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Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film. -
House Programme
13.11.2018 JC Cube Rare and Important Piano Collection HOUSE PROGRAMME House Rules 1 The performance will last for approximately 1 hour 20 minutes with one intermission. 2 Latecomers may only be admitted at a suitable break. 3 Recommended for ages 6 and above. 4 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. Eating, drinking, audio or video recording and unauthorised photography are strictly prohibited in the auditorium. Thank you for your co-operation. All About Mozart Fortepiano | Geoffrey Lancaster Sonata in B-flat major KV 570 (Vienna 1789) | Allegro | Adagio | Allegretto Sonata in E-flat major KV 282 (Munich early-1775) | Adagio | Menuet I / Menuet II | Allegro – intermission – Rondo in A minor KV 511 (Vienna 1787) | Andante Sonata in B-flat major KV 333 (Linz 1783–4) | Allegro | Andante cantabile | Allegretto grazioso Learn more about the programme and the instruments in the programme notes written by Professor Lancaster: Photo by Kathy Wheatley-2 Geoffrey Lancaster Geoffrey Lancaster has been at the forefront of the historically-informed performance practice movement for 40 years. He was the first Australian to win a major international keyboard competition, receiving First Prize in the 23rd Festival van Vlaanderen International Fortepiano Competition, Brugge. He is Artistic Director with Ensemble of the Classic Era and a member of the Council of the Australian Youth Orchestra, and was Director of the Tasmanian Symphony Chamber Players, and Chief Conductor and Artistic Director of La Cetra Barockorchester Basel. -
Robert Levin Selected Reviews
Robert Levin Selected Reviews Beethoven Piano Concerto No. 3 Scottish Chamber Orchestra (November 2017) “Playing along quietly in the normally orchestra-only exposition, adding in his own improvised lead-ins and interruptions, pedalling freely, stretching rhythms and inserting impromptu melodic embellishments, he treated what we normally hear as nothing more than the Concerto’s bare bones, a framework for spontaneous, in-the-moment creation – all backed up by serious historical scholarship, of course. The result was edge-of-your-seat stuff, sometimes raising a smile, often raising eyebrows, but carried through with utter conviction and brilliant, sometimes rather hard-edged clarity. Most captivating, though, was the breathtaking immediacy of Levin’s account, and its disarming honesty – maybe this’ll work, maybe not, he seemed to say, but we’ll do it anyway.” – David Kettle, The Scotsman **** “Robert Levin, who has just celebrated his 70th birthday, brought his renowned erudition to the solo part, as well as the flair of his own improvised cadenzas, always staying clearly within the embrace of Beethoven’s own themes.” – Keith Bruce, The Herald **** Alte Oper Recital Mozart Saal, Frankfurt (May 2017) “Erfolgreich Musik machen und erfolgreich über sie reden können wenige. Ein solcher Universalkünstler, bekannt auch als Vollender berühmter Fragmente wie etwa Mozarts Requiem, ist der Pianist Robert Levin.” – Gerhard Schroth, Frankfurter Allgemeine Zeitung Hilary Hahn Recitals European and US Tour (March 2017) “A Mozart sonata, K. 481, followed. Again it was Levin whose dynamism collared our ears… it was clear that our musicians were enjoying a conversation. …Levin’s solo turn followed in Hans Peter Türk’s Träume , another welcome UK premiere. -
C 1 Cembalomusik in Der Stadt Basel Bischofshof· Münstersaal
r Ein gutes Zusammenspiel ist entscheidend für gute Resultate. Fragen Sie uns! c 1 Cembalomusik in der Stadt Basel Bischofshof· Münstersaal Konzerte 2000/2001 30.11. Andrea Scherer Beratung und Ausführung 8.1. GeoffreyLancaster Kommunikations-Lösungen Visualisierungen 19.3. Thomas Ragossnig Grafik und Design 26.4. Bob van Asperen Satz, Lithos, Druck, Digital und Offset Datenbank-Lösungen Digitale Animationen und Video-Spots Versandlogistik Abonnemente und Vorverkauf: Musik Wyler Schneidergasse 24 , 40 51 Basel Telefon 061-261 90 25 Telefon 205 93 33 Fax 205 93 30 Linsenmann AG , Eulerstrasse 73 eMail [email protected] Postfach , 4009 Basel internet http ://www .linsenmann .ch Sehr geehrte Damen und Herren Liebe Musikfreunde Mit dem Generalprogramm 2000 /2001 möchten wir Ihnen die Konzerte der 11. Sai son vorstellen und hoffen, dass es uns auch in diesem Jahr gelungen ist, ein ab wechslungsreich es Programm mit vier inter essanten Konzertabenden zusammenzu stellen. Wir würd en uns freuen , Sie auch diese Saison als regelmässige Besuch er bei CIS begrüssen zu dürfen. Wir danken für die finanzielle Unterstützung - allen privaten Gönnern - Atelier Baumgartn er, Innenarchit ektur , Basel - Bree, Lederwaren, Basel - Haecky Drink AG, Reinach • Lott eriefondSj - Linsenmann AG, Druckerei, Basel -Olymp & Hades, Buchhand lung, Basel ~ Basel-Stadt \ - Schweizer Radio DRS 2, Studio Basel 1..\Kult ur __, - Stoffler, Orgeln und Pianos, Basel 1 und der Stadt Basel, die mit einem Beitrag der Abteilung Kultur des Lotteriefonds Basel-Stadt unterstü tzt. ATELIER lady top II. Damenhandtasche. Rindnappaleder . BAUMGARTNER INNENARCHITEKTUR B A E L s & WOHNBERATUNG MÖ BEL HEIMTEXTILIEN TEPPICHE LAMPEN OBJEKTPLANUNG WOHNA CCESSOIRES I BREE BASEL I RÜMELINSPLATZ 7 1 SPALENBERG 8 4051 BASEL TEL 061 2610843 FAX 261 08 63 4001 BASEL I TELEFON 061/261 II 26 1 Gunther Lambert-Collection bei Atelier Baumgartner Donnerstag, 30. -
Mozart Complete Fortepiano Concertos Author: Jed Distler
A1 Mozart Complete Fortepiano Concertos Author: Jed Distler Recorded in 2004-06, this Mozart piano concerto cycle first appeared on the small Pro Musica Camerata laBel. In the main, fortepianist Viviana Sofronitsky (stepdaughter of the legendary Russian pianist Vladimir), conductor Tadeusz Karolak and the Musica Antiqua Collegium Varsoviense offer less consistent satisfaction in comparison with complete period instrument sets from Bilson/ Gardiner/English Baroque Soloists (DG) and Immerseel/Anima Eterna Orchestra (Channel Classics). The strings prove alarmingly uneven: scrawny-toned in K503ʼs Rondo, hideously ill-tuned in K595ʼs first movement, yet firmly focused in the sparsely scored K413, 414 and 415 group and the youthful first four concertos, where Sofronitskyʼs nimBle harpsichord mastery oozes sparkle and wit. However, her fortepiano artistry yields mixed results. Her heavy-handed articulation, pounded out Alberti Basses and crude down-Beat accents roB certain Rondo movements of their prerequisite animation and lilt, such as those in K271, 450, 459, 482 and 595. And when you juxtapose her Brusque, dynamically unvaried treatment of the latterʼs Larghetto with Bilsonʼs graceful lyricism, her faster Basic tempo actually seems slower. Orchestrally speaking, little sense of long line and amorphous melody/ accompaniment textures yield rudderless slow movements in K271 and K456 while, at the same time, the rich contrapuntal writing in the Adagio of K488 could hardly By more viBrant and roBust; the first Bassoonist really shines here and in the Allegro assaiʼs rapid solo licks. Strange how percussively the Busy passagework in the outer movements of the E flat Double Concerto (K365) registers, whereas the more difficult-to-Balance Triple Concerto (K242) Benefits from superior microphone placement. -
INTERNATIONAL FORTEPIANO SALON #5: Pioneers: Fortepiano in China
Catskill Mountain Foundation presents INTERNATIONAL FORTEPIANO SALON #5: Pioneers: Fortepiano in China Hosted by the Academy of Fortepiano Performance in Hunter, NY SATURDAY MAY 22, 2021 @ 9 pm (Eastern Daylight Saving Time) (Sunday, May 23, 2021 @ 9 am China Time) Hosted by Yiheng Yang and Maria Rose Founders and faculty of the Academy of Fortepiano Performance in Hunter, NY Guest Hosts: Audrey Axinn (Tianjin) Yuan Sheng (Beijing) Yuehan Wang (Beijing) Also Featuring: Michael Tsalka, Zijun Wang, and Jing Tang PROGRAM Wolfgang Amadeus Mozart Rondo in F major, K.494 Audrey Axinn, Anton Walter fortepiano (replica by Paul McNulty) Frédéric Chopin Waltz in A-Flat Major, Op. 69, No. 2 Nocturne in D-Flat Major, Op. 2 Yuan Sheng, 1836 Pleyel piano Wolfgang Amadeus Mozart Sonata in E-flat Major, K.282 Adagio, Menuetto Yuehan Wang, Anton Walter fortepiano (replica by Paul McNulty) Franz Schubert Impromptu in G-Flat Major, Op. 90, No. 3 Johann Baptist Wanhal Capriccio in E-Flat Major, Op. 15, No. 2 (1786) Michael Tsalka, 1838 Conrad Graf piano; ca. 1785 Johann Bohack fortepiano Franz Schubert Sonata in C Minor, D.958 Allegro (4th movt.) Zijun Wang, Graf fortepiano (replica by Paul McNulty) Wolfgang Amadeus Mozart Fantasy in D minor, K.397 Jing Tang, Anton Walter fortepiano (replica by Paul McNulty) BIOGRAPHIES A sensitive and compelling performer and educator, Audrey Axinn is currently Associate Dean and faculty at the Tianjin Juilliard School. She is also on faculty at New York Juilliard and Mannes School of Music. She has performed widely at venues such as the Boston Early Music and Edinburgh Festivals and taught master classes at almost two dozen conserva- tories in Asia, Europe and North America. -
Edith Cowan University
Edith Cowan University Western Australian Academy of Performing Arts Dr Geoffrey Lancaster – Publications Listing 2011 Lancaster, G 2011, 'Joseph Haydn Complete Keyboard Sonatas', Vol. 3, Booklet Notes, Tall Poppies, Sydney, Australia, pp. 1-34. ISBN 9399001002160. Lancaster, G 2011, Joseph Haydn Complete Keyboard Sonatas, Vol. 3, CD, TP 216, Tall Poppies, Sydney, Australia, pp. 64 min 37 sec. Lancaster, G 2011, 'Sonata quasi una fantasia: genre and performance in Beethoven's Moonlight Sonata', Henry Wood Lecture Recital, David Josefowitz Recital Hall, Royal Academy of Music, London, United Kingdom. Lancaster, G & Hart, D 2011, 'Williams and Haydn: Hidden Meanings', National Gallery of Australia Public Programs, Lecture Recital, James O Fairfax Theatre, National Gallery of Australia, Canberra, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Bundanon Trust, Riversdale, Nowra, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Embassy of the Republic of Finland, Yarralumla, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Woodworks Gallery, Bungendore, Australia. Lancaster, G & Pereira, D 2011, Complete Cello Sonatas by Ludwig van Beethoven, Wesley Music Centre, Forrest, Australia. Lancaster, G 2011, 'Keyboards', TV feature interview, The Collectors, Episode 19, ABC Television, Friday 9 September, Hobart, Australia, pp. 2 min 45 sec. Web. http://www.abc.net.au/tv/collectors/segments/s3314396.htm Lancaster, G 2011, 'Australia's precious ivories', Trust News Australia, vol. 3, no. 5, May, pp. 14-15. ISSN 1835-2316. Lancaster, G 2011, Sonata No. 60 in C, Hob. XVI:50 by Joseph Haydn, (World Premiere performance on Joseph Haydn's restored Longman and Broderip piano), The Cobbe Collection, National Trust, Hatchlands Park, Surrey, United Kingdom Lancaster, G 2011, Sonata No. -
Wlimr(Cer Concert
- The Jfusfcal-Poetfcal Club (The Fortepfano Society) presents its Wlimr(cer Concert. Sunday. February 17. 1991. 3:00 p.m. Brechemin Auditorium School of Music University of Washington ----.....-~----.~............. ~---~-- ................ --- '0 Program {, 'Z ('7, S lcle. I\ -t S-l ~oU-. G e I~cte y- CD Three English Songs _. , Franz Joseph Haydn ON.e!-~1 No.VlL'f W,lh",WlScrn ~ Wa/1"e{ &-T~,,,,I'Ic) 'I (1732-1809) (\)tT-T IV ,-\J 3 aPastoraI Song, Hob. XXVIa:27 (Anne Hunte!J)( 3 -_ -;; I) (t>A-TID 3; z.. The Wanderer, Hob. XXVIa:32 (Anne Hunter) (::;-: 3~) ,., "-:. (b,4.cT ,p 2-1 I The Lady's Looking-Glass, Hob. XXXIc: 17 (anon.)( I , 5"0) Cynthia Beltmen, mezzo-soprano George Bozarth, John Broadwood & Sons square fortepiano (1816) :41- , ' (/~ '.1"1)- Wo1fgang Amadeus Mozart ,y ~T0- IV' GW'G\J<r(":K;;LTCj(I~4c1) (1756-91) o (j)tn I 0 "j-) -A11cl.~te eantabtle --A11egrette gaz1 SQ.. It-' k,rlo " .~(A.V'lR- I1-lk~ vo " James Fete1'8OQ, Anton Walter grand fortepianO (ea. 1795) :TuW\"'.--'" Fr-1-edww.. V1, Four Lteder Franz Schubert (1797-1828) An die Muslk, Op. 88 No.4 (Schober) Lachen und Weinen, Op. 59 No.4 (Riickert) Du blst die Ruh, Op. 59 No. 3 (ROckert) Gretchen am Splnnrade, Op. 2 (Goethe) Alison Guay, soprano Dwight Beckmeyer, Walter fortepianO (j) Sonata in C major, Hob. XVI:48 (,. ') Haydn (DII-Tll) 51 Or 5<t Andante con expresslone - Allegro Tamara Friedman, Walter forteplano @ Six Duets, Op. 63 (1'-1:03» Felix Mendelssohn ,_/ (]),4-J Ii)')) (1809-47) Ich wollt, mein Lteb ergOsse slch (Heine) Abschledsl1ed der ZugvOgel (Hoffmann von Fallersleben) Gru~ (E1chendorft) Herbstlied (Kl1ngemann) Volksl1ed (Burns) MatglOckchen und die Bliimele1n (Hoffmann von Fallerslebenl Nancy W1ll1amson, soprano Cynthia Beltmen, mezzo-soprano George Bozarth, Walter forteplano • Program Change James Peterson will not perform the Mozart Sonata in F major, K. -
Ana-Marija Markovina Son Tour De Force En 26 CD
Clic Musique ! CLICMAG N° 16 Votre disquaire classique, jazz, world MAI 2014 ANA-MARIJA MARKOVINA Son tour de force en 26 CD © Manfred Esser Retrouvez les 15 000 références de notre catalogue sur www.clicmusique.com ! Sélection Carl Philipp Emanuel Bach 2014, l’année Carl Philipp Emanuel Bach C.P.E. Bach : Sonates pour clavecin C.P.E. Bach : Sonates pour piano, C.P.E. Bach : Sonates en trio, Wq. C.P.E. Bach : Quatuors pour flûte, C.P.E. Bach : Musique de chambre Wq. 62/10, 16, 19, 22, Wq. 65/17, violon et violoncelle, Wq. 89-91 144-151 alto, violoncelle, piano pour vents 28, 31 Trio 1970 Les Amis de Philippe Jan De Winne; Marten Boeken; Roel Ensemble Fiati con Tasto Cologne Davide Pozzi, clavecin et piano Dieltiens; Shalev Ad-El STR33911 • 1 CD • 15,36 € CPO999216 • 1 CD • 8,16 € CPO999495 • 2 CD • 13,92 € PAS973 • 1 CD • 15,36 € CPO999508 • 1 CD • 8,16 € C.P.E. Bach : Concertos pour piano C.P.E. Bach : Concertos pour piano, C.P.E. Bach : Concerto pour piano, C.P.E. Bach : Concertos pour clave- C.P.E. Bach : Concertos pour clave- Wq. 23, Wq. 112,1, Wq. 31 Wq. 17, Wq. 43/4, Wq. 14 Wq. 22, Wq. 43,5, Wq. 46 cin, Wq. 30, Wq. 37, Wq. 38 cin, Wq. 3, Wq. 32, Wq. 44, Wq. 45 Michael Rische, piano; Leipzig Chamber Michael Rische, piano; Leipzig Chamber Michael Rische & Rainer Maria Klaas, piano; Les Amis de Philippe; Ludger Rémy, Les Amis de Philippe; Ludger Rémy, Orchestra; Morten Schuldt-Jensen Orchestra; Morten Schuldt-Jensen Hans-Werner Mehling, direction clavecin et direction clavecin et direction HAN98639 • 1 CD • 13,20 € HAN98653 • 1 CD • 13,20 € HAN98027 • 1 CD • 13,20 € CPO999350 • 1 CD • 8,16 € CPO999566 • 1 CD • 8,16 € C.P.E. -
31 July 2021
31 July 2021 12:01 AM Ludwig van Beethoven (1770 - 1827) Coriolan - overture Op.62 National Polish Radio Symphony Orchestra, Leonard Slatkin (conductor) PLPR 12:10 AM Wolfgang Amadeus Mozart (1756-1791) Rondo in A minor K.511 for piano Jean Muller (piano) LUERSL 12:21 AM Willem Kersters (1929-1998), Paul van Ostaijen (author) Hulde aan Paul (Op.79) Flemish Radio Choir, Vic Nees (conductor) BEVRT 12:30 AM Jean Barriere (1705-1747) Sonata No 10 in G major for 2 cellos Duo Fouquet (duo) CACBC 12:40 AM Witold Lutoslawski (1913-1994) Dance Preludes, for clarinet and piano Seraphin Maurice Lutz (clarinet), Eugen Burger-Yonov (piano) CZCR 12:50 AM Ermanno Wolf-Ferrari (1876-1948) Two orchestral intermezzi from "Il Gioielli della Madonna", Op 4 KBS Symphony Orchestra, Othmar Maga (conductor) KRKBS 01:00 AM Dmitry Shostakovich (1906-1975) Cello Sonata in D minor, Op 40 Arto Noras (cello), Konstantin Bogino (piano) HRHRT 01:22 AM Joseph Haydn (1732-1809) Sonata in G minor H.16.44 for piano Kristian Bezuidenhout (fortepiano) PLPR 01:33 AM Ludvig Norman (1831-1885) String Sextet in A major (Op.18) (1850) Stockholm String Sextet (sextet) SESR 02:01 AM Richard Strauss (1864-1949) Vier letzte Lieder (Four Last Songs), AV 150 Andrea Rost (soprano), Hungarian Radio Symphony Orchestra, Riccardo Frizza (conductor) HUMTVA 02:22 AM Richard Strauss (1864-1949) Final Scene of 'Der Rosenkavalier, op. 59' Andrea Rost (soprano), Agnes Molnar (soprano), Andrea Szanto (mezzo soprano), Hungarian Radio Symphony Orchestra, Riccardo Frizza (conductor) HUMTVA 02:35 AM Richard Strauss (1864-1949) Eine Alpensinfonie (An Alpine Symphony), op. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8485/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] PERFORMING CLASSICAL-PERIOD MUSIC ON THE MODERN PIANO Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts (DMA) Petros Moschos ýý*** City University Music Department June 2006 Contents Acknowledgements ................................................................................. iii Abstract ................................................................................................ iv List figures -
The Concert Pianist Myth: Diversifying Undergraduate Piano Education in Australia
Edith Cowan University Research Online Theses : Honours Theses 2016 The Concert Pianist Myth: Diversifying undergraduate piano education in Australia Helen Mather Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Higher Education Commons, and the Music Education Commons Recommended Citation Mather, H. (2016). The Concert Pianist Myth: Diversifying undergraduate piano education in Australia. https://ro.ecu.edu.au/theses_hons/1496 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1496 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.