DOCSLIB.ORG

A Night of SEOUL When: 8:00 P.M., Saturday, Mar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Night of SEOUL When: 8:00 P.M., Saturday, Mar 6 C olumbia U niversity RECORD March 8, 2002 SUBMISSION INFORMATION E-mail: [email protected] Fax: 212-678-4817 All submissions must be received in writing by the deadline. Events are list- ed in this order: date, time, title, name/affiliation of speaker(s) or per- former(s), title of series (if any), spon- sor(s), fee and registration information (if any), phone number of contact, and location. All phone numbers are area code (212) unless otherwise noted. For deadlines & information, call Rebecca Chung, Calendar Editor, 212- 854-6546 or the RECORD, 212-854- 3282. The Calendar is updated weekly on the Web at ALENDAR http://www.columbia.edu/cu/news/cal- C endar/. Events are listed on a first-come, first-served basis free of charge. All events are subject to change; call spon- sors to confirm. EVENTS AT COLUMBIA — MAR. 8TH - MAR. 14TH Misperceptions.” Irene Finel Tickets: $8; $5 for students and Pediatric Solid Tumor Mod- Honigman. HI and ISE. 854-4623. seniors. La Maison Française. els.” Jessica Kandel, CU. Pedi- 1219 IAB. 854-4482. Miller Theatre. atrics. 305-9561. McIntosh Talks Health Conference Room, 1-113 BHS. 12:00 P.M. “Hyphen-Nation: The 12TH, TUES. Politics of Diversity in ‘A Nation 6:00 P.M. Concert. Aya 8TH, FRI. of Immigrants’ c. 1960’s – Pre- Hamada, pianist, performing Sciences 13TH, WED. 2:00 P.M. “Las Fronteras de la sent.” Matthew Jacobson, Yale. music by Debussy, Liszt, 7:00 A.M. State of the Hospi- Coca (Coca Borderlands): A CSER. 854-0507. 420 Hamilton. Granados, Takemitsu and oth- Unless otherwise noted, all list- tal Talk at Children’s Hospi- Multimedia Presenation.” Silvia ers. 854-0480. St. Paul’s ings are at Columbia University’s tal. Herbert Pardes, President Rivera Cusicanqui, U of Mayor de 12:30 P.M. “Frontiers of China: Chapel. Health Sciences campus in Wash- and CEO, Columbia Presbytari- San Andres, Bolivia. CCLS. 854- From Turfan to ington Heights. Call sponsors an Medical Ctr. 305-5587. 4541. Heyman Ctr McIntosh Auditorium, 1st fl. Boardroom, East Campus. What: KSA Culture Show 2002 10:00 A.M. & 2:00 Where: Roone Arledge Auditorium, Lerner Hall P.M. State of the 11TH, MON. Hospital Talk. Her- 5:30 P.M. “Reflections A Night of SEOUL When: 8:00 P.M., Saturday, Mar. 9th bert Pardes, President on the Environment Tickets: $10 pre-sale at Lerner Box Office; $12 at door. and CEO, Columbia and National Policy.” Presbytarian Medical Bruce Babbitt, fmr Sec- On Saturday, March 9th, the Korean Students Asso- Ctr. 305-5587. Bald- retary of the Interior. ciation of Columbia will host its annual Culture Show. win Hall, MHB 1. Law. 854-1571. Room The theme of this year’s event is “Reunification” and L107, Warren Hall. will feature a skit addressing various social and polit- 1:00 P.M. Class: 7:00 P.M. “What’s ical issues facing the divided Korean peninsula. In “Adobe Acrobat: Physics Good For?” addition, the show will also feature acts of traditional Creating Your Own Horst Stormer, CU. as well as modern Korean music and dance, and a PDF Files.” Pre-reg- Columbia College Stu- fashion show contrasting traditional Korean clothing istration required: dent Council and with the fashions of Korea’s latest designers. 305-3692. Health Sci- Physics. mks42@ ences Library. Com- columbia.edu. E569, puter Classroom, 2nd Lerner. fl, HHSC. 8:00 P.M. “Holy Fam- ily and Facist State: 14TH, THURS. On Religious Codifica- 9:30 A.M. “Research tion of Power in Thea and Service Needs of von Harbou’s Novel HIV-Positive Moth- and Fritz Lang’s Film ers Who Have Sex ‘Metropolis’.” With Women.” Hella Albrecht Koschorke, U von Unger, U of Han- of Konstanz. Deutches nover, Germany; and Haus. Michelle Lopez, Com- munity Healthcare Students modeling the fashions of modern Korean designers. Traditional Korean Drum Dance 12TH, TUES. Network. HIV Ctr. 12:00 P.M. “Balkan 543-5969. Room 6602, New Building. Islam after Commu- Taiwan.” Peter C. Perdue, MIT. 6:30 P.M. Dinner & a Movie: for details. nism: A Decade of Changes.” EAI. 854-8193. 918 IAB. “Cet Obscur Objet du Désir Xavier Bougarel, National Scientif- (That Obscure Object of 10:00 A.M. State of the Hospi- ic Research Council, Paris. HI. 4:00 P.M. “Crime Noir: The Desire.)” Directed by Luis 8TH, FRI. tal Talk at Allen Pavilion. All Day. Employee Recogni- 854-4623. 1219 IAB. Underworld of Film in Millenial Bunuel, (1977). In French with Herbert Pardes, President and tion Day. All employees invited Mumbai.” Arjun Appadurai, English subtitles. Must RSVP CEO, Columbia Presbytarian to attend receptions: 7–9 A.M., 12:00 P.M. “The Impact of Gen- Chicago; and GyanPrakash, Prince- by Mar. 11th. 854-4482. Din- Medical Ctr. 305-5587. Thay- 11 A.M. – 2 P.M., 4–6 P.M. trification on the Disadvan- ton. CCLS. 854-4541. Wood ner: $5 for students; $10 for er Conference Rm 1-013. Columbia Presbyterian Medical taged.” Lance Freeman, CU. Ctr Auditorium, Avery. members. East Gallery, La Baldwin Hall for Urban Research. 854-2072. Maison Française. Ctr. 305-5587. 801 IAB. 4:30 P.M. “Geometric and Elec- and the Clark Conference Ctr, 12:00 P.M. “Intrinsic Limit- tronic Structure Contributions to 13TH, WED. MHB 1. ing Steps in Protein and RNA Folding.” Tobin R. Sosnich, U 3:00 P.M. “Turbulent Diffusion Function in Bioinorganic Chem- 12:05 P.M. Concert. Ben- of Chicago. Biochemistry & in Geofluids.” Geoffrey Vallis, istry: Active Sites in Non-heme jamin Bradham, pianist. 870- TH MON Princeton. Applied Mathematics. 11 , . Molecular Biophysics. 305- Iron Enzymes.” Edward Ira 2231. Chapel, Interchuch Ctr. 12:00 P.M. “Structured Inves- 854-4457. 200 Mudd. 3885. 523 BB. Solomon, Stanford. Chemistry. tigation of Ribosomes and 854-2202. 209 Havemeyer. 14TH, THURS. 5:00 P.M. Café Conversation. Functional Ribosonal Com- 9:30 P.M. Film: “Royal Ten- 4:00 P.M. “Novel Approaches Coffee, tea, cookies and conversa- plexes by 3DcryoEM.” Christ- nenbaums.” Directed by Wes to the Study of Cyclic Neu- tion in French. 854-4482. La ian M.T. Spahn, Wadsworth Ctr. Anderson. Admission fee: $3. cleotide Signaling.” Jeffrey W. Maison Française. Biochemistry & Molecular Bio- Ferris Reel Film Society. 853- physics. 305-3885. 523 BB. Karpen, U of Colorado. Bio- 8:00 P.M. University Lecture: 7969. Roone Arledge Cinema, chemistry & Molecular Bio- physics. 305-3885. 301 HHSC. “Violence, Terror, and Politics Lerner. 4:30 P.M. “Angiogenesis in and Usual.” Charles Tilly. The Arts Rotunda, Low Memorial Library. FEB. 6TH – MAR. 30TH 13TH, WED. Wed., Fri. – Sat., 1:00 P.M. – “Bricks and Clicks: Challenges in the Digital Age” 12:00 P.M. “Effect of Health on 5:00 P.M. Exhibit: “The Print in Survival Mechanisms of Elderly Italy.” British Museum and On March 13 - 15, more than 250 campus facilities directors, administrators, planners, architects in Russia.” Mark Foley. HI. 854- National Gallery of Canada. 854- and builders from the north east and Canada will meet to explore the close relationship between tech- 4623. 1219 IAB. 7288. Wallach Art Gallery, nology, teaching and educational facilities at a Society for College and University Planning (SCUP) Schermerhorn. 14TH, THURS. conference entitled "Bricks and Clicks: Challenges in the Digital Age." The conference will be 12:00 P.M. “Eurodollar Compet- 11TH, MON. held at Columbia, where efforts to strike a balance between the preservation of its century-old McKim, itiveness: History, Policy, 6:30 P.M. & 8:30 P.M. Film: Mead and White campus and the technological demands of higher education in the 21st century are “Place Vendôme.” Directed by ongoing. Sessions will be held in Alfred Lerner Hall. For more information and conference fee go Nicole Garcian (1998). In to: www.ccsu.edu/planning/nascup. French with English subtitles. C olumbia U niversity RECORD March 8, 2002 7 India’s Past and Present Meet in New Film By Professor/Student Team the same film, but the talented who wears mini-skirts and has a tat- film division. "It's exciting to con- BY KRISTIN STERLING Dhawan managed to combine these too. template the delights she may bring Bookshelf ideas through an elaborate ensemble Throughout the film Western us in the future. Sabrina has the tal- In a scene from the Golden of five stories. influences on modern India are also ent to have a long and productive Globe-nominated film "Monsoon While the film is centered around evident: the bride’s mother occa- career." Wedding," the father of a bride asks preparations for the arranged mar- sionally sneaks into the bathroom to Dhawan was born in England and the incessant cell-phone-using wed- riage of Aditi Verma to a young Indi- smoke a cigarette; her father is an raised in Delhi. After graduating ding coordinator if the wedding tent an man who lives in Texas, one of avid golfer, and her younger brother from college in India, she went to he is constructing is waterproof. The the storylines involves a cousin who watches television programs on the England to earn her master’s degree coordinator replies with an ancient notices a male family member tak- Indian Food Network. in communications research. saying: if the peacocks have stopped ing an interest in a young girl. This Since opening in the United Dhawan subsequently returned to dancing, it will not rain. He then pro- prompts her to come forward and Kingdom on Jan. 4, the film has met India where she worked as a jour- ceeds to use his wrist-watch/calcula- reveal that the man abused her as a with unexpected success, becoming nalist for three years.
Load more

Recommended publications
  • MONSOON WEDDING a NEW MUSICAL by MIRA NAIR a Leeds Playhouse Production in Association with the Roundhouse
    PRESS RELEASE – Thursday 5th December 2019 IMAGES CAN BE DOWNLOADED HERE MonsoonWeddingmusical.co.uk / @Monsoonmusical MONSOON WEDDING A NEW MUSICAL BY MIRA NAIR A Leeds Playhouse production in association with the Roundhouse • A NEW MUSICAL THEATRE ADAPTATION OF THE HIT FILM MONSOON WEDDING WILL PLAY AT LEEDS PLAYHOUSE AND LONDON’S ROUNDHOUSE IN SUMMER 2020 • DIRECTED BY THE FILM’S DIRECTOR MIRA NAIR, THE NEW MUSICAL FEATURES A BOOK BY SABRINA DHAWAN AND ARPITA MUKHERJEE AND LYRICS BY MASI ASARE AND SUSAN BIRKENHEAD WITH MUSIC BY VISHAL BHARDWAJ Nearly 20 years after the multi award-winning Monsoon Wedding broke all moulds by becoming one of the most successful international films of all time and introducing a worldwide audience to Indian culture through the joy of the rom-com, the beautiful story of finding love against the odds returns as a brand-new musical. Co-Directors Mira Nair (Salaam Bombay, Mississippi Masala and forthcoming BBC adaptation A Suitable Boy) and Stephen Whitson (West Side Story Edinburgh International Festival and BBC Prom and UK associate for Hamilton) have worked with book writers Arpita Mukherjee (Artistic Director of Hypokrit Theatre, 2018-2020 WP Theater Directors Lab member, 2018 Eugene O’Neill National Directing Fellow) and Sabrina Dhawan (original Monsoon Wedding screenplay, written for 20th Century Fox, HBO, Disney Animations, Fox Star and Killer Films), award-winning composer Vishal Bhardwaj (over 40 Bollywood films, 6 National Film Awarads, winner of People’s Choice Award at Rome Film Festival for Hamlet) and lyricists Masi Asare (Music and Lyrics for Sympathy Jones, music and lyrics for Family Resemblance Theatre Royal Stratford East) and Susan Birkenhead and orchestrator Jamshied Sharfiri (winner of the Tony© for Best Orchestration for The Band’s Visit) to bring the film to life on the stage.
    [Show full text]
  • Bend It Like Beckham
    Bend It Like Beckham Dir. Gurinder Chadha, UK/Germany 2002, Certificate 12A Introduction Bend It Like Beckham was one of the surprise hits of 2002, making over £11,000,000 at the UK Box Office and hitting a chord with a range of audiences at cinemas. A vibrant and colourful British comedy about a young girl from a Sikh family who desperately wants to play football against the wishes of her traditional parents, the film can be seen to follow the path of other recent British-Asian films such as Bhaji on the Beach, Anita and Me and East Is East in its examination of culture clashes and family traditions. Bend It Like Beckham takes these themes and adds extra ingredients to the dish – football, Shakespearean confusions over identity and sexuality, in-jokes about both British pop culture and the Sikh way of life, and a music soundtrack mixing a range of East/West sounds and musical styles. It is also useful to look at Bend It Like Beckham within a wider context of the British Asian experience in popular culture and media, such as portrayal of Asian culture on television including Ali G, Goodness Gracious Me, families in soaps such as Coronation Street and EastEnders – even the new Walkers Crisps advert has Gary Lineker in a mini-Bollywood musical - and the Asian language, music and fashion that has now flowed into the mainstream. © Film Education 2003 1 Film Synopsis Jesminder (known as Jess) is a Sikh teenager living in Hounslow, who loves to play football. Her parents disapprove, wanting her to settle down, get a job as a lawyer and marry a nice Indian boy.
    [Show full text]
  • Prostitution, Pee-Ing, Percussion, and Possibilities: Contemporary Women
    This article was downloaded by: [The University of Manchester] On: 15 January 2012, At: 12:33 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK South Asian Popular Culture Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rsap20 Prostitution, pee-ing, percussion, and possibilities: Contemporary women documentary film-makers and the city in South Asia Atreyee Sen a & Neha Raheja Thakker a a CIDRA, Manchester, UK Available online: 05 Apr 2011 To cite this article: Atreyee Sen & Neha Raheja Thakker (2011): Prostitution, pee-ing, percussion, and possibilities: Contemporary women documentary film-makers and the city in South Asia, South Asian Popular Culture, 9:01, 29-42 To link to this article: http://dx.doi.org/10.1080/14746689.2011.553886 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • It's a Wrap: Columbia Film Festival Winners Announced
    4 C olumbia U niversity RECORD June 11, 2004 It’s a Wrap: Columbia Film Festival Winners Announced ilm Division students received $110,000 in Fawards at the 17th Annual Columbia University Film Festi- val for works that ranged from a woman’s daily struggle to care for her child and her mother, who has Alzheimer’s disease (Extreme Mom) to a documen- tary in which members of a Harlem family recount the chal- lenges they have faced since Gordon Parks photographed them in 1968 for Life magazine (Family Portrait). The student-run festival, pre- sented by the Film Division of the School of the Arts, included original short films and screen- play readings. It took place from May 1-7 in New York City and then headed west to Los Angeles June 2-3. Student filmmaker Joyce Draganosky, whose film Extreme Mom swept many of the festi- val’s awards May 7, based her work on growing up in a house- hold where her mother raised her while also caring for her elderly grandmother. “It’s a movie about the circle of life, and a woman stuck in the middle of trying to care for both ends of that spectrum,” “Junebug and Hurricane,” written and directed by James Ponsoldt, garnered several awards and will screen at the Atlanta Film Festival. Draganosky said. “The situation is such that the child is learning activities and the grandmother is tary Family Portrait, which pose of her documentary: “Right After the readings, SOA alum- Portrait, directed by Patricia losing activities.” received the New Line Cinema now, there are a million black na Sabrina Dhawan, ’02, Riggen; and God Is Good, Extreme Mom was named a Award for Outstanding Achieve- kids that live in extreme poverty received the Andrew Sarris directed by Caryn Waechter.
    [Show full text]
  • Contents 2020-2021
    Contents 2020-2021 About Hollins University 1 Mission 1 Graduate Programs 2 Graduate Facilities 2 Academic Support Programs 2 Admission Guidelines 5 Readmission to Hollins 7 Tuition and Fees 7 Financial Assistance 8 Federal Title IV Financial Aid 9 Academic Regulations 10 Auditing 10 Adding/Dropping courses 10 Class Attendance 10 Grades 11 Honor Code 11 Incompletes 11 Transfer Credit 12 Withdrawals 12 Business Office Policies 12 Housing 14 Tuition Fee/Refund Policies 14 Policy on Return of Unearned TA Funds to the DOD 15 Notification of Rights under FERPA 15 Children’s Literature (M.A. /M.F.A.) 17 Courses 18 Faculty 21 Children’s Book Writing and Illustrating (M.F.A.) 24 Courses 25 Faculty 27 Certificate in Children’s Book Illustration 31 Courses 32 Faculty 33 Creative Writing (M.F.A.) 34 Courses 35 Faculty 38 Dance (M.F.A.) 40 Courses 41 Faculty 45 Master of Arts in Liberal Studies (M.A.L.S.) 49 Certificate of Advanced Studies (C.A.S.) 51 Courses 51 Faculty 65 Medical Communication Certificate 68 Courses 68 Faculty 70 Playwriting (M.F.A.) 71 Concentrations 72 Courses 74 Faculty 78 Certificate in New Play Directing 80 Courses 81 Faculty 82 Certificate in New Play Performance 83 i Courses 84 Faculty 85 Screenwriting and Film Studies (M.A. /M.F.A.) 86 Courses 87 Faculty 88 Master of Arts in Teaching (M.A.T.) 91 Courses 92 Faculty 94 Master of Arts in Teaching and Learning (M.A.T.L.) 95 Courses 95 Faculty 96 Administration 97 Graduate Center Staff 98 Telephone Numbers 99 University Calendar 100 ii About Hollins Hollins was founded in 1842 as Virginia’s first chartered women’s college.
    [Show full text]
  • Monsoon Wedding
    Sondervorführung/IFB 2002 MONSOON WEDDING MONSOON WEDDING LE MARIAGE DES MOUSSONS Regie: Mira Nair USA 2001 Darsteller Lalit Verma Naseeruddin Shah Länge 116 Min. Pimmi Verma Lillete Dubey Format 35 mm, 1:1.85 Ria Verma Shefali Shetty Farbe P.K.Dubey Vijay Raaz Alice Tilotama Shome Stabliste Aditi Verma Vasundhara Das Buch Sabrina Dhawan Hemant Rai Parvin Dabas Kamera Declan Quinn C.L.Chadha Kullbhushan Kameraassistenz Zsolt Kadar Kharbanda Schnitt Allyson C.Johnson Shashi Chadha Kamini Khanna Schnittassistenz Anna Dinuovo Tej Puri Rajat Kapoor Ton Henri Morelle Ayesha Verma Neha Dubey Tonschnitt Magdaline Volaitis Aliya Verma Kemaya Kidwai Musik Mychael Danna Varun Verma Ishaan Nair Choreografie Farah Khan Rahul Chadha Randeep Hooda Production Design Stephanie Carroll Mohan Rai Roshan Seth Ausstattung Sunil Chhabra Saroj Rai Soni Razdan Requisite Robin Thomas Vikram Mehta Sameer Arya Kostüm Arjun Bhasin Uday Verma Rahul Vohra Maske Luann Claps Parvin Dabas Sona Verma Natasha Rastogi Prakash Maruti Lad Veena Verma Vimla Bhushan Casting Loveleen Tandan Uma Da Cunha MONSOON WEDDING Dileep Shankar Eine Familie am Rande des Nervenzusammenbruchs: Lalit und Pimmi Verma Herstellungsltg. Shernaz Italia bereiten die Hochzeit ihrer Tochter Aditi vor. Doch was so harmlos beginnt, Freny Khodaiji entwickelt sich zu einem wilden, vier Tage währenden Reigen . Produktionsltg. Jessica Huppert Fünf Handlungsstränge, immer wieder unterbrochen von Musik und Tanz, Berman Aufnahmeleitung Varsha Dewan ranken sich um diese arrangierte Hochzeit im wohlhabenden Mittelstand Produzentinnen Caroline Baron von Neu Delhi, zu der die weit verstreute Verwandtschaft aus allen Ecken Mira Nair der Welt anreist. Zum Bräutigam erkoren ist Hemant, ein indischer Ingeni- Executive Producers Jonathan Sehring eur, der schon seit mehreren Jahren in Houston lebt und die Braut noch nie Caroline Kaplan gesehen hat.
    [Show full text]
  • Hiff 2018 Screenwriters Lab Mentors and Participants Announced
    HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SCREENWRITERS AND MENTORS FOR 18TH ANNUAL SCREENWRITERS LAB LAB TO INCLUDE ALL FEMALE SCREENWRITER PARTICIPANTS WILL TAKE PLACE APRIL 6-8, 2018 IN EAST HAMPTON, NY East Hampton, NY (MarcH 20, 2018) – The Hamptons International Film Festival (HIFF) announced today the screenwriters and mentors for the 18th annual Screenwriters Lab, which will take place April 6-8, 2018, in East Hampton, New York. The Lab pairs rising screenwriters with established and knowledgeable screenwriters, directors, and producers for a weekend of one-on-one mentoring sessions. The three selected screenplays for 2018 are Esra Saydam’s “THe Mesopotamian,” Anu Valia’s “We Strangers,” and Aemilia Scott’s “BirtHday Suit.” Full bios of all Lab participants are included below. For the first time ever, all of the selected lab participants are women. “We make it a priority to support new writers in establishing their careers with the guidance of experienced storytellers from the industry,” said David Nugent, Artistic Director of the Hamptons International Film Festival. “We are thrilled to once again guide fresh voices and continue to diversify the narratives coming to the screen every year. We are even more proud that for the first time ever we have three female screenwriters who will participate in the Lab.” This year’s mentors include Sabrina DHawan, screenwriter of MONSOON WEDDING, for which she received a Golden Globe® nomination and won the ‘Leon D’Oro’ at the Venice Film Festival; James V. Hart, screenwriter of various acclaimed films, including HOOK, BRAM STOKER’S DRACULA, EPIC, CONTACT, AUGUST RUSH, and more; and Alec Sokolow, screenwriter of TOY STORY, for which he received an Academy Award® nomination, as well as CHEAPER BY THE DOZEN, GARFIELD, GOODBYE LOVER, I AM JANE DOE, and more.
    [Show full text]
  • Atlanta Indian Film Festival
    Atlanta Indian Film Festival Help us bring a one-of-a-kind Indian-American Film Festival to Atlanta for two captivating nights of culture, conversation and celebration of Indian-American life in film on May 11-12, 2018 at The Historic Academy of Medicine at Georgia Tech in Midtown Atlanta. Sponsorship opportunities include support of meals, beverages, hotel accommodations, travel (ground & air) & monetary donations. How would you like to help with this event? To discuss all levels of sponsorship opportunities, please contact: Grace Multani GIACC Board Member [email protected] 909-215-1051 About the Atlanta Indian Film Festival The Georgia Indo-American Chamber of Commerce (GIACC), in collaboration with the New York Indian Film Festival The Atlanta Film Festival (NYIFF), Atlanta Film Festival, India China and America (ICA) Now in its fourth decade and one of only two-dozen Academy Award®-qualifying festivals in the U.S., The Institute and the Indian Consulate in Atlanta is proud to Atlanta Film Festival is the area’s preeminent celebration of present its one-of-a-kind Atlanta Indian Film Festival cinema. The Atlanta Film Festival is one of the largest and longest-running festival in the country, welcoming an (“AIFF 2018”) on May 11-12, 2018. audience of nearly 25,000 to discover hundreds of new independent, international, animated, documentary, and short films, selected from 3000+ submissions from all over With an Indian diaspora of approximately 150,000 people and the world. It is also the most distinguished event in its class, recognized as Best Film Festival by Creative more than 500 Indian-owned/operated businesses and Loafing, Sunday Paper, 10Best and Atlanta Magazine.
    [Show full text]
  • 1 Creative Advisors' Biographies BILL WHEELER Artistic Director Bill
    Creative Advisors’ Biographies BILL WHEELER Artistic Director Bill Wheeler started writing while enrolled in the Playwrights Horizon program at N.Y.U. His screenplay The Prime Gig was selected for the Sundance Institute’s Screenwriters Lab. The Prime Gig featured Vince Vaughn and Ed Harris and debuted on IFC. Since then, Bill has written screenplays for a wide range of partners, Mirage Enterprises, Mayhem Pictures, Steven Soderbergh’s Section 8, New Regency and Disney. Current projects include an adaptation of the futurist manga Ghost in the Shell for DreamWorks, and a pilot about the adventures of the fictional pastor of a Georgia megachurch for HBO. His film The Hoax, directed by Lasse Hallstrom and starring Richard Gere, was released by Miramax. It was named by both Newsweek and the Los Angeles Times as one of the ten best films of 2007. Most recently, Bill adapted for the screen Mohsin Hamid's novel The Reluctant Fundamentalist. Directed by Mira Nair, the film features Liev Schrieber, Kate Hudson and Rizwan Ahmed. “The Reluctant Fundamentalist” was the opening night film at the 2012 Venice Film Festival and will be released in theaters in April. ANJUM RAJABALI Anjum Rajabali’s first film, Drohkaal (1992), was written in collaboration with director Govind Nihalani. Subsequently, nine more films written by him have been released, including Ghulam, The Legend of Bhagat Singh, and Raajneeti. Along the way, he was also the Commissioning Editor of a TV channel, set up and headed the script department of a couple of production houses, and has been a script doctor and consultant to several films, including Gangaajal and Apaharan.
    [Show full text]
  • Con Ojos De Mujer (Alumnas)
    Con ojos de mujer ARQUETIPOS DE GÉNERO CLÁSICOS Y SU EVOLUCIÓN INSTITUTO ASTURIANO DE LA MUJER Diciembre, 2009 Autoras: Mª del Carmen Rodríguez Fernández (coordinadora) Mª del Carmen Alfonso García Esther Álvarez López Isabel Carrera Suárez Carolina Fernández Rodríguez Luz Mar González Arias Carmen Pérez Ríu Carla Rodríguez González María Socorro Suárez Lafuente Laura Viñuela Suárez Esta investigación ha sido financiada por el Gobierno del Principado de Asturias a través de los fondos provenientes del IV Plan de Acción Positiva para las Mujeres del Principado de Asturias (2001-2005) y del Plan de Investigación, Desarrollo Tecnológico e Innovación (I+D+I) de Asturias 2001-2004, en el marco de la Convocatoria 2003 de Subvenciones y Ayudas para la Ejecución de Proyectos de Investigación con Perspectiva de Género, de la Consejería de la Presidencia. Proyecto de investigación Nº. PG03-01 Universidad de Oviedo 2003 Edita y promueve: Gobierno del Principado de Asturias. Consejería de Presidencia, Justicia e Igualdad. Instituto Asturiano de la Mujer Gestión editorial: Publicaciones Ámbitu Diseño: Mercedes Piñera Depósito legal: AS-5.606-06 SALUDA El mundo del cine y el de la comunicación en general, nos muestra con frecuencia la construcción estereotipada de la realidad que vivimos, haciéndonos partícipes como espectadoras, de la imagen que se proyecta de nosotras mismas. Si bien es cierto que el protagonismo de las mujeres en el cine, ha ido adquiriendo más presencia y reconocimiento en el tiempo, la ausencia de un análisis fílmico des- de la perspectiva de género, facilita la persistencia de la tradicional representación de lo masculino y lo femenino.
    [Show full text]
  • Filmfestdc 2003 1 WHEREAS, the Washington, D.C
    Introduction It is with great pleasure that we present the 17th Annual Washington, DC International Film Festival, a celebration of the best in world cinema! There is nothing like a great movie, and this year’s festival lineup promises to deliver exceptional Photo: Chad Evans Wyatt entertainment and inspiration. We have scoured the globe for the freshest and the best, the most provocative and the most creative. The filmmak- ers included represent an enormous breadth of interests, backgrounds, and passions. Tony Gittens, Festival Director, Politics in Film is a new section in this year’s festi- and Shirin Ghareeb, Assistant Director val. What city is better suited than the nation’s capital to present a selection of films examining ries, images, and ideas, and the talents of the how politics affects our daily lives? Themes in this filmmakers who tell our stories with such passion series range from the very personal (My Terrorist and artistry. and Off to the Revolution by a 2CV) to the ideo- logical (Slogans and Iran, Veiled Appearances). It is a pleasure to acknowledge with heartfelt Filmmakers use films to challenge domestic con- thanks the faithful, invaluable support of our cerns in their respective countries (Jiyan and The sponsors. The Government of the District of Last Witness). Several films draw upon historical Columbia is our major sponsor. Filmfest DC also contexts (Amen. and The Weather Underground), greatly appreciates the generous contributions of while others remind us of why this issue requires all our patrons, numerous volunteers, local busi- our immediate attention (11’09”01 and nesses, and the diplomatic community.
    [Show full text]
  • DARE Prospectus Financial Combo 02:14:08
    you saw a GREAT high school movie in the theater? There is a lack of quality product out there, and a large, under-served market that is hungry for material. “The good girl; the outsider; the cool guy—like you’ve never seen them before.” American high school movies are some of the best loved, most financially successful films in popular culture. Drawing on these films from their early roots in “Rebel Without A Cause” to John Hughes’ “The Breakfast Club,” DARE both celebrates and reinvigorates the genre for a new, savvier generation of American youth. Everyone has their favorite. The average movie fan can recite lines from their favorite teen flick. These movies are talked about when released in the theaters, collected when they come out on DVD, and treasured for a lifetime. Just think - the PUBLIC could be talking about a film you helped make. As an investor in DARE, you have the opportunity to be a part of film history, creating a new kind of high school film with the goal of joining the ranks of the classic American high school movies. But more importantly, you will be a part of creating something unique; a film that quite literally does not yet exist in this world. Smart, sophisticated, and subtle filmmaking is always in demand. The filmmaking team behind DARE has a record of commit- ment to making quality, intelligent, groundbreaking films of vision. David and Adam met at Columbia University's Graduate Film Division where they became fast friends and collaborators. Their first project was a short film version of DARE, which David wrote and produced, and Adam directed.
    [Show full text]