Multimedia on Linux Command Line: Wget, Pdftk, Ffmpeg, Flac, Sox
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The Kid3 Handbook
The Kid3 Handbook Software development: Urs Fleisch The Kid3 Handbook 2 Contents 1 Introduction 11 2 Using Kid3 12 2.1 Kid3 features . 12 2.2 Example Usage . 12 3 Command Reference 14 3.1 The GUI Elements . 14 3.1.1 File List . 14 3.1.2 Edit Playlist . 15 3.1.3 Folder List . 15 3.1.4 File . 16 3.1.5 Tag 1 . 17 3.1.6 Tag 2 . 18 3.1.7 Tag 3 . 18 3.1.8 Frame List . 18 3.1.9 Synchronized Lyrics and Event Timing Codes . 21 3.2 The File Menu . 22 3.3 The Edit Menu . 28 3.4 The Tools Menu . 29 3.5 The Settings Menu . 32 3.6 The Help Menu . 37 4 kid3-cli 38 4.1 Commands . 38 4.1.1 Help . 38 4.1.2 Timeout . 38 4.1.3 Quit application . 38 4.1.4 Change folder . 38 4.1.5 Print the filename of the current folder . 39 4.1.6 Folder list . 39 4.1.7 Save the changed files . 39 4.1.8 Select file . 39 4.1.9 Select tag . 40 The Kid3 Handbook 4.1.10 Get tag frame . 40 4.1.11 Set tag frame . 40 4.1.12 Revert . 41 4.1.13 Import from file . 41 4.1.14 Automatic import . 41 4.1.15 Download album cover artwork . 42 4.1.16 Export to file . 42 4.1.17 Create playlist . 42 4.1.18 Apply filename format . 42 4.1.19 Apply tag format . -
Screen Capture Tools to Record Online Tutorials This Document Is Made to Explain How to Use Ffmpeg and Quicktime to Record Mini Tutorials on Your Own Computer
Screen capture tools to record online tutorials This document is made to explain how to use ffmpeg and QuickTime to record mini tutorials on your own computer. FFmpeg is a cross-platform tool available for Windows, Linux and Mac. Installation and use process depends on your operating system. This info is taken from (Bellard 2016). Quicktime Player is natively installed on most of Mac computers. This tutorial focuses on Linux and Mac. Table of content 1. Introduction.......................................................................................................................................1 2. Linux.................................................................................................................................................1 2.1. FFmpeg......................................................................................................................................1 2.1.1. installation for Linux..........................................................................................................1 2.1.1.1. Add necessary components........................................................................................1 2.1.2. Screen recording with FFmpeg..........................................................................................2 2.1.2.1. List devices to know which one to record..................................................................2 2.1.2.2. Record screen and audio from your computer...........................................................3 2.2. Kazam........................................................................................................................................4 -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Ease Your Automation, Improve Your Audio, with Ffmpeg
Ease your automation, improve your audio, with FFmpeg A talk by John Warburton, freelance newscaster for the More Radio network, lecturer in the Department of Music and Media in the University of Surrey, Guildford, England Ease your automation, improve your audio, with FFmpeg A talk by John Warburton, who doesn’t have a camera on this machine. My use of Liquidsoap I used it to develop a highly convenient, automated system suitable for in-store radio, sustaining services without time constraints, and targeted music and news services. It’s separate from my professional newscasting job, except I leave it playing when editing my professional on-air bulletins, to keep across world, UK and USA news, and for calming music. In this way, it’s incredibly useful, professionally, right now! What is FFmpeg? It’s not: • “a command line program” • “a tool for pirating” • “a hacker’s plaything” (that’s what they said about GNU/Linux once!) • “out of date” • “full of patent problems” It asks for: • Some technical knowledge of audio-visual containers and codec • Some understanding of what makes up picture and sound files and multiplexes What is FFmpeg? It is: • a world-leading multimedia manipulation framework • a gateway to codecs, filters, multiplexors, demultiplexors, and measuring tools • exceedingly generous at accepting many flavours of audio-visual input • aims to achieve standards-compliant output, and often succeeds • gives the user both library-accessed and command-line-accessed toolkits • is generally among the fastest of its type • incorporates many industry-leading tools • is programmer-friendly • is cross-platform • is open source, by most measures of the term • is at the heart of many broadcast conversion, and signal manipulation systems • is a viable Internet transmission platform Integration with Liquidsoap? (1.4.3) 1. -
Opus, a Free, High-Quality Speech and Audio Codec
Opus, a free, high-quality speech and audio codec Jean-Marc Valin, Koen Vos, Timothy B. Terriberry, Gregory Maxwell 29 January 2014 Xiph.Org & Mozilla What is Opus? ● New highly-flexible speech and audio codec – Works for most audio applications ● Completely free – Royalty-free licensing – Open-source implementation ● IETF RFC 6716 (Sep. 2012) Xiph.Org & Mozilla Why a New Audio Codec? http://xkcd.com/927/ http://imgs.xkcd.com/comics/standards.png Xiph.Org & Mozilla Why Should You Care? ● Best-in-class performance within a wide range of bitrates and applications ● Adaptability to varying network conditions ● Will be deployed as part of WebRTC ● No licensing costs ● No incompatible flavours Xiph.Org & Mozilla History ● Jan. 2007: SILK project started at Skype ● Nov. 2007: CELT project started ● Mar. 2009: Skype asks IETF to create a WG ● Feb. 2010: WG created ● Jul. 2010: First prototype of SILK+CELT codec ● Dec 2011: Opus surpasses Vorbis and AAC ● Sep. 2012: Opus becomes RFC 6716 ● Dec. 2013: Version 1.1 of libopus released Xiph.Org & Mozilla Applications and Standards (2010) Application Codec VoIP with PSTN AMR-NB Wideband VoIP/videoconference AMR-WB High-quality videoconference G.719 Low-bitrate music streaming HE-AAC High-quality music streaming AAC-LC Low-delay broadcast AAC-ELD Network music performance Xiph.Org & Mozilla Applications and Standards (2013) Application Codec VoIP with PSTN Opus Wideband VoIP/videoconference Opus High-quality videoconference Opus Low-bitrate music streaming Opus High-quality music streaming Opus Low-delay -
EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 For
16530 Ventura Blvd., Suite 400 Encino, CA 91436 818.385.1500 www.entmerch.org EMA Mezzanine File Creation Specification and Best Practices Version 1.0.1 for Digital Audio‐Visual Distribution January 7, 2014 EMA MEZZANINE FILE CREATION SPECIFICATION AND BEST PRACTICES The Mezzanine File Working Group of EMA’s Digital Supply Chain Committee developed the attached recommended Mezzanine File Specification and Best Practices. Why is the Specification and Best Practices document needed? At the request of their customers, content providers and post‐house have been creating mezzanine files unique to each of their retail partners. This causes unnecessary costs in the supply chain and constrains the flow of new content. There is a demand to make more content available for digital distribution more quickly. Sales are lost if content isn’t available to be merchandised. Today’s ecosystem is too manual. Standardization will facilitate automation, reducing costs and increasing speed. Quality control issues slow down today’s processes. Creating one standard mezzanine file instead of many files for the same content should reduce the quantity of errors. And, when an error does occur and is caught by a single customer, it can be corrected for all retailers/distributors. Mezzanine File Working Group Participants in the Mezzanine File Working Group were: Amazon – Ben Waggoner, Ryan Wernet Dish – Timothy Loveridge Google – Bill Kotzman, Doug Stallard Microsoft – Andy Rosen Netflix – Steven Kang , Nick Levin, Chris Fetner Redbox Instant – Joe Ambeault Rovi -
Nvidia Video Technologies
NVIDIA VIDEO TECHNOLOGIES Abhijit Patait, 5/8/2017 NVIDIA Video Technologies New SDK Release Major Focus Areas AGENDA Video SDK Features Software Flow FFmpeg Performance and Benchmarking Tips Benchmarks 2 NVIDIA VIDEO TECHNOLOGIES 3 VIDEO CODEC SDK A comprehensive set of APIs for GPU- accelerated Video Encode and Decode The SDK consists of two hardware acceleration interfaces: NVENCODE API for video encode acceleration NVIDIA Video Codec SDK technology is used to stream video with NVIDIA ShadowPlay running on NVIDIA GPUs NVDECODE API for video decode acceleration (formerly called NVCUVID API) Independent of CUDA/3D cores on GPU 4 NVIDIA VIDEO TECHNOLOGIES FFMPEG & LIBAV Easy access to NVIDIA GPU hardware acceleration VIDEO CODEC SDK A comprehensive set of APIs for GPU-accelerated Video Encode and Decode for Windows and Linux SOFTWARE CUDA, DirectX, OpenGL interoperability NVIDIA DRIVER NVENC NVDEC Independent Hardware Encoder Function Independent Hardware Decoder Function HARDWARE 5 NVIDIA VIDEO TECHNOLOGIES Decode HW* Encode HW* Formats: CPU • MPEG-2 Formats: • VC1 • H.264 • VP8 • H.265 • VP9 • Lossless • H.264 • H.265 Bit depth: • Lossless • 8 bit NVDEC Buffer NVENC • 10 bit Bit depth: • 8 bit Color** • 10 bit • YUV 4:4:4 • YUV 4:2:0 Color** • YUV 4:2:0 CUDA Cores Resolution • Up to 8K*** Resolution • Up to 8K*** * See support diagram for previous NVIDIA HW generations ** 4:2:2 is not natively supported on HW 6 *** Support is codec dependent VIDEO SDK EVOLUTION Video SDK 8.0 SDK 7.x Pascal 10-bit encode SDK 5.0 FFmpeg Maxwell 2 ME-only for VR HEVC Quality++ Perf++ SDK 6.0 SDK 4.0 ARGB Maxwell 1 SDK 8.0 Quality+ 10-bit transcode H.264 Dec+Enc 4:4:4, lossless 10/12-bit decode ME-only OpenGL Dec. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Shall I Use Heterogeneous Data Centers? – a Case Study on Video on Demand Systems
Shall I Use Heterogeneous Data Centers? – A Case Study on Video on Demand Systems Shi Feng∗, Hong Zhang∗ and Wenguang Cheny ∗ Department of Computer Science and Technology Tsinghua National Laboratory for Information Science and Technology Beijing, 100084, China Email: ffredfsh,[email protected] y Research Institute of Tsinghua University in Shenzhen Shenzhen, 518057, China Email: [email protected] Abstract—Recent research work and industrial experience In this paper we perform a case study on VOD systems. show that heterogeneous data centers can be more cost- Previous work suggests power and cost efficiency of a plat- effective for some applications, especially those with intensive form should be determined by actually running the workload I/O operations. However, for a given application, it remains difficult to decide whether the application should be deployed on the platform [4], [5]. We conduct extensive experiments on homogeneous nodes or heterogeneous nodes. to find the optimized configuration for VOD systems. We use In this paper, we perform a case study on finding opti- Helix Server with Helix Producer in Windows, and choose mized configurations for Video on Demand(VOD) systems. We VLC+FFmpeg in Linux. We measure the power and cost examine two major modules in VOD systems, the streaming of platform combinations over three types of processors module and the transcoding module. In this study, we measure performance and power on different configurations by varying and three kinds of disks. Each VOD system contains two these factors: processor type, disk type, number of disks, modules. We explore the effectiveness of mapping distinct operating systems and module mapping modes. -
Ffmpeg Codecs Documentation Table of Contents
FFmpeg Codecs Documentation Table of Contents 1 Description 2 Codec Options 3 Decoders 4 Video Decoders 4.1 hevc 4.2 rawvideo 4.2.1 Options 5 Audio Decoders 5.1 ac3 5.1.1 AC-3 Decoder Options 5.2 flac 5.2.1 FLAC Decoder options 5.3 ffwavesynth 5.4 libcelt 5.5 libgsm 5.6 libilbc 5.6.1 Options 5.7 libopencore-amrnb 5.8 libopencore-amrwb 5.9 libopus 6 Subtitles Decoders 6.1 dvbsub 6.1.1 Options 6.2 dvdsub 6.2.1 Options 6.3 libzvbi-teletext 6.3.1 Options 7 Encoders 8 Audio Encoders 8.1 aac 8.1.1 Options 8.2 ac3 and ac3_fixed 8.2.1 AC-3 Metadata 8.2.1.1 Metadata Control Options 8.2.1.2 Downmix Levels 8.2.1.3 Audio Production Information 8.2.1.4 Other Metadata Options 8.2.2 Extended Bitstream Information 8.2.2.1 Extended Bitstream Information - Part 1 8.2.2.2 Extended Bitstream Information - Part 2 8.2.3 Other AC-3 Encoding Options 8.2.4 Floating-Point-Only AC-3 Encoding Options 8.3 flac 8.3.1 Options 8.4 opus 8.4.1 Options 8.5 libfdk_aac 8.5.1 Options 8.5.2 Examples 8.6 libmp3lame 8.6.1 Options 8.7 libopencore-amrnb 8.7.1 Options 8.8 libopus 8.8.1 Option Mapping 8.9 libshine 8.9.1 Options 8.10 libtwolame 8.10.1 Options 8.11 libvo-amrwbenc 8.11.1 Options 8.12 libvorbis 8.12.1 Options 8.13 libwavpack 8.13.1 Options 8.14 mjpeg 8.14.1 Options 8.15 wavpack 8.15.1 Options 8.15.1.1 Shared options 8.15.1.2 Private options 9 Video Encoders 9.1 Hap 9.1.1 Options 9.2 jpeg2000 9.2.1 Options 9.3 libkvazaar 9.3.1 Options 9.4 libopenh264 9.4.1 Options 9.5 libtheora 9.5.1 Options 9.5.2 Examples 9.6 libvpx 9.6.1 Options 9.7 libwebp 9.7.1 Pixel Format 9.7.2 Options 9.8 libx264, libx264rgb 9.8.1 Supported Pixel Formats 9.8.2 Options 9.9 libx265 9.9.1 Options 9.10 libxvid 9.10.1 Options 9.11 mpeg2 9.11.1 Options 9.12 png 9.12.1 Private options 9.13 ProRes 9.13.1 Private Options for prores-ks 9.13.2 Speed considerations 9.14 QSV encoders 9.15 snow 9.15.1 Options 9.16 vc2 9.16.1 Options 10 Subtitles Encoders 10.1 dvdsub 10.1.1 Options 11 See Also 12 Authors 1 Description# TOC This document describes the codecs (decoders and encoders) provided by the libavcodec library. -
Avpy Documentation Release 0.1.1
Avpy Documentation Release 0.1.1 sydh February 14, 2016 Contents i ii CHAPTER 1 Overview Avpy is a ctypes (python) binding for libav and ffmpeg. Examples Code examples. Frequently Asked Questions Some questions that come up often. avpy The complete API documentation, organized by classes and functions. 1 Avpy Documentation, Release 0.1.1 2 Chapter 1. Overview CHAPTER 2 Getting Help If you’re having trouble or have questions, you can write me an email (sydhds __at__ gmail __dot__ com) or create an issue in the bug tracker (see Issues) and mark it as an ehancement or a proposal. 3 Avpy Documentation, Release 0.1.1 4 Chapter 2. Getting Help CHAPTER 3 Issues All issues should reported at the Avpy bug tracker. 5 Avpy Documentation, Release 0.1.1 6 Chapter 3. Issues CHAPTER 4 Changes See the Changelog for a full list of changes. 7 Avpy Documentation, Release 0.1.1 8 Chapter 4. Changes CHAPTER 5 Contributions Fork the git repo and submit a pull request. 9 Avpy Documentation, Release 0.1.1 10 Chapter 5. Contributions CHAPTER 6 Indices and tables • genindex • modindex • search 6.1 Examples The examples in this section are intended to give in depth overviews of how to accomplish specific tasks in Python. Unless otherwise noted, all examples assume that the Avpy module can be imported. See also: see ‘examples’ folder in avpy repository 6.1.1 First Steps This example covers your first steps with Avpy. Importing Let’s start with printing some media information: from avpy import Media # print media info (streams, codecs...) m= Media('test.avi') print -
Indiana University Media Digitization and Preservation Initiative (MDPI)
Indiana University Media Digitization and Preservation Initiative (MDPI) White Paper: Encoding and Wrapper Decisions and Implementation for Video Preservation Master Files Authored by: Mike Casey, Director of Technical Operations, MDPI Reviewed by: Carla Arton, Film Digitization Specialist, IU Libraries Moving Image Archive Jon Cameron, Digital Media Service Manager, IU Libraries Jon Dunn, Assistant Dean for Library Technologies, IU Libraries Heidi Kelly, Digital Preservation Librarian, IU Libraries Brent Moberly (Appendix author), Software Developer, UITS, IU Brian Wheeler, Senior Systems Engineer, IU Libraries Special thanks to Dave Rice for astute comments and suggestions Copyright 2017 Trustees of Indiana University This document is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Release date: March 27, 2017 Indiana University Media Digitization and Preservation Initiative Encoding and Wrapper Decisions and Implementation for Video Preservation Master Files 1. Overview There is no consensus in the media preservation community on best practice for encoding and wrapping video preservation master files. Institutions engaged in long- term video preservation typically choose from three paths, each of which are currently seen as viable for this purpose: 10-bit, uncompressed, v210 codec, usually with a QuickTime wrapper JPEG 2000, mathematically lossless profile, usually with an MXF wrapper FFV1, a mathematically lossless format, with an AVI or Matroska wrapper No single path can be said to be widely adopted, in part because there are relatively few institutions engaged in digitizing video for long-term preservation, especially at scale. It appears as of this writing that institutions are roughly evenly divided between the three paths listed above.