The 4 Annual Louisiana Studies Conference
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Omc Special Offer Modified
The OMC Gallery - NEW website - Special offers for a limited time only Pierre Alechinsky (1927 Belgium) One of the founders of the CoBrA group, whose dedication to primitive form and often violent strokes of color paralleled the American abstract expressionist movement. The group was formed as a reaction to the formal, refined art popular in other European cities immediately after World War II. The artist's style, anguished during the CoBrA period, softened perceptibly as acceptance for his art grew, but it remains strongly expressionistic. He is particularly adept at achieving subtleties and intensities of color in the lithographic process. The recipient of the Andrew Mellon Prize in 1977, Alechinsky is represented in the collections of sixty-five of the world's leading museums, incl. Fine Arts Museums of San Francisco and the Museo Reina Sofía in Madrid. He has also been honored with a permanent room in the Louisiana Museumin Denmark. The winner of the first Andrew W. Mellon Prize for Painting (1977) and the French Grand Prix National for painting in 1984, Alechinsky has been recognized in recent years as one of the most significant living artists. (The art market has also noticed his stature: one of his paintings sold at auction several years ago for over $2,000,000.) Alechinsky was just barely out of his teens when he burst onto the art scene as one of the original members of the COBRA group, and over the years he has emerged as one of the most imaginative and witty artists of our times. Alechinsky fans are everywhere. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
The Newsletter of the Creative Writing Program at the University of Houston
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Maria Martinez Program Coordinator Glenn Blake Alumni Coordinator Undergraduate Advisor 713.743.3015 [email protected] 2004-2005 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. From the Director... The academic year 2004/2005 was a particularly full one. We welcomed Claudia Rankine to the faculty; we participated in the inaugural course for the new Cynthia Woods Mitchell Center for Col- laboration among the Arts; and on April 16, 2005, we hosted a celebration of the UH Creative Writ- ing Program’s 25th anniversary. This year we will welcome Kimiko Hahn to the poetry faculty and welcome Patricia Powell in the Fall and Peter Turchi in the Spring as visiting professors of fiction. And 19 new students will join the program: 10 in poetry; 8 in fiction, and 1 in non-fiction. In 2005/2006 we will address the undergraduate concentration in Creative Writing; we will work with the Graduate Studies Program to reform our graduate programs; and we will continue our ef- forts to build a strong and effective alumni association. It was especially gratifying in April to visit with alumni and former faculty. It allowed us the op- portunity to recognize the special contributions of some of our former faculty, to acknowledge people in the community who have generously supported the program over the years, and to ac- claim the achievements of our alumni. -
Jazz Photographs by Herman Leonard January 17 - May 4, 2014
IMPROVISATIONS: Jazz Photographs by Herman Leonard January 17 - May 4, 2014 TEACHER PACKET Biography Of Herman Leonard Herman Leonard (1923-2010) is known for his unique and iconic images of jazz musicians. This exhibition features a selection of 15 silver gelatin prints from Leonard’s 63 works in the Kennedy Museum of Art collection. time. in the darkroom and at sittings, working with subjects like Albert Einstein, Harry Truman and Martha Graham. Photographing in nightclubs, Leonard captured the intensity and passion of jazz’s leading history remains his most remarkable achievement. Jazz and Civil Rights jazz music’s popularity in the 20th century helped prevent complete segregation. With the rise of in-home radios and music clubs, jazz music reached beyond African American communities to the homes of Whites and Latinos. As a symptom of the segregated music industry, record companies in the early 1900s produced blues and jazz music called race records. This music was for black audiences by black musicians. When a jazz song sold well in the African American community, white record companies would remake the song with white musicians to sell to white audiences. As the demand for race records grew, black records featuring black musicians were sold to white audiences. In the 1920s, the radio made jazz more accessible to white audiences. Although restricted and sometimes criticized as too “exotic,” music made by African Americans was being heard forces often created frivolous citations to prevent interracial crowds at jazz clubs. Although character in minstrel shows performed by white actors in blackface. importance of jazz in African American’s lives, stating, “It is no wonder that so much of the the modern essayists and scholars wrote of ‘racial identity’ as a problem for a multi-racial community. -
Of 3 MINUTES of the MEETING of the LOUISIANA STATE MUSEUM
MINUTES OF THE MEETING OF THE LOUISIANA STATE MUSEUM Board of Directors Monday, March 12, 2018 12:30 p.m. – Old US Mint New Orleans, Louisiana Members Present: Mary Coulon, Lee Felterman, Aleta Leckelt, Kevin Kelly, Rosemary Upshaw Ewing, Carolyn Morris, Lana Venable, Lawrence Powell, Holly Haag, Anne Redd, Ann Irwin, Sharon Gahagan, Suzanne Terrell, Melissa Steiner, Larry Schmidt, and William Wilton. Members Absent: Madlyn Bagneris, George Hero, Fairleigh Cook Jackson Also Present: Rennie Buras and David Dahlia LSM Staff Present: Yvonne Mack, Bill Stark, Steven Maklansky, and Bridgette Thibodeaux A quorum was present. Call to Order Dr. Powell called the meeting to order at 12:26 pm Rennie Buras officiated the swearing in/oath of office of Suzanne Terrell. Motion to Adopt the Agenda Anne Redd made a motion to adopt the agenda. Rosemary Ewing seconded the motion. The motion was unanimously approved. Motion to Adopt the Minutes Lee Felterman made a motion to adopt the minutes of the Board from the meeting on January 8, 2018. Rosemary Ewing seconded the motion. The motion was unanimously approved. Interim Director’s report Steven Maklansky gave an update on the repairs at the Cabildo and the beginning of the installation of the Spanish exhibition. Other upcoming exhibitions were also discussed. Page 1 of 3 Irby Committee Report Will Wilton provided a report from the Irby Committee. Recommendation from the Irby/Finance committee was given regarding the approval of commercial lease applications for 513 St. Ann and 533 St. Ann. Existing tenants at each location were the only ones who responded to the advertisements for applications. -
Herman Leonard's Stolen Moments June 6,7,8
Volume 36 • Issue 6 June 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. azz musicians perpetually quest for that transcendent instant when thought becomes Herman Leonard’s Jsound, when four minds (or 14) become one, when all the elements — melody, harmony, rhythm, tone color, the club and the audience — conspire toward ineffable Stolen Moments brilliance, when in the words of David Amram, “It’s as if the music were coming from By Jim Gerard | Photos by Herman Leonard somewhere through you and out the end of your horn.1” continued on page 10 Ella Fitzgerald singing to Duke Ellington and Benny Goodman, NYC, 1949, ELF03. © Herman Leonard Photography, LLC 1. Amram, Vibrations (Macmillan, 1968) ARTICLES Caught in the Act . 42 in this issue: Classic Stine. 9 Brubeck at NJPAC . 43 NEW JERSEY JAZZ SOCIETY Crow’s Nest . 9 M. Maggart/M.C. Haran . 44 Pres Sez/NJJS Calendar Big Band in the Sky . 16 Film: Anita O’Day. 46 Get with Jazzfest! & Bulletin Board. 2 Lang Remembers Ozzie Cadena . 18 Book: Gypsy Jazz . 47 Complete The Mail Bag/Jazz Trivia. 4 Talking Jazz: Les Paul . 20 Film: Tal Farlow . 48 schedule p 50 June 6,7,8 Editor’s Pick/Deadlines/NJJS Info. 6 Yours for a Song . 32 EVENTS Music Committee . 8 Noteworthy . 33 Newark Museum Jazz in the Garden . 49 New Members/About NJJS/ Jazz U: College Jazz . 34 ’Round Jersey: Morris, Ocean . 52 Jazzfest facts, Membership Info . 51 Cape May Jazz Festival . 37 Institute of Jazz Studies/ REVIEWS Jazz from Archives . -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
2017-2018 (Pdf)
University of Massachusetts Department of English ANNUAL NEWSLETTER 2017 1 TABLE OF CONTENTS Department of English Annual Newsletter is published by the Department of Welcome from the Chair ..............................................3 English, University of Massachusetts New Faculty .................................................................4 Amherst. Department News ........................................................5 Department Chair Randall Knoper Program Reports ........................................................10 Editor Affiliated Programs .................................................... 14 David Toomey Returning Alums ........................................................19 Associate Editors Sarah Patterson, Janine Solberg Spotlights .................................................................. 20 Student Interns Aliza Abolafia, Alvin Buyinza Books ........................................................................ 22 Giving ........................................................................24 2 WELCOME FROM THE CHAIR Dear Friends and Alums, our new hires, the prominent awards for In October, the Department of English writing and teaching that our colleagues held its 12th biennial faculty retreat. have received, and the long list of new These retreats have always been occasions books by faculty members through our to rethink and revise the department’s renewed efforts to guide our undergrad- aims. This year’s retreat produced uates toward careers and demonstrate the an exhilarating level of -
2 Fall/Winter 1990
News and Nolices, new series, number 2, FalllWintcr 1990 Contents Fronn the executive directors Currcct projccts and forthcoming cvcnts FXelp wanted: the regional MLAs Elcctions From the Elcctronic College of Thcory Coming cvcnts IUP corlfcrcnce on theory in the classroom Fronn thc mailbox Good tcxt with Dr. Truth From the Executive Directors The Society for Critical Exchange, Inc. Founded 1975; incorporated 1976 Guilford House Case Western Reserve University Wclcome to thc hundred or so new mcmbcrs who havc Cleveland, OII 44106 joincd sincc thc summcr, whcn thc prcvious newslcttcr 216-368-3342 appeared. At last count wc have just short of 400 ~nenlbcrs, Fax: 216-368-2216 (call ahead before sending) considcrably more than thc SCE has ever had beforc. Such Internet: xxl240po.cwru.edu Bitnet: xxl24%po.cwru.eduOcunyvm growth is pleasing, but it also increases the difficulty of keeping us a11 reasonably in touch with one another and with thc Society's activities. Board of Directors Jonathan Arac, English, University of Pittsburgh I-low to meet such a challcngc? Why, throw a party, (term ending December 31, 1990) sf coursc. What morc of an excusc could wc want? Dnvid Downing, English, Indiana University of Pennuylvnnia (term ending December 31, 1992) So we'll be holding a rcal party at thc MLA convcntion in Dcccmbcr, rcplacing thc usual latc-nftcrnoon, Bnrbnra Harlow, Engliah, University of Texas at Austin hotcl-salon, you-buy-the-ovcrpriccd-drinks SCE Cash Bar. (term ending December 31, 1990) Dctails appcar on the invitation elscwhcre in tlae ncwslcttcr, Mary Layoun, Comparative Literature, University of Wisconsin at Madison but you might note that thc party begins shortly aftcr an (term ending December 31, 1992) SCE pancl is sclrcdulcd for the first cvcning of tl~c convcntion and that it takcs placc away from thc main position vacant convcntion loop, at a hotcl ncarcr to the restaurant and (term ending December 31, 1992) shopping district. -
Meacham Writers' Workshop
Readings/seminars writers Thursday March 3, 2016 7:00 pm reading @ Chattanooga State HSC 1087 workshop • {Jeff Hardin} {Laurel Snyder} {Earl Braggs} 9:00 pm reading @ Hart Gallery 110 E. Main Street • {Kris Whorton} {Barry Kitterman} {Russell Helms} {Chad Prevost} M E A C H A Friday March 4, 2016 M 12:00 pm reading @ UTC Derthick Hall 101 SUBMISSIONS FOR SEMINARS Final day for submissions is February 21, 2016. Digital sub- • {Barbara Carlson} {Amy Wright} {Andrew Najberg} {Rebecca Cook} missions of packets of up to 5 double-spaced pages of prose or 3 poems/3 pages of poetry in collated packets can be submitted 7:00 pm reading @ UTC UC Raccoon Mountain Room at http:www.meachamwriters.org/submissions.htm. If you cannot • {Art Smith} {Sarah Einstein} {Rick Jackson} {Dara Wier} submit online, send a printed packet meeting the same length requirements to Richard Jackson, Meacham Writers’ Workshop Eng. Dept. 2703, UTC Chattanooga, TN 37403, or hand deliver to the Saturday March 5, 2016 UTC Eng. Department, 203 Holt Hall. 9:30 am seminar Submitters will be assigned to a Saturday seminar at either • {Barbara Carlson} @ UTC Holt 303 9:30 am or 11:00 am. In addition, submitters will be welcome to • {Jeff Hardin} @ UTC Holt 304 sit in on one of the sessions during the opposing time, though • {Chad Prevost} @ UTC Holt 305 please be aware that only the author of your assigned workshop • {Monica Jo Brown} @ UTC Holt 307 will have read your submission prior to the event. The ses- sions Saturday morning are NOT workshops but seminars where the 11:00 am seminar writer may lecture, talk generally about the work submitted, or • {Dara Wier} @ UTC Holt 303 perhaps select some work to discuss.