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The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
Gaycalgary & Edmonton Magazine
NOVEMBER 2011 ISSUE 97 • FREE magazine The Voice of Alberta’s LGBT Community Howie D Backstreet Boy makes Solo Debut MIKE RUIZ Is Pretty Masculine CYNDI LAUPER Not Unusual, Just Human PLUS: Tori Amos Joss Stone LeAnn Rimes The New Gay Generation Scan to Read on ...and more! Mobile Devices AIDEN LESLIE http://gettag.mobi On Leaving Love Business Directory Community Maps Events Calendar Tourist Information STARTING ON PAGE 17 Calgary • Edmonton • Alberta www.gaycalgary.com 2 GayCalgary & Edmonton Magazine #97, November 2011 www.gaycalgary.com Table of Contents NOVEMBER 2011 Publisher: Steve Polyak 5 Lost in Translation Editor: Rob Diaz-Marino Publisher’s Column Sales: Steve Polyak Design & Layout: Rob Diaz-Marino, Steve Polyak 8 Make Way For Some Blazing Queering Writers and Contributors Edmonton’s Loud & Queer Cabaret Marks its 20th Year Chris Azzopardi, Dallas Barnes, Dave Brousseau, Jason Clevett, Andrew Collins, Rob Diaz-Marino, Janine Eva Trotta, Jack Fertig, Glen Hanson, Joan 10 How to be an Energy Superstar Hilty, Evan Kayne, Stephen Lock, Allan Neuwirth, Troy Ordami, Steve Polyak, Carey Rutherford, 5 Quick Tips on Keeping Costs Down this Winter Romeo San Vicente, Mick Sandoval, Ed Sikov, 11 PAGE Samuel Watson and the LGBT Community of Calgary, Edmonton, and Alberta. 11 LeAnn Rimes Photography Country Star talks equality, gay ‘dads’ and ex-hubby rumors Steve Polyak, Rob Diaz-Marino Videography Steve Polyak, Rob Diaz-Marino 13 The Teachings of Tori Gay icon on Christian phonies, being OK with a lesbian daughter and Printers Transcontinental -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Views, We Study How Preregistration Has Been Used from Its 2005 Inception to the End of 2012
COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005–2012 * ** Dotan Oliar & Nicholas Matich In 2005 Congress created a new copyright formality: preregistration. Preregistration addresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu of remedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistration has been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations. Most preregistrations are of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistered a great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. Most preregistrations were made by individual, small-entity, or other one-time users. The Article recommends that: (1) the duration of preregistrations should be limited; and (2) preregistration (and other copyright) fees should vary with entity size. It offers lessons for formalities and copyright reform: (1) Digital-age formalities may not give rise to the distributional concerns that characterized old formalities; (2) newly minted formalities may limit, rather than expand, access to expressive works; (3) the rates of subsequent registration of preregistered works vary across categories and can inform copyright lawmaking; and (4) the Copyright Office’s views may be affected by its institutional interest. -
Bug Infestation at Bucks 2009: Review by IAN MCLEAN Managing Editor
FEATURES STUDENT LIFE SPORTS SPORTS The weird dreams of Students can’t put The Bucks baseball Not among friends in Bucks students down their cell phones season ends Philadelphia We all have dreams, some weirder These days, texting in class is as The team had their last game Matthew Stumacher is a Yankees than others. Bucks students share common as doodling. But is it recently. How was the season for fan and has had to endure life in a theirs. ▷5 really OK? ▷7 our baseball players? ▷11 Phillies world. ▷11 Bucks County Community College The week of November 10, 2009 Volume: 45 Issue: 7 TOP STORY SPORTS The Phillies Bug infestation at Bucks 2009: Review BY IAN MCLEAN Managing Editor On a cold November night in the Bronx, the Philadelphia Phillies watched from unfamiliar territory as the New York Yankees cele- brated their record 27th World Series Victory. The Phillies, who were defending World Series champions, must now look toward next year. Before they shift their attention to the spring, let us take a look at the past year, which was filled with ups ▷ Continued on page 10 NEWS Author urges activism BY JOSHUA ROSENAU News Editor Activist and author David Swanson spoke to an audi- ence of students, faculty, and Photo by Dr. Kumarage local activists in Fireside Lounge last Wednesday, urg- ing them to become more BY ADAM STAPENELL causes frustration and disgust with the infestation. "I've had this haven't stayed there. Kumarage politically involved and to Centurion Staff among some faculty and students. problem every year around this said, "They mostly stick to the pick up as copy of his new Once the weather starts to cool time for the last four years I've window, but they also nest in big book, "Daybreak: Undoing Professors are overrun with down, box elder beetles come been here… They came out in clumps inside the hem of the cur- the Imperial Presidency and swarming box elder beetles and pouring into Penn Hall faculty what seemed to be in the hun- tains and gather behind pictures. -
4 Contest Searches for Next On-Air C
Grand Valley State University ScholarWorks@GVSU Volume 44, July 8, 2009 - June 7, 2010 Lanthorn, 1968-2001 11-9-2009 Lanthorn, vol. 44, no. 22, November 9, 2009 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol44 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 44, no. 22, November 9, 2009" (2009). Volume 44, July 8, 2009 - June 7, 2010. 20. https://scholarworks.gvsu.edu/lanthorn_vol44/20 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 44, July 8, 2009 - June 7, 2010 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Lakers take fifth- straight title, A6 Grand Valley State University www.lanthorn.com Monday, November 9, 2009 By Mark Couturier GVL Staff Writer The Michigan Senate is consid ering a bill that provides amnesty to underage drinkers who seek medical assistance for alcohol-re lated problems. The measure will also protect minors who seek help for friends suffering from such problems. The purpose of the bill is to prevent any deaths that might re sult from hesitation on the part Online classes option to combat H1N1 of intoxicated minors to get help for themselves or their friends be With the seasonal Hu and H1NI virus closing in Notorious for being the university that never closes, the idea of Grand cause they are afraid of receiving on the population of Grand Valley State University ’s ^B Valley State University shutting its doors in the event of a widespread H1N1 a Minor In Possession citation. -
“I'm Looking for Jack Bauer at That Time”: 24, Torture
“I’M LOOKING FOR JACK BAUER AT THAT TIME”: 24, TORTURE, & GETTING YOUR HANDS DIRTY IN THE NAME OF IDEOLOGY By RYAN JAMES THOMAS A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN COMMUNICATION WASHINGTON STATE UNIVERSITY The Edward R. Murrow School of Communication MAY 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of RYAN JAMES THOMAS find it satisfactory and recommend that it be accepted. ____________________________________ Chair ____________________________________ ____________________________________ ____________________________________ ii ACKNOWLEDGEMENTS I would like to take this opportunity to thank my committee chair, Dr. Elizabeth Blanks Hindman, for her advice, insight, dedication, and suggestions, all of which have helped shape this project into what it is today, not to mention keeping me on track with timely yet thorough feedback. I would also like to extend my sincere thanks to the rest of my committee, Dr. Susan Dente Ross, Dr. Michael Salvador, and Dr. Richard Taflinger. Each of them has offered interesting, considerate, and challenging feedback, and both this project and I are considerably richer as a result of their input. To my girlfriend, Alexandra Ford: thank you for your constant encouragement, support, and love. You have helped me meet deadlines, keep on track, stay focused, and remain positive. Perhaps most importantly, you make me smile. A lot. So thanks for that. You are an unending source of joy in my life. Finally, I wish also to thank my parents for all the encouragement they have given me from an early age to aspire to be all that I can be, instilling in me a love for books, education, and self-improvement that I have to this day. -
The Homecoming Program.Indd
PACIFIC RESIDENT THEATRE Business Manager Artistic Director Managing Director JENNIFER LONSWAY MARILYN FOX BRUCE WHITNEY The Homecoming by Harold Pinter Sponsored in part by a gift from Harold and Jeanne Katzman Producer ELSPETH A. WEINGARTEN Associate Producers VALERIE HAVEY SARA NEWMAN-MARTINS Scenic Design & Light Design Sound Design NORMAN SCOTT KEITH STEVENSON Property Design & Special Effects Costume Design DAN COLE CHRISTINE COVER-FERRO Violence Design Stage Manager NED MOCHEL JULIANNE FIGUEROA Directed by GUILLERMO CIENFUEGOS CAST Max . Jude Ciccolella* Sam . Anthony Foux Lenny . Jason Downs* Teddy . Trent Dawson* Ruth . Lesley Fera* Joey . Steve Spiro Ruth Understudy . .Marwa Bernstein* Teddy Understudy . .Phillip Giannikas The Homecoming takes place in a working-class neighborhood in North London, August 1965. There will be one intermission between Act I & Act II. The Homecoming is presented by special arrangement with Samuel French, Inc. The videotaping or making of electronic or other audio and/or visual recordings of this pro- duction is a violation of United States Copyright Law and an actionable federal offense. *Members of the Actors Equity Association, the professional union for actors and stage managers in the United States. HAROLD PINTER’S BIO Harold Pinter, 2005 Nobel Laureate for Literature (October 10, 1930 - December 24, 2008), was born in London’s working-class Hackney district to Hyman and Frances Pinter, Jewish Eastern Europeans who had immigrated to the United Kingdom from Portugal. Pinter has said that his encounter with anti-Semitism while growing up in England was the fuse that ignited the organic process leading him to becoming a playwright. As his Nobel Prize citation attests, Pinter developed into the greatest En- glish dramatist of the post-World War II era. -
Heinonline (PDF)
Citation: 55 Ariz. L. Rev. 1073 2013 Content downloaded/printed from HeinOnline (http://heinonline.org) Thu Jul 31 12:30:22 2014 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: https://www.copyright.com/ccc/basicSearch.do? &operation=go&searchType=0 &lastSearch=simple&all=on&titleOrStdNo=0004-153X COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005-2012 Dotan Oliar* & Nicholas Matich** In 2005 Congress created a new copyright formality: preregistration. Preregistrationaddresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu ofremedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistrationhas been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations.Most preregistrationsare of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistereda great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. -
Juni 2019 – April Magazin
Doppelnummer APRIL – JUNI 2019 – APRIL MAGAZIN Erleben Sie das Violinkonzert von Matthias Pintscher, Creative Chair Paavo Järvi dirigiert Werke von Beethoven und Messiaen Jean-Yves Thibaudet spielt George Gershwins Concerto in F Liebes Publikum In den nächsten Wochen haben Sie die Gelegenheit, unseren Creative Chair Matthias Pintscher in all seinen Facetten zu erleben. Zum Auftakt führt er mit dem Tonhalle-Orchester Zürich sein Violinkonzert «Mar’eh» auf, interpretiert von der unvergleichlichen Leila Josefowicz, sowie Debussys viel zu selten gespieltes Werk «Le Martyre de Saint Sébastien». Mit seiner bestechenden Poesie und seinem klanglichen Raffi nement ist dieses «Myste- rium» Zeugnis der Musik und der geistigen Strömungen des Fin de Siècle. Matthias Pintscher ist zudem mit dem «Ensemble intercontemporain» zu Gast, dessen künstlerischer Leiter er ist, und präsentiert mit «Bereshit» ebenfalls ein eigenes Werk. In die originäre musikalische Priska Ketterer Foto: Welt unseres Creative Chair eintauchen können Sie auch, wenn Kent Nagano den letzten Teil von Pintschers «L’Ascension» von 1932/33 auf, ein Werk von überirdischer «Shirim»-Zyklus uraufführt. Dieses Werk kombiniert er Schönheit, in dem sich der Komponist zwischen Tradition mit Charles Ives’ monumentaler 4. Sinfonie, in der Ives’ und eigener Identität bewegt. revolutionärer Beitrag zur Entwicklung des musikalischen Bewegend und mitreissend sind auch die Texte von Else Materials und neuer Klangwelten besonders deutlich Lasker-Schüler zu Beginn des 20. Jahrhunderts, die wird. Erhalten Sie einen weiteren Einblick in Pintschers Martina Gedeck aus deren Briefroman «Mein Herz» lesen faszinierende künstlerische Positionen, wenn Sie am wird. Unser Fokus-Künstler Avi Avital und der Cellist David 5. und 6. April 2019 seine Masterclasses an der Zürcher Adorjan werden mit Werken von Komponisten aus der- Hochschule der Künste besuchen. -
E L.A. Native Who's Been Compared to Lana Del Rey Has Her Rst
Amazon’s The Aeronauts Soars on Chemistry • First Look at The Conference Room • UTA Examines Bodies ® JANUARY 3-9, 2020 / VOL. 42 / NO. 7 / LAWEEKLY.COM HAPPY DAYS FOR AUTUMN KNIGHT e L.A. native who’s been compared to Lana Del Rey has her rst performance at the Troubadour By Brett Callwood 2 See the All New 2020 Boat Models Making Their West Coast Debut! WEEKLY WEEKLY LA The Premiere Show Featuring Boats from North America | J - , | | J Fairplex — Pomona 1101 W. McKinley Ave., Pomona, CA 91768 Jan. 9-12, 2020 The Los Angeles Boat Show is the ultimate destination for boating and outdoor lifestyle enthu- siasts, featuring sport fishing boats, performance boats, ski boats, cruisers, jet skis, pontoons, motorboats, cabin cruisers, dinghies/inflatables, kayaks, stand-up paddleboards and a lot more! See ’em, touch ‘em and sit yourself down at the helm! The fun starts here! WWW.LAWEEKLY.COM Admission: Hours: (Rain or shine) $15 for adults; Thurs.: Noon to 8 p.m. Children 12 and younger, FREE Fri. & Sat.: 10 a.m. to 8 p.m. Military ID, $5 discount Sunday: 10 a.m. to 6 p.m. Largest selection of boats, gear & accessories on the West Coast LABoatShow.com January 3-9, 2020 // Vol. 42 // No. 7 // laweekly.com THE 3 INJECTING SPECIALISTS LA L WEEKLY LA’S MOST CELEBRATED & PUBLISHER AND CEO FRIENDLY Brian Calle INJECTORS GENERAL MANAGER Jessica Mansour NEW DECADE EVENT - , | | J VP, EVENTS AND PARTNERSHIPS JANUARY 2ND - 8TH, 2020 Erin Domash EDITORIAL * AT $6.87 Contents WITH PURCHASE OF ANY Per unit EDITOR-IN-CHIEF AND CREATIVE DIRECTOR JUVEDERM FILLER * AS LOW AS $2.70 BASED ON 24 LOYALTY Darrick Rainey UNITS. -
Tori Amos on Listening to Your Muses
August 21, 2017 - Tori Amos is an American singer-songwriter, pianist, and composer. She is a classically trained musician who has released 15 solo records over the past 25 years. Her most recent album, Native Invader, is set for release on September 8th. In describing the impetus behind it, Amos says, "We have to out-create the destructiveness that is all around us." As told to T. Cole Rachel, 2213 words. Tags: Music, Inspiration, Process, Independence, Success, Identity. Tori Amos on listening to your muses You’ve always spoken openly about your songwriting process. As someone who seems receptive to whatever energy’s floating around out in the atmosphere, how has it been to write and record songs over the past year when the world feels particularly crazy? Intention is something that has come up a lot in the last year or so. I took a road trip in June of last year and part of what I got out of that was the question, “What is your intention?” I really sat with that for many days. I said to the universe, “Well, I’m open. I need to be guided and directed. Tell me.” That’s a very different place to be, creatively speaking, than when you’re on a cycle of putting out records, particularly when you’re in the pop music hamster wheel and you’re trapped in the album/touring cycle. Not everybody chose to keep up with that cycle. Some artists I knew would release a record every four or five years, but I was every other year with a tour in between.