.12337 This text was automatically generated on 18 December 2017. Creative Commons License Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road 1 Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road Patrick Damien O’Connor 1 The role of philosophy in the work of Cormac McCarthy has been examined in a variety of contexts. For several decades this scholarship, naturally interdisciplinary, has revolved around issues concerning existentialism, theological and religious questions, post- structural readings of power, and Nietzschean interpretations which see McCarthy’s work as shorthand for the search for transcendent meaning in a meaningless world. One could thus say philosophy is crucial for understanding the ethical outlook of McCarthy. Placing McCarthy’s work in a philosophical context allows a richer account of his literature. Much philosophical work on McCarthy characterizes his reflections as a direct response to philosophical and political themes such as the post-theological, neoliberalism, late capitalism, deindustrialization, violence, jurisprudence and mortality. -
Blood Meridian Or the Evening Redness in the West Dianne C
European journal of American studies 12-3 | 2017 Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds Electronic version URL: https://journals.openedition.org/ejas/12252 DOI: 10.4000/ejas.12252 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-3 | 2017, “Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds” [Online], Online since 27 November 2017, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/12252; DOI: https://doi.org/10.4000/ejas. 12252 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction: Cormac McCarthy Between Worlds James Dorson, Julius Greve and Markus Wierschem Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West Dianne C. Luce The Novel in the Epoch of Social Systems: Or, “Maps of the World in Its Becoming” Mark Seltzer Christ-Haunted: Theology on The Road Christina Bieber Lake On Being Between: Apocalypse, Adaptation, McCarthy Stacey Peebles The Tennis Shoe Army and Leviathan: Relics and Specters of Big Government in The Road Robert Pirro Rugged Resonances: From Music in McCarthy to McCarthian Music Julius Greve and Markus Wierschem Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction James Dorson The Dialectics of Mobility: Capitalism and Apocalypse in Cormac McCarthy’s The Road Simon Schleusener Affect and Gender -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
UNIVERSITY of CALIFORNIA Santa Barbara Military Achievement And
UNIVERSITY OF CALIFORNIA Santa Barbara Military Achievement and Late-Republican Aristocratic Values, 81-49 BCE. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Noah A.S. Segal Committee in charge: Professor Robert Morstein-Marx, Chair Professor Dorota Dutsch Professor Elizabeth Depalma Digeser Professor Nathan Rosenstein June, 2019 The dissertation of Noah A.S. Segal is approved. ____________________________________________ Prof. Nathan Rosenstein ____________________________________________ Prof. Dorota Dutsch _____________________________________________ Prof. Elizabeth Depalma Digeser ____________________________________________ Prof. Robert Morstein-Marx, Committee Chair May, 2019 Military Achievement and Late-Republican Aristocratic Values, 81-49 BCE. Copyright © 2019 by Noah A.S. Segal iii ACKNOWLEDGEMENTS While I have, like most graduate students, began many boasts (and some laments) with the word’s “my dissertation,” as I write these acknowledgements I am overwhelmed with gratitude to the many people who were instrumental to this project. The merits of this work truly belong to them as well. To begin with, my dissertation committee was blessed with – to use a sports metaphor – a “dream team” of scholars: Beth Depalma Digeser, Dorota Dutsch, Nathan Rosenstein, and Robert Morstein-Marx. In their comments and in their classrooms each of these excellent people far exceeded the traditional expectations of readers and educators. Anything excellent about this project is a direct result of their involvement, and I am forever grateful to each of them for their incredible patience, compassion, and encouragement. I owe to Robert Morstein-Marx, the supervisor of this dissertation, more thanks and praise than I am permitted to include here. There is, I have found, a false belief in some corners of academia that brilliance and humanity are often incompatible in dissertation superviors. -
1 from Acclaimed Director Ridley Scott (Gladiator, Prometheus) Comes The
From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure EXODUS: GODS AND KINGS, the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues. The film’s intrigue, scale, scope, adventurer and vivid characters provide a unique theatrical event. The Exodus from Egypt is the original and definitive heroic saga. It's also a powerful and personal story rich with emotion, rivalry and betrayal and an undying quest for freedom. Notes Scott: “Moses’ life is one of the greatest adventures and spiritual quests of all time.” From its opening battle where 15,000 Egyptian soldiers attack a Hittite encampment, to the towering structures, a terrifying series of plagues, and the parting of the Red Sea, Scott brings his signature vision to one of our most cherished and important stories. “I love anything larger-than-life,” he continues. “I knew what to do with Gladiator – how to make it really breathe, live and feel like people did in that era. With EXODUS: GODS AND KINGS, I wanted to similarly bring to life the Egyptian culture and the Exodus in a way never before possible.” EXODUS: GODS AND KINGS was shot in Pinewood Studios, London and on location in Almeria, Southern Spain and Fuerteventura, the Canary Islands. -
November 2009 Newsletter.Pub
Rocklin Police Department Newsletter November 2009 Rocklin Police Department Vol 4 Issue 11 Message from the Chief by Mark Siemens It’s that time of year again, when closures soared during 2009, it is serve, protect and promote a we reflect on all of the things we’re easy to become disoriented, nerv- safe community, we are doing so thankful for and spend valuable ous and pessimistic about the with a high degree of profession- “It is the Mission of the time with family. As we approach future. But the truth is, our coun- alism and care for those who are Rocklin Police Department the Thanksgiving holiday, I hope try has faced adversity many under strain in their personal we can all pause to take stock in times before, and it’s through lives. I want to thank each of to Serve, Protect those people who are meaningful difficult times such as this reces- you for your hard work and dedi- to us and all the things we have to sion which force us to realize the cation, and I wish you and your and Promote a be thankful for. As the unemploy- important issues in our lives that families a very happy holiday ment rate in California has sky matter the most, yet often go Safe Community.” season! rocketed to 12.2%, and home fore- overlooked. Myself? I am thank- ful to be working in Rocklin, a family-oriented-community that will surely see a lot of giving through the next few months to those who are less fortunate. -
PDF of the Notes
Notes __________________________________ These notes aspire neither to completeness nor to the naming of the first respective orig- inator of a thought or a theory. Since this work is more a research report than an academic treatise, such aspirations would actually be neither required nor useful. However, should we have violated any rights of primogeniture, this did not happen intentionally and we hereby apologize beforehand, and promise to mend our ways. We also would like to express our gratitude in advance for any references, tips, or clues sent to us. For abbreviations of collected editions and lexicons, journals and serials, monographs and terms see Ziegler & Sontheimer (1979). For the Greek authors’ names and titles see Liddell & Scott (1996) and for the Latin ones Glare (1996). The Gospel texts translated into English were quoted on the basis of the King James Ver- sion of 1611. In some cases the Revised Standard Version of 1881 and the New American Bible of 1970 were relied on. These three translations often differ from each other considerably. Although they all, even the Catholic one, make use of the original languages rather than the Vulgate as a basis for translation, they have the tendency to read the text of the New Testament according to the current interpreta- tion and to amalgamate it with the Old, so that in critical points the newer transla- tions are overtly conflicting with the Greek original text, arbitrarily interpreting e. g. thalassa, properly ‘sea’, as lake, Christos, ‘Christ’, as Messiah, adapting the orthog- raphy of the proper names in the New Testament to those in the Old, e.g.