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Shhh! Sjogren, Hamilton Win Election Ended Last Week After Two Days in the Process, However, Bring Voted for Sjogren, a Junior in the Jority of Votes
Volume 100, Issue 25 Carnegie Mellon’s Student Newspaper since 1906 1 May 2006 Shhh! Sjogren, Hamilton win election ended last week after two days in the process, however, bring voted for Sjogren, a junior in the jority of votes ... [we felt] like by Matthew McKee of voting. Karl Sjogren and An- these results into question. social and decision sciences and we had a bit of a mandate even Staffwriter drea Hamilton won the election Last Monday and Tuesday, human-computer interaction if most of the campus [had not] Don’t for student body president and 1287 students — about 16 per- programs, and Hamilton, a voted,” Hamilton said. Sjogren Filled with problems and vice-president, defeating each cent of the eligible student body junior in the bachelor of human- and Hamilton said that they plagued by low turnout, stu- of the two other tickets by mar- — participated in elections. ities and arts program. slurp dent government elections gins of over 300 votes. Problems Among these students, 621 “When we did get a great ma- See RESULTS, page A4 New café to open Lt. Governor on fi rst fl oor of candidates Hunt Library discuss issues by Patrick Pettibon University hosts Staffwriter Democratic debates Staying in the library all night might taste a little better next fall by Andrew Peters when the Maggie Murph Café opens Staffwriter on the fi rst fl oor of Hunt Library. The new campus eatery will serve coffee and grab-and-go sandwiches Hoping to supplant Catherine Baker Knoll and salads. as the Democratic candidate for lieutenant Alumni, along with the University governor of Pennsylvania, three Democrats Libraries and Dining and Housing gathered in Hamburg Hall last Wednesday to Services, are working together on outline their views and discuss their qualifi ca- the project. -
March 2012 [.Pdf]
CMU’S NEWS SOURCE FOR FACULTY & STAFF 3/12 ISSUE 2 G AYNOR H O P ES TO S HARE D ATA F RO M 5 B I ll ION M E D ICA L C L AI M S 5 BOOK FOSTERS DESIGN METHODS 10 B IO L O G Y S TU D ENT N A M E D $1 BILLION & COUNTING C HURCHI ll S CHO L AR 11 VIP V ISITORS D ISCUSS G L O B A L A ffAIRS ON C A mp US $1.01B “Let’s See How 2/14/2012 Far We Can Go” n Piper Staff With 16 months still to go in Carnegie Mellon’s Inspire Innovation campaign, CMU has crossed the $1 billion milestone. But the campaign is not over yet. “The success of Inspire Innovation is a testament to the loyalty and generos- ity of our alumni, faculty, staff, parents, students and friends,” said University President Jared L. Cohon. “They believe in us deeply, and they’ve demonstrated it through their support of the campaign.” Cohon sent an email to the university community in mid-February to share the news. “Reaching this milestone early is impressive, especially when you consider that the public launch of the campaign in C ONTINUE D ON P AGE T H REE Presidential Search Committee Named Music School n Piper Staff Celebrates The search for a successor to President • Edward Frank (SCS ’85), vice The faculty members are: Jared L. Cohon officially began Feb. 17, president, Apple, Inc.; • Anthony Rollett, professor, De- 100 Years when CMU Chairman of the Board Ray • Larry Jennings, Jr. -
Thanks to Our Donors
Celebrating DONORS and volunteer leadership PHOTO: LISA KYLE 2004 Left to right: Dolly Ellenberg, Vice President, Development; Suzy Broadhurst, Chair, Board of Trustees and Interim President; Maxwell King, President, Heinz Endowments; and Janet Sarbaugh, Program Director of the Heinz Endowments Arts & Culture Program 36 CARNEGIE • SUMMER 2005 Traditionally, the role of museums was primarily to preserve the past. Today, museums —particularly the four Carnegie Museums —play a Some of the key people we must thank for helping us reach these much more important role in people’s lives and in the development achievements are: of the communities they serve. Time after time, our museums amaze • Janie Thompson, chair of the Trustee/Board Annual Giving Fund us with the thought-provoking exhibitions, innovative educational and Development Committee. programs, special events, and community partnerships they develop and the impact they have on our region. • Peter Veeder, chair of the Annual Sustaining Fund. • Ray Steeb and Lou Cestello, co-chairs of the Corporate Yet, none of these things would be possible without the generosity of Committee. our many wonderful supporters, some of whom you’ll read about on the following pages. Carnegie Museums has always been inspired to • Debbie Dick, chair of the Individual Gifts Committee. reach out to the region and do great things by the passionate support These individuals give so much of themselves year after year and truly and strong commitment of our donors —and we’ve thrived as a result. lead by example. We are thankful for their support and friendship. Over the years, one of our most remarkable supporters has also We would also like to take this opportunity to recognize three other been one of our most steadfast: The Heinz Endowments. -
Download a Campus
cmu.edu/visit One square = approx 425' or 130 m. (Updated 3-15-19) A B C D E F G H I WF HIL CLY SHA Morewood Ave WF HR N. Neville St N. Craig St Bayard St 1 1 SHI Clyde St CLY NVL FIFTH AVE MC FIFTH AVE WEB ROF MUD FIFTH AVE DN 2 FAF ROF 2 HO WQ RA SEI Henry St Central HY STE Catholic MI High BR BR UT DS GL INI S. Neville St School MO S. Craig St Winthrop St S. Dithridge St GQ 3SC MOR 3 CA ZW GQ 3 3SC Filmore St TEP 4SC FRB HS MOE Tepper Morewood Ave TC WC Quad AH Devon Rd S. Bellefield St CC FRB TEP AH DOH FORBES AVE DOH 4 CIC Dr WH 4 III AP HBH CYH FORBES AVE CIC HU AD WS FORBES AVE Beeler St III EDS HP WH CIC EC Carnegie ML Museum of Art US DI FORBES AVE Carnegie GHC FM NSH PCA CUC Museum of PB Gesling 5 Natural History GHC Stadium 5 rschlag Dr EN me CM a H WE LP Schenley Dr Boundary St SC Intramural WEH The Cut WWG Soccer Field DH Tennis RES REH SPT HH Courts WOO CS DON FE DR SN s AN CFA MM ROS k The Mall DON 6 c MMA 6 a SH CFA r PH T Lawn BOS MCG MP FR d a CFA PC Margaret Morrison St o BH r POS il a KC Schenley DrR IE SCO HAM HL N Frew St GYM WEL PG Tech St HEN Schenley IA 7 Park 7 A B C D E F G H I Schenley Dr Phipps Conservatory cmu.edu/visit ACADEMIC/ADMINISTRATIVE Sherman and Joyce Bowie Legacy Plaza ............................. -
Architect Mack Scogin Tackles Gates Complex from the Inside out on the Record: Jennifer Church
PIPER10/06 Issue Welcome to The Piper! Architect Mack Scogin Tackles Gates Complex Just to set the record straight, this isn’t a publica- tion about bagpipes or bagpipers. We might include the occasional story about the university’s From the Inside Out rich piping tradition, but we won’t be all bagpipes, all the time. That’s not what we’re here for. n Bruce Gerson Instead, The Piper will be a new source for official Carnegie Mellon news. Published each It’s a good thing Mack Scogin is a prob- month (we’ll take brief vacations in December, lem solver. How else could he design June and July), this newspaper will be dedicated one of the largest structures on campus to telling the stories that make Carnegie Mellon an in one of the most challenging sites at educational institution like no other. We’ll include Carnegie Mellon, while meeting the re- stories about the research that has propelled us quirements of its future inhabitants and to the top of the national rankings, and we’ll also gaining the approval of the university’s feature pieces on the people who make that re- Design Review Committee? Putting a search happen, the students we all support, and the events and activities that make this university square peg in a round hole wouldn’t be a vibrant place to live, work and learn. totally accurate in describing the feat, The Piper also aims to strengthen the but it’s pretty darn close. connection between Carnegie Mellon’s Pittsburgh Scogin, co-principal of the Atlanta- campus and its programs around the world. -
List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced. -
News Release
NEWS RELEASE FOURTH STRKKT AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215/842-6353 FOR IMMEDIATE RELEASE CONTACT: Ruth Kaplan April 7, 1993 Deborah Ziska (202) 842-6353 MARK ROSENTHAL NAMED CURATOR OF TWENTIETH-CENTURY ART AT NATIONAL GALLERY OF ART WASHINGTON, DC Mark Rosenthal has been named curator of twentieth-century art at the National Gallery of Art by Earl A. Powell III, director. Rosenthal replaces Jack Cowart, who left the Gallery last fall to become the chief curator and deputy director of the Corcoran Gallery of Art in Washington. "Mark Rosenthal is highly regarded for his recent curatorial experience at museums with outstanding twentieth-century collections, particularly The Solomon R. Guggenheim Museum and the Philadelphia Museum of Art. He is also respected for his imaginative concepts as well as his practical skills in organizing exhibitions on the work of twentieth-century artists as diverse as Juan Gris and Anselm Kiefer," said Powell. Since 1989 Rosenthal has been consultative curator at The Solomon R. Guggenheim Museum, New York, where he is preparing an -more- rosenthal . page 2 exhibition and catalogue entitled Abstraction in the Twentieth Century for 1994. During his tenure from 1983 to 1989 as curator of twentieth-century art at the Philadelphia Museum of Art, Rosenthal organized exhibitions and wrote catalogues on the art of Jasper Johns (for the Venice Biennale in 1988-1989), Anselm Kiefer, and Jonathan Borofsky. He also served as curator of collections for the University Art Museum in Berkeley from 1976 to 1983, and as associate curator of painting and sculpture at the Wadsworth Atheneum, Hartford, 1974 to 1976. -
Jonathan Borofsky (American, B. 1942) Walking Man (On the Edge), 1995 Fiberglass and Steel Collection Nerman Museum of Contempor
Jonathan Borofsky (American, b. 1942) Walking Man (On the Edge), 1995 Fiberglass and steel Collection Nerman Museum of Contemporary Art, 1995.14 Gift of Marti and Tony Oppenheimer and the Oppenheimer Brothers Foundation After completing his MFA at Yale, the Boston-born Jonathan Borofsky moved to New York City, where he pursued an intensely private form of conceptual art that consisted of counting and recording numbers sequentially onto 8 ½ x 11” sheets of paper. Desiring to connect with a wider public, he began in the 1970s to make drawings, paintings, prints, sculptures and installations featuring recognizable figures. Recurrent images such as the Hammering Man, Running Man, and Man with a Briefcase function, for Borofsky, both as self-portraits and symbols of common aspects of the human condition. Appropriately placed atop the JCCC Commons building, Walking Man (On the Edge) exemplifies Borofsky’s use of generic figures to communicate shared human experience. The college campus attracts many different people, but most are students, striving for knowledge. Borofsky had this in mind when he set the man on the roof’s edge, remarking, “The edge . seems to refer to pushing the limits of knowledge. [It] implies that we are reaching for something or looking for answers.” Striding forward with energetic purpose, oblivious to his precarious position, Borofsky’s Everyman simultaneously embodies and brings together the diverse student population, in a surprising, delightful, and inspiring fashion. Jonathan Borofsky received his BFA from Carnegie Mellon University in 1964 and his MFA from Yale University in 1966. Magdalena Abakanowicz (Polish, b. 1930 – d. 2017) Two Figures on a Beam, 1997 Bronze Collection Nerman Museum of Contemporary Art,1996.01 Gift of the Marti and Tony Oppenheimer and the Jules and Doris Stein Foundation in honor of Floriene and George Lieberman's 50th Anniversary Beginning in the 1970s, Magdalena Abakanowicz created figurative works by molding burlap over plaster casts of nude bodies and stiffening the fabric with glue and resin. -
Proceedings of the 58Th Annual Meeting of the Association for Computational Linguistics, Pages Zhiqiang Toh and Jian Su
NAACL-HLT 2021 The 2021 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies Demonstrations June 6 - 11, 2021 ©2021 The Association for Computational Linguistics Order copies of this and other ACL proceedings from: Association for Computational Linguistics (ACL) 209 N. Eighth Street Stroudsburg, PA 18360 USA Tel: +1-570-476-8006 Fax: +1-570-476-0860 [email protected] ISBN 978-1-954085-48-0 ii Introduction Welcome to the proceedings of the system demonstration track of NAACL-HLT 2021 on Jun 6th - Jun 11th, 2021. NAACL-HLT 2021 will be a virtual conference. The system demonstration track invites submissions ranging from early prototypes to mature production- ready systems. This year we received 42 submissions, of which 17 were selected for inclusion in the program (acceptance rate 40.5%) after reviewed by three members of the program committee. This is the first year NAACL-HLT incorporates ethical considerations in the review process. In the standard review stage, members of the program committee are given the option to flag a paper as needing separate ethics reviews. Papers flagged as needing separate ethics reviews by at least one members from the program committee are subsequently reviewed by two members from the NAACL-HLT 2021 ethics committee. In total, 4 papers went through the subsequent ethics review stage, of which 1 was offered conditional acceptance, 2 were accepted as it is and 1 was deemed as a false positive flag. The conditionally accepted paper was re-reviewed by the ethics committee post camera-ready submission and accepted to the program based on addressed ethical concerns. -
Contempoary Art Collection
CONTEMPOARY ART COLLECTION Jonathan Borofsky Hammering Man at 2,938,405 1984 Corten steel 288 × 132 × 24 in. (731.5 × 335.3 × 61 cm) Gift of the Martin Z. Margulies Foundation 2005.16.1 Jonathan Borofsky is a multifaceted artist who has worked in several media including painting, sculpture, prints, complex installations, video, and light. He received a BFA from Carnegie Mellon University and an MFA from Yale University. He moved to New York City in 1966 and began to record his thoughts, observations, and compulsive counting. In the 1990s Borofsky turned his attention to large-scale public sculpture. His signature work in this arena is Hammering Man. The Harn’s sculpture is one of several versions of Hammering Man in cities around the world including Basel, Frankfurt, Los Angeles, Minneapolis, Seattle, Seoul, and Washington, D.C. The broad dispersal of the work demonstrates its wide appeal and universal relevance. Hammering Man at 2,938,405 stands 24 feet high and is cut from Corten steel. The dynamic silhouetted figure holds a hammer, which he raises and lowers in the repetitive gesture of an industrial laborer. He pays tribute to the universal worker, the underpaid worker, the worker who still uses his hands in a mechanized world. Borofsky’s work is often inspired by the world of memories, dreams, and free association. He draws on these levels of awareness to explore the meaning of daily existence rather than the depths of the subconscious. Mathematics and counting also act as a meditative component of the artist’s work and play a part in identifying the piece. -
Schenley Plaza and Schenley Park and the Built Environment That Surrounds Both of These Historic Pittsburgh Spaces
FRICK FINE ARTS LIBRARY SCHENLEY PLAZA, SCHENLEY PARK & ENVIRONS Library Guide Series, No. 11 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* Introduction Pittsburgh’s Oakland neighborhood was originally designed to be the city’s cultural showcase during the end of the nineteenth and early years of the twentieth centuries. It was the time when model suburbs and the “City Beautiful” movement flowered in urban areas of the country. In Pittsburgh the effort to build a park system in Pittsburgh was inspired by parks and urban development in American and European cities. The park movement in this country was launched in the 1850s with the creation of New York’s Central Park designed by Frederick Law Olmstead. Such beautification projects grew from the beliefs of Progressive era reformers responding to rapid growth, over crowding and burgeoning social inequalities in the nation’s cities. Leaders believed that healthful relaxation and pure park air, in contrast, to the hectic and polluted mechanized world of the city, would benefit city dwellers by offering rest for the tired body and weary soul. In addition, reformers believed that parks could improve nature with landscape design, statuary and recreational facilities that would elevate citizens’ attitudes and behavior and inspire civic pride. It was in such an intellectual milieu that Pittsburgh’s park system began as a part of the new Civic Center beginning to rise in Oakland near the end of the nineteenth century. That center would eventually include Carnegie Institute (1895) and Hotel Schenley (1898), as well as other monumental buildings (some of which can not be viewed from Schenley Plaza) such as Soldiers and Sailors Memorial, Pittsburgh Athletic Club and Masonic Temple in addition to University of Pittsburgh buildings like the Cathedral of Learning (1937), Stephen Foster Memorial Building (1937) and Heinz Chapel (1938). -
Jonathan Borofsky, Titled My Mother’S Words and God Is a Feeling
GEMINI G.E.L. AT JONI MOISANT WEYL Johnathan Borofsky Johnathan Borofsky My Mother's Words , 2010 God is a Feeling , 2010 2-color screenprint 2-color lithograph 34 1/2 x 55" (87.6 x 139.7 cm) 38 x 49" (96.5 x 124.5 cm) Edition of 45 Edition of 25 JB08-5318 JB08-1583 980 MADISON AVENUE – 5TH FLOOR NEW YORK, NEW YORK 10075-1848 212.249.3324 FAX 212.249.3354 [email protected] WWW.JONIWEYL.COM GEMINI G.E.L. AT JONI MOISANT WEYL In 2010, Gemini G.E.L. published two prints by Jonathan Borofsky, titled My Mother’s Words and God is a Feeling . Well-known to be the subject of his own works, Borofsky injects himself into these two through the selection of phrases that are very personal to the artist and by rendering the words in his own handwriting. For My Mother's Words , Borofsky, ever- interested in understanding his own pain and happiness, explains, "Several days before my mother died, I was sitting at her bedside - just talking about things. At one point, I casually asked her if she had any words she wanted to leave behind. Without taking any time to think about it, she answered 'Be Happy, Do the Best You Can, Be Good and Kind'." An edition of 45, this two-color screenprint has a softer quality than his earlier editioned works that utilize the same minimal, strictly text-based imagery such as Object of Magic (1989) and 31247** (1991). In the case of My Mother's Words , the cursive handwriting creates an intimacy with the artist, whereas the earlier works were executed in a blunt, sans-serif type that maintains an impersonal quality.