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9. Ceramic Arts
Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2. -
Noritake Garden Entrance Exit Fascinating Cycle of Life up Close
天 Parking Lot Encounter nature at the biotope 1F A biotope is an area in an urban setting that provides oritae uare aoa C a living environment for plants, insects, sh, birds, iestle so Parking Gate and other forms of life. Come experience the General Discover the Culture, Rest in the Forest. Noritake Garden Entrance Exit fascinating cycle of life up close. Information See everything Noritake and Enjoy lunch and dessert served Free Admission (Admission fees apply for the Craft Center and Noritake Museum only) Okura Art China have to offer, on casual Noritake tableware. The Enormous “Six Chimneys” “The Detached Kiln” * All facilities are barrier-free. from elegant daily-use tableware Come and take a break from A monument symbolizing instills visitors with a sense to prestige products. A full lineup shopping or walking. Admission fees for the Craft Center and Noritake Museum of tableware is also available. Noritake’s dream the enthusiasm of its time. Adults/university students 500 yen These are relics from the tunnel This old kiln, nestled amidst a Visitors aged 65 or over 300 yen North Gate Nishi-Yabushita kilns built in 1933 to bake quiet forest, exudes the High school students and younger Free Discover the Culture, Rest in the Forest. Visitors with ID verifying disability Free CRAFT CENTER ceramics. The Noritake dream, a enthusiasm of the soil and Pedestrian access constant beacon of inspiration ames from its time. (Be prepared to present the ID) Noritake Museum * Group discounts available Groups of 30 or more 10% off Noritake Garden The “Red Brick Buildings”, ever since the early Meiji Period, Groups of 100 or more 20% off 4F Admire the grand “Old Noritake” symbolic of Japan’s burns on bright today. -
Adaptation and Invention During the Spread of Agriculture to Southwest China
Adaptation and Invention during the Spread of Agriculture to Southwest China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation D'Alpoim Guedes, Jade. 2013. Adaptation and Invention during the Spread of Agriculture to Southwest China. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11002762 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Adaptation and Invention during the Spread of Agriculture to Southwest China A dissertation presented by Jade D’Alpoim Guedes to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts March 2013 © 2013 – Jade D‘Alpoim Guedes All rights reserved Professor Rowan Flad (Advisor) Jade D’Alpoim Guedes Adaptation and Invention during the Spread of Agriculture to Southwest China Abstract The spread of an agricultural lifestyle played a crucial role in the development of social complexity and in defining trajectories of human history. This dissertation presents the results of research into how agricultural strategies were modified during the spread of agriculture into Southwest China. By incorporating advances from the fields of plant biology and ecological niche modeling into archaeological research, this dissertation addresses how humans adapted their agricultural strategies or invented appropriate technologies to deal with the challenges presented by the myriad of ecological niches in southwest China. -
The Elamite Cylinder Seal Corpus, C.3500 – 1000 BC
The Elamite Cylinder Seal Corpus, c.3500 – 1000 BC Volume I, Part III K. J. Roach Doctor of Philosophy, (Near Eastern) Archaeology 2008 The University of Sydney Chapter 5 – Summary of Style Distribution across the Elamite Sites The purpose of this chapter is to detail and outline the specific glyptic style distribution at each site included in the Corpus. This survey has two main objectives. The first is the summation and discussion of the Elamite styles from each site, and thereby the revision and reassessment of the ‘glyptic material’ survey presented for each site in the initial site survey section (Chapter 2), by detailing the site glyptic material in the terms of the new Elamite stylistic paradigm here presented. The second intention is to provide some of the background information and data, be it contextual, stylistic and chronological, regarding the function of various glyptic items at each site and across Elam, thereby enabling the following discussion on glyptic function (Chapter 6). The style distribution (how many styles and in what proportions) of each site will be presented, and thereby the basic chronological distribution of the glyptic material, with any necessary discussion where this information strongly contradicts the established chronological periodisation of a site, will be outlined. The glyptic material types (seals/sealings) and the specific materials will be presented, as will any information regarding seal function from provenance (that is, grave or temple context etc.) or type (sealing type especially). For the most part, this information may be presented and detailed in graphs, figures and tables. 5.1 Susa As already mentioned and explained, Susa has contributed by far the most items to the Corpus. -
Summary of Pottery Development to Knowledge
Global Journal of Arts Education Volume 07, Issue 2, (2017) 47-54 Summary of pottery development to knowledge Uzzi Festus Osarumwense*, Department of Fine and Applied Arts, College of Engineering, Olabisi Onabanjo University, 120107, Ogun State, Nigeria. Edem Peters, Department of Fine Arts and Design, Faculty of Humanities, University of Port Harcourt, River State, Nigeria. Suggested Citation: Osarumwense, U.F. & Peters, E. (2017). Summary of pottery development to knowledge. Global Journal of Arts Education. 7(2), 47-54 Received December 11, 2016; revised March 24, 2016; accepted May 28, 2016. Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved Abstract Pottery has been defined and redefined by many scholars of history and anthropologist. Pottery is wrapped in the past with no written record; this study intends to work on the historical analysis of form, style and techniques of Pottery tradition, the various pottery associations in Nigeria will be identified and discussed. The study will also examine the symbolic meaning of each of the traditions, it will also project the aesthetic qualities, and the effects of new ideas of pottery of the indigenous Benin people, and how pottery is interpreted/ the study hopes to compile and analyze forms of pottery that will rekindle interest in pottery, and serve as reference point for the future generation. Keyword: pottery, summary, development, knowledge. *ADDRESS FOR CORRESPONDENCE: Uzzi Festus Osarumwense, Department of Fine and Applied Arts, College of Engineering, Olabisi Onabanjo University, 120107, Ogun State, Nigeria. E-mail address: [email protected] Osarumwense, U.F. -
KMBT C554e-20150630165533
Recent Research on Paleolithic Arts in Europe and the Multimedia Database Cesar Gonzalez Sai 民 Roberto Cacho Toca Department Department of Historical Sciences. University of Cantabria. Avda. Los Castros s/n. 39005. SANTANDER (Spain) e-mail: e-mail: [email protected] I [email protected] Summary. In In this article the authors present the Multimedia Photo YR Database, made by Texnai, Inc. (Tokyo) and the the Department of Historical Sciences of the University of Cantabria (Spain) about the paleolithic art in northern northern Spain. For this purpose, it ’s made a short introduction to the modem knowledge about the European European paleolithic art (35000 ・1 1500 BP), giving special attention to the last research trends and, in which way, the new techniques (computers, digital imaging, database, physics ... ) are now improving the knowledge about this artistic works. Finally, is made a short explanation about the Multimedia Photo YR Database Database and in which way, these databases can improve, not only research and teaching, but also it can promote in the authorities and people the convenience of an adequate conservation and research of these artistic artistic works. Key Words: Multimedia Database, Paleolithic Art, Europe, North Spain, Research. 1. 1. Introduction. The paleolithic European art. Between approximately 35000 and 11500 years BP, during the last glacial phases, the European continent continent saw to be born a first artistic cycle of surprising surprising aesthetic achievements. The expressive force force reached in the representation of a great variety of of wild animals, with some very simple techniques, techniques, has been rarely reached in the history of the the western a此 We find this figurative art in caves, caves, rock-shelters and sites in the open air, and at the the same time, on very di 仔erent objects of the daily li た (pendants, spatulas, points ofjavelin, harpoons, perforated perforated baton, estatues or simple stone plates). -
ASIAN ART REFERENCE BOOKS and SELECTIONS from CT LOO LIBRARY 13 September 2012 New York, Rockefeller Plaza
ASIAN ART REFERENCE BOOKS AND SELECTIONS FROM CT LOO LIBRARY 13 September 2012 New York, Rockefeller Plaza Lot 801 [LOO, CT, EXHIBITIONS AND SALES] -- ROSTOVTZEFF, M Inlaid Bronzes of The Han Dynasty in the Collection of CT Lo... Price Realized $4,750 Lot 802 [HAN, TANG and SONG DYNASTIES -- EXHIBITION CATALOGUES] -- D'ARDENNE DE TIZAC, H Chinesische Tierplastik und T... Price Realized $1,625 Lot 803 [GERMAN LANGUAGE] -- PERZYNSKI, Friedrich Von Chinas Göttern Reisen in China Munich: Kurt Wolff Verlag, 192... Price Realized $2,500 Lot 804 [SCULPTURE] -- LOEHR, Max Relics of Ancient China from the Collection of Dr Paul Singer New York: The Asia ... Price Realized $1,375 Lot 805 [PAINTINGS] -- WHITE, William Charles Chinese Temple Frescoes A Study of Three Wall-Paintings of the Thirteenth... Price Realized $3,000 Lot 806 [MURALS AND STONE ART] -- WHITE, William Charles Tomb Tile Pictures of Ancient China Toronto: University of... Price Realized $375 Lot 807 [BUDDHIST ART] -- ANESAKI, M Buddhist Art In Its Relation to Buddhist Ideals Boston and New York: Houghton ... Price Realized $56,250 Lot 808 SIRÉN, Osvald Chinese Sculpture from the Fifth to the Fourteenth Century London: Ernest Benn, Limited, 1925 Price Realized $40,000 Lot 809 [OSVALD SIRÉN, WORKS IN FRENCH] -- SIRÉN, Osvald Histoire Des Arts Anciens De La Chine Paris and Brussels: ... Price Realized $30,000 Lot 810 MIZUNO, Seiichi, and Toshio NAGAHIRO Yun-Kang The Buddhist Cave-Temples of the Fifth Century AD in North China<... Price Realized $74,500 Lot 811 [JOURNALS] -- LI, Chi Archaeologia Sinica Number Two Hsiao-T'un (The Yin Shang Site at Anyang, Honan), Volume I.. -
|||GET||| Introduction to Human Evolution a Bio-Cultural Approach
INTRODUCTION TO HUMAN EVOLUTION A BIO- CULTURAL APPROACH (FIRST EDITION) 1ST EDITION DOWNLOAD FREE Gillian Crane-Kramer | 9781631898662 | | | | | The Biocultural Evolution Blog See Article History. Viewed zoologically, we humans are Homo sapiensa culture-bearing upright-walking species that lives on the ground and very likely first evolved in Africa aboutyears ago. See also: Evolution of primates. The ulnar opposition—the contact between the thumb and the tip of the little finger of the same hand—is unique to the genus Homo[53] including Neanderthals, the Sima de los Huesos hominins and anatomically modern humans. The biocultural-feedback concept helps us to place this finding in a bigger framework of human evolution. This, coupled with pathological dwarfism, could have resulted in a significantly diminutive human. Add to cart. In Africa in the Early Pleistocene, 1. August 22, Retrieved The main find was a skeleton believed to be a woman of about 30 years Introduction to Human Evolution A Bio-Cultural Approach (First Edition) 1st edition age. Boston, MA: Houghton Mifflin. In devising such scenarios and filling in the human family bush, researchers must consult a large and diverse array of fossils, and they must also employ refined excavation methods and records, geochemical dating techniques, and data from other specialized fields such as geneticsecology and paleoecology, and ethology animal behaviour —in short, all the tools of the multidisciplinary science of paleoanthropology. An Introduction to Human Evolutionary Anatomy. It is also possible that one or more of these species are ancestors of another branch of African apes, or that they represent a shared ancestor between hominins and other apes. -
March 2007 Volume 8 Issue 1 T RENTON POTTERIES
March 2007 Volume 8 Issue 1 T RENTON POTTERIES Newsletter of the Potteries of Trenton Society Mayer’s Pottery and a Portneuf /Quebec Puzzle Jacqueline Beaudry Dion and Jean-Pierre Dion Spongeware sherds found in the dump site ENT PROCESS/FEB 1st 1887” and deco- of Mayer’s Arsenal Pottery in Trenton, rated with the cut sponge chain motif so New Jersey, revealed the use of several mo- popular in England and Scotland. Many tifs including the chain or rope border that of the sponge decorated ware found in was used later in Beaver Falls, Pennsyl- the Portneuf-Quebec area (and thus vania. Those cut sponge wares, when found called Portneuf wares) were actually in the Quebec area, are dubbed “Portneuf” made in Scotland, especially those de- and generally attributed to the United picting cows and birds. Finlayson Kingdom, in particular to Scotland. The (1972:97) naturally presumed the barrel mystery of the Portneuf chain design iron- had been produced in Scotland, al- stone barrel (Finlayson, 1972:97 ) is no though his research in England and more a puzzle: a final proof of its United Scotland failed to show any record of States origin is provided by a patent such a name or such a patent. “Could granted to J. S. Mayer in 1887. this J. S. Mayer,” he wrote, “have been associated with the John Thomson Ann- he small ironstone china barrel field Pottery [Glasgow, Scotland]? Per- T found in the Province of Quebec haps his process was used in the Thom- and illustrated here (Figure 1), is ap- son Pottery. -
Cultural Interactions Between Prehistoric Societies of the Central
Herausgeber*innenkollektiv, eds. 2021. Pearls, Politics and Pistachios. Essays in Anthropology and Memories on the Occasion of Susan Pollock’s 65th Birthday: 239–57. DOI: 10.11588/propylaeum.837.c10747. Cultural Interactions between Prehistoric Societies of the Central Iranian Plateau with Residents of the Central Zagros, Fars, and Southwestern Iran during the 5th Millennium BCE HASSAN FAZELI NASHLI,* PARISA NEKOUEI** & ROUHOLLAH YOUSEFI ZOSHK*** The North Central plateau and mountains in eastern Iran, and by the hot and Central Zagros regions during dry Dasht-e-Lut and Dasht-e-Kavir regions the 5th millennium BCE to the south (Badiei 1994, 93). This area, through the Shamshirbor Pass northeast of The North Central Iranian Plateau (see Bastam, includes all of the Gorgan plain, and Fig. 1) is a vast area, with an average some of the southern parts of Turkmenistan elevation of 1200 meters above sea level, and northeastern Iran (Malek-Shahmirzadi which was inhabited by modern humans from 2003, 317). Numerous plains are enclosed ca. 7200 BCE onwards. It is bounded to the by the southern limits of the Alborz, each of north by the Alborz Mountains, the Zagros which has its own cultural history; among the Mountains to the west, at its eastern limit by most important plains are the Tehran, Qazvin, Fig. 1. Map showing the locations of the most important 5th millennium BCE sites mentioned in the text. Map by the authors. * University of Tehran, Tehran (Iran) ** University of Tehran, Tehran (Iran) *** Islamic Azad University of Varamin, Varamin (Iran) Hassan Fazeli Nashli, Parisa Nekouei & Rouhollah Yousefi Zoshk Qom, and Kashan plains. -
A Contested Dialogue Modern and Contemporary Ceramics
AFRICA AND THE WEST: A CONTESTED DIALOGUE IN MODERN AND CONTEMPORARY CERAMICS KIM TRACY BAGLEY PhD 2014 AFRICA AND THE WEST: A CONTESTED DIALOGUE IN MODERN AND CONTEMPORARY CERAMICS KIM TRACY BAGLEY A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy April 2014 The University of Brighton Abstract This practice-led research in the field of handmade ceramics explores what Africa means and how it is represented in ceramic practice. This is addressed through two research questions. The first is how can ceramics be used to picture, interpret and understand contemporary Africa? The second is what does ‘Africa’ or ‘African-ness’ mean in modern and contemporary ceramic practice set in various contexts, institutional and otherwise? The two questions address the construction and representation of African-ness respectively. There are many different grounds for understanding African-ness which are explored in detail. The critical approach is drawn from postcolonial theory and covers ceramic practice from mid-century to the present in South Africa, Nigeria and the United Kingdom. The research was conducted by a ceramist with other makers in mind. A number of detailed examples or case studies are explored in writing, making and displaying ceramics. This includes the researcher’s own ceramic practice which functions as both a case study and an investigation in itself. As an investigation, the theme of clay-as-skin was tested as an example of an appropriate metaphor for expressing ideas about African-ness using ceramics. The practice extends and has a reiterative relationship to the written work. -
Stoke on Trent Parish Register, 1754-1812
1926-27. STOKE-UPON-TRENT. 1754-1812 Staffordshire Staffordshire fldarisb IRegisters Society. E d ito r a n d H o n . S e c r e t a r y : PERCYSample W. CountyL. ADAMS, F.S.A., Woore ‘Manor, via Crewe. Studies D e a n e r y o f S t o k e -u p o n -T r e n t . Stoke Hipon=n*ent pansb IRegtster P A R T IV. P r i v a t e l y p r i n t e d for t h e Staffordshire P a r is h R e g ister s So c i e t y . A ll Comtnu?ticafions respecting the printing and transcription oj Registers and the issue of the parts should be addressed to the Edttor. •% Attention is especially directed to Notices on inside of Cover. Staffordshire The transcription of the Registers of Stoke-upon- Trent was undertaken by the late Rev. Sanford W . Hutchinson, Vicar of Blurton. Before his death in 1919, he completed them down to the year 1797 for Births and Burials, and to 1785 in Marriages, when it was continued by Mr. E. C. SampleMiddleton, of CountyStreetly. The proofs for this Vol. have been corrected for the press by the Rev. Douglas Crick, M .A ., the present Rector of Stoke-upon- Trent. The best thanks are due from the Society to those three gentlemen for their voluntary work. P. W.L.A.Studies i^tnkr flmslj Ulster. Staffordshire Marriages, Apr. 14, 1754, to April 5th, 1796, nearly all signed by J.