Dexter Gordon One Flight up Mp3, Flac, Wma

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Dexter Gordon One Flight Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: One Flight Up Country: US Released: 1973 MP3 version RAR size: 1984 mb FLAC version RAR size: 1257 mb WMA version RAR size: 1302 mb Rating: 4.4 Votes: 882 Other Formats: WMA DMF MIDI TTA MOD MP3 MP4 Tracklist Hide Credits Tanya A Written-By – Donald Byrd Coppin' The Haven B1 Written-By – Kenny Drew Darn That Dream B2 Written-By – DeLange*, Van Heusen* Companies, etc. Mastered At – AcousTech Mastering Manufactured By – EMI Music Special Markets Pressed By – Record Technology Incorporated Credits Bass – Niels-Henning Ørsted Pedersen Design – Reid Miles Drums – Art Taylor Liner Notes – Leonard Feather Photography By – Francis Wolff Piano – Kenny Drew Recorded By – Jacques Lubin Remastered By – Dr. Groove*, Mr. Record* Tenor Saxophone – Dexter Gordon Trumpet – Donald Byrd Notes Originally released 1964 on Blue Note Records as B2-84176. Barcode and Other Identifiers Matrix / Runout: CLP 7051-A MR RECORD & DR GROOVE @ ATM 15613.1 Matrix / Runout: CLP 7051-B MR RECORD & DR GROOVE @ ATM 15613.2 Other versions Category Artist Title (Format) Label Category Country Year Dexter One Flight Up (LP, BLP 4176 Blue Note BLP 4176 US 1964 Gordon Album, Mono) Blue Note, BST-84176, Dexter One Flight Up (LP, BST-84176, Heavenly France 2013 HS103VL Gordon Album, RE, 180) HS103VL Sweetness Dexter One Flight Up (LP, BST 84176 Blue Note BST 84176 US 1967 Gordon Album, RE) 84176, Dexter One Flight Up (LP, Blue Note, Blue 84176, US 1977 BST-84176 Gordon Album, RE) Note BST-84176 One Flight Up (LP, Dexter BST 84176 Album, RE, RM, Blue Note BST 84176 France 1985 Gordon DMM) Related Music albums to One Flight Up by Dexter Gordon Dexter Gordon - Body And Soul Donald Byrd - At The Half Note Cafe (Volume 2) Kenny Drew & Niels-Henning Ørsted Pedersen - Duo 2 Donald Byrd - Fuego Donald Byrd - Electric Byrd Dexter Gordon - The Best Of Dexter Gordon Kenny Drew Quintet / Quartet - This Is New Donald Byrd - Byrd In Hand Dexter Gordon - Dexter Calling . Donald Byrd - Blackjack.

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Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences Nicholas Vincent DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Nicholas Vincent, "Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences" (2016). LSU Doctoral Dissertations. 1. https://digitalcommons.lsu.edu/gradschool_dissertations/1 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHARLES RUGGIERO’S “TENOR ATTITUDES”: AN ANALYTICAL APPROACH TO JAZZ STYLES AND INFLUENCES A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Nicholas Vincent DiSalvio B.M., Rowan University, 2009 M.M., Illinois State University, 2013 May 2016 For my wife Pagean: without you, I could not be where I am today. ii ACKNOWLEDGEMENTS I would first like to thank my committee for their patience, wisdom, and guidance throughout the writing and revising of this document. I extend my heartfelt thanks to Dr. Griffin Campbell and Dr. Willis Delony for their tireless work with and belief in me over the past three years, as well as past professors Dr.
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Dexter Gordon Doin' All Right + a Swingin' Affair Mp3, Flac, Wma
Dexter Gordon Doin' All Right + A Swingin' Affair mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Doin' All Right + A Swingin' Affair Country: Europe Released: 2013 Style: Hard Bop, Post Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1754 mb Rating: 4.3 Votes: 382 Other Formats: MPC VOX ASF MMF FLAC DTS MP2 Tracklist Doin' Allright 1-1 I Was Doing All Right 1-2 You've Changed 1-3 For Regulars Only 1-4 Society Red 1-5 It's You Or No One 1-6 I Want More 1-7 For Regulars Only (alt Take) A Swingin' Affair 2-1 Soy Califa 2-2 Don't Explain 2-3 You Stepped Out Of A Dream 2-4 Tha Backbone 2-5 (It Will Have To Do) Until The Real Thing Comes Along 2-6 McSplivens Companies, etc. Phonographic Copyright (p) – Universal International Music B.V. Copyright (c) – Universal International Music B.V. Credits Producer – Alfred Lion (tracks: 1-1 to 1-7, 2-1 to 2-6) Reissue Producer – Michael Cuscuna (tracks: 1-1 to 1-7, 2-1 to 2-6) Remastered By – Rudy Van Gelder (tracks: 1-1 to 1-7, 2-1 to 2-6) Notes ©+℗ 2013 Universal International Music B.V. ALBUM 1: Doin' Allright - Label code: 00724359650425 - Original Album Label: Blue Note 96503 - Recorded on May 6, 1961 by Rudy Van Gelder - Tracks 1-6, 1-7 not part of original LP - Remastered in 2003 by Rudy Van Gelder - ©+℗ 2004 Blue Note Records ALBUM 2: Swingin' Affair - Label code: 00077778413325 - Original Album Label: Blue Note 84133 - Remasterd in 2005 by Rudy Van Gelder - ©+℗ 2006 Blue Note Records Barcode and Other Identifiers Barcode: 0600753471142 Rights Society: BIEM/SDRM Label Code: LC 01846 Matrix / Runout (CD1): 07243 596 504-2 01 + 53412723 Mastering SID Code (CD1): IFPI LV27 Mould SID Code (CD1): IFPI 0139 Matrix / Runout (CD2): 00777 784 133-2 01 * 53412693 Mastering SID Code (CD2): IFPI LV26 Mould SID Code (CD2): IFPI 0120 Related Music albums to Doin' All Right + A Swingin' Affair by Dexter Gordon 1.
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Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
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Prestige Label Discography
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Gazette Volume 21, No
GAZETTE Volume 21, No. 15 • April 23, 2010 • A weekly publication for Library staff Library Celebrates the A Whole Lot Dexter Gordon Acquisition Of Tweeting Going On Twitter is donating its digital archive of public tweets to the Library of Congress. Twitter is a leading social-networking service that enables users to send and receive tweets, which consist of web messages of up to 140 characters. Twitter processes more than 50 mil- lion tweets per day from people around the world. The Library will receive all public tweets – which number in the billions – from the 2006 inception of the service to the present. “The Twitter digital archive has extraordinary potential for research into Abby Brack our contemporary way of life,” said Librar- Maxine Gordon discusses the making of the 1986 film, “‘Round Midnight,” a film that ian of Congress James H. Billington. “This starred her late husband, Dexter Gordon, in a role that earned him an Oscar nomination. information provides detailed evidence career. Consisting primarily of sound about how technology-based social net- By Sheryl Cannady recordings, the collection also includes works form and evolve over time. The egendary jazz musician Dexter interviews and items from Gordon’s film collection also documents a remarkable Gordon (1923–1990) is considered and television appearances. range of social trends. Anyone who wants Lone of the world’s greatest tenor The melodic sounds of the legend- to understand how an ever-broadening saxophonists and one of the first musi- ary saxophonist filled the theater as public is using social media to engage cians to adapt the sounds of bebop to the enthusiastic crowd took their seats, in an ongoing debate regarding social the tenor saxophone.
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Blue Note: Still the Finest in Jazz Since 1939 Published on December 30, 2018 by Richard Havers
Blue Note: Still The Finest In Jazz Since 1939 Published on December 30, 2018 By Richard Havers Founded in 1939 by Alfred Lion, Blue Note is loved, respected and revered as one of the most important record labels in the history of music. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. It all began when Alfred Lion went to the ‘Spirituals to Swing’ concert at New York’s Carnegie Hall a few days before Christmas 1938. A week or so later he went to Café Society, a newly opened club, to talk to Albert Ammons and Meade Lux Lewis, who had seen them play at Carnegie Hall.
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Saxophone Journal As I Write This Column the Preseason College
s I write this column the preseason college football poll is (bass), Nick Stabluas (drums) and George Syran (piano). If Aout. For some reason Nebraska is not in the top ten and for no other reason you should by this CD recording for the this must be an oversight. Anyhow, this seemed like the perfect tracks Black Cherry Fritters and Cream De Funk. These two backdrop for discussing my favorite saxophone combination, tunes burn with a freshness that is more meaningful today the duo. than when they were first recorded. I highly recommend this I love jazz saxophone recordings, but something extra special recording for young alto players who need direction in regards seems to happen when you pair two talented musicians and put to sound. them in the moment. Somehow the constraints of the recording process (choosing songs, marketing, packaging concerns, etc.) go 9 by the wayside and the true natural of creativity and perhaps, Conversation With Warne (Criss Cross Jazz) competition come to the fore. Many younger people are not aware of this duo, let alone Born in the backroom jam sessions on the 930s and 40s the Warne Marsh. If they have heard this pair it is usually in the saxophone duo was often presented in the form of a saxophone form of their Warner Brothers album titled Apogee, which as battle. Legend has it that the great Coleman Hawkins used to produced by the Steely Dan pair of Donald Fagen and Walter travel from town to town asserting his superiority in the jam Becker. As good as that album (LP) was, I feel this re-released sessions that he used to frequent.
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Round Midnight Léo Bonneville
Document généré le 30 sept. 2021 21:40 Séquences La revue de cinéma Bertrand Tavernier À propos de ’Round Midnight Léo Bonneville Numéro 127, décembre 1986 URI : https://id.erudit.org/iderudit/50759ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce document Bonneville, L. (1986). Bertrand Tavernier : à propos de ’Round Midnight. Séquences, (127), 44–47. Tous droits réservés © La revue Séquences Inc., 1986 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ INTERVIEW BERTRAND TAVERNIER A PROPOS DE 'ROUND MIDNIGHT Déjà en octobre 1982, Séquences avait rencontré Bertrand Tavernier, lors de la sortie de Coup de torchon (Séquences, no 110, pp. 24-36). On sait que l'oeuvre de ce cinéaste français s'attache à des moments d'histoire. Prenant son grain où il le trouve, il avait songé à tourner l'histoire de colons français au Manitoba sous le titre La Soeur perdue. Malheureusement, il a dû y renoncer faute d'argent. Après Mississipi Blues (1985) qui traitait d'une certaine façon du jazz, il a voulu donner l'expression cinématographique à d'authentiques artistes du jazz.
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