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A Metalsmith's Guide to Toxicology Margery Beth Rose

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A Metalsmith's Guide to Toxicology Margery Beth Rose Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1976 A Metalsmith's Guide to Toxicology Margery Beth Rose Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Rose, Margery Beth, "A Metalsmith's Guide to Toxicology" (1976). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY A METALSMITH'S GUIDE TO TOXICOLOGY A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL FOR AMERICAN CRAFTSMEN DEPARTMENT OF METALCRAFT AND JEWELRY BY MARGERY BETH ROSE ROCHESTER, NEW YORK MAY 1976 Dedicated to Gary 'and Sharon and My Fellow Metalsmiths Everywhere ii The author gratefully acknowledges the enormous assistance provided by the works of: Dr. Jeanne M. Stellman and Dr. Susan M. Daum, Dr. Leonard J. Goldwater and Dr. Irving Sax, Dr. Bertram Carnow, Dr. E. R. Plunkett, Dr. Michael McCann, Mr. Jerome Siedlecki, and the Encyclopedia of Occupational Health and Safety. Specific references are cited in footnotes and in the bibliography. I would also like to thank Mr. Robert Barrett, Area Director of OSHA, for his assistance. 111 TABLE OF CONTENTS INTRODUCTION 1 SECTION ONE: 7 ESSENTIAL DEFINITIONS OF TERMS USED IN THE TEXT Toxicology, toxicity and poisons, modes of entry acute vs. chronic effects, threhold limit values SECTION TWO: BASIC PHYSIOLOGY AND ANATOMY OF SYSTEMS AFFECTED BY ABSORPTION OF TOXINS '-.. 20 CHAPTER 1 Respiratory System - 20 CHAPTER 2 Circulatory System 25 CHAPTER 3 The Liver 28 CHAPTER 4 The Kidneys '. 31 CHAPTER 5 The Nervous System 35 CHAPTER 6 The Skin 40 SECTION THREE: THE METALS '. 45 CHAPTER 1 Platinum and compounds 47 CHAPTER 2 Gold, alloys and compounds 49 CHAPTER 3 Silver and compounds 5 0 CHAPTER 4 Copper and compounds 53 CHAPTER 5 Tin, alloys and compounds 55 CHAPTER 6 Zinc, alloys and compounds 57 CHAPTER 7 Nickel 59 CHAPTER 8 Aluminum, alloys and compounds 62 CHAPTER 9 Antimony and compounds '63 CHAPTER 10 Barium and compounds 65 CHAPTER 11 Iron, alloys and compounds 67 CHAPTER 12 Manganese and compounds 69 CHAPTER 13 Cadmium, alloys and compounds 72 CHAPTER 14 Mercury and compounds 76 CHAPTER 15 Lead, alloys and compounds 79 CHAPTER 16 Beryllium, alloys and compounds 83 iv TABLE OF CONTENTS - CONTINUED SECTION FOUR: PROCESSES ENCOUNTERED IN METALWORKING 86 CHAPTER 1 Blacksmithing 88 Carbon monoxide poisoning, pneumoconiosis, black lung, soft coal, grinding wheels CHAPTER 2 Casting 93 Sandcasting: silicosis, sensitizers and irritants, carbon monoxide poison ing, talcosis Cuttlefish bone: carbon monoxide pois-. oning Lost wax process: silicosis, carbon monoxide poisoning, particulate matter, rubber molding CHAPTER 3 Chasing and Repousse 97 Pitch: Hazards and preventive measures CHAPTER 4 Ename ling 99 Raw materials, ingestion of toxins, pneumoconiosis CHAPTER 5 Etching 101 Hydrochloric acid, nitric acid, sulfuric acid, ammonia, copper sulfate, phosphoric acid, sodium hydroxide, resists, acid mixing CHAPTER 6 Lapidary 109 Airborne silicates, oil mists, dopping CHAPTER 7 Machining 110 . Cutting oils v TABLE OF CONTENTS - CONTINUED CHAPTER 8 Metal Finishing 112 Patination, buffing and polishing, electroplating, cyanide precautions CHAPTER 9 Niello 129 Lead, mercury, antimony CHAPTER 10 Plastics 130 Acrylics, polyesters, epoxy resins vinyl polymers, polystyrenes CHAPTER 11 Sandblasting ;. 140 Silicosis, pneumoconiosis, siderosis CHAPTER 12 Solvents 144 Aromatic hydrocarbons, benzene, xylene toluene, ketones, methyl ethyl ketone CHAPTER 13 Soldering/Silver Brazing 149 Fluxes, pickling compounds, solders, asbestos, gases CHAPTER 14 Welding 157 Sparks, radiation (ultraviolet, infrared microwave), metal fume fever, gases APPENDIX A 170 BIBLIOGRAPHY 179 GLOSSARY 182 ILLUSTRATIONS ' Structures of the Respiratory System . 19 Diagram of the Circulatory System 24 Structures of the Kidney ..30 Members of the Nervous System '. 34 Microscopic Cross-Section of the Skin \ . 39 Main Classes and Degrees of Respiratory Hazards with Suggestions for Suitable ' Respirators .174 Correct Exhaust Ventilation Construction 177 Local Exhaust System 178 vn ILLUSTRATION ACKNOWLEDGEMENTS page 19 adapted from J.M. Stellman and S. Daum, "The Lungs", Work is Dangerous tq vour Health, p. 23 and Vander, Luciano, of Sherman, "Organization the Respiratory System , Human Phys.iology, p. 302. page 24 adapted from Vander, Luciano, Sherman, "Circulation", Human Physiology p. 247 page 30 adapted from Vander, Luciano, Sherman, "Basic Structures of the Kidneys", Human Physiology p. 338. page 34 adapted from J.M. Stellman and S. Daum, "The Nervous System", Work is Dangerous to -your Health p. 49. page 39 adapted from J. M. Stellman and S. Daum, "Microscopic Cross-Section of the Skin", Work is Dangerous to Your Health p. 49. page 174 adapted from "Main Classes of Respiratory Hazards and Respirators" Appropriate Encyclopedia of Occupational Health Health and Safety p. 1214. page 177 adapted from The Committe on Industrial Ventilation ACGIH, "Local Exhaust Systems". Systems" page 178 adapted from "Local Exhaust Encyclopedia of Occupational Health and Safety p. 417 viii INTRODUCTION The purpose of this thesis is to make the reader aware of the dangers that are ever-present in the artist's studio. It is not intended to scare him or her back into stone-age tech nology. The first, most basic step in preventive safety is to educate the user to the hazards of the material. It is presumed that the artist will understand the technology of his or, her particular field. It should also be assumed that he or she will understand the dangers of the materials used. Most materials, if handled with proper respect, can be used safely; and, for the most part, good safety measures require only good common sense. Most of the information gathered comes from studies of occupational exposure. A first assumption might be that in in dustry the exposure would be far greater than any student or practicing metalsmith would ever encounter. This is not always the case, for many times, the metalsmith is exposed to far greater concentrations of a hazardous material in his studio than the worker is in industry. This is due to the fact that ventilation in most studios is far from adequate, and the metal smith will most often not use any kind of respiratory protec tion. His exposure will be far more intense than the worker who spends his working hours in a properly controlled environ "smith" ment. Many times the will remain in close contact with materials that he does not even realize are dangerous. There is a new product discovered roughly every twenty minutes, and there is no way to predict its long-term effects. With any new and unfamiliar material, greater caution must be exercised than with those materials whose effects are already known . There is the prevailing attitude that the warnings given on the labels of certain materials are overstated and that man ufacturers are overcautious. This is not the case. Most of the warning labels far underrate the hazards of the material. For example, the label on a particular adhesive has a warning that reads : Contains --methyl methacrylate WARNING : FLAMMABLE irritation- May cause skin -avoid contact with skin, eyes and clothing. In case of contact, immediately flush skin or eyes with plenty of water for at least 15 min. For eyes, get im mediate medical attention. Wash clothing before reuse. DO NOT TAKE INTERNALLY. If swallowed, vomiting should be induced at once, and call a physician. USE WITH ADEQUATE VENTILATION- - avoid prolonged breathing of vapor. KEEP OUT OF REACH OF CHILDREN This may seem more than adequate information regarding the pro duct. What the label does not state is that in addition to everything listed above, methyl methacrylate can cause irrita- tion of the respiratory tract if inhaled, headaches, loss of appetite, irritability and oppressive drowsiness or inclina tion to sleep, decreased blood pressure and nausea. Many products list the immediate effects and such lists are helpful in preventing acute reactions. But rarely do they state the possible long term or chronic effects. In twenty- thirty years, benzene can cause deformation of the bone marrow which will result in leukemia; asbestos can .causecancer of the cause-' lining of the abdominal cavity; vinyl chloride can unde tectable (until incurable) cancer of the liver. It is for these reasons that I feel it is essential that the artist understand the nature of the material with which he or she is working. There is also a feeling of immortality among artists; time" that is the "it won't affect me, not just this one atti tude. No one can be sure of that. Almost half of the asbestos workers exposed to asbestos before World War II have died. It has been proven that some of the people who died were exposed to the material only once; others were those whose only contact was washing the clothes of the workers. Wearing an approved respirator may ruin the romantic image of the artist, but.it may save his life. If a person is using a material that contains no warning data, the manufacturer should be contacted for a complete com ponent analysis. This information should then be checked in one of the toxicology books listed in the bibliography, for possible dangerous properties. It is the right of the artist to have full information about the materials with which he works. Because a material is listed in a book does not mean that it is safe to use without precautions. In one jewelry text book, one repeatedly reads the suggestion to use benzene as a good, general solvent. Benzene has both acute (fast-acting) and chron ic (long-term) effects on the body. One professor of Occupa tional Medicine, Bertram Carnow, states that it should never be used because its effects are so dangerous.
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