Unit 6: What Makes a Hero?
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The Iconography of the Honey Bee in Western Art
Dominican Scholar Master of Arts in Humanities | Master's Liberal Arts and Education | Graduate Theses Student Scholarship May 2019 The Iconography of the Honey Bee in Western Art Maura Wilson Dominican University of California https://doi.org/10.33015/dominican.edu/2019.HUM.06 Survey: Let us know how this paper benefits you. Recommended Citation Wilson, Maura, "The Iconography of the Honey Bee in Western Art" (2019). Master of Arts in Humanities | Master's Theses. 6. https://doi.org/10.33015/dominican.edu/2019.HUM.06 This Master's Thesis is brought to you for free and open access by the Liberal Arts and Education | Graduate Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Master of Arts in Humanities | Master's Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. This thesis, written under the direction of the candidate's thesis advisor and approved by the department chair, has been presented to and accepted by the Master of Arts in Humanities Program in partial fulfillment of the equirr ements for the degree of Master of Arts in Humanities. An electronic copy of of the original signature page is kept on file with the Archbishop Alemany Library. Maura Wilson Candidate Joan Baranow, PhD Program Chair Joan Baranow, PhD First Reader Sandra Chin, MA Second Reader This master's thesis is available at Dominican Scholar: https://scholar.dominican.edu/humanities- masters-theses/6 i The Iconography of the Honey Bee in Western Art By Maura Wilson This thesis, written under the direction of the candidate’s thesis advisor and approved by the program chair, has been presented to an accepted by the Department of Humanities in partial fulfillment of the requirements for the degree of Master of Arts in Humanities Dominican University of California San Rafael, CA May 2019 ii iii Copyright © Maura Wilson 2019. -
The Phenomenon of Chance in Ancient Greek Thought
THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life. -
Honey Plays a Significant Role in the Mythology and History of Many
Rhododendron Ponticum Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then beauty is its own excuse for being R.W. Emerson, ‘The Rhodora’ "The Delphic priestess in historical times chewed a laurel leaf but when she was a Bee surely she must have sought her inspiration in the honeycomb." Jane Ellen Harrison, Prologemena to Greek Religion Thy Lord taught the Bee To build its cells in hills, On trees and in man’s habitations; Then to eat of all The produce of the earth . From within their bodies comes a drink of varying colors, Wherein is healing for mankind. The Holy Koran 1 Mad Honey Contents Point of View and Introduction 4 A summary of the material 5 What the Substance is 7 A History of Honey a very short history of the relationship of humans and honey A Cultural History of Toxic Honey 9 mad honey in ancient Greece Mad Honey in the New World 10 the Americas and Australasia How the substance works 11 Psychopharmacology selected outbreaks symptoms external indicators and internal registers substances neurophysiological action medical treatment How the substance was used 13 Honied Consciousness: the use of toxic honey as a consciousness altering substance ancient Greece Daphne and Delphi Apollo and Daphne Rhododendron and Laurel Appendix 1 21 Classical References (key selections from the texts) -Diodorus Siculus -Homeric Hymns -Longus -Pausanias -Pliny The Elder -Xenephon Appendix II 29 More on Mellissa Appendix lll 30 Source of the Substances Botany and Sources of Grayanotoxin 2 Appendix lV 32 Honey and Medicine Ancient and Modern Appendix V 34 The Properties of Ethelyne Appendix Vl 36 Entrances: Food, Drink and Enemas Bibliography 39 3 Mad Honey Point of View and Introduction It’s no surprise to discover that honey, and the bees that produce it, play a notable role in mythology and religion throughout the world. -
The Pythias Excerpted from Secret History of the Witches © 2009 Max Dashu
The Pythias excerpted from Secret History of the Witches © 2009 Max Dashu I count the grains of sand on the beach and measure the sea I understand the speech of the mute and hear the voiceless —Delphic Oracle [Herodotus, I, 47] In the center of the world, a fissure opened from the black depths of Earth, and waters flowed from a spring. The place was called Delphoi (“Womb”). In its cave sanctuary lived a shamanic priestess called the Pythia—Serpent Woman. Her prophetic power came from a she-dragon in the Castalian spring, whose waters had inspirational qualities. She sat on a tripod, breathing vapors that emerged from a deep cleft in the Earth, until she entered trance and prophesied by chanting in verse. The shrine was sacred to the indigenous Aegean earth goddess. The Greeks called her Ge, and later Gaia. Earth was said to have been the first Delphic priestess. [Pindar, fr. 55; Euripides, Iphigenia in Taurus, 1234-83. This idea of Earth as the original oracle and source of prophecy was widespread. The Eumenides play begins with a Pythia intoning, “First in my prayer I call on Earth, primeval prophetess...” [Harrison, 385] Ancient Greek tradition held that there had once been an oracle of Earth at the Gaeion in Olympia, but it had disappeared by the 2nd century. [Pausanias, 10.5.5; Frazer on Apollodorus, note, 10] The oracular cave of Aegira, with its very old wooden image of Broad-bosomed Ge, belonged to Earth too. [Pliny, Natural History 28. 147; Pausanias 7, 25] Entranced priestess dancing with wand, circa 1500 BCE. -
Euripides and Gender: the Difference the Fragments Make
Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines. -
Torresson Umn 0130E 21011.Pdf
The Curious Case of Erysichthon A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Torresson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Nita Krevans December 2019 © Elizabeth Torresson 2019 Acknowledgments First, I would like to thank the department for their support and especially the members of my committee: Nita Krevans, Susanna Ferlito, Jackie Murray, Christopher Nappa, and Melissa Harl Sellew. The seeds of this dissertation were planted in my senior year of college when Jackie Murray spread to me with her contagious enthusiasm a love of Hellenistic poetry. Without her genuine concern for my success and her guidance in those early years, I would not be where I am today. I also owe a shout-out to my undergraduate professors, especially Robin Mitchell-Boyask and Daniel Tompkins, who inspired my love of Classics. At the University of Minnesota, Nita Krevans took me under her wing and offered both emotional and intellectual support at various stages along the way. Her initial suggestions, patience, and encouragement allowed this dissertation to take the turn that it did. I am also very grateful to Christopher Nappa and Melissa Harl Sellew for their unflagging encouragement and kindness over the years. It was in Melissa’s seminar that an initial piece of this dissertation was begun. My heartfelt thanks also to Susanna Ferlito, who graciously stepped in at the last minute and offered valuable feedback, and to Susan Noakes, for offering independent studies so that I could develop my interest in Italian language and literature. -
Cato the Censor and the Beginnings of Latin Prose
Cato the Censor and the Beginnings of Latin Prose Cato the Censor and the Beginnings of Latin Prose FROM POETIC TRANSLATION TO ELITE TRANSCRIPTION Enrica Sciarrino THE OHIO STATE UNIVERSITY PRESS · COLUMBUS Copyright © 2011 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Sciarrino, Enrica, 1968– Cato the Censor and the beginnings of Latin prose : from poetic translation to elite tran- scription / Enrica Sciarrino. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1165-6 (cloth : alk. paper) ISBN-10: 0-8142-1165-8 (cloth : alk. paper) ISBN-13: 978-0-8142-9266-2 (cd-rom) 1. Latin prose literature—History and criticism. 2. Cato, Marcus Porcius, 234–149 B.C.—Criticism and interpretation. I. Title. PA6081.S35 2011 878'.01—dc22 2011006020 This book is available in the following editions: Cloth (ISBN 978-0-8142-1165-6) CD-ROM (ISBN 978-0-8142-9266-2) Cover design by Mia Risberg. Text design by Jennifer Shoffey Forsythe. Typeset in Times New Roman. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents Preface and Acknowledgments vii List of Abbreviations xi Chapter 1 Situating the Beginnings of Latin Prose 1 Chapter 2 Under the Roman Sun: Poets, Rulers, Translations, and Power 38 Chapter 3 Conflicting Scenarios: Traffic in Others and Others’ Things 78 Chapter 4 Inventing Latin Prose: Cato the Censor and the Formation of a New Aristocracy 117 Chapter 5 Power Differentials in Writing: Texts and Authority 161 Conclusion 203 Bibliography 209 Index Locorum 229 General Index 231 Preface and Acknowledgments his book treats a moment in Roman cultural history that in the last decade or so has become one of the most contentious areas of dis- T cussion in classical scholarship. -
Francesca Schironi from Alexandria to Babylon
Francesca Schironi From Alexandria to Babylon ≥ Sozomena Studies in the Recovery of Ancient Texts Edited on behalf of the Herculaneum Society by Alessandro Barchiesi, Robert Fowler, Dirk Obbink and Nigel Wilson Vol. 4 Walter de Gruyter · Berlin · New York Francesca Schironi From Alexandria to Babylon Near Eastern Languages and Hellenistic Erudition in the Oxyrhynchus Glossary (P.Oxy. 1802 ϩ 4812) Walter de Gruyter · Berlin · New York Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Schironi, Francesca. From Alexandria to Babylon : Near Eastern languages and Hellenistic erudition in the Oxyrhynchus glossary (P.Oxy. 1802 ϩ 4812) / Francesca Schironi. p. cm. Ϫ (Sozomena. Studies in the recovery of ancient texts ; vol. 4) “The Oxyrhynchus Glossary that is the object of the present study was previously published by Arthur S. Hunt as P.Oxy. 15.1802” Ϫ Introduction. Includes bibliographical references and index. ISBN 978-3-11-020693-7 (hardcover : alk. paper) 1. Semitic languagesϪLexicographyϪManuscripts. 2. Ma- nuscripts, Greek (Papyri) Ϫ Egypt Ϫ Bahnasa. 3. Bahnasa (Egypt) Ϫ Antiquties. 4. Oxyrhynchus papyri. I. Hunt, Ar- thur S. (Arthur Surridge), 1871Ϫ1934. II. Title. PJ3075.S45 2009 4831.028Ϫdc22 2009005184 ISBN 978-3-11-020693-7 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. Ą Copyright 2009 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin. All rights reserved, including those of translation into foreign languages. -
The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; Proquest Pg
New Light on Demeter's Mysteries: The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; ProQuest pg. 319 New Light on Demeter's Mysteries: The Festival Proerosia Noel Robertson EMETER'S "MYSTERIES: festivals conducted mainly by women and in sanctuaries that were suitably withdrawn, D were almost universal in Greek cities, like the cereal agri culture they were intended to promote. They were integral to Greek society and are now widely and profitably studied as a social phenomenon. If the general custom is important, so are the many ritual actions that constitute a given festival, through which (according to one's point of view) the women either worship the goddess Demeter, or work directly on the earth, or affirm their sense of the fitness of things. Animal sacrifice plays a large part, as usual, the pig species being favored by De meter, and there is a peculiar practice of throwing piglets into a pit, which is then closed. It is a disadvantage that reconstructions of ritual must be sought in older handbooks and special studies. The basic work on Greek festivals was done long ago, and new evidence, though not wholly neglected, has not led to any sustained effort of revision. The festival Proerosia, "Before-ploughing (rites)," is such a case. The Athenian, or Eleusinian, version of this festival once seemed to stand alone, as if it were something secondary and contrived, without much bearing on the larger pattern of Demeter's worship. We can now see that the Proerosia was widespread. It may have been as common as the greatest of Demeter's festivals, the Thesmophoria: it was a sequel to it, coming later in the autumn season. -
Melissa D. Thesis
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENTS OF CLASSICS AND ANCIENT MEDITERRANEAN STUDIES AND ANTHROPOLOGY FINDING THE PYTHIA MELISSA DIJULIO SPRING 2014 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Classics and Ancient Mediterranean Studies and Anthropology with interdisciplinary honors in Classics and Ancient Mediterranean Studies and Anthropology Reviewed and approved* by the following: Zoe Stamatopoulou Tombros Early Career Professor of Classical Studies and Assistant Professor of Classics and Ancient Mediterranean Studies Thesis Supervisor Mary Lou Munn Senior Lecturer in Classics and Ancient Mediterranean Studies and Director of Undergraduate Studies and Honors Advisor Honors Adviser Timothy Ryan Assistant Professor of Anthropology, Geosciences, and Information Sciences and Technology Honors Advisor * Signatures are on file in the Schreyer Honors College. i ABSTRACT As a historical figure, Pythia, the Delphic oracle, that mysterious mouthpiece of the Greek god Apollo, has largely escaped public attention. Though her words live on in the writings of the ancient authors Aeschylus, Herodotus, and Plutarch, to name of few, the person behind the famous utterances is all but forgotten. In fact, there are only four named Pythias that are known to modern scholars, and beyond their names, not much more can be said of them. However, through the examination of the Delphic oracle as an example or descendant of the earlier practice of spirit possession, I make connections and postulate theories that may further explain the origin, mindset, and influences of these tripod-perched women. In furtherance of this aim, I examine the possible presence of hallucinogens, especially ethylene gas, and the way these substances may have influenced and formed Delphic practices. -
The History and Antiquities of the Doric Race, Vol. 1 of 2 by Karl Otfried Müller
The Project Gutenberg EBook of The History and Antiquities of the Doric Race, Vol. 1 of 2 by Karl Otfried Müller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The History and Antiquities of the Doric Race, Vol. 1 of 2 Author: Karl Otfried Müller Release Date: September 17, 2010 [Ebook 33743] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE HISTORY AND ANTIQUITIES OF THE DORIC RACE, VOL. 1 OF 2*** The History and Antiquities Of The Doric Race by Karl Otfried Müller Professor in the University of Göttingen Translated From the German by Henry Tufnell, Esq. And George Cornewall Lewis, Esq., A.M. Student of Christ Church. Second Edition, Revised. Vol. I London: John Murray, Albemarle Street. 1839. Contents Extract From The Translators' Preface To The First Edition.2 Advertisement To The Second Edition. .5 Introduction. .6 Book I. History Of The Doric Race, From The Earliest Times To The End Of The Peloponnesian War. 22 Chapter I. 22 Chapter II. 39 Chapter III. 50 Chapter IV. 70 Chapter V. 83 Chapter VI. 105 Chapter VII. 132 Chapter VIII. 163 Chapter IX. 181 Book II. Religion And Mythology Of The Dorians. 202 Chapter I. 202 Chapter II. 216 Chapter III. 244 Chapter IV. 261 Chapter V. 270 Chapter VI. 278 Chapter VII. 292 Chapter VIII. 302 Chapter IX. -
Alchemy and Exegesis from Antioch to Constantinople, 11Th Century By
Matter Redeemed: Alchemy and Exegesis from Antioch to Constantinople, 11th century by Alexandre Mattos Roberts A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Maria Mavroudi, Chair Professor Susanna Elm Professor Asad Ahmed Professor Michael Cooperson Spring 2015 © 2015 by Alexandre M. Roberts Abstract Matter Redeemed: Alchemy and Exegesis from Antioch to Constantinople, 11th century by Alexandre Mattos Roberts Doctor of Philosophy in History University of California, Berkeley Professor Maria Mavroudi, Chair This dissertation examines how scholars in eleventh-century Constantinople and Antioch (un- der Byzantine rule, 969-1084) understood matter and its transformation. It argues that matter, a concept inherited from ancient philosophy, continued to be a fertile and malleable idea-complex endowed with cultural and religious meaning in medieval thought-worlds of the Eastern Mediter- ranean. The first three chapters form a case study on the unpublished Arabic translations oflatean- tique Christian texts by the 11th-century Byzantine Orthodox deacon ʿAbdallāh ibn al-Faḍl of An- tioch (fl. c.1052). They proceed by increasing specificity: chapter 1 surveys Ibn al-Faḍl’s Greek- to-Arabic translations; chapter 2 turns to one of these translations, of a famous and highly influ- ential commentary on the first chapter of the Book of Genesis by Basil of Caesarea (c.330–?379), his Homilies on the Hexaemeron; and chapter 3 reads Ibn al-Faḍl’s marginalia to his translation of Basil’s Hexaemeron. Together, they provide insight into a culturally Byzantine milieu in which the primary language of communication was Arabic, exploring how intellectuals in that context understood matter, where this understanding came from, and why it resonated in this cityatthe edge of the empire.