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1.1.3 Women's Studies Syllabus
B.A WOMEN’S STUDIES, AUTONOMOUS SYLLABUS SEMESTER SYSTEM: 2015 (CBCS Scheme) Year S PAPER TITLE Instruction Credits Theory+ E Per Week IA-Marks M I I WS1.1 Introducing 5 3 100+50 Women’s Studies I II WS2.1 Feminism and 5 3 100+50 women’s movement II III WS3.1 Women and Justice 5 3 100+50 II IV WS4.1 Women’s 5 3 100+50 Development and empowerment III V WS5.1 Feminist Research 4 3 100+50 III V WS5.2(A Feminist 4 3 100+50 ) Historiography III WS5.2(B Women 4 3 100+50 ) and Entrepreneurship III VI WS6.1 Feminist Psychology 4 3 100+50 III VI WS6.2(A Feminist media 4 3 100+50 ) studies WS6.2(B Women and society 4 3 100+50 III ( 30 credits 1500 Total B.A I YEAR AUTONOMOUS SYLLABUS I SEMESTER PAPER: 1 INTRODUCING WOMEN’S STUDIES OBJECTIVES: • To introduce basic concepts of Women’s Studies • To provide students an overview of the academic discipline of Women’s Studies. UNIT I Women’s Studies: Definition, need of the study, aims and objectives, relevance of Women’s Studies, Women’s Studies -Academic discipline. 10hours UNIT II Women’s studies concepts: Sex and Gender, Gender discrimination, stereotypes, Gender division of labor, Patriarchy and Matriarchy, Femininity and Masculinity, Androgyny and Gyn/Ecology, Feminism and Empowerment. 15hours UNIT III Growth of Women’s Studies in India: Emergence and Evolution of Women’s Studies, Major activities of Women’s Studies Centers, Institutions – teaching, research, training, extension and documentation. -
The New Revised Standard Version Bible with Apocrypha: Genuine Leather Black Pdf, Epub, Ebook
THE NEW REVISED STANDARD VERSION BIBLE WITH APOCRYPHA: GENUINE LEATHER BLACK PDF, EPUB, EBOOK NRSV Bible Translation Committee | 1616 pages | 17 Oct 2006 | Oxford University Press Inc | 9780195288315 | English | New York, United States The New Revised Standard Version Bible with Apocrypha: Genuine Leather Black PDF Book Enter email address. This ebook is a selective guide designed to help scholars and students of criminology find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal A: This Bible is printed in Korea. Approximately 85 alterations to the RSV text were authorized in and introduced into the printings. In an effort to further ecumenical relations, the more extensive 50th Anniversary Edition also included some of the preferred Catholic readings in the text and footnotes of the New Testament section. Review this product Share your thoughts with other customers. Featuring an attractive and sturdy binding, this pew Bible will give years of dependable service. Christian Living. This fascinating exploration of Leonardo da Vinci's life and work identifies what it was that made him so unique, and explains the phenomenon of the world's most celebrated artistic genius who, years on, still grips and inspires us. Color maps and a presentation page. Verified Purchase. Sign in or create an account. Harold W Attridge. Members save with free shipping everyday! Q: Is this a full catholic bible with all 73 books and in the right order? New Revised Standard Version. Large print. Main category: Bible translations into English. Related Searches. -
Agnes Macready and Bella Guerin
Agnes Macready Born in 1855 at Rathfriland, County Down, Agnes Macready was the eldest of five children of Presbyterian minister, Reverend Henry Macready, and his wife Jane. In 1867, when Agnes was 12, the family emigrated to Australia. As an adult, Agnes converted to Catholicism, a move described by the Methodist newspaper in these terms: ‘[S]he wandered from green pastures of truth into the enchanted ground of Popery, and is ardent as perverts usually are’. A manifestation of her alleged perverted ardour for popery was her contribution from 1898 of literary sketches and verse to the Sydney Irish-Catholic newspaper the Catholic Press for whom she wrote under the name ‘Arrah Luen’. In 1880 Agnes had commenced training as a nurse at Sydney’s Prince Alfred Hospital, after which she worked at Melbourne Hospital before being appointed matron of Bowral Hospital in New South Wales. When war broke out in South Africa in 1899 Macready volunteered to serve as a nurse. But her request was denied. Undeterred, she paid her own passage to Durban and was the first nurse from Australia to arrive there. But not only was she the first Australian nurse at the Boer War, she also became Australia’s first-ever female war correspondent. Having been commissioned by the Catholic Press to send back reports on the war, she wrote that she saw the war ‘with a woman’s eyes’. Women war correspondents would later challenge the idea that they should cover war only from the so-called ‘woman’s angle’. But, unlike her male counterparts, Agnes was not permitted to visit the front. -
Blueprint for a Feminist Bookstore Future A
Spring 2020 67 BLUEPRINT FOR A FEMINIST BOOKSTORE Errol “E.R” Anderson, Charis Circle Executive Director TBooks and More is how homey the space feels, how “safe.” It is, in part, this feeling of warmth, of respite in an increasingly fractured world, that has kept customers and program attend- ees returning to Charis for more than forty-four years. I cannot write about Charis in an objective way because Charis raised me and made me so much of the person I am today. I came to Charis through the young women’s writer’s program run by Charis co- founder Linda Bryant in 1998 and have grown up within the walls of 1189 Euclid Ave., honing my politics and my writing, making - ris Circle. Because we have survived when many other feminist and independent bookstores have not, people want to know how we do it. As I write this in March of 2019, Charis is preparing to embark on a once in a lifetime move to begin a partnership with independent, feminist bookstore, Charis Books and More and and add Charis at Agnes Scott College, a school store serving the needs of the Agnes Scott College Community. This is our story 68 Sinister Wisdom 116- Making Connections The Charis Story, 1974–19951 a twenty-one-year-old philanthropist named Edie Cofrin that her dream of being “surrounded by books that would encourage and enlighten people.” Linda and her cofounder Barbara Borgman started without a business plan, or business experience, using an owner-operator setup, in a neighborhood that was then more run-down than revolutionary. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
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RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat. -
Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic. -
On Deformity: Bodies in Contemporary Canadian Fiction
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-25 On Deformity: Bodies in Contemporary Canadian Fiction Ram, Véronique Dorais Ram, V. D. (2012). On Deformity: Bodies in Contemporary Canadian Fiction (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27175 http://hdl.handle.net/11023/312 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY On Deformity: Bodies in Contemporary Canadian Fiction by Véronique Dorais Ram A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA October, 2012 © Véronique Dorais Ram 2012 Abstract This dissertation ponders how deformity acts as an index of resistance to the conventional family saga; it challenges the authority of the genre, which perpetuates conformity to affirm the existence of a national identity. I open with a history of the trope of deformity and a theory on its applicability to questions of the nation in Canadian fiction. Bonnie Burnard’s A Good House begins the literary analysis and considers how Daphne’s asymmetrical face exemplifies the novel’s overarching deformation of the domestic realist text. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Power Gold: 2013’S Ins & Outs for the Second Consecutive Year, Country’S Top 100 Power Gold List Displays a Lot of Turnover from the Previous 12 Months
April 29, 2013, Issue 343 Power Gold: 2013’s Ins & Outs For the second consecutive year, Country’s Top 100 Power Gold list displays a lot of turnover from the previous 12 months. This year’s Top 100 boasts 22 new titles, compared to a whopping 33 in our April 2012 analysis and 13 new tunes in July 2011. This year’s Top 10 Power Gold is culled from Mediabase 24/7 and the Country Aircheck/Mediabase reporting panel for the week of April 21-27: 1. Kid Rock/All Summer Long 2. Zac Brown Band/Chicken Fried 3. Keith Urban/Somebody Like You 4. Alan Jackson & Jimmy Buffet/It’s Five O’Clock Somewhere 5. Dierks Bentley/What Was I Thinkin’ 6. Zac Brown Band/Toes 7. Rodney Atkins/Watching You Keith Urban Man, What Are You Doing Here? Rodeowave’s Phil Vassar (c) invites KSON/San Diego’s John & Tammy on stage while he 8. Rascal Flatts/Life Is A Highway plays “Piano Man” at the Stagecoach Country Music Festival in 9. Joe Nichols/Gimmie That Girl Indio, CA Saturday (4/27). 10. Rodney Atkins/If You’re Goin’ Through Hell New to the Top 10 are the ZBB, Flatts and Atkins tunes. Pope Finds Her Voice Sliding out of the Top 10 were Darius Rucker’s “Alright” She brought a pop-rock background and sound to The (16); Carrie Underwood’s “Before He Cheats” (15) and Voice’s Team Blake, but Cassadee Pope is now readying James Otto’s “Just Got Started Lovin’ You” (20). her Republic Nashville country debut. -
Victorian Honour Roll of Women — Inspirational Women from All Walks of Life
+ + — — 2011 Victorian Honour Roll of Women — Inspirational women from all walks of life + — Published by: the Office of Women’s Policy Department of Human Services 1 Spring Street Melbourne Victoria 3000 Telephone. (03) 9208 3129 Online. www.women.vic.gov.au — March 2011. ©Copyright State of Victoria 2011. This publication is copyright. No part may be reproduced by any process except in accordance with provisions of the Copyright Act 1968. — Authorised by the Victorian Government, Melbourne 2011 ISBN 978-0-7311-6346-5 — Designed by Studio Verse www.studioverse.com.au Printed by Gunn & Taylor Printers www.gunntaylor.com.au — Accessibility If you would like to receive this publication in an accessible format, such as large print or audio, please telephone 03 9208 3129. This publication is also published in PDF and Word formats on www.women.vic.gov.au — — 2011 Victorian Honour Roll of Women — — — Contents Inductee profiles — — — 03 05 17 Minister’s Foreword Professor Muriel Bamblett AM Aunty Dot Peters — — — 06 18 Terry Bracks Dr Wendy Poussard — — — 07 19 Cecilia Conroy Brenda Richards — — — 08 20 Sandie de Wolf AM Jane Scarlett AM — — — 09 21 Dale Fisher Carol Schwartz AM — — — 10 22 Dr Paula Gerber Virginia Simmons AO — — — 11 23 Tricia Harper AM Dr Diane Sisely — — — 12 24 Chris Jennings Dame Peggy van Praagh — — OBE, DBE 13 Jill Joslyn — — — 14 Betty Kitchener OAM — — — 15 Professor Jayashri Kulkarni — — — 16 Victorian Honour Roll Marion Lau OAM of Women 2001-2011 — — — Foreword Mary Wooldridge MP 03 Minister for Women’s Affairs — — — Professor Muriel Bamblett AM ‘ Aboriginal people constantly seek to make a difference in the lives of their community. -
The Prism of Gender Catherine G
1 THE PRISM OF GENDER CATHERINE G. VALENTINE distribute n the metaphorical kaleidoscope of this book, gender is the pivotal prism. It is central to the intricate patterning of social life and encompasses power relations, the division of labor, symbolic forms, and emotional relations I(Connell, 2000). The shape and texture of people’s lives are affected inor profound ways by the prism of gender as it operates in their social worlds. Indeed, our ways of thinking about and experiencing gender, and the related categories of sex and sexuality, originate in our society. As we noted in the introduction to this book, gender is very complex. In part, the complexity of the prism of gender in North American culture derives from the fact that it is characterized by a marked contradiction between people’s beliefs about gender and real behavior. Our real behavior is far more flexible, adaptable, and malleable than our beliefs would have it. To put it another way, contrary to the stereotypes of masculinity and femininity, there are no gender certainties or absolutes. Real people behave in feminine, masculine, and nongendered ways as they respond to situational demands and contingencies (Glick & Fiske, 1999; Pfeffer, 2014; Tavris, 1992). post, To help us think more clearly about the complexity of gender, two questions are addressed in this chapter: (1) How does Western, i.e., Euro-American, culture condition us to think about gender, especially in relation to sex and sexuality? (2) How does social scientific research challenge Western beliefs about gender, sex, and sexuality? WESTERN BELIEFS ABOUT Gcopy,ENDER, SEX, AND SEXUALITY Most people in contemporary Western cultures, such as the United States, grow up learning that there are two and only two sexes, male and female; two and only two genders, feminine and masculine; and two and only two sexu- alities, heterosexual and homosexual (Bem, 1993; Budgeon, 2014; Lucal, 2008; Pfeffer, 2014; Wharton, 2005).