Elvis Costell O

Total Page:16

File Type:pdf, Size:1020Kb

Elvis Costell O 54 ............... Friday, November 6, 2015 1SM NEW By SIMON COSYNS MUSIC IN 1977, there was a By Jim Gellatly real buzz around the sharp-dressed singer with ANDREW WASYLYK the black horn-rims and WHERE: Dundee. a head full of attitude. FOR FANS OF: Richard Haw- Punk had come kicking and ley, Elbow, Adele. screaming on to the scene but JIM SAYS: Andrew Wasylyk single-minded Elvis Costello didn’t may not yet be a familiar consider himself part of any name — he’s better known as movement. Andrew Mitchell — but he’s “Only the really bad groups been involved in nine albums aligned themselves,” he says in the past decade. today. “They did it instead of As well as his debut solo having an idea. album out today, he fronts “All the original people had Dundee band The Hazey (book) singular ideals . The Clash for Janes. He’s also part of the & sure, even The Jam. duo Art Of The Memory Pal- “Joe Strummer was great and, ace, and since last year he’s whenever our paths crossed, I knew been playing bass with Scots he was made of the right stuff. favourites Idlewild. Ink “The first time I saw Paul Along the way he’s also Weller, I thought, ‘He’s completely appeared with The Electric one of a kind’.” Soft Parade, Michael Marra Costello, of course, is another and School of Language. true one-off and thanks to his dad Wasylyk is actually the fam- and grandad, both singers, all ily name. He explained: “Dur- Music kinds of music are embedded in ing the writing of the album I his DNA. Back then, however, it felt like began toying with the idea the arrival of a classic “angry that these songs would be young man” armed with pithy sung from a character’s point lyrics and an uncompromising of view, or an alias. sound. “After my parents parted ways I switched to my ‘Saying inflammatory mother’s maiden name, Mitchell, but started contem- things got me attention’ plating dusting down Even his bitter love song I’m Wasylyk. Not Angry from debut album My “My grandfather, Iwan Aim Is True was actually pretty, Wasylyk, was born in Soroky, ahem, angry. in Ukraine’s wild west. It “I was angry about everything,” Disappearing seemed like a nice way to cel- Unfaithful he admits. “I was emphatic about ebrate the past.” what I was saying and I still am.” In a further tribute to his Beneath the surface, the man grandfather, his album is born Declan Patrick MacManus called Soroky. was a thoughtful, multidimensional Recorded over just five artist. days on the Isle Of Mull, it’s a O Now he’s happy to shed light on sublime record, referencing his younger self: “They were not baroque pop of the 60s. Also all just ‘I’m angry about this or weaving between soaring that’ songs. They have a lot more tenderness or a lot more complexity. “Read the lyrics, read them,” he implores me before rattling off lines from This Ye ar’s Girl, a song from his second album, 1978’s This Ye ar’s Model, the first with The Attractions. “See her picture in a thousand places, ’cause she’s this year’s girl.’ He pauses before continuing: “Forget your fancy manners, forget orchestral landscapes, folk your English grammar, ’cause you and indie rock, the constant is don’t really give a damn.” Andrew’s stunning vocals. Costello says: “That’s not hatred. They’ve been likened to That’s pointing at someone and Scott Walker, Randy Newman saying to them, ‘You’re looking at and fellow Dundonian, the her like that, the problem’s just in late, great Billy Mackenzie. your head. “But you want to hear angry? He said: “Someone said Listen to Mighty Like A Rose (his the record had elements of dark 13th studio album from 1991), Mercury Rev and Aztec Cam- that’s an angry record. It’s all in era recently. I’ll take that.” the lyrics though.” Like myself, Andrew follows I’m sitting with 61-year-old Dundee FC, but he takes the Costello in a small coffee shop not songs on tour for the first time far from the main drag of this month with a famous Knightsbridge in West London. really like a Paul Whitehouse My Aim Is True and there’s a accommodation in Olympia and Dundee United fan, Deacon We’re thousands of miles from character,” says Costello. “I was couple that require me to have then at a more salubrious Blue’s Ricky Ross. COSTELL his home in Vancouver, Canada, fairly naive and, at 22, hadn’t been an audience who are prepared maisonette in Hounslow under the He said: “Ricky’s very kindly where he lives with his wife, the out in the world enough to have to listen.” Heathrow flight path. let me tag along. The Hazey jazz pianist and singer Diana these lurid experiences. It was just Over the decades, music His beloved dad Ross Janes opened for Deacon Krall, and their twin sons Dexter farcical to ask me that stuff. chameleon Costello has gone way MacManus, vocalist and trumpet Blue across the UK in 2013. and Frank. “I learned quickly though. I beyond the constraints of bog player with the Joe Loss Orchestra They’re great people and a lot The trademark hat and glasses started saying a bunch of standard pop and rock. in the Fifties and Sixties, of fun. As we’re from different are present and correct. Up close, inflammatory things. I thought, A mere four years after his would practise in front of the sides of Tannadice Street across a small table, it feels as if ‘Wow! That works. What, they debut album, he wrote a country young Declan. though, when it comes to the years have been kind to this really bought that? That’s music album, Almost Blue. In his book, Costello vividly football there’s plenty for us music titan. unbelievable! Let’s do some more ‘I’d jump around with a describes how he was more to discuss backstage.” The purpose of our rendezvous of that. Maybe this could be the likely to hear emotionally wrought is to discuss his rollicking The tour starts on Sunday smokescreen behind which I can songs by Ella Fitzgerald or Frank autobiography, a weighty tome of work’. cardboard guitar’ Sinatra than Bill Haley’s Rock at the Queen’s Hall in Edin- 670 pages, called Unfaithful Music “Though I had perfectly good In the late Nineties, he made a Around The Clock, which left burgh before taking in Aber- VIS & Disappearing Ink. songs, I realised I needed to fine record with the great him “cold”. deen, Dundee and Glasgow, For an hour, I get the chance to speak up a bit more and not American songwriter Burt He tells me: “My folks weren’t followed by gigs south of the peel away the layers of an artist assume I’d get people’s attention. Bacharach called Painted From that well-off but my dad made a border. with one of the longest and most “Most of the musicians I liked Memory, and there’s more to come decent income. The records my Andrew Wasylyk’s Soroky is varied careers in music. had won themselves an audience. from that partnership. parents listened to for pleasure out now to download, or as We get on to the subject of his Randy Newman would do these Then there’s his work with were just on in the house and limited edition vinyl. “angry” early image because funny little asides and people classical ensemble The Brodsky became as familiar as a chair or MORE: wasylyk.co.uk there’s a hilarious description in were there hanging on his every Quartet, his ballet score Il Sogno, a pattern on the curtains. lJim presents a weekly the book of Costello’s word. and his album with New Orleans “I didn’t ponder them or showcase of New Music on EL encounter with a seedy Red Top “I hadn’t won the right to jazz pianist Allen Toussaint. understand them when I was a Amazing Radio Sundays reporter (not from The Sun, I expect that yet, even if all the His latest offering even finds child but they stuck inside me. 2-4pm. amazingradio.com hasten to add). songs I wrote were imagining his him collaborating with Questlove “I was familiar with The Wee jimgellatly.com All the writer cares about is kind of audience. of hip-hop outfit The Roots. Small Hours Of The Morning but “the girrrls” that might be “Some songs I sing now in my A key reason for such wide only when you’ve lived the life throwing themselves in front of concerts are the ones I wrote variation springs from Costello’s that’s in the song, you go, ‘Oh Watch video the budding pop star. “He was immediately before (debut album) upbringing, first in humble rented that’s what it’s about.’ Maybe I of Andrew at: 5 thescottishsun.co.uk.
Recommended publications
  • Doubles and Doubling in Tarchetti, Capuana, and De Marchi By
    Uncanny Resemblances: Doubles and Doubling in Tarchetti, Capuana, and De Marchi by Christina A. Petraglia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Italian) At the University of Wisconsin-Madison 2012 Date of oral examination: December 12, 2012 Oral examination committee: Professor Stefania Buccini, Italian Professor Ernesto Livorni (advisor), Italian Professor Grazia Menechella, Italian Professor Mario Ortiz-Robles, English Professor Patrick Rumble, Italian i Table of Contents Introduction – The (Super)natural Double in the Fantastic Fin de Siècle…………………….1 Chapter 1 – Fantastic Phantoms and Gothic Guys: Super-natural Doubles in Iginio Ugo Tarchetti’s Racconti fantastici e Fosca………………………………………………………35 Chapter 2 – Oneiric Others and Pathological (Dis)pleasures: Luigi Capuana’s Clinical Doubles in “Un caso di sonnambulismo,” “Il sogno di un musicista,” and Profumo……………………………………………………………………………………..117 Chapter 3 – “There’s someone in my head and it’s not me:” The Double Inside-out in Emilio De Marchi’s Early Novels…………………..……………………………………………...222 Conclusion – Three’s a Fantastic Crowd……………………...……………………………322 1 The (Super)natural Double in the Fantastic Fin de Siècle: The disintegration of the subject is most often underlined as a predominant trope in Italian literature of the Twentieth Century; the so-called “crisi del Novecento” surfaces in anthologies and literary histories in reference to writers such as Pascoli, D’Annunzio, Pirandello, and Svevo.1 The divided or multifarious identity stretches across the Twentieth Century from Luigi Pirandello’s unforgettable Mattia Pascal / Adriano Meis, to Ignazio Silone’s Pietro Spina / Paolo Spada, to Italo Calvino’s il visconte dimezzato; however, its precursor may be found decades before in such diverse representations of subject fissure and fusion as embodied in Iginio Ugo Tarchetti’s Giorgio, Luigi Capuana’s detective Van-Spengel, and Emilio De Marchi’s Marcello Marcelli.
    [Show full text]
  • Coexistence of Mythological and Historical Elements
    COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ...............................................................................................
    [Show full text]
  • 'Judas Priest-On Tour' Violators Attacked
    MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success­ ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach­ ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor­ to anyway? ror Picture Show and working over­ It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa­ as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun.
    [Show full text]
  • BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
    BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality.
    [Show full text]
  • Elvis Costello and Blondie
    FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums).
    [Show full text]
  • Verdi Otello
    VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers;
    [Show full text]
  • 9781921878015-1.Pdf
    BAllAD oF Mott I changed my name in search of fame to find the Midas touch, I wish I’d never wanted then what I want now twice as much, I’ve crossed the mighty oceans and I’ve had a few divides, But you never lose in emotion, because you find too much inside You know the tales we tell, you know the bands so well And still I feel they let you down Rock’n’Roll’s a loser’s game, it mesmerises and I can’t explain The reasons for the sights and for the sounds The grease paint still sticks to their face So what the hell I cannot erase The Rock’n’Roll feeling from my mind [Kindly reproduced with permission from Universal Music.] Mott the hoople DEATH MAY BE YOUR SANTA CLAUS After 34 years the greatest rock band in the world got back together for a reunion at the Hammersmith Odeon, London, in October 2009. I flew back to the UK for the occasion. I went to their shows for three nights, twice to shoot and once for pleasure, and what a pleasure it was. I, and three old friends from college days, drank and rocked the night away. This band started my infatuation with rock’n’roll. By the time they hit the stage, Ian Hunter the lead singer was 70 – rock’n’roll really has grown up. Ac/Dc IT’S A LONG WAY TO THE TOP IF YOU WANNA ROCK’N’ROLL You cannot help but smile when a 57-year-old man walks on stage in a school uniform and proceeds to duck walk and play 20 minute guitar solos – the fans love it!! The music remains the same and these two shots, taken close to 20 years apart, are much the same, aside from the extensive stage props that now appear.
    [Show full text]
  • Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
    Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B.
    [Show full text]
  • Italo Svevo and His Shakespeare Shakespeare His Italoand Svevo William!” Vecchio Mio “Oh! Oh! Mio Vecchio William! Italo Svevo and His Shakespeare Di Biase
    STUDI E TESTI10 “OH! MIO VECCHIO WILLIAM!” SVEVO ANDITALO HIS SHAKESPEARE OH! MIO VECCHIO WILLIAM! ITALO SVEVO AND HIS SHAKESPEARE DI BIASE DI AdI STUDI E TESTI VOLUME 10 EDITED BY CARMINE DI BIASE Studi & Testi 10 _________________________________________________________ directed by DINO S. CERVIGNI ADVISORY BOARD ARMANDO MAGGI, THE UNIVERSITY OF CHICAGO GAETANA MARRONE, PRINCETON UNIVERSITY AUGUSTUS MASTRI, THE UNIVERSITY OF LOUISVILLE THOMAS E. PETERSON, THE UNIVERSITY OF GEORGIA JOHN P. WELLE, THE UNIVERSITY OF NOTRE DAME A COLLECTION OF MONOGRAPHS OF ANNALI D’ITALIANISTICA CHAPEL HILL, NC 27599-3170 A LIST OF BOOKS IN THE SERIES STUDI E TESTI APPEARS AT THE END OF THIS VOLUME “OH! MIO VECCHIO WILLIAM!” ITALO SVEVO AND HIS SHAKESPEARE Edited by CARMINE DI BIASE Annali d’Italianistica, Inc. AdI, Studi & Testi 10 Chapel Hill, North Carolina 27599-3170 Copyright © 2015 Annali d’Italianistica, Inc. All rights reserved Manufactured in the United States of America Cover image courtesy Museo Sveviano, Trieste AdI, Studi & Testi 10 A collection of monographs sponsored by Annali d’Italianistica, Inc. and directed by Dino S. Cervigni Chapel Hill, NC 27599-3170 CARMINE DI BIASE 1. Italo Svevo (1861-1928) 2. William Shakespeare (1564-1616) 3. Literary Criticism 3. European Culture: 16th-17th centuries; 19th-20th centuries Includes bibliographical references Library of Congress Control Number: 0-9657956-9-1 ISBN 978-0-9657956-5-4 Saskia Elizabeth Ziolkowski Dreams and Ambiguity on Svevo’s European Stage: La rigenerazione and A Midsummer Night’s Dream Svevo, the Shakespearean Playwright In 1884 Italo Svevo sent the renowned actress Eleonora Duse an Italian translation of Romeo and Juliet with the note, “Il sottoscritto si permette offrirLe pella rappresentazione questo suo dramma che scrisse proprio pensando a Lei.
    [Show full text]
  • The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
    Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3.
    [Show full text]
  • Digital Shoegaze
    SENTIREASCOLTAREDIGital MAGAZINE LUGLIO/AGosto N. 45/46 garneau°dadamatto°capillary action°ital tek°function°isengrind°el topo°feiner ITALIANS REMIX IT BETTER°DILLON°ELEFANT°FRANCESCO CUSA primavera sound°mi ami°my bloody valentine°angelica KLUSTER°MUDHONEY°KURT WEILL Pyramids*Fuck Buttons*Televise Digital Shoegaze DIRETTORE 4 NEWS Edoardo Bridda COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero THOMAS FUNCTION, BLACK DEVIL DISCO, ITAL TEK, CAPILLARY ACTION...... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari 16 TUNE IN Antonello Comunale FRANCESCO DILLON, REMIX ITALIA... Antonio Puglia HA NNO C OLL A BOR A TO Gianni Avella, Paolo Bassotti, Davide Brace, Marco 28 DroP OUT Braggion, Filippo Bordignon, Marco Canepari, Manfredi Lamartina, Gabriele Maruti, Stefano Pifferi, Andrea DIGITAL SHOEGAZE, FRANCESCO CUSA Provinciali, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco 44 RECENSIONI GUI da S PIRITU A LE TRICKY, EL TOPO, MICAH P. HINSON,SIGUR ROS Adriano Trauber (1966-2004) GR A FI ca 96 WE ARE DEMO Nicolas Campagnari 98 REARVIEW Mirror IN C OPERTIN A KLUSTER, MUDHONEY, MOGWAI.... Pyramids SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda 116 CUlt MOVIE Direttore responsabile Antonello Comunale AMERICA, AMERICA, DOVE VAI? Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi 120 LA SERA DELLA PRIMA mezzo, è proibita senza autorizzazione scritta di SentireAscoltare IL DIVO, INDIANA JONES E IL REGNO DEL TESCHIO DI CRISTALLO 122 I COSIDDETTI CONTEMPORANEI KURT WEILL SA 3 S W Sarà pubblicato in ottobre su Kemado il film The Fountain (in Italia L’albero della For All Of Us doveva uscire il prossimo 22 sto disco costituisce un’introduzione, sarà nuovo album di Marissa Nadler.
    [Show full text]
  • GL3EVER1RED1.Pdf
    Re/Presenting Gender and Love Series Editors Dr Robert Fisher Lisa Howard Dr Ken Monteith Advisory Board Simon Bacon Ana Borlescu Katarzyna Bronk Ann-Marie Cook John L. Hochheimer Peter Mario Kreuter Stephen Morris John Parry Peter Twohig Karl Spracklen S Ram Vemuri A Critical Issues research and publications project. http://www.inter-disciplinary.net/critical-issues/ The Gender & Sexuality Hub ‘Gender and Love’ 2015 Re/Presenting Gender and Love Edited by Dikmen Yakalı Çamoğlu Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2015 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-343-7 First published in the United Kingdom in Paperback format in 2015. First Edition. Table of Contents Introduction vii Dikmen Yakalı Çamoğlu Part I Representations of Gender and Love in Time Faith and Ascensus in Vittoria Colonna’s Lyric Dreams 3 Cristina Acucella Identity, Gender and Love in Transition: The Violet Hour 19 and Absent Love, A Chronicle.
    [Show full text]