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www.cam.co.uk Email [email protected] Address 55-59 Linda Henry Shaftesbury Avenue London W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production EASTENDERS Shirley Carter (Regular) Various Directors BBC A TOUCH OF FROST Sue Venables Ross Devonish Yorkshire Television Jim O'Hanlon & Brian Shed Productions/Granada BAD GIRLS Yvonne (Regular) Parkes Television BORN TO RUN Judith Jean Stewart BBC CROWN PROSECUTOR Karen West Henry Foster BBC INDEPENDENT MAN Mrs Reed John Reardon BBC THE BILL Chrissie Mike Cocker Thames Television THE VANISHING MAN Madam Olivia Roger Bamford ABTV/Carlton Television TOUCHING EVIL Justine Barber Julian Jarrold United Film & TV TRIAL AND RETRIBUTION Marilyn Aisling Walsh La Plante Productions Film Title Role Director Production BEAUTIFUL THING Sandra Gangel Hettie MacDonald World Productions THE BUSINESS Shirley Nick Love Powder Films Theatre Title Role Director Production A PORTRAIT Sylvia Val Daulton National Theatre AN INSPECTOR CALLS Maid Brian Ellis Dundee Repertory Theatre CITIZEN OF THE WORLD Oliver Goldsmith Simon Coady National Theatre GLORY OF LIVING Jeanette/Angie Kathryn Hunter Royal Court Theatre OUR COUNTRY'S GOOD - Stephen Unwin Leicester Haymarket Theatre SHE STOOPS TO CONQUER Maude/Miss Neville Giles Block National Theatre YOUNG WRITERS FESTIVAL Various Roles Various Directors Royal Court Upstairs THREE WOMEN Student Val Daulton National Theatre Characteristics Height Hair 5'5" Blonde CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.

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PDF (Thesis Document)
The impact of physical and mental reinstatement of context on the identifiability of facial composites by Cristina Fodarella A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at the University of Central Lancashire July 2020 !i ! STUDENT DECLARATION FORM Concurrent registration for two or more academic awards *I declare that while registered for the research degree, I was with the University’s specific permission, a registered candidate for the following award: ‘Associate Fellow of The Higher Education Academy’ Material submitted for another award *I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work Collaboration Where a candidate’s research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate’s individual contribution and the extent of the collaboration. Please state below: *Not applicable Signature of Candidate Type of Award Doctor of Philosophy School Psychology !ii Abstract Numerous studies demonstrate that memory recall is improved by reflecting upon, or revisiting, the environment in which information to-be-recalled was encoded. The current thesis sought to apply these ‘context reinstatement’ (CR) techniques in an attempt to improve the effectiveness of facial composites—likenesses of perpetrators constructed by witnesses and victims of crime. Participant- constructors were shown an unfamiliar target face in an unfamiliar environment (e.g., an unknown café). The following day, participants either revisited the environment (physical context reinstatement) or recalled the environmental context in detail along with their psychological state at the time (mental context reinstatement, Detailed CR); they then freely recalled the face and constructed a facial composite using a holistic (EvoFIT) or a feature system (PRO-fit).
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Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protÃ©gÃ© Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
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Report Title Here Month Here
Alcohol & Soaps Drinkaware Media Analysis September 2010 © 2010 Kantar Media 1 CONTENTS •Introduction 3 •Executive Summary 5 •Topline results 7 •Coronation Street 16 •Eastenders 23 •Emmerdale 30 •Hollyoaks 37 •Appendix 44 Please use hyperlinks to quickly navigate this document. © 2010 Kantar Media 2 INTRODUCTION •Kantar Media Precis was commissioned to conduct research to analyse the portrayal of alcohol and tea in the four top British soap operas aired on non-satellite television, Coronation Street, Eastenders, Emmerdale and Hollyoaks. The research objectives were as follows: •To explore the frequency of alcohol use on British soaps aired on non-satellite UK television •To investigate the positive and negative portrayal of alcohol •To explore the percentage of interactions that involve alcohol •To explore the percentage of each episode that involves alcohol •To assess how many characters drink over daily guidelines •To explore the relationship between alcohol and the characters who regularly/excessively consume alcohol •To look further into the link between the location of alcohol consumption and the consequences depicted •To identify and analyse the repercussions, if any, of excessive alcohol consumption shown •To explore the frequency of tea use on British soaps aired on non-satellite UK television •Six weeks of footage was collected for each programme from 26th July to 6th September 2010 and analysed for verbal and visual instances of alcohol and tea. •In total 21.5 hours was collected and analysed for Emmerdale, 15.5 hours for Coronation Street, 15.5 hours for Hollyoaks and 13 hours for Eastenders. © 2010 Kantar Media 3 INTRODUCTION cont. •A coding sheet was formulated in conjunction with Drinkaware before the footage was analysed which enabled us to track different types of beverages and their size (e.g.
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Annex to the BBC Annual Report and Accounts 2016/17
Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty © BBC Copyright 2017 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport BBC Pay Disclosures July 2017 Report from the BBC Remuneration Committee of people paid more than £150,000 of licence fee revenue in the financial year 2016/17 1 Senior Executives Since 2009, we have disclosed salaries, expenses, gifts and hospitality for all senior managers in the BBC, who have a full time equivalent salary of £150,000 or more or who sit on a major divisional board. Under the terms of our new Charter, we are now required to publish an annual report for each financial year from the Remuneration Committee with the names of all senior executives of the BBC paid more than £150,000 from licence fee revenue in a financial year. These are set out in this document in bands of £50,000.
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Educational Afterworlds in Neoliberal Britain
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August 2013 File Uploaded
Malherbe Monthly Number 109 August 2013 Incorporating Liverton Street & Platts Heath Useful contact names and telephone Nos. BOUGHTON MALHERBE/GRAFTY GREEN County Councillor Jenny Whittle 734897 Borough Councillors Jenny Gibson 890200 Richard Thick 891224 Kenneth Alexander 859549 Church Wardens Joan Davidson 850210 Chris King email Parish Council Clerk 850711 [email protected] Village Hall bookings Doreen Walters 850387 Other Village Hall Carol Hulm email [email protected] 853583 issues KM Correspondent Joan Drury email: [email protected] 853766 Gardening Club Sue Burch 850381 Church Choir Doreen Hulm 850287 Dazzle Gail Kelly 850671 Yoga Sue Burch 850381 Neighbourhood Watch Keith Anderson 858350 Sue Burch 850381 Priest in charge Rev: Dick Venn (Sat -Thurs) email: 858195 [email protected] Mille Hart (N/A Tues, & Sun afternoon) email: Curate 859753 [email protected] Reader Joan Drury email: [email protected] 853766 Michelle Saunders email: [email protected] Benefice Office 850604 Office opening times as 9am – 12noon Monday - Thursday Mobile Library Wednesday afternoons - 4.40pm St. Edmunds Centre Karen Yardley 858208 Friday afternoons at approx. 2.20pm by Post 01580 Fresh Fish delivery Office 754300 Weekend Freighter See article in magazine Malherbe Monthly Production Team Mike Hitchins Advertising: [email protected] 858937 Mike Hitchins Editor: [email protected] 858937 John Collins Treasurer 850213 The views expressed in “Malherbe Monthly” are not necessarily those of the Production Team; publication of articles/adverts does not constitute endorsement and we reserve the right to edit! Anything for the September edition should be left in Grafty Green Shop, or contact Mike on 01622 858937 ([email protected]) by 20th August Front cover: The Oak tree on Boughton Hill - Picture by Christine King News from St.
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Thesis Final Draft.Pages
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Bell, Stuart (2016) "Don't Stop": Re-Thinking the Function of Endings in Narrative Television. PhD thesis http://theses.gla.ac.uk/7282/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] “Don’t Stop…” Re-thinking the Function of Endings in Narrative Television Stuart Bell (MA, MLitt) Submitted in fulfilment for the requirements for the degree of Doctor Of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow November 2015 (c) Stuart Bell, November 2015 !1 Abstract “Don’t Stop…” Re-thinking the Function of Endings in Television This thesis argues that the study of narrative television has been limited by an adherence to accepted and commonplace conceptions of endings as derived from literary theory, particularly a preoccupation with the terminus of the text as the ultimate site of cohesion, structure, and meaning. Such common conceptions of endings, this thesis argues, are largely incompatible with the realities of television’s production and reception, and as a result the study of endings in television needs to be re-thought to pay attention to the specificities of the medium.
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Violence in UK Soaps
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Representation in the Media
Sandra Unit 4 – critical and contextual awareness in the creative media production REPRESENTATION IN THE MEDIA For this assignment I will be looking at the cast of Eastenders answering the following questions: 1) Tick which representation types the producer has covered: Gender Race Age Disability Sexuality Class Location 2) Number how many characters are there of each: GENDER Regular Female Characters Characters Actress Duration Kathy Beale Gillian Taylforth 1985-2000, 2015- Sharon Watts Letitia Dean 1985-1995, 2001-2006, 2012- Michelle Fowler Jenna Russell 1985-1995, 2016- Susan Tully Dot Cotton June Brown 1985-1993, 1997- Sonia Fowler Natalie Cassidy 1993-2007, 2010-2011, 2014- Rebecca Fowler Jasmine Armfield 2000, 2002, 2005-2007, Jade Sharif 2014- Alex and Vicky Gonzalez Louise Mitchell Tilly Keeper 2001-2003, 2008, 2010, Brittany Papple 2016- Danni Bennatar Rachel Cox Jane Beale Laurie Brett 2004-2012, 2014- Stacey Slater Lacey Turner 2004-2012, 2014- Jean Slater Gillian Wright 2004- Honey Mitchell Emma Barton 2005-2008, 2014- Denise Fox Diana Parish 2006- Libby Fox Belinda Owusu 2006-2010, 2014- Abi Branning Lorna Fitzgerald 2006- Lauren Branning Jacqueline Jossa 2006- Madeline Duggan Shirley Carter Linda Henry 2006- Whitney Dean Shona McGarty 2008- Kim Fox Tameka Empson 2009- Glenda Mitchell Glynis Barber 2010-2011, 2016- Tina Carter Luisa Bradshaw-White 2013- Linda Carter Kellie Bright 2013- Donna Yates Lisa Hammond 2014- Carmel Kazemi Bonnie Langford 2015- Madison Drake Seraphina Beh 2017- Alexandra D‘Costa Sydney Craven
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Public Comment
Subject: RIN 1210-AB32 Dear Secretary Perez, As licensed financial professionals serving the needs of our middle income clients, we appreciate the opportunity to comment on the Department of Labor’s (DOL) proposed retirement rule. We agree that more needs to be done to ensure savers are financially independent. In fact, we do what is best for our clients every day. However, your proposed retirement regulation will negatively impact our clients’ ability to save for the future. Currently, we are able to provide guidance that balances the price and level of education our clients need to meet their financial goals. However, the proposal’s new “Best Interest Contract” exemption will create a complicated regulatory structure that will unnecessarily limit savers’ choices. In our view, the DOL’s long list of requirements and exemptions is currently unfeasible. The regulation will result in small and middle income savers being forced into accounts that may not suit their needs or preferences and cause others to go at it alone without the assistance of an investment professional. This is problematic because statistics show that when comparing identical savers (e.g., income and age), those working with a broker have 58 percent more in assets in four to six years; 99 percent more in assets in seven to 14 years; and 173 percent more in assets in 15 years and beyond than those who don’t work with a financial professional. Without these services, savers will be left without guidance, which for most means left without savings. Those who self-initiate will be forced into either self-directed brokerage accounts that may not even have access to online tools and services commonly available today or into other retirement accounts that may not suit their needs or preferences.
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Return! Rumbles on The
KAT MYSTERY! WITH SHOCK WHERE 7-DAY EXIT! ARE THE Vincent DEAD? KIDS? TV GUIDE! £1.85 14 - 20 APRIL 2018 15 David Phelan’s secret ONTHE RETURN! 9 770966 849166 RUN PLUS! Eileen’s ...as Shona learns stalker terror! the truth? JAILED? Michelle GABBY & DRUGS HORROR LIV IN THE RUMBLES FOR LITTLE MOSES! DOCK! Carla & Ali! Issue 15 • 14 - 20 Apr 2018 day!). But I’ve enjoyed the henpecked Vincent, Yo u r s t a r s constantly trying to hold oesn’t time birthday celebrations – talk back Kim’s bling-encrusted this week! fly in soaps? about adding pressure! delusions of gandeur – and It doesn’t We’ve seen Vincent normally failing. Tameka 8 seeme five minutes through the tortured affair Empson (Kim) and Richard ago that Richard have been one of our Blackwooda favourite soap couples of arrived as “Doesn’t time ly recent times, and Richard Vincent in soapland?” pays tribute to his co-star Hubbard. – while looking back at his I remember the with Ronnie Mitchell time on the soap and giving poorp lad had the and the shocking death us hints as to the nature unenviableu task of Fatboy (I still believe of his goodbye – in his of doing his first old Fats is out there farewell interview on p38 Jane Cox sccene live during somewhere, waiting to Steven Murphy, Editor “Zak doesn’t think Lisa thhe show’s 30th return and make Dot’s [email protected] is fit to be a Dingle – she’s heartbroken!” 16 The BIG 8 Tell me the stories..
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Eastenders Pbs Tv Guide
Eastenders pbs tv guide Continue Donate WCNY connects with the curious of all ages through innovation, creative content, educational programs, and a transformative experience to open minds and spark change. Post Address: P.O. Box 2400 Syracuse, NY 13220-2400 Studios: 415 W. Fayette St. Syracuse, NY 13204 P: 315.453.2424 F: 315-451-8824 Radio NEWS TV Program Schedule TV Show WiCkNeY KIDS PBS Kids Schedule Of Education Enterprise America Regents Review CTE Support Auctions Membership Other Ways to Give a Runing Volunteer Event To a Woman's Event Who Make America About Us © 2020 British soap opera EastEndersGenreSoap Opera Created by Julia Smith Tony Holland Author Of The VariousStarring Presenting PresentIng Present Former actor's composition Theme composer Simon May Leslie Osborne's opening themeEsthEnders theme tuneCountry OriginImoderative Language (s)EnglishNo. эпизодов6,148-1-ProductionExecutive producer (s)Разные (в настоящее время Джон Сен исполнительный продюсер; Кейт Оутс старший исполнительный продюсер)Продюсер (ы) Различные (в настоящее время Шарон Баттен) установка с несколькими камерами30 минут (с редкими/короткими эпизодами)Производственная компания (ы)BBC StudiosReleaseOriginal сеть BBC One BBC One HD (2010-) Формат изображения 576i 4:3 SDTV (1985-1999) 576i 16:9 SDTV (1999-2010) 1080i 16:9 HDTV (2010-) Аудио форматDolby Digital 5.1Оригинальный релиз19 февраля 1985 (1985-02-19) -presentChronologyСвязь показывает Het Oude Noorden (1993) EastEnders Revealed (1998-1998-19982012) EastEnders: E20 (2010-2011) Кэт и Alfie: Redwater (2017) Различные спин-оффы Внешние linksWebsite EastEnders является британская мыльная опера, созданная Джулия Смит и Тони Холланд, который был показан на BBC One с 1985 года. Located in Albert Square in London's East End in the fictional Walford area, the program follows the stories of locals and their families as they go about their daily lives.
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