Moore, Rebekah E Dissertation for SUBMISSION
INDIE MUSIC IN POST-BOMB BALI: PARTICIPANT PRACTICES, SCENE SUBJECTIVITIES Rebekah E. Moore Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Folklore and Ethnomusicology Indiana University March 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ Daniel B. Reed, Ph.D. ______________________________________ Ruth Stone, Ph.D. ______________________________________ Javier León, Ph.D. ______________________________________ Marvin Sterling, Ph.D. ______________________________________ David Harnish, Ph.D. February 10, 2015 ii Copyright © 2015 Rebekah E. Moore iii ACKNOWLEDGMENTS To all of the individuals who welcomed me into your creative and professional lives and inspired me to apply the many lessons of this long research undertaking toward making some measurable, positive contribution—within and beyond the university setting: Thank you. I am particularly grateful to Robi, Lakota, Igo, Dethu, Anom, Wendi, Jerinx, Dodix, Dadang, Marmar, Dizta, Bayak, Gembull, Made, Prima, Sari, Deny, Zio, Eka, Bobi, Nova, Komar, Nurdi, Erick, Leo, Marsello, Mita, Fitra, Richard, Monez, Clea, Adib, and Aldo for contributing your expertise to this project, for your collegial support in our combined creative projects, and for your friendship. In the six years that I have been lucky enough to know you, you have broadened my outlook on what a small group of like-minded people can accomplish and proven why every song, as a creative offering to the world, matters. You have rocked my world. Terima kasih. Suksma. Matur nuwun. Most of all, I wish to thank my dissertation chair and friend, Daniel Reed.
[Show full text]