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Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
The Student Voice, July 15, 1964
Vol. 5, No. 16 ~-"'3. STUDENT VOICE. INC. 6 Raymond Street. N. w. Atlanta. Georgia 30314 july 15, 1964 ~ I TERROR TESTING TO CONTINUE COMPLIANCE SELMA, ALA. -Organized ATLANTA. GA. -Successful testing of public facilities here attempts to integrate formerly and a stepped up voter registra- all-white public places in four tion drive will continue,aStudent deep South states were reported Nonviolent Coordinating Com- this week by SNCC. miitee spokesman announced this But the SNCC said .'a clear week. pattern of extra-legal and of- On July 10, an injunction pro- ficially sanctioned violence. con- hibiting assembly of more than doned or initiated by local police- three people, meetings where men. is evident in Arkansas. violations of law are suggested, Alabama. Florida. Georgia and or encouraging impeding justice, Mississippi where Negroes have was issued against SNCC, CORE, tried to exercise their rights un- COFO, NAACP, the Southern der the 1964 Civil Rights Act... Regional Council,Alabama Coun- The SNCC office here reported cil on Human Rights, the Dallas the following incidents: County Voter's League and Im- Georgia establishments in At- provement Association, SNCC lanta. Albany. Thomasville. Tif- Executive Secretary James For- A GEORGIA STATE TROOpER (left) tries to reach SNCC worker ton. Savannah and Americus in- man, SNCC Chairman John Chuck NeDlett being beaten with ~s,at a July 4th rally in tegrated quietly on Luly 3. but on Lewis, SNCC Selma Project Di- Atlanta. Neblett. Wilson Brown. and Matthew Jones were beaten the days following. SNCC worker rector John Love, the Reverend when they entered outdoor stands to hear Alabama Governor George John Perdew. -
The Charlotte Zolotow Award Observations About Publishing in 1998
CCBC Choices Kathleen T. Horning Ginny Moore Kruse Megan Schliesman Cooperative Children's Book Center School of Education University of Wisconsin-Madison Copyright 01999, Friends of the CCBC, Inc. (ISBN 0-931641-98-5) CCBC Choices was produced by University Publications, University of Wisconsin-Madison. Cover design: Lois Ehlert For information about other CCBC publications, send a self- addressed, stamped envelope to: Cooperative Children's Book Cenrer, 4290 Helen C. White Hall, School of Education, University of Wisconsin-Madison, 600 N. Park St., Madison, WI 53706-1403 USA. Inquiries may also be made via fax (6081262-4933) or e-mail ([email protected]).See the World Wide Web (http://www.soemadison.wisc.edu/ccbc/)for information about CCBC publications and the Cooperative Children's Book Center. Contents Acknowledgments Introduction Results of the CCBC Award Discussions The Charlotte Zolotow Award Observations about Publishing in 1998 The Choices The Natural World Seasons and Celebrations Folklore, Mythology and Traditional Literature Historical People, Places and Events Biography 1 Autobiography Contemporary People, Places and Events Issues in Today's World Understanding Oneself and Others The Arts Poetry Concept Books Board Books Picture Books for Younger Children Picture Books for Older Children Easy Fiction Fiction for Children Fiction for Teenagers New Editions of Old Favorites Appendices Appendix I: How to Obtain the Books in CCBC Choices and CCBC Publications Appendix 11: The Cooperative Children's Book Center (CCBC) Appendix 111: CCBC Book Discussion Guidelines Appendix IV: The Compilers of CCBC Choices 1998 Appendix V:The Friends of the CCBC, Inc. Index CCBC Choices 1778 5 Acknowledgments Thank you to Friends of the CCBC member Tana Elias for creating the index for this edition of CCBC Choices. -
1 Dof")'T Kf")Ow
d.sid.e #57 THE NATIONAL TOPICAL SONG MAGAZINE APRIL 10, 1965 PRICE -- 50 ¢ Copyright 1965 1 DOf")'t Kf")oW Why By SNCC 3 3 ~ j 1;; I QLftlJPJ J tiJ I f?] ~I 11 11 --#- -:::#': _ --e--.-"""-~ =F- '-' -e-__ ~ =iF- I don It know why- I have to cry sometimes, I don It know why - I have to piJ 19 rQ §?T I @ [j I I. 4 I 1 j ] 14 I r?f II ~'::;i= -r Bye an' bye. 2. "I don't know why I have to bow so 10w,etc ••• 1t 3. " ••• to moan sometimes, etc ••• 11 4. " ••• to march so long, etc ••• ft 5. " ••• to fight so hard, etc ••• 11 6. " ••• to go to jail, etc ..." 7. It .... have to die sometimes,etc ••• " (Note: Often the 111" becomes "well. This is another old hymn made into a freedom song. Here it is as sung by Cordell Reagon & Bill Harris.) . In This Issue: FREEDOM SONGS FROM THE MONTGOMERY MARCH. A1s~J Songs By: PHIL OCBS, LEN CHANDLER~_ JULIUS LESTER, CARL WATANABE, MALVINA REYNOLDS. ARTICLES Pete Seeger on Selma March Illustration fram Josh Dunson's new book "Freedom In The Air - Woody Guthrie the Man Song Movements of the 60's" to be published May 25, 1965. SOME SONGS OF THE SELMA MARCHERS By PETER SEEGER Montgomery, Alabama vlednesday, 11a.rch 24, 1965 Dear Broadside -- Herewith I send you a few songs heard during the past day and a half, sung by a very wonderful group of people. Yesterday their numbers were l~ited to 300. -
Shawn Preston Name of Your Website
Your Name: Shawn Preston Name of your website: Honoring the Life and Works of Medgar Evers Purpose of the website: To memorialize the contributions of Medgar Evers, honor the impact his actions had on the Civil Rights Movement, and recognize the significance of his work. Intended audience/viewers: 1. History students interested in leaders of the Civil Rights Movement of the 1950s. 2. Students learning about the important positive figureheads during Black History 3. Residents of Mississippi researching famous people from the state with positive messages. 4. Members of the NAACP researching chapter leaders. Objectives of your website audience/viewers: 1. Improve learning potential about leaders of the Civil Rights Movement of the 1950s and 60s. 2. Raise awareness of NAACP chapter leaders from Mississippi. 3. Create a forum to recognize the importance of leaders for organizing groups in the search for social change. Content Outline Home page: Title: Medgar Evers Home Subtitle: 3 Primary links / 5 secondary links • Medgar Evers Home • Civil Rights Actions • University of Mississippi • Emmett Till • NAACP • Assassination & Aftermath • Myrlie Evers • In Popular Culture Copy/text: (2 – 3 short paragraphs of 3-5 sentences each explaining purpose of site) Medgar Wiley Evers was born in Decatur, Mississippi, on July 2, 1925. He was the third of five children born to farmer and sawmill worker James Evers and his wife Jesse. Evers left high school at the age of 17 to enlist in the still-segregated U.S. Army, eventually rising to the rank of sergeant. In June 1944, Evers’ unit was part of the massive, post D-Day invasion of Europe. -
Apollo Theater Annual Report
APOLLO THEATER ANNUAL REPORT 1 APOLLO LEADERSHIP pg. 3 APOLLO EDUCATION pg. 16 APOLLO OPERA pg. 4 APOLLO CELEBRATIONS pg. 18 APOLLO GLOBAL FESTIVAL pg. 6 APOLLO FINANCIALS pg. 20 APOLLO DANCE & THEATER pg. 8 APOLLO PEOPLE pg. 24 APOLLO MUSIC pg. 10 APOLLO SUPPORTERS pg. 25-27 APOLLO SIGNATURE pg. 12 JOIN THE APOLLO pg. 28 APOLLO COMMUNITY pg. 14 APOLLO Primary photography by Shahar Azran 2015-2016 2015-2016 3 FROM THE CHAIRMAN ““[Watching Les Twins at the Apollo] AND PRESIDENT & CEO many in the audience screamed We are so proud to share highlights of our landmark 2015- throughout their act in a way my 2016 season. With Dance, Jazz, Opera, Theater, Comedy, Uptown Hall, School and Family Programs, the Apollo’s generation chiefly associates with 2015-16 season welcomed arts aficionados, tourists, and native New Yorkers alike, and truly had something for everyone. This season we engaged a record high the live performances of the Beatles!” 205,000 people through more than 500 performances and programs and featured more than 1,000 professional ALASTAIR MACAULAY, THE NEW YORK TIMES and amateur artists. We also continued our strong commitment to nurturing artistic innovation and new works with four world premieres and one New York premiere and developmental residencies for three new artistic projects. From presenting our first operaCharlie Parker’s Yardbird to launching a new Comedy Club to producing our Breakin’ Convention Global Festival to the “A thousand world premiere of the new holiday musical The First Noel to a host of other engaging performances and events, the Apollo Theater’s 83rd season encompassed a wide variety audience of artistic disciplines and reflected many cultures of the members sitting African diaspora. -
The Struggle for Civil Rights
Unit Plan The Struggle for Civil Rights By: Jason Bell Target Group: Tenth Grade United States History Theme: The struggle for civil rights has been a fight that has been raging throughout history. During the 1960’s, some very brave Americans fought to help African Americans gain the rights they deserved. These civil rights activists helped changed the face of America. Number of lessons/Duration: Five lessons lasting approximately sixty minutes each Lessons: Day one: Introduce civil rights Day two: Civil rights seen through the eyes of activists Day three: Civil rights: yesterday and tomorrow Day four: Activities of civil rights activist Day five: Civil rights speeches Covered Standards: 5.1, 6.1 Technology: computer, video projector, cd player, television Instructional Plan: On day one, students will be introduced to the concept of civil rights through a dictionary definition. This definition will be compared to examples of prejudice during the pre-civil rights era. An in-class discussion over the background of civil rights will conclude day one. On day two students will read quotes from various civil rights activists discussing the movement. On day three students will be assigned one civil rights activist to research. Class will be in the technology lab and students must research their particular activist and create a timeline of his or her life. On day four students will learn about the different activities used by activists and how each strategy was successful in its own way. On day five the teacher will let students listen to recordings of some famous civil rights speeches from a cd player. -
Still on the Journey the on Still and Years 50
Continued leader of the Nashville Student Movement, sang with with sang Movement, Student Nashville the of leader grantee in 1967 who died just this year. Matt was a a was Matt year. this just died who 1967 in grantee Allen Silverstone, Rachel L. Stocking. L. Rachel Silverstone, Allen Matthew Jones, Matthew a a was students those of One Clarence Lang, Laura McSpedon, Walter L. Putter, Putter, L. Walter McSpedon, Laura Lang, Clarence Coordinating Committee (SNCC). Committee Coordinating Giardina, Allison Guttu, Sora Han, Carol J. Kraemer, Kraemer, J. Carol Han, Sora Guttu, Allison Giardina, 2011/12 Non-Violent Student the and Party Democratic James A. Donaldson, Monica Enriquez, Carol Carol Enriquez, Monica Donaldson, A. James Davarian Baldwin, Lisa Brock, Simone Weil Davis, Davis, Weil Simone Brock, Lisa Baldwin, Davarian Education Fund (SCEF), Mississippi Freedom Freedom Mississippi (SCEF), Fund Education Trustees of activists involved with Southern Conference Conference Southern with involved activists of 1961/62 1961/62 scores supported Fund the years, early the In Pete Seeger, Andres Torres, Mary Helen Washington. Helen Mary Torres, Andres Seeger, Pete and became a Professor of Physiology and Biophysics. and Physiology of Professor a became and Putter, Bernice Johnson Reagon, Paul Schachter, Schachter, Paul Reagon, Johnson Bernice Putter, Communist Party member. Ed finished his degree degree his finished Ed member. Party Communist C. Lewontin, Lee Lorch, Jill Nelson, Jan Phillips, Ruth Ruth Phillips, Jan Nelson, Jill Lorch, Lee Lewontin, C. he had been a steelworker, labor organizer and and organizer labor steelworker, a been had he Ruth Hubbard, Robin D. G. Kelley, Mel King, Richard Richard King, Mel Kelley, G. -
View Transcript
https://snccdigital.org/our‐voices/song‐music/songs‐stories SNCC Digital Gateway: Our Voices Song & Music: Songs & Their Stories Clip 1A (video) Hollis Watkins “You Had to Wake Up Every Morning with a Certain Mindset” Hollis Watkins: In order to get the job done that needed to be done, we knew that you had to wake up every morning with a certain mindset. And that was determined based on how you could truly respond to the songs that we sang. Asked one another the question, “How did you wake up this morning?” If you didn’t come back with [singing] I woke up this morning with my mind, my mind it was Stayed on freedom Oh I woke up this morning with my mind, my mind it was Stayed on freedom I woke up this morning with my mind, Stayed on freedom Hallellu, Hallellu, Hallellu, Hallellujah You went down through “I’m walking and talking.” I’m singing and shouting. I’m preaching and teaching. In regards to any and all of the things you were going to be doing, you knew that if your mind was not staying on freedom, something was going to be overlooked, not carried out. Clip 1B (video) Bettie Mae Fikes: Woke Up This Morning Bettie Mae Fikes: [Singing] I woke up this morning with my mind Stayed on freedom Lord, I woke up this morning with my mind, Lord Stayed on freedom I woke up this morning with my mind Stayed on freedom Hallelu, Hallelu, Hallelujah I’m walking and talking with my mind Stayed on freedom I’m walking and talking with my mind Stayed on freedom 1 | SNCC Digital Gateway: Our Voices snccdigital.org https://snccdigital.org/our‐voices/song‐music/songs‐stories -
Voices of the Civil Rights Movement Liner Notes
Voices of the Civil Rights Movement Black American Freedom Songs 1960-1966 SF 40084 Smithsonian Folkways Recordings L997; OriginaJly issued by Smithsonian Instilution Press (1980 R 023) his double-CD reissue of The Voices of the Civil Righls Movement: Black Amer;can Freedom Songs, 1960-1966 documents a cen T tral aspect of the cultural environment of the Civil Rights Movement, acknowledging songs as the language that focused people's energy. These 43 tracks are a series of musical images, of a people in conversation about their determination to be free. Many of the songs were recorded live in mass meetings held in churches, where people from different life experiences, predominantly Black, with a few White supporters. came together in a common struggle. These freedom songs draw From spirituals, gospel, rhythm and blues, football chants, blues and calypso forms. The enclosed booklet written by Bemice Johnson Reagan provides rare historic pho tographs along with the powerful story of African Anterican musical culture and its role in the Civil Rights Movement. Disc I MASS MEETINGS Disc 11 ENSEMBLES I. FREEDOM MEDLEY: FREEDOM CHANT; OH FREEDOM: THIs I. WE'LL NEVER TuRN BACK (SNCC Freedom Singers led by Emory LnTLE LIGHT OF MiNE (Freedom Singers) 1:56 Harris) 3:28 2. TI·ns LnTLE LIGHT OF MINE (Betty Mae Fikes) 4: 16 2. WE SHALL NOT BE MOVED (SNCC Freedom Singers led by Rutha 3. IF You MIss ME FROM mE BACK OF mE Bus (BellY Mae Harris) 2:08 Fikes) 3:02 3. CERTAINLY, LoRD (CORE Freedom Singers) 2:03 4. -
**April Pages.Indd
BISHINIK PRSRT STD P.O. Drawer 1210 U.S. Postage Paid Durant OK 74702 Durant OK RETURN SERVICE REQUESTED Permit #187 THE OFFICIAL PUBLICATION OF THE CHOCTAW NATION OF OKLAHOMA Serving 168,517 Choctaws Worldwide www.choctawnation.com April 2005 Issue Recovery Center celebrates with ribboncutting The Choctaw Nation has just opened the newly Center were at no cost to any Choctaw who has constructed Recovery Center in Talihina. The a need for the program. The tribe even provides Recovery Program is now able to offer services to transportation assistance to Talihina for Recovery 20 clients at the live-in program. Center clients. Prior to the ribboncutting, Ben Brown, Deputy The new Recovery Center has two nice exercise Director for the State of Oklahoma Substance rooms with equipment, a group room for men Abuse Program, complimented the Choctaw and a second group room for women, each with Recovery Program and facility, saying, “We televisions, personal living quarters shared by have nothing this nice in the State of Oklahoma.” two clients, counseling rooms and state-of-the-art Brown went on to say, “When you come to a kitchen and information technology departments. program like this, you see great things – miracles Darrell Sorrells, the Director of the Recovery happen, lives are restored and families are put Center, said that he and staff had visited other back together.” facilities prior to the final design to get opinions “We think of chemical dependence as a treatable on what worked well and what floor plans illness, and want to provide appropriate care so could be improved.