American Square Dance Vol. 41, No. 1
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Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
Mark III Owners Manual
MESA-BOOGIE MARK III OPERATING INSTRUCTIONS MESA ENGINEERING CONGRATULATIONS! You've just become the proud owner of the world's finest guitar amplifier. When people come up to compliment you on your tone, you can smile knowingly ... and hopefully you'll tell them a little about us! This amplifier has been designed, refined and constructed to deliver maximum musical performance of any style, in any situation. And in order to live up to that tall promise, the controls must be very powerful and sophisticated. But don't worry! Just by following our sample settings, you'll be getting great sounds immediately. And as you gain more familiarity with the Boogie's controls, it will provide you with much greater depth and more lasting satisfaction from your music. THREE MODES For approximately twelve years, the evolution of the guitar amplifier has largely been pioneered by MESA-Boogie. The Original Mark I Boogie was the first amplifier to offer successful lead enhancement. Then the Mark II Boogie was the first amplifier to introduce footswitching between lead and rhythm. Now your new Mark III offers three footswitchable modes of operation: Rhythm 1, Rhythm 2 and Lead. Rhythm 1 is primarily for playing bright and sparkling clean (although a little crunch is available by running the Volume at 10). You might think of Rhythm 1 as "the Fender mode”. Rhythm 2 is mainly for crunch chords, chunking metal patterns and some blues (but low settings of the Volume 1 will produce an alternate clean sound that is very fat and warm). Think of Rhythm 2 as "the Marshall mode". -
LSD, Ecstasy, "Rave" Parties and the Grateful Dead Someaccountssuggestthatdrugusefacilitatesentrytoan Otherwiseunavailablespirituaworl Ld
The New Psychedelic Culture: LSD, Ecstasy, "Rave" Parties and The Grateful Dead Someaccountssuggestthatdrugusefacilitatesentrytoan otherwiseunavailablespirituaworl ld. by ROBERT B. MILLMAN, MD and RELATIONSHIPOFPSYCHOPATHOLOGYTOPATTERNS ANN BORDWINE BEEDER, MD OFUSE Hallucinogens and psychedelics are terms sychedelics have been used since an- and synthetic compounds primarily derived cient times in diverse cultures as an from indoles and substituted phenethylamines i/ integral part of religious or recrea- usedthat induceto describechangesbothinthethoughtnaturallyor perception.occurring tional ceremony and ritual. The rela- The most frequently used naturally occurring tionship of LSD and other psychedelics to West- substances in this class include mescaline ern culture dates from the development of the from the peyote plant, psilocybin from "magic drug in 1938 by the chemist Albert Hoffman. I mushrooms," and ayuahauscu (yag_), a root LSD and naturally occurring psychedelics such indigenous to South America. The synthetic as mescaline and psilocybin have been associ- drugs most frequently used are MDMA ('Ec- I ated in modem times with a society that re- stasy'), PCP (phencyclidine), and ketamine. jected conventional values and sought transcen- Hundreds of analogs of these compounds are dent meaning and spirituality in the use of known to exist. Some of these obscure com- drugs and the association with other users, pounds have been termed 'designer drugs? During the 1960s the psychedelics were most Perceptual distortions induced by hallu- oi%enused by individuals or small groups on an cinogen use are remarkably variable and de- intermittent basis to _celebrate' an event or to pendent on the influence of set and setting. participate in a quest for spiritual or cultural Time has been described as _standing still" by values, peoplewho spend long periodscontemplating Current use varies from the rare, perhaps perceptual, visual, or auditory stimuli. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
San Diego's Queen of the Boogie Woogie
by Put Kramer Sue Palmer Sun Diego's Qaeen of Boogie Woogie rflhirty years in lhe mustc Sue's first professional I indrrt.y is a long time band was in Tobacco Road, for any performer, particular- a band she formed with well ly for blues artists and espe- known jazz and swing bass cially for women blues per- player Preston Coleman. formers. For Sue Palmer, the Over the next 15 years, the "Queen of Boogie Woogie," band played regular gigs at it's been a star-studded blues the Belly Up Tavern in So- career with many rewards lano Beach. Of Coleman she and awards. The swing, blues says, "Working with Preston and boogie-woogie piano was like going to college to player has toured the world learn my craft. He was the and played music festivals real thing - a man who was throughout the U.S. and Eu- a fantastic performer and ar- rope as the pianist for blues ranger and was kind and gen- diva Candye Kane. But it's erous with us." her solo and band recording While fronting Tobacco as Sue Palmer and Her Mo- Road, Sue met Candye Kane tel Swing Orchestra that have and soon after the two be- generated the most awards. gan collaborating on music. Her fourth release, Sophisti- Later, Sue was invited to join cated Lady won an Interna- Kane's band as piano player tional Blues Challenge Award which led to world tours for "Best Self Produced CD" through the '90s playing club in 2008, her third release, dates and festivals in Canada, Live at Dizzy's won "Best Australia, France, Holland, Blues Album 200212003" the Netherlands and United and her solo piano album, States. -
Marcina Kasiny Oleśnica – 04
TURNIEJ TAŃCA NOWOCZESNEGO o Puchar Wójta Gminy Oleśnica Marcina Kasiny Oleśnica – 04. lutego 2018 r. /niedziela/ 1. Organizator: 2. Współorganizatorzy: Polski Związek Tańca Freestyle Gmina Oleśnica Szkoła Tańca JAST JAST Atan Gminny Ośrodek Kultury Oleśnica 3. Termin imprezy: 04.02.2018 (niedziela) 4. Miejsce: Gminna Hala Sportowa, ul. Wileńska 32, 56 – 400 Oleśnica 5. Cele: - Popularyzacja i propagowanie tańca nowoczesnego. - Integracja Grup Tanecznych oraz instruktorów tańca. - Rywalizacja Fair Play oraz wspólna zabawa uczestników. - Wyłonienie najlepszych zespołów w poszczególnych kategoriach. - Promocja Gminy Oleśnica. - Promocja rywalizacji tanecznej wśród dzieci i młodzieży Gminy Oleśnica. 6. Komisja sędziowska: 5 licencjonowanych sędziów PZTF i skrutiner PZTF. 7. Kategorie wiekowe: Organizator zastrzega sobie możliwość połączenia kategorii wiekowych i dyscyplin tanecznych w przypadku 4 i mniej zespołów. 7 lat i młodsi (rocznik 2011 i młodsi 9 lat i młodsi (roczniki 2009 i młodsi) 11 lat i młodsi (roczniki 2007 i młodsi) 15 lat i młodsi (rocznik 2003 i młodsi) 16 lat i starsi (2002 i starsi) 31 lat i starsi (1987 i starsi) O przynależności do kategorii wiekowej w III, II i I lidze decyduje wiek najstarszego zawodnika – z tolerancją do 1 osoby. W Ekstralidze decyduje wiek najstarszego zawodnika UWAGA! W III, II i I lidze możliwe jest tańczenie jednej albo dwóch prezentacji przez ten sam zespół (oznacza to również, że jeden tancerz może występować w dwóch różnych zespołach danego klubu). Nazwa zespołu tańczącego dwie prezentacje musi kończyć się cyfrą 1 albo 2, np. JAST 1 i JAST 2 - nr 1 oznacza pierwszą prezentację w kolejności, nr 2 – drugą. 8. Muzyka: III , II i I Liga - muzyka własna do 3 min. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Pastor's Ponderings
The Beacon NEWS AND INFORMATION | FBC ALVARADO, TX JULY - AUGUST 2019 Pastor’s Ponderings Church Events July 1-31 Back Pack Drive for AISD We’ve always seemed to have a fascination for things that are connected with famous people. Leonardo da Vinci’s 72 page journal named the Codex July 3 No Activities Hammer was sold to billionaire Bill Gates in 1994 for a cool $30.8 million. Some of Elvis Presley’s hair went for $15k at auction in 2009, much reduced from the $115k July 4 Church Office / Daycare Closed price tag some sold for only 7 years earlier. His Bible was also sold -- it brought Youth Party @ Farmers 6 PM - 10 PM $94k. An original drawing of Winnie-the-Pooh’s The Hundred Acre Wood map, and 4 other sketches created by E.H. Shepard in 1926 was auctioned last year for July 5 Church Office Closed $600k. These things are valuable because they once belonged to someone significant. July 7 Deacon’s Breakfast 8:00 AM While I write this I’m studying 1Peter 2 in preparation for a sermon on the passage. One phrase stands out to me in particular -- 1Pt.2:9 says, …you are a… people for His own possession… Yes, I know that some translations render it, a July 12-13 GA Lock-In 6:00 PM - 10:00 AM peculiar people, but the word refers to a private possession. As He entered into covenant with the Israelites at Sinai, God told them July 20 Youth Service Project that you shall be my treasured possession among all peoples… (Ex.19:5) Several times throughout the OT God reminds His people that they are valuable because July 23-27 RA/GA Camp they belong to Him. -
Engineering of IT Management Automation Along Task Analysis, Loops, Function Allocation, Machine Capabilities
Engineering of IT Management Automation along Task Analysis, Loops, Function Allocation, Machine Capabilities Dissertation an der Fakultat¨ fur¨ Mathematik, Informatik und Statistik der Ludwig-Maximilians-Universitat¨ Munchen¨ vorgelegt von Ralf Konig¨ Tag der Einreichung: 12. April 2010 Engineering of IT Management Automation along Task Analysis, Loops, Function Allocation, Machine Capabilities Dissertation an der Fakultat¨ fur¨ Mathematik, Informatik und Statistik der Ludwig-Maximilians-Universitat¨ Munchen¨ vorgelegt von Ralf Konig¨ Tag der Einreichung: 12. April 2010 Tag des Rigorosums: 26. April 2010 1. Berichterstatter: Prof. Dr. Heinz-Gerd Hegering, Ludwig-Maximilians-Universitat¨ Munchen¨ 2. Berichterstatter: Prof. Dr. Bernhard Neumair, Georg-August-Universitat¨ Gottingen¨ Abstract This thesis deals with the problem, that IT management automation projects are all tackled in a different manner with a different general approach and different resulting system architecture. It is a relevant problem for at least two reasons: 1) more and more IT resources with built-in or asso- ciated IT management automation systems are built today. It is inefficient to try to solve each on their own. And 2) doing so, reuse of knowledge between IT management automation systems, as well as reuse of knowledge from other domains is severely limited. While this worked with simple stand-alone remote monitoring and remote control facilities, automation of cognitive tasks will more and more profit from existing knowledge in domains such as artificial intelligence, statistics, control theory, and automated planning. A common structure also would ease integration and coupling of such systems, delegating cognitive partial tasks, and switching between commonly defined levels of automation. So far, this problem is only partly solved. -
Northern Junket, Vol. 12, No. 4
— mtml ^WJS v & ^ y m. ^ \m ^ «*-% M ?rt ... ... .... cJUilKflf • VQ^>. JN SfA'/ \ '--• —-- V;, . J Jo v W I / W /--> ]O '%, te;->^ b vo 1,12 5in c MO jdoo Article Page Take It Or Leave It - 1" Suggested Format for Bicentennial Demonstrations 2 Fiddle;? In A Taxi 7 A Visit To An English 3>olk Song Club - 15 Dancing - - - 18 The Village Assembly 22 Christmas ReVel - - 23 Contra Dance - The 0X0 Reel - -24 Square Dance - Lady Be Good To Me - 25 Kitchen Junket Song - Grandfather's Clock 26 Book & Record Reviews - 28 Odds And Ends Of A Font - - - 32 It's Fun To Hunt - - 35 Fiddling Statesmen - - hi What Tffou May Never Have Eh own About New England 43 Do You Remember? - - 45 Kitchen Lore - - . - - 47 Kitchen Hints - - 48 SAVES "Southern Appalachian Video Ethnography Series", has an interesting catalog of their films. Write to: Broadside Video, Elm & Millard, Johnson City, Tennessee, 37601 requesting their catalog of films and takes. THANES TO: Vy Levine , cigars. ' i ^__ TAKE IT OR ; , _ ( % °' '', LEAT1 IT )y First, 1st me say that I am truly \ sorry that this issue of NORTHERN A\ ) EST has been delayed. There are but twenty -V_;">, /' four hours in my day and I've never been '-•<" busier than in the last 6-months. There "Mas a busier than usual summer and fall dance camp and workshop circuit. Then - - I wrote a book "HERITAGE DANCES OF EARLY AMERICA", soon to be published; started another one of a bit later dances; wrote a new introduction to "THE COUNTRY DANCE BOOE1 ' soon to be reprinted; traveled some 2000 miles; also, as president of the Historical Society of Cheshire County with two historic buildings and museum to over- see t§,kes time, as does being on the Mayor's Bicenten- nial Committee, plus directing our annual fall folk dance camp, annual November square dance weekend and getting ready for our big Year End Camp. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.