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Ana-Marija Markovina Son Tour De Force En 26 CD Clic Musique ! CLICMAG N° 16 Votre disquaire classique, jazz, world MAI 2014 ANA-MARIJA MARKOVINA Son tour de force en 26 CD © Manfred Esser Retrouvez les 15 000 références de notre catalogue sur www.clicmusique.com ! Sélection Carl Philipp Emanuel Bach 2014, l’année Carl Philipp Emanuel Bach C.P.E. Bach : Sonates pour clavecin C.P.E. Bach : Sonates pour piano, C.P.E. Bach : Sonates en trio, Wq. C.P.E. Bach : Quatuors pour flûte, C.P.E. Bach : Musique de chambre Wq. 62/10, 16, 19, 22, Wq. 65/17, violon et violoncelle, Wq. 89-91 144-151 alto, violoncelle, piano pour vents 28, 31 Trio 1970 Les Amis de Philippe Jan De Winne; Marten Boeken; Roel Ensemble Fiati con Tasto Cologne Davide Pozzi, clavecin et piano Dieltiens; Shalev Ad-El STR33911 • 1 CD • 15,36 € CPO999216 • 1 CD • 8,16 € CPO999495 • 2 CD • 13,92 € PAS973 • 1 CD • 15,36 € CPO999508 • 1 CD • 8,16 € C.P.E. Bach : Concertos pour piano C.P.E. Bach : Concertos pour piano, C.P.E. Bach : Concerto pour piano, C.P.E. Bach : Concertos pour clave- C.P.E. Bach : Concertos pour clave- Wq. 23, Wq. 112,1, Wq. 31 Wq. 17, Wq. 43/4, Wq. 14 Wq. 22, Wq. 43,5, Wq. 46 cin, Wq. 30, Wq. 37, Wq. 38 cin, Wq. 3, Wq. 32, Wq. 44, Wq. 45 Michael Rische, piano; Leipzig Chamber Michael Rische, piano; Leipzig Chamber Michael Rische & Rainer Maria Klaas, piano; Les Amis de Philippe; Ludger Rémy, Les Amis de Philippe; Ludger Rémy, Orchestra; Morten Schuldt-Jensen Orchestra; Morten Schuldt-Jensen Hans-Werner Mehling, direction clavecin et direction clavecin et direction HAN98639 • 1 CD • 13,20 € HAN98653 • 1 CD • 13,20 € HAN98027 • 1 CD • 13,20 € CPO999350 • 1 CD • 8,16 € CPO999566 • 1 CD • 8,16 € C.P.E. Bach : Concertos pour clave- C.P.E. Bach : Concertos clavecin, Wq. C.P.E. Bach : Concertos pour violon- C.P.E. Bach : Concertos hautbois, Wq. C.P.E. Bach : Concertos pour haut- cin, Wq. 5, Wq. 26, Wq. 34 47, violoncelle Wq. 171, hautbois, celle, Wq. 170-172 164-165; Sinfonia, Wq. 177 bois, Wq. 22 et 165; Sonates L’arpa festante; Barockorchester München; Wq. 164; Sinfonia, Wq. 177 R. Wallfisch, violoncelle; Scottish Ensemble; Il Fondamento; Paul Dombrecht, hautbois Hermitage Chamber Orchestra; Alexei Utkin, Rien Voskuilen, clavecin et direction Gottfried von der Goltz, direction Jonathan Morton et direction hautbois et direction CAR83184 • 1 CD • 15,72 € CAR83305 • 1 CD • 15,36 € NI5848 • 1 CD • 13,92 € PAS982 • 1 CD • 15,36 € CM0112004 • 1 SACD • 15,00 € C.P.E. Bach : Hamburger Quartals- C.P.E. Bach : Die Israeliten in der C.P.E. Bach : Danket dem Hern / J. S. C.P.E. Bach : Magnificat; Cantate C.P.E. Bach : Magnificat / J.L. Bach : musiken Wueste Wq. 238, oratorio Bach : Oratorio de Pâques de Noël Missa Brevis Himlische Cantorey; Les Amis de Philippe; Otto; Gramß; Oswald; Schopper; Wolfgang Elisabeth Jansson; Jan Kobow- Kammerchor Mauch; Rexroth; Mammel; Schwarz; L’arpa Gächinger Kantorei Stuttgart; Bach-Colle- Ludger Rémy Brunner & Barockorchester Stuttgart; Frieder Bernius festante; Fritz Näf gium Stuttgart; Helmut Rilling CPO777594 • 2 CD • 26,88 € CPO777560 • 1 CD • 15,36 € CAR83212 • 1 CD • 15,72 € CAR83412 • 1 SACD • 16,44 € HAN98024 • 1 CD • 11,04 € C.P.E. Bach : Symphonies Wq. 173- C.P.E. Bach : Symphonie hambour- C.P.E. Bach : Herrn Professor Gel- C.P.E. Bach : Hamburgische Fest- C.P.E. Bach : 300 years. Sampler 175, Wq. 178, Wq. 180 geoises, Wq. 182 lerts. Odes et lieder sacrés musiken Edition spéciale anniversaire Les Amis de Philippe; Ludger Rémy, Stuttgarter Kammerorchestrer; Wolfram Dorothee Mields, soprano; Ludger Rémy, Himlische Cantorey; Les Amis de Philippe; Ana-Marija Markovina; Piet Kuijken; clavecin et direction Christ pianoforte Ludger Rémy Wolfram Christ; Michael Rische… CPO999418 • 1 CD • 8,16 € HAN98637 • 1 CD • 13,20 € CPO777061 • 2 CD • 13,92 € CPO777108 • 1 CD • 15,36 € HAN98026 • 1 CD • 4,08 € 2 ClicMag mai 2014 www.clicmusique.com Alphabétique Ana-Marija Markovina Interprète l’intégrale de l’œuvre pour C.P.E. Bach : Six Sonates wurtem- piano seul de Carl Philipp Emanuel Bach bergeoises, Wq 49/1-6; Concerto clavecin et orchestre, Wq. 23 H 427 Ana-Marija Markovina, piano Carl Philipp Emanuel renouvelle aller ungedrunkten claviersonaten Wq GEN85054 - 2 CD Genuin la forme sonate en ajoutant un 65. Ainsi que le recueil Wq 62 (en 3 CD) second thème au premier mou- des leçons pour connaisseurs et ama- vement, ce qui lui permet de les teurs encore sous forme de sonates aux opposer ou de les combiner, mouvements brefs et percutants. Un concluant avec une coda réca- ensemble de pièces variées : fantaisies, pitulative. On trouve donc dans rondos, menuets; suites, sonatines, les quelques recueils de sonates concertos ou symphonies dans leur présents dans le coffret une version pour clavier seul, complètent A structure inchangée : un pre- ce très riche panorama clavieristique. mier mouvement allant et ryth- Après les belles réalisations d’Andreas C.P.E. Bach : Les Sonates pru- chez Genuin na-Marija Markovina mique suivi d’un mouvement siennes n° 1 -6, Wq. 48 Staier et de Bob Van Asperen au clave- Ana-Marija Markovina, piano; Federico lent d’allure mélodique et enfin, cin, la pianiste croate renouvelle l’inter- Longo, direction un final basé sur une danse ra- prétation de l’oeuvre de Carl Philipp Em- GEN87097 - 1 CD Genuin pide et qui sera développé plus anuel Bach. Par le choix singulier d’un tard en rondo. Si cette prédilec- piano Bösenforfer Impérial, justifié par tion pour le squelette musical (1714-1788) l’interprète, qui apporte à cette musique C.P. Emanuel Bach comme disait Antoine Goléa les lumières de l’Empfinsamkeitstil. Intégrale de l’œuvre pour piano seul (en réduisant ces œuvres à une arma- Fleurant les fragrances d’un classicisme Ana-Marija Markovina, piano ture désincarnée), est patente dans superbe et hautain ici nullement hors HAN98003 • 26 CD Hänssler Classic les recueils principaux (Sonates Prus- siennes et de Wuttenberg 1742-1744), sujet, ni dérangeant. Par la finesse du n monument ! À la gloire de celui qui l’imagination musicale de Carl Philipp toucher de la pianiste qui exploite toutes consacra une grande partie de son U Emmanuel n’est jamais prise en défaut les ressources du grand piano, subtili- œuvre au clavier : Carl Philipp Emanuel L.A. Le Beau : L’intégrale des jusque dans les pièces purement didac- tés des timbres combinant basses ve- œuvres pour piano Bach. Hänssler nous gratifie d’un cof- tiques. Héritée du Stylus Phantasticus, loutées et suraigüs exquis. Le registre Ana-Marija Markovina, piano fret de 26 CD regroupant cette somme la forme libre est prétexte à fantaisies, médium, le plus utilisé, exaltant à la fois inédite. Très jeune, Carl, deuxième fils GEN10177 - 1 CD Genuin variations. Le contrepoint n’est jamais la douceur couvrante de la laine mohair de Jean Sebastien, fit preuve d’une très loin mais n’est pas prioritaire comme et et l’éclat du platine. Markovina est grande habileté sur les instruments à chez Wilhem Friedemann. Surtout une adepte de la ligne claire, son dessin clavier. Ses œuvres sont écrites pour l’improvisation est reine et sans limite. de la main droite est net, précis, détouré le clavecin mais aussi pour les pre- Dans son déploiement, elle se charge ; de la main gauche elle grise (avec la miers pianoforte. Il fut l’auteur d’un des d’une tonalité intime. Bach se livre à nu sourdine) et noircit à l’envie pour mar- grands traités sur les méthodes de jeu à travers sa musique, son quotidien, ses quer les ombres. Ni ornement baroque, au clavier, publié en 1753. S’il est le doutes, ses joies, ses désirs. Une large ni galanterie. Ni retouches, ni rehauts. digne successeur de son père dans sa palette d’émotions traverse ces pages manière instinctive d’aborder le clavier. Peu de pédale. Elle fait sonner Bach pleines de surprises et de digressions. Carl Philipp fut surtout un grand vision- comme du Haydn, laissant transparaitre R. Schumann : Papillons, op. 2; La musique selon Carl Philipp Ema- naire de la forme, justement salué par dans le galbe de son jeu, une tendesse Kreisleriana, op. 16; Fantasies- nuel doit toucher le cœur, affecter les avérée et une joie diffuse. Ecoutez avant tücke, op. 111 les critiques : Burney : « c’est le seul des Ana-Marija Markovina, piano sentiments. Marquages dynamiques, tout la fameuse et très mozartienne fan- musiciens avec Benda à avoir son syle harmonie chantournée, mélodies mal- GEN86058 - 1 CD Genuin propre, les autres sont des imitateurs » taisie (fort commentée par ses contem- menées, rythmes souvent rompus par porains) qui clôt la sonate en fa mineur sans oublier les plus grands compo- des silences interloqués. C’est une Wq 63 : pure rhétorique musicale jouée siteurs du classicisme à venir : Haydn apothéose sonore dont le flux nous avec une contention et une profondeur « Ceux qui me connaissent bien savent emporte au fil des notes. Dans ce somp- absolues. Chaque disque est une mine ce que je dois à Emanuel Bach », Mo- tueux coffret, Anna Marija Markovina de découverte et un vraie jouissance zart : « Il est le père, nous sommes les interprète notamment l’intégrale en sept de mélomane. En un mot : Herrlich ! enfants ». Ils voient en lui un véritable CD du fameux Vollständige sammlung maître dont il se sentent redevables. (Jérôme Angouilant) HAN93312 • 1 CD Hänssler Classic la subjectivité et la nature tourmentée A. Urspruch : Cinq morceaux, op. Sélection ClicMag ! 19; Cavatine et arabesque, op. 20; econd des quatre fils musiciens du de cette musique dans les trois sonates Cinq fantaisies, op.
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