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ANNE WILSON [email protected]

BIBLIOGRAPHY

2007 Shame and Sexuality-Psychoanalysis and Visual Culture, Pajaczkowska and Ward, editors, Routledge publisher, essay by Pennina Barnett entitled "on Stain" The Object of Labor: Art, Cloth, and Cultural Production (anthology), and John Ploof editors, School of the Art Institute of Chicago and MIT Press, 2007, pp. 386, 387; artist project pp. 105-112 American Craft, June/July, essay "Material Difference: Soft Sculpture & Wall Works" by James Yood, pp. 36-41 The Times, Jan 27, Photo p. B9, The Arts Selvedge, Issue 15, article "Reeling in the Years" by Jessica Hemmings, pp. 58-61 2006 Chicago Tribune, May 5, review of "Takeover" at the Hyde Park Art Center, by Alan Artner Chicago Sun Times, December, review of "Material Difference" at the Chicago Cultural Center, by Margaret Hawkins Chicago Tribune, Sept 6, article "Sculptors shape a world of ideas" by Alison Neumer Lara, Sec 5. p. 4 Practice: New Writing and Art. (Issue One), cover+artist project, Mill Valley, CA: Practice Press, Adrian Lurssen editor Kunsthandverk, 2/06, nr 100, kr 75, review of "Microsom (one)" at the 21st Century Museum of Contemporary Art, Kanazawa, Japan, p. 28 2005 Art US, Issue 8, May/June, review of "Anne Wilson: Errant Behaviors" by Jean Robertson, p. 25 Anne Wilson, Errant Behaviors. (exhibition catalog), Bloomington: Indiana University SoFA Gallery. (essay "Errant Behaviors: Reanimating the Past" by Bruce Jenkins, pp 3-7; CD audio remix by Shawn Decker) New York Times, Chicago Life magazine, Oct 16. "Chicago's Top Ten Artists" by Paul Klein 2004 ARTFORUM, Jan, "Preview, Winter 2004: 50 shows worldwide." Anne Wilson at CAM Houston, p. 65 Perspectives 140: Anne Wilson, (exhibition catalog) Contemporary Arts Museum Houston, essay by Valerie Cassel Oliver Houston Press, Mar 4, review of solo exhibition at Contemporary Arts Museum Houston by David Fahl, p. 44 ChicagoTribune, 12.31, review of "Think Small" at the Illinois State Museum by Fred Camper, p.17 New City, 11.25, review of "Think Small" at Illinois State Museum by Michael Workman Artnet, http://www.artnet.com/ 5.7.04, review of project space at Art Chicago by Victor Cassidy mouthtomouthmag.com, Spring/Summer, Amy Honchell/Anne Wilson interview by Julie Farstad Metro Times, July 7-13, review of "Free Fall" at Revolution, Detroit by Phaedra Robinson, p.26 http://annewilsonartist.com, web site representing "Topologies" and "Errant Behaviors," Lynne Heller design 2003 Art in America, July, review of solo exhibition at MassArt by Ann Wilson Lloyd, pp. 98-99 Detroit Free Press, Sept 14, review of solo exhibition at Revolution, Detroit by Keri Guten Cohen p. 5J http://thedetroiter.com, Sept, review of solo exhibition at Revolution, Detroit by Nick Sousanis Embroidery (UK), Sept, essay "A Fine Line. Anne Wilson: A Profile" by Jessica Hemmings, pp. 40-43 San Diego Union-Tribune, April 17, review of solo exhibition at SDSU by Robert L. Pincus, pp. 45-46 Art New England, April/May, feature essay "Anne Wilson: Unfoldings" by Diana Gaston, pp. 16, 17, 71 Chicago Sun-Times, Jan 10, review of "Home Work/s," at Betty Rymer Gallery, Chicago, by Margaret Hawkins Art New England, Dec/Jan, review of solo exhibition at MassArt by Susan Boulanger, p. 29 2002 Museum Studies, The Art Institute of Chicago, Volume 29, No. 2, Notable Acquisitions at The Art Institute of Chicago, pp. 32-33 Anne Wilson: Unfoldings. Boston: MassArt. (catalog essays by Lisa Tung: "Present Corpus," Tina Yapelli: " Over Time," and Kathryn Hixson: "The Topology of Anne Wilson's Topologies") Art Journal, Fall, Vol. 61, no.3, essay "Anne Wilson's Feast," by Hattie Gordon, pp. 22-27 Whitney Biennial 2002, (exhibition catalog), New York: Whitney Museum of American Art, text by Lawrence R. Rinder, pp. 230-231 Boston Globe, September 29, review of solo exhibition at MassArt by Christine Temin, pp. N1, N8 Boston Herald, September 13, review of solo exhibition at MassArt by Joanne Silver, S16 Art Monthly (London), May, review of Whitney Biennial by Jeffrey Kastner, pp. 5-6 Art in America, June, review of Whitney Biennial by Nancy Princenthal, pp. 48-53 , March 8, review of Whitney Biennial by Holland Cotter, pp. 35- New York magazine, March 18, review of Whitney Biennial by Mark Stevens, pp. 55-56 Metrotimes, May 15-21, review of Whitney Biennial by Glen Mannisto, pp. 26-27 Chicago Tribune, March 3, photo essay about Whitney Biennial by Ruth Lopez, Sec 7, p. 8 Art on Paper, May-June, review of solo exhibition at Aurobora Press, San Francisco, p. 75 New Art Examiner, Jan-Feb, review of solo exhibition at Revolution Gallery, Detroit, by Carol Novak, pp.81-82 Woman's Art Journal, Fall 02/Winter 03, essay by Janet Marquardt-Cherry, p. 50

Anne Wilson Page 2 Bibliography (continued)

2001 Portfolio: Anne Wilson, (monograph),Winchester, England: Telos Art Publishing, Foreword by Elizabeth Smith, essays by Tim Porges: "Postminimal and After," and Hattie Gordon: "Feast" Reinventing Textiles, Volume 2: Gender and Identity, Winchester, England: Telos Art Publishing, edited by Janis Jefferies, "Forbidden Touch: Anne Wilson's Cloth," essay by Alison Ferris, pp. 39-47. Sculpture, March, review of solo exhibition at MCA Chicago, by Polly Ullrich, pp. 63-64 Fiberarts, Summer, review of solo exhibition at MCA Chicago, by Cassy Smith, p. 59 Artweek, April, Vol 32, Issue 4, review of "Obsessions" at University Art Gallery, UC San Diego, by Neil Kendricks 2000/01 Third Text, 53, Winter, essay entitled "Stain: On Cloth, Stigma, and Shame," by Jenni Sorkin, pp. 77-80 2000/01 American Craft, Dec/Jan, review of solo exhibition at MCA Chicago, by James Yood, pp.78-79 2000 MAKE, London, Sep-Nov, review of solo exhibition, MCA Chicago, by Jenni Sorkin, pp.34-35 Chicago Sun-Times, July 28, review of solo exhibition, MCA Chicago, by Margaret Hawkins, p. 45 Art Papers Magazine, July/August, review of "Remnants of Memory" at the Asheville Art Museum, by Marya Roland, p. 30 Time Out, Feb 9 - 16, review of "Textures of Memory" at Pitshanger Manor, London, England, by Mark Currah http://www.artic.edu/~awilso/, web site "hairinquiry, archived responses" 1999 Art in America, March, review of solo exhibition at Revolution Gallery, New York, by Eleanor Heartney, p. 114-115 Told and Retold, (exhibition catalog), The Museum for Textiles Contemporary Gallery, Toronto, Canada, essays by Jennifer Fisher and Sarah Quinton The Globe and Mail, May 6, review of "Told & Retold" at The Museum for Textiles Contemporary Gallery, Toronto, by Blake Gopnik, p. C3 Fiberarts, Summer, review of "Told & Retold" by Gerry Craig, p. 11 1998 U-Turn E-zine, "All Chicago," online at www.uturn.org, click Issue #2, Janes Hugunin, Ed. Memorable Histories and Historic Memories (exhibition catalog), Bowdoin College Museum of Art, Brunswick, ME, essays by Alison Ferris and Johanna Drucker Anne Wilson,Voices, (exhibition catalog), Revolution Gallery, Detroit and New York, essay by Judith Kirshner New Art Examiner, December 98/January 99, review of exhibition at Revolution Gallery, Detroit, by Dennis Alan Nawrocki, p. 63 Detroit Free Press, September 20, review of exhibition at Revolution Gallery, by Keri Guten Cohen, Galleries section Conceptual Textiles, Material Meanings, (exhibition catalog), John Michael Kohler Arts Center, Sheboygan, WI, essay by Alison Ferris 1997 The Arizona Republic, Sunday March 2, review of "Art on the Edge of Fashion" at the ASU Art Museum, by Richard Nilsen, p. E2 Fiberarts, Sep/Oct, feature article "Found Objects in Art: Anne Wilson's taxonomy of memories" by Lisa Wainwright, pp. 46 - 50 Ground Up, #13, February, review of "Labor Relations" at Revolution Gallery, by Claudia Shepard The Detroit News, Thursday February 20, review of "Labor Relations" at Revolution Gallery, by Joy Hakanson Colby Haystack Monograph series, "An attachment to Trash," by Margo Mensing, Haystack, Deer Isle, ME 1996 Art in Chicago, 1945 - 1995, (exhibition catalogue), Museum of Contemporary Art, Chicago, p. 220, biography p. 291 New Art Examiner, February, review of "Conceptual Textiles: Material Meanings" at the Kohler Art Center, WI, by Jody Clowes, p. 52 Surface Design Journal, Winter 1996, review of Elizabeth Leach Gallery exhibition, Portland, OR by Jessica Scarborough, p. 27 Art Papers, Jan/Feb, Volume 20, Number 1, review of "Fake Nature" at City Gallery at Chastain, Atlanta, GA by Felicia Feaster 1995 Reflex, The Northwest's Forum on the Visual Arts, cover photograph in conjunction with essay "New Surfaces 1995" by Lou Cabeen, pp. 1,6,7 The Print Collector's Newsletter, Vol. XXVI No.3, July-August, review of "Imperfect Sutures" by Nancy Princenthal, p. 112 Arte Facto (Spain), March, feature article - "Anne Wilson - La Apariencia de la Identidad" by Kathryn Hixson, pp. 22-24

Anne Wilson Page 3 Bibliography (continued)

1994 Fiberarts, Oct/Nov, review of "Conversations: Textiles about Textiles" at the Textile Museum, , DC, by Pamela Schnienman, pp. Surface Design Journal, Vol 19, No1, Fall, cover photograph, essay "On Marking Progress in Creative Discovery" by Layne Goldsmith, pp. 15-18 Arte Facto (Spain), September, review of "Anne Wilson: Body into Culture" at the Madison Art Center, WI, by Alysa Erickson, pp. 29-30 New Art Examiner, summer, review of solo exhibition at Roy Boyd Gallery, Chicago, by Laurie Palmer, pp. 48-49 ARTFORUM, May, review of solo exhibition at Roy Boyd Gallery, Chicago, by James Yood, pp. 105-106 Arte Facto, May, review of "Conversations: Textiles about Textiles" at the Textile Museum, Washington D.C. by Nade Favreau, p. 31 Fiberarts, summer, review of "Pushing the Boundaries" at the Evanston Art Center, IL, by Mark Newport, pp.57-58 Art 1994 Chicago: The New Pier Show, (exhibition catalog), photograph, p. 90 Artist magazine, (Taipei, Taiwan), May, article: "Anne Wilson" pp. 373-375 Chicago Reader, March 18, review of solo exhibition at Roy Boyd Gallery, Chicago, by Fred Camper, Section 1 Chicago Tribune, Friday, March 11, review of solo exhibition at Roy Boyd Gallery, Chicago, by David McCracken, Section 7, p. 53 Milwaukee Sentinel, January 21, review of "Anne Wilson: Body into Culture" at the Madison Art Center, WI, by Janice T. Paine 1993-94 Anne Wilson: Body into Culture, (exhibition publication), Madison Museum of Contemporary Art, WI, essay by Kathryn Hixson 1993 New Art Examiner, December, review of "Pushing the Boundaries" at the Evanston Art Center, IL, by Olga Zdanovics, pp. 30-31 Hair, (exhibition catalog), John Michael Kohler Arts Center, Sheboygan, WI, essay by Alison Ferris Surface Design Journal, Vol. 18 No. 1, Fall, photograph p. 9 1992 The State, Columbia, SC, October 25, "Art World" by Jeffrey Day Art in America, February, review of solo exhibition at Roy Boyd, Chicago, by Sue Taylor, p. 123 Arts, February, review of solo exhibition at Roy Boyd, Chicago, by Kathryn Hixson, p. 89 New Art Examiner, February/March, review of solo exhibition at Roy Boyd, Chicago, by Nathan Budoff, p. 39 Crafts magazine (Korea), #12, December, feature article "Anne Wilson," senior reporter Jeon, Myung-Ok, pp. 14-16 Fiberarts, March/April, review of solo exhibition at Roy Boyd, Chicago, by Lou Cabeen, p. 59 Artweek, August 20, “Social Fiber: Domestic Ontogeny at CCAC,” by Charles Talley Fiberarts, September/October, “More Than Just a Touch: the Tactile Element in Fiber Art,” by Polly Ullrich, pp. 33-37 American Craft, February/March, photograph, p. 70 1991 Chicago Tribune, Friday, November 8, review of solo exhibition at Roy Boyd, Chicago by David McCracken The New Textiles, by Chloe Colchester, New York: Rizzoli, pp. 146, 147, 179 1990 Craft Arts, Number 18, review of “14th International Biennal of Tapestry,” by Janis Jefferies Artweek, September 13, “Textural Limits,” by Charles Talley 1989 American Craft, October/November, “The 14th International Biennial of Tapestry,” by Betty Werther, pp. 54-59 Surface Design Journal, Vol. 14, No. 1, Fall, “The Lausanne Biennial: An Interview with Gerhardt Knodel,” pp. 14-21 Chicago International Art Exhibition, (exhibition catalog), photograph, p.75 Dialogue, March/April, review of “Anne Wilson and Dann Nardi,” by Devon Golden, pp. 23-24 1988 Anne Wilson/Dann Nardi, (exhibition catalog), The Chicago Public Library Cultural Center, essay by Buzz Spector Chicago Tribune, October 16, “High Fiber,” by Dylan Landis American Craft, December/January, photograph, p. 25 Chicago Tribune, July 29, “Gallery Scene: Expression is Fiber Artists’ Common Thread,” by David McCracken American Craft, February/March, cover article “Anne Wilson: Urban Furs,” by Buzz Spector, pp. 32-39 1987 Tangents: Art in Fiber (exhibition catalog); Maryland Institute, College of Art, Baltimore, essay by Mary Jane Jacob Artweek, September 19, “Fibers in the Modern Sensibility,” by Cheryl White New Art Examiner, September, review of “Tangents: Art in Fiber,” by Mary Anne Crowe Fiberarts, No. 3, review of “Tangents: Art in Fiber,” by Linda Krinn, pp. 55-56 Baltimore Sun, February 2, review of “Tangents: Art in Fiber,” by John Dorsey

Anne Wilson Page 4 Bibliography (continued)

1986 Fiber R/Evolution, (exhibition catalog), University Art Museum at the University of Wisconsin-Milwaulkee, WI., essay by Neda Al-Hilali, pp. 140-141 American Craft, June/July, review of “Fiber R/Evolution,” by Nancy Corwin, pp. 54-63 1985 American Craft, June/July, review of “Vivid Form: New Inventions,” by Nancy Corwin, pp. 10-16. Edited transcript of symposium at exhibition, pp. 16, 17, 78, 79 New Art Examiner, November, review of “Vivid Form: New Inventions,” by Janet Kuemmerlein, p. 58 Fiberarts, November/December, photograph and discussion in “Textile Trends: Collecting in Chicago,” by Terri Lonier, pp. 26-30 1984 The Warp, by Blair Tate, New York: Van Nostrand Reinhold, pp. 14-15 Chicago Tribune, January 13, discussion of “Eleven Chicago Artists,” by Lynn Orr, pp. 4-5 Detroit Free Press, January 18, review of “Impulse: New Images in Fabric,” by Marsha Miro 1984 Fiberarts, July/August, review of “ANNE WILSON: Recent Work,” by Ilze Arajs, p. 7 American Craft, August/September, photograph and discussion of exhibition “Fiber Crosscurrents,” pp. 48-49 1983 Fiberarts, May/June, article “ANNE WILSON: Underlying Geometry,” by Janet Koplos, pp. 62-65 1981 The Art Fabric: Mainstream, by and , New York: Van Nostrand Reinhold, pp. 88, 176, 177, 268 Fiberarts, July/August, review of “Filaments of the Imagination,” by Marcia Morse, p. 69 American Craft, June/July, photograph and review of “Filaments of the Imagination,” by and , pp. 10-15 American Craft, April/May, photograph, p. 65 1980 Fiberarts, Spring, photographs and discussion of work in “Questions of Style: Contemporary Trends in the Fiber Arts,” by Katherine Howe-Echt 1979 Fiberarts, April/May, photographs and review of solo exhibition by Marilyn Finkel Craft Horizons, February, photograph, p. 48 1978 Artweek, May 13, review of “Point of Contact,” by Nancy Becker Detroit Free Press, November 12, photograph and review by Marsha Miro 1975 Artweek, December 6, photograph and review of solo exhibition by Laurie Glass, p. 7

RADIO / TV INTERVIEWS 2004 KUHF Houston Public Radio, interview with Robert Stevenson about CAM Houston solo show KPFT Pacifica Houston, interview with Michael Woodson about CAM Houston solo show 2000 WBEZ public radio, interview with Victoria Lautman about MCA solo exhibition, 9/19&23 1999 CBC radio, "Fresh Air." Hosted by Jeff Goods, interview with Sarah Quinton, Curator, and selected excerpts aired from exhibition "Told and Re-told: An Inquiry about Hair" at The Museum for Textiles Contemporary Gallery, Toronto 1998 Detroit Public Television. Backstage Pass, producer Mark Nathanson. Interview focusing on solo exhibition at Revolution Gallery, Detroit; Anne Wilson and A.B. Forster. Interviewer: Gerry Craig 1991 American Art Forum. Syndicated broadcast interview program discussing contemporary art in fiber with Rebecca Stevens, Consulting Curator of Contemporary Textiles at the Textile Museum, Washington, D.C., Marna Goldstein Brauner, Associate Professor, University of Wisconsin, Milwaukee, and Anne Wilson. Interviewer: Richard Love 1984 Interview program discussing work and issues of national textile exhibitions at the Evanston Art Center, aired through Cablevision of Chicago May 24-25. Anne Wilson, Curator. Interviewer: Pam Oliver 1983 Interview focusing on studio work in conjunction with “Eleven Chicago Artists” exhibition, co- sponsored by N.A.M.E. Gallery and the Museum of Contemporary Art, Education Department, Chicago, IL. Interviewer: Naomi Vine