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Virgin Media Submission
NON-CONFIDENTIAL VERSION VIRGIN MEDIA LIMITED OFCOM INVESTIGATION INTO THE UK PAY TV INDUSTRY1 SUPPLEMENTARY SUBMISSION OF 15 AUGUST 2008 1. INTRODUCTION: UK PAY TV CONSUMERS CAN BE BETTER SERVED 1.1 In January 2007, Virgin Media Limited ("Virgin Media"), together with British Telecommunications plc, Setanta Sport Holdings Limited and Top Up TV Europe Limited (together, "the Parties"), jointly made a submission to Ofcom demonstrating that competition in the UK pay TV market is not working effectively, and calling for Ofcom to make a market investigation reference to the Competition Commission. In this initial submission, a number of subsequent submissions and responses to numerous information request responses2, Virgin Media has provided voluminous evidence of market failure and highlighted specific areas of consumer detriment which result from this market failure. 1.2 Consumers would be demonstrably better off if steps were taken to remedy the features of the market which are preventing, restricting or distorting competition in the supply of pay TV in the UK. Against that background, this supplementary submission provides: (a) further evidence that consumers are not being well served by the current market structure; and (b) [CONFIDENTIAL], a more detailed explanation of the ways that Virgin Media could innovate (and the types of offerings consumers could expect to see) were the distorting features of the market corrected. 1.3 Ofcom has a discretion under section 131 of the Enterprise Act ("EA") to make a market investigation reference to the Competition Commission where: "… it has reasonable grounds to suspect that any feature, or combination of features, of a market in the United Kingdom for goods and services prevents, restricts or distorts competition in connection with the supply or acquisition of any goods or services in the United Kingdom or a part of the United Kingdom." 1.4 There can be no question such "reasonable grounds" have been established since the inception of this process approximately nineteen months ago. -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Channel Guide August 2018
CHANNEL GUIDE AUGUST 2018 KEY HOW TO FIND WHICH CHANNELS YOU HAVE 1 PLAYER PREMIUM CHANNELS 1. Match your ENTERTAINMENT package 1 2 3 4 5 6 2 MORE to the column 100 Virgin Media Previews 3 M+ 101 BBC One If there’s a tick 4 MIX 2. 102 BBC Two in your column, 103 ITV 5 FUN you get that 104 Channel 4 6 FULL HOUSE channel ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews 501 Sky Sports Main Event 101 BBC One HD 102 BBC Two 502 Sky Sports Premier 103 ITV League HD 104 Channel 4 503 Sky Sports Football HD 105 Channel 5 504 Sky Sports Cricket HD 106 E4 505 Sky Sports Golf HD 107 BBC Four 506 Sky Sports F1® HD 108 BBC One HD 507 Sky Sports Action HD 109 Sky One HD 508 Sky Sports Arena HD 110 Sky One 509 Sky Sports News HD 111 Sky Living HD 510 Sky Sports Mix HD 112 Sky Living 511 Sky Sports Main Event 113 ITV HD 512 Sky Sports Premier 114 ITV +1 League 115 ITV2 513 Sky Sports Football 116 ITV2 +1 514 Sky Sports Cricket 117 ITV3 515 Sky Sports Golf 118 ITV4 516 Sky Sports F1® 119 ITVBe 517 Sky Sports Action 120 ITVBe +1 518 Sky Sports Arena 121 Sky Two 519 Sky Sports News 122 Sky Arts 520 Sky Sports Mix 123 Pick 521 Eurosport 1 HD 132 Comedy Central 522 Eurosport 2 HD 133 Comedy Central +1 523 Eurosport 1 134 MTV 524 Eurosport 2 135 SYFY 526 MUTV 136 SYFY +1 527 BT Sport 1 HD 137 Universal TV 528 BT Sport 2 HD 138 Universal -
Analysys Mason Report on Developments in Cable for Superfast Broadband
Final report for Ofcom Future capability of cable networks for superfast broadband 23 April 2014 Rod Parker, Alex Slinger, Malcolm Taylor, Matt Yardley Ref: 39065-174-B . Future capability of cable networks for superfast broadband | i Contents 1 Executive summary 1 2 Introduction 5 3 Cable network origins and development 6 3.1 History of cable networks and their move into broadband provision 6 3.2 The development of DOCSIS and EuroDOCSIS 8 4 Cable network elements and architecture 10 4.1 Introduction 10 4.2 Transmission elements 10 4.3 Description of key cable network elements 13 4.4 Cable access network architecture 19 5 HFC network implementation, including DOCSIS 3.0 specification 21 5.1 Introduction 21 5.2 HFC performance considerations 21 5.3 Delivery of broadband services using DOCSIS 3.0 24 5.4 Limitations of DOCSIS 3.0 specification 27 5.5 Implications for current broadband performance under DOCSIS 3.0 30 6 DOCSIS 3.1 specification 33 6.1 Introduction 33 6.2 Reference architecture 34 6.3 PHY layer frequency plan 35 6.4 PHY layer data encoding options 37 6.5 MAC and upper layer protocol interface (MULPI) features of DOCSIS 3.1 39 6.6 Development roadmap 40 6.7 Backwards compatibility 42 6.8 Implications for broadband service bandwidth of introducing DOCSIS 3.1 43 6.9 Flexibility of DOCSIS 3.1 to meet evolving service demands from customers 47 6.10 Beyond DOCSIS 3.1 47 7 Addressing future broadband growth with HFC systems – expanding DOCSIS 3.0 and migration to DOCSIS 3.1 49 7.1 Considerations of future broadband growth 49 7.2 Key levers for increasing HFC data capacity 52 7.3 DOCSIS 3.0 upgrades 53 7.4 DOCSIS 3.1 upgrades 64 7.5 Summary 69 Ref: 39065-174-B . -
How to Use Your V+ Box
IMPorTANT STUFF Keep these details safe. 4-digit PIN Your Customer Account Number Smart Card Serial Number Calling us If you have any questions, just give us a call free from a Virgin Media phone on 150 Not got a Virgin Media phone line? Call 0845 454 1111 Calls to non geographic numbers (they usually start 0845, 0870 etc) cost no more than 10p per minute plus a connection fee of 7p per call. You can check how much it costs to call our team from a fixed line by visiting our website at virginmedia.com/callcosts or check the Help & Info menu from your TV Home Page. Now, put this booklet somewhere safe and have fun enjoying TV. But if you have any questions, just give us a call. HOW TO USE YOUR V+ BOX VMV+0908 1 WELL, HELLO. CONTENTS WELCOME to MEET YouR New V+ REMote ContROL 4 VIRGIN TV It’s easy to use YouR SPeeDY GUIDE to GettING stARteD 6 If you’re itching to find out what your Can’t wait to get up and running? Virgin TV and V+ Box can do, then ChoosING CHAnneLS 10 keep reading. Three easy ways to watch what you want With the help of Cat and Bird, we’ll USING YOUR V+ BOX 12 help you explore your new service. Telly at your beck and call They love telly. Well, we all love telly ReCORDING PROGRAMMes WIth V+ 12 and they know all about it. So let Never miss a thing them show you how things work. -
How Consumer Electronics Are Taking Over the World
i.1641 EST The AmpereStrikesAW 2/7/07 17:09 Page 1 The ampere strikes back How consumer electronics are taking over the world Energy Saving Trust, 21 Dartmouth Street, London SW1H 9BP, 020 7222 0101, www.est.org.uk CO138 © Energy Saving Trust June 2007. E&OE i.1641 EST The AmpereStrikesAW 2/7/07 17:09 Page 2 The ampere strikes back 1.Executive Summary How consumer electronics are taking over the world In 2006, the Energy Saving Trust publication Rise of the Machines highlighted the issue of rising energy demand in the domestic sector. In particular it identified the increasing importance of the Contents Consumer Electronics sector as the single most significant growth area of electricity consumption in the home. 1. Executive Summary 3 2. Living in the ICE age 4-11 Rapid technological advances and the plethora • It’s easy to leave electrical products switched By 2020, of new products mean that data about energy on 24 hours a day, 7 days a week. Standby 3. Cinema Paradiso 12-17 consumption and usage patterns for electronic functions tend to be used more frequently entertainment, 4. Planet of the Tapes 18-19 products are often hard to come by. than the ‘off’ button. Indeed, some products computers and no longer have a manual ‘off’ switch, making 5. Radio Ga-Ga 20-23 This new report builds on the issues raised in it impossible for users to switch off the gadgets will 6. Attack of the Phones 24-25 Rise of the Machines, concentrating on the gadget, except at the wall socket. -
CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit
KEY 1 Player 4 Full House PREMIUM CHANNELS CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit + 266 National Geographic 506 Sky Sports F1® HD 748 Create and Craft 933 BBC Radio Foyle HOW TO FIND WHICH CHANNELS YOU CAN GET + 267 National Geographic +1 507 Sky Sports Action HD 755 Gems TV 934 BBC Radio NanGaidheal + 268 National Geographic HD 508 Sky Sports Arena HD 756 Jewellery Maker 936 BBC Radio Cymru 1. Match your package to the column 1 2 3 4 5 6 269 Together 509 Sky Sports News HD 757 TJC 937 BBC London 101 BBC One/HD* + 270 Sky HISTORY HD 510 Sky Sports Mix HD 951 Absolute 80s 2. If there’s a tick in your column, you get that channel Sky One + 110 + 271 Sky HISTORY +1 511 Sky Sports Main Event INTERNATIONAL 952 Absolute Classic Rock 3. If there’s a plus sign, it’s available as + 272 Sky HISTORY2 HD 512 Sky Sports Premier League 1 2 3 4 5 6 958 Capital part of a Personal Pick collection 273 PBS America 513 Sky Sports Football 800 Desi App Pack 959 Capital XTRA 274 Forces TV 514 Sky Sports Cricket 801 Star Gold HD 960 Radio X + 275 Love Nature HD 515 Sky Sports Golf 802 Star Bharat 963 Kiss FM 516 Sky Sports F1® 803 Star Plus HD + 167 TLC HD 276 Smithsonian Channel HD ENTERTAINMENT 517 Sky Sports Action 805 SONY TV ASIA HD ADULT 168 Investigation Discovery 277 Sky Documentaries HD 1 2 3 4 5 6 + 518 Sky Sports Arena 806 SONY MAX HD 100 Virgin Media Previews HD 169 Quest -
Provision of VOD Access Services: 2012 Report
Provision of Video on Demand Access Services - 2012 Report - A report on the level of provision by On Demand Programme Service providers of subtitling, audio description, signing and other services for people with disabilities relating to sight or hearing or both Published 28 November 2012 The Authority for Television On Demand Limited Registered in England and Wales No. 5137314 Provision of Video On Demand Access Services: 2012 Report 2 Contents Executive Summary……………………………………….…. Page 3 Introduction .......................................................................... Page 4 The Questionnaire................................................................. Page 4 The Responses ..................................................................... Page 5 Services for people with disabilities relating to hearing….. Page 6 Services for people with disabilities relating to sight……... Page 9 Platform capabilities……………………………………….......... Page 10 Barriers to provision of access services…………………..... Page 11 Next steps .............................................................................. Page 12 Annex 1: The questionnaire ................................................ Page 13 Annex 2: List of providers asked to respond……..…….. Page 18 The Authority for Television On Demand Limited Registered in England and Wales No. 5137314 Provision of Video On Demand Access Services: 2012 Report 3 Executive Summary As part of ATVOD’s duty to encourage services providers to make their On Demand Programme Services (“ODPS”) more accessible to people with disabilities affecting their sight or hearing, ATVOD conducts an annual survey of current levels of provision of such ‘access services’. The first such report was published in November 2011. This report details the responses we received to our second major survey of regulated service providers which closed on 21 September 2012. ATVOD invited all providers of ODPS to indicate the scale of provision of each type of access service, together with any future plans for access service provision. -
STRANGER by the LAKE Bfi.Org.Uk CONTENTS
INSIGHT REPORT STRANGER BY THE LAKE bfi.org.uk CONTENTS CHAPTER ONE: INTRODUCTION 3 CHAPTER TWO: PLANNING AND RELEASE 6 CHAPTER THREE: REVENUES AND BENEFITS 10 CHAPTER FOUR: OVERALL CONCLUSIONS 16 INTRODUCTION The following report analyses the near day-and-date release by Peccadillo Pictures of French thriller Stranger By The Lake. The report, supported by the New Models strand The results were supplemented by a survey of of the BFI Distribution Fund, sought to answer the Peccadillo’s Facebook and membership email lists, following questions: which resulted in another 140 questionnaires being completed. • What are the advantages or disadvantages for releasing Stranger By The Lake on VOD at the same Industry data: The report uses data from a number of time as cinemas? sources to provide objective analysis of performance, and to provide useful comparisons. Data includes • How do the VOD platforms affect cinema going? theatrical box office results and sales information, • And how does a VOD offer so close to the cinema supplied by Peccadillo. The analysis of this kind of release date affect consumer demand? day-and-date releases are also increasingly informed by knowledge acquired from the Insight Reports from the series of releases supported by the BFI’s 1.1 METHODOLOGY New Models fund. The study relied on evidence from a number Analysis: The conclusions are based on a study of sources: of all the sources of data and interviews with key stakeholders. The expectations and perceptions of Exit Polls: Four exit polls of 117 people were carried performance from the distributor Peccadillo were out at Bristol, London, Cambridge and Manchester, discussed before and after the film. -
Annex 3 Barriers to Entry at the Channel Provider Level
NON-CONFIDENTIAL VERSION ANNEX 3 BARRIERS TO ENTRY AT THE CHANNEL PROVIDER LEVEL 1. Introduction 1.1 Ofcom puts forward the proposition there are insurmountable barriers to entry to markets for premium sports and premium film channels that it has defined, principally because other operators cannot compete with Sky for the rights which comprise key inputs in relation to operating in those markets. This argument is central to its conclusion that Sky is likely to be dominant in those “markets”. Ofcom’s arguments on barriers to entry, however: (a) are based on an unreasonable benchmark for entry; (b) are not balanced – they focus only on a set of potential impediments to entry and do not consider a large range of factors that facilitate entry; and (c) are based on theories that are both flawed and contradicted by readily available evidence. Accordingly, Sky considers that it is not possible to rely on the arguments that Ofcom has made in support of a proposition that Sky does not face effective competition for programming rights. 2. Ofcom’s argument 2.1 Ofcom argues that there are significant barriers to entry to the wholesale markets for the supply of premium sports and premium film channels.1 In relation to sports rights, Ofcom argues that these derive from Sky’s “incumbency advantages”,2 or ‘first-mover advantages’ as we might also call them, in bidding for rights when they become available. Ofcom argues further that because rights become available periodically, a potential entrant must repeatedly outbid Sky for rights, over a potentially significant period of time, and is likely to incur losses during that period.3 2.2 In relation to film rights, Ofcom argues that Sky’s contracts with the six major Hollywood studios amount to a significant barrier to entry. -
ANNEX 6 COMMENTARY on the CONSULTATION DOCUMENT in This Annex 6 of Sky's Response We Provide a Non-Exhaustive List of the Erro
NON-CONFIDENTIAL VERSION ANNEX 6 COMMENTARY ON THE CONSULTATION DOCUMENT In this Annex 6 of Sky’s Response we provide a non-exhaustive list of the errors in Ofcom’s Consultation Document, which are not identified elsewhere in this Response. The significant number of errors, inaccuracies and misconceptions suggests that Ofcom has an inadequate understanding of the context in which pay TV services are provided in the UK and elsewhere. A proper appreciation of that context is an essential prerequisite to accurate analysis of the sector. Section 3 Overview of the UK pay TV market ¶ 3.13 “An estimated one million households also receive free-to-view digital satellite.” This appears to be Ofcom’s own estimate of the number of households who use a Sky set-top box to receive television services, but do not subscribe to Sky’s DTH pay TV services. (No source is provided for the estimate.) If this is the case Ofcom should note that the estimate of one million households is subject to a wide margin of error, being based, Sky understands, on an arbitrary assumption that a certain (constant) proportion of churners from Sky’s DTH pay TV services continue to use their set-top boxes to receive digital free to air television services. It is probable that the actual number of such households is substantially higher than this estimate. Moreover, this reference fails to note that all 8.8 million UK and ROI subscribers to Sky’s DTH pay TV service, and subscribers to other DTH pay TV services, also receive “free-to-view digital satellite”. -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens.