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Ontdek Schilder, Pastellist, Tekenaar Antonio Mancini

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Ontdek Schilder, Pastellist, Tekenaar Antonio Mancini 52247 Antonio Mancini man / Italiaans schilder, pastellist, tekenaar Kwalificaties schilder, pastellist, tekenaar Nationaliteit/school Italiaans Geboren Albano Laziale/Rome 1852-11-14 Bénézit, Hiesinger, Thieme/Becker and Vollmer: Rome. Saur-index: Rome or Albano Laziale Overleden Rome 1930-12-28 Deze persoon/entiteit in andere databases 53 treffers in RKDimages als kunstenaar 12 treffers in RKDlibrary als onderwerp Verder zoeken in RKDartists& Geboren 1852-11-14 Sterfplaats Rome Plaats van werkzaamheid Napels Plaats van werkzaamheid Venetië Plaats van werkzaamheid Ischia, Isola d' (eiland) Plaats van werkzaamheid Milaan Plaats van werkzaamheid Parijs Plaats van werkzaamheid Rome Plaats van werkzaamheid Londen (Engeland) Plaats van werkzaamheid Dublin Plaats van werkzaamheid Terracina Plaats van werkzaamheid München Plaats van werkzaamheid Berlijn Plaats van werkzaamheid Neurenberg Plaats van werkzaamheid Keulen Plaats van werkzaamheid Nederland Plaats van werkzaamheid Frascati Plaats van werkzaamheid Minori (Italië) Plaats van werkzaamheid Formia Kwalificaties schilder Kwalificaties pastellist Kwalificaties tekenaar Onderwerpen figuurvoorstelling Onderwerpen genrevoorstelling Onderwerpen landschap (als genre) Onderwerpen naaktfiguur Onderwerpen portret Onderwerpen kinderportret Onderwerpen zelfportret Onderwerpen christelijk religieuze voorstelling Onderwerpen strandgezicht Opleiding Istituto di Belle Arti di Napoli Standplaats archief archief Firma E.J. van Wisselingh & Co. Standplaats archief archief Kees Maks Biografische gegevens Opleiding Istituto di Belle Arti di Napoli Werkzaam in Hier wordt vermeld waar de kunstenaar (langere tijd) heeft gewerkt en in welke periode. Ook relevante studiereizen worden hier vermeld. Napels 1865 - 1882 1865: relocation of the Mancini family from Narni to Naples; study at the Istituto di Belle Arti di Napoli, beginning of his friendship with fellow student Vincenzo Gemito, drawing lesson by the sculptor Stanislao Lista; 1868: influenced by the realistic painter Domenico Morelli he made his first large oil painting; 1870: studio together with Gemito and other young artists; 1871: meeting with Count Albert Cahen d'Anvers who would play an important role in Mancini's career; 1872: first participation in the Parisian 'Salon'; 1880: increasing signs of mental instability; 1881: admission to hospital for the mentally ill, where Mancini continued to paint; 1882: declared; left Naples and settled in Rome Venetië 1872 as a guest of Cahen; study of old masters; on the way home he visited the Galleria di Brera in Milan Ischia, Isola d' (eiland) 1873 Together with Gemito, Mancini spent the summer months here. Milaan 1873 Due to the exhibition of two of his works in the Palazzo di Brera he visited Milano Parijs 1875 as a guest of Cahen; contract with Galerie Goupil to provide work from Naples Parijs 1877 - 1878 second visit, together with Gemito; through Giuseppe De Nittis he came into contact with numerous Parisian artists and art critics; on account of physical and mental crises he returned to Naples in May 1878 Rome 1882 - 1912 To underline his 'new' identity, Mancini signed his work for a while as 'Antonio Mancini di Roma'. 1883: meeting with the aristocrat and amateur painter Marquis Giorgio Capranica del Grillo, who became his friend and patron; 1885: Mancini asked the painter Hendrik Willem Mesdag for help and this decision to subsidize him, which would take several decades and led to the purchase by Mesdag of a great number of paintings and the organization of many exhibitions in the US. and Europe; 1886: seriously ill: Mancini was allegedly suffering from typhus - some newspapers even mistakenly reported Mancini's death; 1893: arrival of the Dutch painter John J. Jacobson, who was sent by Mesdag, to visit Mancini (who was living in chaos) and started working with him; 1906/1907: portraits of Sir Hugh Lane and Baron Otto Messinger, both admirers of the painter and his future patrons; 1908: agreement with Messinger (who encouraged Mancini to paint historical clothing) regarding help in his subsistance; 1911: contact with Fernand du Chêne de Vère, who took the obligation on himself to purchase all of the artist's new works. Venetië 1884 meeting with Daniel Curtis, who (by mediation of John Singer Sargent) led to the first of many portrait assignments from American clients Londen (Engeland) 1901 - 1902 Londen (Engeland) 1907 - 1908 second English trip; return to Rome in the summer of 1908 Dublin 1907 in the fall a visit to the Irish capital coming from London Terracina 1908 stay in the summer at the invitation of the art dealer Giuseppe Giosi München 1910 - 1911 during the winter months, as a guest of Messinger; also visits to Berlin, Nuremberg and Cologne Berlijn 1910 - 1911 Neurenberg 1910 - 1911 Keulen 1910 - 1911 Nederland 1911 visit on the way back from Germany Frascati 1912 - 1918 living and working in relative isolation Venetië 1914 Rome 1918 - 1930 1918: return to Rome, where Mancini moved in with his brother Giovanni and his family; termination of the contract with Chêne de Vère; 1926: relocation with family to a villa / studio on the Monte Aventino; 1930: Mancini died after a short illness Minori (Italië) 1922 Mancini spent the summer here on the Amalfi coast and focused on painting landscapes Formia 1923 focused on painting landscapes Napels 1923 appointed honorary citizen of the city of Naples during a visit to an old friend Relaties met andere kunstenaars Leerling van In dit veld worden namen van leraren of leermeesters vermeld. Het gaat hier om die leermeesters die een relevante rol hebben gespeeld in de vorming van de leerling, dus niet om alle academieleraren die iemand heeft gehad. Zie ook het veld 'Opleiding'. Lista, Stanislao Leraar van in dit veld worden namen van leerlingen vermeld. Het gaat hier om die leerlingen waarbij de leraar een relevante rol heeft gespeeld in diens vorming, dus niet om alle academieleerlingen die iemand heeft gehad. Zie ook het veld 'Opleiding'. Bianchi, Alberto Coromaldi, Umberto Maks, Kees Beïnvloed door In tegenstelling tot ‘navolger van’ spreken we van ‘beïnvloed door’ als de kunstenaar werd beïnvloed zonder dat er sprake was van een lessituatie of van slaafse navolging. Een kunstenaar kan door meer kunstenaars tegelijk of na elkaar beïnvloed zijn en vaak is er ook sprake van een vertaalslag naar de eigen stijl, die een ontwikkeling kan vertonen. Morelli, Domenico Invloed op In dit veld worden de kunstenaars vermeld op wie de beschreven kunstenaar invloed heeft gehad zonder dat er sprake was van een onderwijssituatie of van slaafse navolging. Ambron, Amelia Looy, Jac. van Onderwerpen In dit veld worden de diverse onderwerpscategorieën of genres vermeld die in het oeuvre van de beschreven kunstenaar voorkomen. De inhoud van dit veld is doorgaans meer gebaseerd op het aanwezige beeldmateriaal in het RKD dan op de literatuur. figuurvoorstelling, genrevoorstelling, landschap (als genre), naaktfiguur, portret, kinderportret, zelfportret, christelijk religieuze voorstelling, strandgezicht Literatuur Literatuur in RKDLibrary 12 treffers in RKDlibrary als onderwerp Thieme/Becker 1907-1950 , vol. 23 (1929), p. 604 Vollmer 1953-1962 , vol. 3, p. 311 Bénézit 1976 , vol. 7, p. 129-130 Busse 1977 , p. 800 Witt Checklist 1978 , p. 188 De Leeuw/Sillevis/Dumas 1983 (extended version) , p. 78, 96 Leeman/Pennock 1996 , p. 254-266 Bénézit 1999 , vol. 9, p. 125-126 Saur 1999-2000 , vol. 6, p. 489 Vetter 2001 , p. 31, 88 Van Dijk/Jonkman/Suijver 2015 , passim B.W. Meyer, 'Tekeningen als pakpapier.Antonio Mancini en Willem Mesdag', in: Met eigen ogen. Opstellen aangeboden door leerlingen en medewerkers aan Hans L.C. Jaffé, Amsterdam 1984, p. 184-191 J.F. Heijbroek and E.L.Wouthuysen, Portret van een kunsthandel. de firma Van Wisselingh en zijn compagnons 1838-heden, Zwolle 1999, p. 252, 275, 287 Hiesinger 2007, p. 108-112 R. Dinoia, 'Antonio Mancini et la redécouverte du monotype en Italie dans la deuxième moitié du XX siècle', Nouvelles de l’Estampe. Revue du Comité national de la Gravure française 2003-2004, nos. 191-192, p. 17-24 Documentatie RKD In dit veld worden de standplaatsen vermeld van documentatiemateriaal in het RKD. De meeste standplaatsen verwijzen naar de kunsthistorische beelddocumentatie. Daarnaast treft u verwijzingen naar persdocumentatie aan (knipsels en klein drukwerk). BD/RKD/0918 - BUI/Schilder- en tekenkunst/Italië.3 BD/RKD/IB BD/RKD/Witt-microfiches PDO/Buitenlandse kunstenaars Standplaats archief archief Firma E.J. van Wisselingh & Co. archief Kees Maks Permalink https://rkd.nl/explore/artists/52247 Ingevoerd op: 1992-01-17; Laatste wijziging: 2021-07-29 RKD – Nederlands Instituut voor Kunstgeschiedenis Prins Willem-Alexanderhof 5 (KB-complex) 2595 BE Den Haag Nederland Openingstijden Bekijk de actuele openingstijden van het RKD Contact T: 070 3339777 E: [email protected] Meer Privacybeleid Disclaimer Leveringsvoorwaarden Facebook Twitter Linkedin Instagram.
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