DOCSLIB.ORG

Star Wars Art: Illustration Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Star Wars Art: Illustration Free Download STAR WARS ART: ILLUSTRATION FREE DOWNLOAD Steven Heller,Howard Roffman,Lucasfilm Ltd | 176 pages | 01 Oct 2012 | Abrams | 9781419704307 | English | New York, United States The "Stars Wars" That I Used To Know Creative Bloq is supported by its audience. Realised in Mumford's distinctive style, the poster sees Rey confronting Kylo Ren in a storm-lashed wreckage that could be the remains of the Death Star. Topics Character design. The use of red and blue in the lightsabers and the background indicates that this will be a spectacular confrontation. Topics Sci-fi. Please deactivate your ad blocker in order to see our subscription offer. Vera Wang dress. Creative Bloq is supported by its audience. Related Star Wars Art: Illustration The best drawing tablets for kids in Prime Day office chairs: The best office chairs right now The best Amazon Prime Day graphics cards deals Early Amazon Prime Day deals: 6 super-cheap keyboards. For this one, it's a simple crosshair rhythm using the hallway and laser bolts combined with the concentric circles of the door frame and the planet. This article originally appeared in ImagineFX magazine issue For the Star Destroyer and Blockade Runner, adding all that time- consuming little technical detail turns out to have quite an easy Star Wars Art: Illustration. Just where are the two characters fighting? Words: Alex Garner. We've already taken a look Star Wars Art: Illustration stunning poster designs to inspire you, and this one definitely sits up there with the best of them. Set the stage with colour Next up is the colour study, to ensure the values and colour scheme work together as a whole. BR: What year did I Star Wars Art: Illustration to start working with them Star Wars Art: Illustration what year did I actually? The shot depicted in the poster is taken from one of the trailer's more talked-about sequences. A good composition can make a cover work. I use vector masks to establish clean shapes to paint within. Like this? See more Illustration articles. What did your collaboration with the editors look Star Wars Art: Illustration This article originally appears in the November issue of Harper's Bazaar. Advertisement - Continue Reading Below. Topics News. I felt the lighting and dark values of the hallway might harmonise well with some similarly lit vignettes of Darth Vader and perhaps two spaceships battling above Tatooine. In the crosshairs I generally like to use compositional rhythms to help establish the main Star Wars Art: Illustration of a piece. I guess they trusted me to do what I wanted. You know, kind of replace Luke with Kendall Jenner. Painting at a small size forces me to look at the big picture and not get caught up in any detail — however tempting that might be. Creative Bloq is supported by its audience. United States. Brian Rood: Honestly, a lot of it has been a huge jambalaya of a little bit of them and a little bit of me. Detailing ships For the Star Destroyer and Blockade Runner, adding all that time-consuming little technical detail turns out to have quite an easy solution. Chow created caricatures of them holding props and dressed in Star Wars garb. See more Digital art articles. And I started out hoping to achieve just that… Once established, these masks can be invaluable time-saving tools. BR: On accident. As for the official theatrical poster for The Rise of Skywalker, check it out below. Alex Garner is a Star Wars Art: Illustration illustrator in the entertainment industry, and a cover artist for Marvel and DC. After submitting a few rough Photoshop sketches, one is chosen. Add those vital finishing touches This stage is mainly about detail, structure and adjustment. While Star Wars fans are notoriously hardcore, Chow says the reaction to the illustrations has been very positive: "The illustrations have been a hit. We'll have to wait until The Rise of Skywalker is released on 20 December to find out. When you purchase through links Star Wars Art: Illustration our site, we may earn an affiliate commission. So then you have to figure out how to pose it and shoot it and model it. This is primarily about overall compositional placement of cover elements. Creating vector masks can be tedious, but Star Wars Art: Illustration very useful with their sharp edges and flexibility to change the shape of elements in the painting. Learn more. Wired recently ran an article on the 74 things every great Stars Wars movie needs. And while the trailer above promises lots of thrills, spills, and epic confrontations, our excitement levels have also been raised by Dan Mumford's incredible illustrated poster for showings of the film in IMAX theatres. In Photoshop, I do this by applying one Screen layer for each light on top of flat local colour. .
Load more

Recommended publications
  • How Lego Constructs a Cross-Promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 How Lego Constructs a Cross-promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Wooten, David Robert, "How Lego Constructs a Cross-promotional Franchise with Video Games" (2013). Theses and Dissertations. 273. https://dc.uwm.edu/etd/273 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2013 ABSTRACT HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Michael Newman The purpose of this project is to examine how the cross-promotional Lego video game series functions as the site of a complex relationship between a major toy manufacturer and several media conglomerates simultaneously to create this series of licensed texts. The Lego video game series is financially successful outselling traditionally produced licensed video games. The Lego series also receives critical acclaim from both gaming magazine reviews and user reviews. By conducting both an industrial and audience address study, this project displays how texts that begin as promotional products for Hollywood movies and a toy line can grow into their own franchise of releases that stills bolster the original work.
    [Show full text]
  • Be Mindful of the Future: Information and Knowledge Management in Star Wars Tie-In Fiction
    Volume 13 Spring 2017 djim.management.dal.ca | Be mindful of the future: information and knowledge management in Star Wars tie-in fiction Diana Castillo School of Information Management, Dalhousie University Abstract In the last fifty years, media franchises have been using tie-in fiction to expand their universes and tell stories outside the main source material. This paper examines how information management is used specifically in Star Wars tie-in fiction and its recent transition to using knowledge management. To start, this paper looks at the history of tie-in fiction from its roots in the 1960s to the modern day, before transitioning to the role of brand managers and editors as information managers. Then, this paper documents the history of Star Wars tie-in fiction and how information management strategies were implemented through 2014 and how it impacted the franchise’s internal continuity. Finally, this paper examines the recent move towards a unified canon and how this shift towards knowledge management has impacted storytelling. This paper concludes that while it is too early to evaluate its results, Star Wars was uniquely situated among franchises to move towards knowledge management through its prior information management efforts. Introduction universes and tell stories they may not be able to tell otherwise. Creating a well-run line In today’s entertainment environment, of tie-in fiction requires coordination between popular franchises are rarely limited to one authors, publishing houses, and the licensing type of media. They license their products company through information management. across various different formats to engage In the context of this paper, information fans and expand their footprint in popular management is defined as working with culture as much as possible.
    [Show full text]
  • A Newspaper for the Rest of Us
    FREE a newspaper for the rest of us www.lansingcitypulse.com October 5-11, 2011 2 www.lansingcitypulse.com City Pulse • October 5, 2011 $ave!Lansing’s DEALS OF THE WEEK start saving up to 50% at great locally owned businesses THIS WEEK ONLY USE BONUS CODES & SAVE 50% USE BONUS CODE: TRYOWLYN Owlyn: Solutions for Growers USE BONUS CODE: TRWPIZZA Trowbridge: Pizza & Pasta $0%&4"3&(00%5)306()0$5 don’t miss special offers ČƫƫĂĉƫđƫĉPM Sign Up For The Newsletter Today! MSU’s WHARTON CENTER nd us on 1-800-WHARTON www.savelansing.com WHARTONCENTER.COM Generously sponsored by Marketing Resource Group, OVER A DOZEN OTHER LOCAL BUSINESSES Physicians Health Plan, ProAssurance Casualty -VLF"OUIPOZ1IPUPHSBQZt$BQJUPM$JUZ(SJMMFt)FBMUIZ4QJSJU)FBMUI-JGFt3FE$FEBS$BGF Company, and Rehmann. -BOTJOH4ZNQIPOZ0SDIFTUSBt5IF$PMPOJBM#BS(SJMMFt3BZGPSN1SPEVDUJPOt4QMBTIPG$PMPS Jazz Series Sponsor 8JME#FBWFS4BMPPOt.PYZ*NBHFSZ1IPUPHSBQIZt0XMZO4PMVUJPOTGPS(SPXJOH POWERED BY KOSTIZI. FIND OUT MORE AT KOSTIZI.COM City Pulse • October 5, 2011 www.lansingcitypulse.com 3 EKtt/d,&/s>Kd/KE^dK^ZszKh͊ West Lansing - 3928 W. Saginaw Hwy. .......... 517.327.1900 Trusted by growers for over 28 years East Lansing - 4870 Dawn Ave. ..................... 517.332.2663 Livonia - 29220 Seven Mile Rd. ........................248.957.8421 www.superiorgrowers.com South Lansing - 5716 S. Pennsylvania Ave..... 517.393.1600 Howell - 2731 E. Grand River Ave. ....................517.376.6843 Sale Event! 25% Off Everything in the store* throughout October! *Does not include Canna, House & Garden, and Advanced Nutrients Žƌz,ŽƌƟůƵdžϭϬϬϬǁĂƩ,W^ďƵůďƐʹƚŚĞƐĞŝƚĞŵƐĂƌĞϭϬйŽī͘ “Like Us” online at: ^'^ŝƐLJŽƵƌKE>zƐŽƵƌĐĞŝŶDŝĐŚŝŐĂŶƚŚĂƚƐƚŽĐŬƐ>>ŽĨƚŚĞƐĞƚŽƉďƌĂŶĚƐ͗ ŚƩƉƐ͗ͬͬǁǁǁ͘ĨĂĐĞŬ͘ĐŽŵͬ SuperiorGrowersSupply ŚƩƉ͗ͬͬƚǁŝƩĞƌ͘ĐŽŵͬη͊ͬ superiorgrowers 4 www.lansingcitypulse.com City Pulse • October 5, 2011 City Pulse wins two awards Mfcld\((#@jjl\/ The Michigan Press Association has awarded City Pulse two first-place awards in its division in the organization’s (0',<%D`Z_`^Xe8m\%CXej`e^#D@+/0() ,(.
    [Show full text]
  • Hors Série 40 Ans De Starwars
    Unbox your phone : Libérez votre smartphone. Unbox your life : Libérez votre vie. DAS Galaxy S8+ : 0,260 W/kg, DAS Galaxy S8 : 0,315 W/kg. Le DAS (débit d’absorption spécifique des appareils mobiles) quantifie le niveau d’exposition maximal de l’utilisateur aux ondes électromagnétiques, pour une utilisation à l’oreille. La réglementation française impose que le DAS ne dépasse pas 2 W/kg. L’utilisation d’un kit mains libres est recommandée. Samsung Electronics France - CS2003 - 1 rue Fructidor 93484 Saint-Ouen Cedex. RCS Bobigny 334 367 497. SAS au capital de 27 000 000 €. Visuel non contractuel. Écran simulé. 1703094_SAMSUNG_FR_PREMIERE_JUN7_GS8+_SPACE-ONE_420x285.indd 1 28/04/2017 12:18 1703094_SAMSUNG_FR_PREMIERE_JUN7_GS8+_SPACE-ONE_420x285.indd 2 28/04/2017 12:18 PHOTO DE COUVERTURE © LUCAS FILM LTD Pour joindre la rédaction composer le 01 70 39 53 suivi du n° de poste de votre correspondant. GAËL GOLHEN Rédacteur en chef (90) – [email protected] VANINA ARRIGHI DE CASANOVA Chef d’édition (Internet) (95) – [email protected] CHRISTOPHE NARBONNE Chef de rubrique (84) – [email protected] FRÉDÉRIC FOUBERT Responsable critiques (89) – [email protected] SYLVESTRE PICARD Rédacteur (Vidéo) (94) – [email protected] ÉLODIE BARDINET Rédactrice (87) – [email protected] NICOLAS BELLET Chef de rubrique (92) – [email protected] ÉDITO FRANCOIS LÉGER Rédacteur - [email protected] CHARLES MARTIN Rédacteur - [email protected] CLARA NAHMIAS Rédactrice (85) - [email protected] ÉDOUARD OROZCO Social media editor (83)– [email protected] MATHILDE CHEREL Rédactrice graphiste (91) – [email protected] COLLABORATIONS DIRECTRICE ARTISTIQUE : LUCIE BOUQUET (WAKE UP DESIGN) RÉDACTRICE GRAPHISTE ET ICONOGRAPHE : VIRGINIE GERVAIS SECRÉTAIRES DE RÉDACTION : ESTELLE RUET AVEC CÉCILE PLET.
    [Show full text]
  • Raiders of the Lost Ark (B
    CONCERT PROGRAM Friday, March 17, 2017 at 7:00PM Saturday, March 18, 2017 at 7:00PM Sunday, March 19, 2017 at 2:00PM LIVE AT POWELL HALL Scott Terrell, conductor PARAMOUNT PICTURES Presents A LUCASFILM LTD Production A STEVEN SPIELBERG Film JOHN WILLIAMS Raiders of the Lost Ark (b. 1932) Starring HARRISON FORD KAREN ALLEN PAUL REEMAN RONALD LACEY JOHN RHYS-DAVIES DENHOLM ELLIOTT Screenplay by LAWRENCE KASDAN Story by GEORGE LUCAS and PHILIP KAUFMAN Produced by FRANK MARSHALL Directed by STEVEN SPIELBERG Tonight’s program is a presentation of the complete filmRaiders of the Lost Ark with a live performance of the film’s entire score, including music played by the orchestra during the end credits. Out of respect for the musicians and your fellow audience members, please remain seated until the conclusion of the credits. There will be one 25-minute intermission “RAIDERS OF THE LOST ARK” Licensed by LUCASFILM LTD and PARAMOUNT PICTURES. Motion Picture, Artwork, Photos Copyright 1981 Lucasfilm Ltd. All Rights Reserved. MUSIC WRITTEN BY JOHN WILLIAMS BANTHA MUSIC (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI) ALL RIGHTS RESERVED. USED BY PERMISSION. Raiders of the Lost Ark — Film with Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC, and The Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Rebekah Wood Worldwide Representation: IMG Artists, LLC Technical Director: Mike Runice Music Composed by John Williams Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Raiders of the Lost Ark has been adapted for live concert performance.
    [Show full text]
  • And/Or D. Or LEGO
    � � � � �� � � � � � � � � � �� � � � �� � � � � � � �� � � � ��� � � � � � � � � � � �� � � � �� � � � � � �� � �� �� � � LucasArts, the LucasArts logo, STAR WARS and related properties are trademarks in the United States and/or in other countries of Lucasfilm Ltd. and/or its affiliates. © 2005 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. & or TM as indicated. LEGO, the LEGO logo and the Minifigure are trademarks of The LEGO Group. © 2005 the® LEGO Group. PLEGOBUS03 OUR SUPPORT AGENTS DO NOT HAVE AND WILL NOT GIVE GAME HINTS, STRATEGIES OR CODES. PRODUCT RETURN PROCEDURE proprietary notices or labels contained on or In the event our support agents determine that within the Software; (9) export or re-export your game disc is defective, you will need to the Software or any copy or adaptation forward material directly to us. Please include thereof in violation of any applicable laws a brief letter explaining what is enclosed and or regulations; or (10) commercially exploit why you are sending it to us. The agent you the Software, specifically at any cyber café, ABOUT PHOTOSENSITIVE SEIZURES speak with will give you an authorization computer gaming center or any other public A very small percentage of people may experience a seizure when exposed number that must be included and you will site without first obtaining a separate license need to include a daytime phone number so from Eidos, Inc. and/or its licensors (which 4.0" to certain visual images, including flashing lights or patterns that may appear that we can contact you if necessary. Any it may or may not issue in its sole discretion) in video games. Even people who have no history of seizures or epilepsy may materials not containing this authorization for such use, and Eidos, Inc.
    [Show full text]
  • FRIDAYS Houston's Biggest Party Agayj
    SPLASH DAY 1993 SPLASH \\~~~\iW g '93 \"(.4/fe iRfl.-..\.\'":1 - AU S TIN 1989 AU S TIN) Designs by and SPlaSh day 1990 Dedicated to ~e~ D n o j) J J,- lftfll~ Off' ~V· ~~~ ";LA' ••• V 1990 austin un ~.u ~ AU.!)TIN·1991 If[lhJI FRIDAY SATURDAY o DANCERS 5-9 X MARKS ~ ·MJI:l'i'iPlI~I~I~ FREE BUFFET TIlE SPOT 5PM IJ2 BLOCK FROM PECAN STREET GTIIANNUAL STREET SUNDAY, MAY 2 FESTIVAL LAKE TRAVIS (HIPPIE HOLLOW) Tavern Guild Members: AUNTIE MAME'S • 'BOUT TIME • CHAIN DRIVE • CHARLIE'S SUNDAY CROSSING • 5TH STREETSTATION • THE404 CLUB BEER BUST NEXUS • OILCAN HARRY'S • SAN FRAN CISCO'S 12 - 2 LIqUOR BUST 4 - II Your Visa Bands will be available at all Host Bars on COOKOUT5PM Saturday, May 1 prior to the event. Bands must be worn for your beer at Splash Day. TIlE PLACE AFTER TIlE LAKE Make 'Bdut Time Jour firJt Jtd]' cdming into TSPlASH WEEKEND'931 townan 1-35. Exit Rundberg, make a Il-ium and we're an tkefeeder rdad toJdur rigkt. Come enjd)' Friday Hay]')' Hdur witk our free buffet. On saturday, we're flaying water vdlleyball gameJ an the court. On Sunday, try oia barbecue wkile kanging au! an tke vdlleyball court. Games all weekend ltmg. • •• c• • ,•••~ '-111I. ~ ~ ~ I\;A~ ~ ~iI: \,i 25¢ well drinks care-free dancing! SPLASH DAY .,''':; '" ~e long' DJ MICHAEL HERNANDEZ MIXES IT UP ",. all nIL • ON THE MAIN FLOOR! BLOWOUT! DJ DANNY CARDIEL GUEST DJ CRAIG EDWARDS WORKS IT DJ DANNYCARDIEL SPINS TILL 6AM WITH IN OUR SUBTERRANEAN LOVE LOUNGE! SPINS TILL 6AM! SURPRISE SPECIAL 50¢ DRAFT BEER ALL NITE! 9601 N.
    [Show full text]
  • Lucasartsarchives1-Darkforces-Manual.Pdf
    LIMITED WARRANTY Notice: LucasArts Entertainment Company ("LEC" l reserves the right to make changes in the product described in this manual at any time and without notice_ The enclosed software product and this manual are copyrighted and all rights are reserved by LEC and Lucasfilm Ltd_ No part of this manual or any of the accompanying materials may be copied, reproduced, or translated in any form or medium without the prior written consent of LEC and Lucasfilm Ltd_ LEC warrants to the ori ginal consumer purchaser that the media furnished in this product will be free from defects in materials and work­ manship under normal use for a period of ninety (90) days from the date of purchase (as evidenced by your receipt]_ If the media supplied as part of this product prove to be defective, and provided that the consumer purchaser returns the media to LEC in accordance with the instruc­ tions in the following paragraph, LEC will replace the defective media: (a) free of charge to the consumer purchaser, if the media proves to be defective within the ninety (90) day period following the date of purchase, and (b) if the media proves to be defective after the expirati on of the ninety (90) day warranty period, LEC will replace the defective media for a fee of ~7 . 50 per floppy disk or ~5.00 per Compact Disc (as applic­ able)_ To obtain a replacement floppy disk or CD, please return the floppy disk or CD only, postage prepaid, to LEC, at the address below, accom­ panied by proof of date of purchase, a description of the defect, and your name and return address_ To replace defective media after expira­ tion of the warranty period, send the floppy disk or CD only, postage prepaid, to LEC at the address below, enclosing proof of purchase, a description of the defect, your name and return address, and a check for i7.
    [Show full text]
  • PDF of the Festival Guide
    p.5 Welcome to the SFFILM Festival! We’ve been using this snappy SFFILM believes in the power of film to expose us to different new name for the San Francisco International Film Festival for a perspectives and bold visions, to inspire us, to reflect our identities, few years now, to underline the way our organization has evolved and to celebrate our lives. over the last decade from a two-week film event into something quite different. We encourage you to get to know us better, and SFFILM is committed to providing our audiences, guests, and to consider supporting our work, as a volunteer, a donor, an partners an experience that is, first and foremost, safe. Although audience member, or business partner—through any of our four safety can be different for each individual related to personal principal activities below. preferences or expressed identities, we define it to mean hosting spaces and experiences that are free of harassment and SFFILM Makers has become one of the nation’s leading artist discrimination based on sex, sexual orientation, gender identity, development programs. Over $1 million a year in direct grants to gender performance, race, ethnicity, nationality, religion, class, filmmakers, coupled with the only year-round film residency space age, or ability. Harassment, threatening behavior, and violence will in the US, has made us a necessary resource for the leading new absolutely not be tolerated. We reserve the right to revoke, without voices in independent film. notice or refund, tickets, passes, credentials, or access to SFFILM Festival events and venues. SFFILM Education continues to grow its commitment to young people seeking a deeper connection to the world through film.
    [Show full text]
  • American Audiences on Movies and Moviegoing
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 2001 American Audiences on Movies and Moviegoing Tom Stempel Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Stempel, Tom, "American Audiences on Movies and Moviegoing" (2001). Film and Media Studies. 7. https://uknowledge.uky.edu/upk_film_and_media_studies/7 American Audiences on Movies and Moviegoing This page intentionally left blank American Audiences on Movies and Moviegoing Tom Stempel THJE UNNERSITY PRESS OlF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright© 2001 by Tom Stempel Published by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College ofKentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Stempel, Tom, 1941- American audiences on movies and moviegoing I by Tom Stempel. p. em. Includes bibliographical references.
    [Show full text]
  • 194969015.Pdf
    Anyone who wants to know more about how films and TV shows are dis- tributed and exploited can learn a huge amount from this book. —Jim Morris, Pixar Animation Studios General Manager, EVP, Production, and Producer Wall•E The entertainment industry is an industry with ongoing challenges with constant change. Jeff provides a road map to see where you are going by understanding where you started. —Louis Feola, President, Paramount Famous Productions Ulin expertly depicts the fluid nature of content creation and distribution in a concise and understandable way. There’s never been a better insider’s look at the choices and challenges that studio executives face every day. —Gary Marenzi, President, MGM Worldwide Television Jeff Ulin’s broad spectrum of expertise, spanning all aspects of motion pic- ture and television distribution, from theatrical to home entertainment to new media and television licensing, render him uniquely qualified to illu- minate the business side of the entertainment business. —Hal Richardson, President of Paramount Worldwide Television Jeff Ulin’s book is a must read for practitioners, academics and potential in- vestors in the new media space. Having worked in all segments of the indus- try, Ulin brings together a unique combination of experience and analytical rigor to deconstruct the driving forces of an industry in dynamic change. —Pablo Spiller, Jeffrey A. Jacobs Distinguished Professor of Business and Technology, Haas School of Business. This is the book that everyone in the business has been waiting for — Jeff’s seen it all, and has written a must-read book for those wanting to under- stand the jigsaw of media distribution and in what ways the web is influ- encing how, when and where money is made.
    [Show full text]
  • INSTRUCTION BOOKLET Lsw Ngc Final 9/20/05 2:28 PM Page Ii
    LucasArts, the LucasArts logo and Star Wars are registered trademarks of Lucasfilm Ltd. © 2005 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. & ® or TM as indicated. All rights reserved. LEGO, the LEGO logo and the Minifigures are trademarks of LEGO Group. © 2005 The LEGO Group. PLEGOGUS03 EIDOS Inc. 651 Brannan St., San Francisco, CA 94107. PRINTED IN USA INSTRUCTION BOOKLET lsw ngc final 9/20/05 2:28 PM Page ii PLEASE CAREFULLY READ THE SEPARATE HEALTH AND SAFETY PRECAUTIONS BOOKLET INCLUDED WITH THIS WARNING - Electric Shock ® PRODUCT BEFORE USING YOUR NINTENDO HARDWARE To avoid electric shock when you use this system: SYSTEM, GAME DISC OR ACCESSORY. THIS BOOKLET CONTAINS IMPORTANT HEALTH AND SAFETY INFORMATION. Do not use the Nintendo GameCube during a lightning storm. There may be a risk of electric shock from lightning. Use only the AC adapter that comes with your system. Do not use the AC adapter if it has damaged, split or broken cords or wires. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING Make sure that the AC adapter cord is fully inserted into the wall outlet or WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES extension cord. Always carefully disconnect all plugs by pulling on the plug and not on the cord. Make sure the Nintendo GameCube power switch is turned OFF before removing the AC adapter cord from an outlet. WARNING - Seizures SomeSome peoplepeople (about(about 1 inin 4000) may havehave seizuresseizures or blackoutsblackouts triggeredtriggered by CAUTION - Motion Sickness lightg flashesflashes or ppatterns,patterns, suchsuch as whilewhile watchingwatchin g TV or pygplayingplaying videovideo games, games, Playing video games can cause motion sickness.
    [Show full text]