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Psalm 45 Title: a Royal Wedding Song Author and Date: the Sons of Korah Key Verses
Psalm 45 Title: A Royal Wedding Song Author and Date: The Sons of Korah Key Verses: Psalm 45:1, 17 Type: Royal / Messianic Outline A. The king’s messenger (verse 1). B. The king’s majesty (verses 2-9). C. The king’s marriage (verses 10-15). D. The king’s memorial (verses 16-17). Notes Title: “For the Chief Musician; set to Shoshannim. A Psalm of the sons of Korah. Maschil. A song of loves.” See the notes on Psalm 42. The following psalms have something similar to this title: Psalm 42, 44-49, 84-85, and 87-88. “Shoshannim” means “lilies” and it may refer to a particular instrument (lilly-shaped cymbals?) or tune of the day to which this song was sung. This was a musical instruction given to the chief musician to direct the song “after” or “in the manner of” Shoshannim. “A song of loves” (also called an epithalamium) refers to a song that describes the love between a king (verse 1) and his queen (verse 9) who are about to marry. Summary: Psalm 45 is a royal psalm (see Psa. 2) describing the king and his marriage to the queen. It is a song celebrating the majesty (verses 2-9) and the marriage (verses 10- 15) of one of the king’s of Israel. The marriage of Solomon to the daughter of Pharaoh is one example that would fit this occasion (1 K. 3:1). First, the psalmist describes the king’s physical features (verses 2-5, 8-9) and then his spiritual qualities (verses 4, 6-7). -
9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57 -
Bach Festival the First Collegiate Bach Festival in the Nation
Bach Festival The First Collegiate Bach Festival in the Nation ANNOTATED PROGRAM APRIL 1921, 2013 THE 2013 BACH FESTIVAL IS MADE POSSIBLE BY: e Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil DEDICATION ELINORE LOUISE BARBER 1919-2013 e Eighty-rst Annual Bach Festival is respectfully dedicated to Elinore Barber, Director of the Riemenschneider Bach Institute from 1969-1998 and Editor of the journal BACH—both of which she helped to found. She served from 1969-1984 as Professor of Music History and Literature at what was then called Baldwin-Wallace College and as head of that department from 1980-1984. Before coming to Baldwin Wallace she was from 1944-1969 a Professor of Music at Hastings College, Coordinator of the Hastings College-wide Honors Program, and Curator of the Rinderspacher Rare Score and Instrument Collection located at that institution. Dr. Barber held a Ph.D. degree in Musicology from the University of Michigan. She also completed a Master’s degree at the Eastman School of Music and received a Bachelor’s degree with High Honors in Music and English Literature from Kansas Wesleyan University in 1941. In the fall of 1951 and again during the summer of 1954, she studied Bach’s works as a guest in the home of Dr. Albert Schweitzer. Since 1978, her Schweitzer research brought Dr. Barber to the Schweitzer House archives (Gunsbach, France) many times. In 1953 the collection of Dr. Albert Riemenschneider was donated to the University by his wife, Selma. Sixteen years later, Dr. Warren Scharf, then director of the Conservatory, and Dr. -
Origen on the Christological Significance of Psalm 45 (44) Ronald E
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Consensus Volume 23 Article 2 Issue 1 Essays in the History of Interpretation 5-1-1997 Origen on the Christological Significance of Psalm 45 (44) Ronald E. Heine Follow this and additional works at: http://scholars.wlu.ca/consensus Recommended Citation Heine, Ronald E. (1997) "Origen on the Christological Significance of Psalm 45 (44)," Consensus: Vol. 23 : Iss. 1 , Article 2. Available at: http://scholars.wlu.ca/consensus/vol23/iss1/2 This Articles is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Consensus by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. Origen on the Christological Significance of Psalm 45 (44) Ronald E. Heine Director, Institut zur Erforschung des Urchristentums, Tubingen, Germany The book of Psalms was an important source for early Christian thinking about Christ. Some of the Psalms, such as Psalms 2 and 110, were frequently cited in the New Testa- ment, and contributed key concepts to the doctrine of Christ. Others, less noticed in the New Testament, nevertheless played significant roles in the development of Christological doctrine. Not everyone agreed, however, on what should, or should not, be applied to Christ in the Psalms. This study looks at one of these lesser known psalms, and attempts to show how the greatest exegete of the early church carefully distinguished be- tween what is, and what is not, applicable to Christ in it. -
Exegesis of the Psalms “Selah”
Notes ! 147 BIBLE STUDY METHODS: PSALMS The Psalms are emotional. At times, God speaks too, but most of what we read are man’s words directed toward heaven. All these words are completely inspired by God. Our issue is to determine how they function as God’s Word for us. The Psalms are not: • doctrinal teaching - No! • biblical commands on our behavior - No! • illustrations of biblical principles - No! They provide examples of how people expressed themselves to God (rightly or wrongly). They give us pause to think about (1) God, and (2) our relationships to God. They ask us to consider the “ways of God.” Exegesis of the Psalms Separate them by types. Understand their different forms and their different functions. The New Testament contains 287 Old Testament quotes. 116 are from Psalms. The 150 Psalms were written over a period of about 1000 years. Moses wrote Psalm 90 in 1400B.C. Ezra wrote Psalm 1 and Psalm 119 about 444 B.C. Our task is to view the Psalms through the lens of Salvation History. “Selah” The Psalms are poetry and songs. The music is lost to us. “Selah” was intended to signal a musical pause. It’s not necessary to read it out loud. It’s a signal to pause and meditate. Though the Psalms are different from each other, they all emphasize the spirit of the Law, not the letter. Do not use them to form doctrines, independent of New Testament writings. The Psalms are emotional poetry. They often exaggerate through the emotions of their writers. The language is picturesque. -
Songs of Farewell and Other Choral Works Choir of New College Oxford Robert Quinney
PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 1 Acknowledgements The Choir of New College Oxford gratefully acknowledges the generous support of Eugene Ludwig, which made this recording possible. The work of the choir is also supported by the Friends of New College Choir: see www.newcollegechoir.com for information on how to join. The edition of the Songs of Farewell used in the recording was edited by Robert Quinney from the autograph manuscripts in the Bodleian Library. It is published by Oxford University Press, ISBN: 9780193518469 Robert Quinney gratefully acknowledges the assistance and advice of Martin Holmes, Alfred Brendel Curator of Music at the Bodleian Libraries. Images Cover: Friedrich, Caspar David (1774-1840), Wanderer über den Nebelmeer, 1818 (oil on canvas) © Bridgeman Images Design: Larisa Afric Producer and Engineer: Adrian Hunter Recorded in the chapel of New College, Oxford, 10-14 July 2017 s a New College Oxford 2018 www.newcollegechoir.com NCR 1394 2 PARRY Songs of Farewell and other choral works Choir of New College Oxford Robert Quinney 3 PARRY Songs of Farewell and other choral works Choir of New College Oxford|Robert Quinney 1. Parry: Hear my words, ye people 14.27 Solo quartet: Oscar Bennett (treble), Edward Beswick (alto), Andrew Bennett (tenor), George Robarts (bass) Baritone: Daniel Tate, Organ: Timothy Wakerell Mendelssohn: Sechs Sprüche 2. i Weihnachten 01.32 3. ii Am Neujahrstage 02.31 4. iii Am Himmelfahrtstage 01.37 5. iv In der Passionszeit 01.28 6. v Im Advent 01.40 7. vi Am Karfreitag 01.50 Parry: Songs of Farewell 8. -
VOL I Salvation on the Line the Nature of Yeshua and His Divinity
VOL I Salvation on the Line The Nature of Yeshua and His Divinity Psalm 45 “The King Enthroned Forever” “For the choir director; according to the Shoshannim. A Maskil of the sons of Korah. A Song of Love. My heart overflows with a good theme; I address my verses to the King; my tongue is the pen of a ready writer. You are fairer than the sons of men; grace is poured upon Your lips; therefore God has blessed You forever. Gird Your sword on Your thigh, O Mighty One, in Your splendor and Your majesty! And in Your majesty ride on victoriously, for the cause of truth and meekness and righteousness; let Your right hand teach You awesome things. Your arrows are sharp; the peoples fall under You; your arrows are in the heart of the King's enemies. Your throne, O God, is forever and ever; a scepter of uprightness is the scepter of Your kingdom. You have loved righteousness and hated wickedness; therefore God, Your God, has anointed You with the oil of joy above Your fellows. All Your garments are fragrant with myrrh and aloes and cassia; out of ivory palaces stringed instruments have made You glad. Kings' daughters are among Your noble ladies; at Your right hand stands the queen in gold from Ophir. Listen, O daughter, give attention and incline your ear: Forget your people and your father's house; then the King will desire your beauty. Because He is your Lord, bow down to Him. The daughter of Tyre will come with a gift; the rich among the people will seek your favor. -
MADE HERSELF READY REVELATION 19:5 5 ¶ and a Voice
MADE HERSELF READY REVELATION 19:5 5 ¶ And a voice came out of the throne, saying, Praise our God, all ye his servants, and ye that fear him, both small and great. REVELATION 19:6 6 And I heard as it were the voice of a great multitude, and as the voice of many waters, and as the voice of mighty thunderings, saying, Alleluia: for the Lord God omnipotent reigneth. Hallelujah is taken directly from the Hebrew and is made up of two words hallel, meaning "praise," and jah, a basic word for God. REVELATION 19:7 7 Let us be glad and rejoice, and give honour to him: for the marriage of the Lamb is come, and his wife hath made herself ready. REVELATION 19:8 8 And to her was granted that she should be arrayed in fine linen, clean and white: for the fine linen is the righteousness of saints. REVELATION 19:4 4 And the four and twenty elders and the four beasts fell down and worshipped God that sat on the throne, saying, Amen; Alleluia. REVELATION 19:5 5 ¶ And a voice came out of the throne, saying, Praise our God, all ye his servants, and ye that fear him, both small and great. REVELATION 19:6 6 And I heard as it were the voice of a great multitude, and as the voice of many waters, and as the voice of mighty thunderings, saying, Alleluia: for the Lord God omnipotent reigneth. REVELATION 19:7 7 Let us be glad and rejoice, and give honour to him: for the marriage of the Lamb is come, and his wife hath made herself ready. -
Lect 19-Psalms
Lecture 19: Psalms 23 Contents for Lecture 19b VI. The Canonical Approach 23 A. General Features That All Interpreters Affirm 23 B. Gerald Wilson 25 C. John Walton 25 D. Paul House 28 E. Evaluation of Canonical Approaches 29 VII. The Portrait of the Anointed King (= Christ) in the Psalms 31 A. An Overview 31 B. The Anointed One as All-Conquering King 31 C. The Anointed One as Suffering Servant 37 D. Some Sample Journey’s into Reading the Psalms as Direct Messianic Prophecy 39 E. What about “I’m a Sinner” Psalms? 42 VIII. The Portrait of Yahweh in the Psalms 48 A. Yahweh Stands in Focus through the Doxologies Concluding Each “Book” 48 B. Overview of the Usage of the Name and Titles of God 48 C. Yahweh in the Introduction (Pss 1–2) 49 D. Yahweh in the Conclusion (Pss 146–150) 49 E. Yahweh in the Body––An Overview 49 F. Summary 50 IX. Guided Reading for the Psalms 51 A. Key Psalms 51 B. Questions 51 VI. The Canonical Approach A. General Features That All Interpreters Affirm 1. The Five “Books” (mirroring the Pentateuch) each with a concluding doxology: a. Book 1: Pss. 1–41, doxology Ps. 41:13 b. Book 2: Pss. 42–72, doxology Ps. 72:18–19 c. Book 3: Pss. 73–89, doxology Ps. 89:52 d. Book 4: Pss. 90–106, doxology Ps. 106:48 e. Book 5: Pss. 107–150, doxology Pss. 146–150 2. The Psalms do witness intentional groupings. a. Grouping due to attribution: i. Book 1 is almost fully attributed to David, and most of Book 2 is as well; the final statement in 72:20 about the prayers of David being ended suggests that Books 1–2 may have been the first psalter. -
Psalm 13; Psalm 137; Psalm 90:12 July 23, 2017 Pastor Steve Richards
Breathe: 3. Dealing with disappointment, anger, and pain Psalm 13; Psalm 137; Psalm 90:12 July 23, 2017 Pastor Steve Richards Two weeks ago, when I displayed this photo of a calendar [picture of wall calendar completely filled with appointments], I heard from a lot of people that their calendar looks like this, or if not the calendar, then their lives. And what surprised me was how many retired people told me they do not have room for anything else. I don’t want your life to look like this. I want you to have room to breathe. But I think we’ve forgotten how or never really learned how to breathe. Life is better when we breathe, but when something other than God drives us, it pulls us away from what matters most. So, I suggested a breathing exercise, and last week, Tami repeated the exercise. Some of you told me you were reluctant to do it: To relax, to close your eyes in a dark room, to breathe deeply – you’re asleep, but trust me you would not be the first person to fall asleep in this place! Breathe, just breathe. Here’s the problem: stuff happens. Things outside our realm of control happen to us – a medical condition, an injury, a relationship is in trouble, as one of your kids is going to bed she mentions needing a costume for her classroom presentation the next morning, your work increases or you lose your job and you can’t find the one you want, a tree falls on your house or the car dies. -
NUMBERING OUR DAYS Psalm 90 7/27/08 Psalm 90 Is the Oldest of All
NUMBERING OUR DAYS Psalm 90 7/27/08 Psalm 90 is the oldest of all the Psalms It states that it is “A Prayer of Moses, the man of God.” Psalm 90 was most likely written during the 38 years that Israel wandered in the wilderness of Sinai following their rebellion and refusal to go into the promised land at Kadesh-Barnea. (Numbers 13-14) Now we find them trekking around the desert going nowhere Awaiting the death of all those who had been over twenty years old at the time That would be well over a million people who would not now be allowed to go into the land and enjoy God’s blessings. Every morning there was a report of more casualties. Every day an average of 87 more people died Every time they broke camp they left a new cemetery full of fresh graves. As Moses reflected upon what was going on and about life in general he penned this Psalm. The first thing he notes is that: 1. God Is Eternal 90:1-2 Throughout human history Before the creation of the world From every lasting to ever lasting, You are God. Psalm 102:24-27 I say, "O my God, do not take me away in the midst of my days, Your years are throughout all generations. 25 "Of old You founded the earth, And the heavens are the work of Your hands. 26 "Even they will perish, but You endure; And all of them will wear out like a garment; Like clothing You will change them and they will be changed. -
Agpeya English Ereader Test
The Agpeya 1 The Agpeya Book of the Hours Table of contents 2 Table of contents The Agpeya .............................................................................. 1 Table of contents ..................................................................... 2 Introduction to Every Hour ...................................................... 6 The Lord’s Prayer ..................................................................... 6 The Prayer of Thanksgiving ...................................................... 7 Psalm 50 .................................................................................. 9 PRIME .................................................................................... 11 Prime Psalms ....................................................................... 14 Prime Holy Gospel (St. John) ............................................... 34 Prime Litany ......................................................................... 36 The Gloria .............................................................................. 37 THE TRISAGION ...................................................................... 38 Intercession of the Most Holy Mother of God ...................... 40 Introduction to the Creed ...................................................... 41 The Creed .............................................................................. 41 Holy Holy Holy ..................................................................... 43 The Concluding Prayer of Every Hour .................................... 45 Table