S Tephen R Osenbaum

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S TEPHEN ROSENBAUM V ISUAL EFFECTS SUPERVISOR PROFILE • Award winning visual effects artist and supervisor • Industry expert in Virtual Production, Digital Humans, and Creature Animation PROJECTS ABBA: I Still Have Faith In You The Postman Kong: Skull Island Michael Michael Jackson: Slave to the Rhythm Star Wars: Episode IV Special Edition Jack The Giant Slayer Dreamworks SKG (Logo) Avatar The Indian In The Cupboard The Water Horse Disclosure The Shaggy Dog Forrest Gump After The Sunset Jurassic Park The Chronicles of Riddick Death Becomes Her I, Robot Memoirs Of An Invisible Man X-men 2: X-Men United Terminator 2: Judgment Day K-19: The Widowmaker The Hunt For Red October Big Trouble Die Hard II The Perfect Storm Back To The Future, Part II Snow Falling On Cedars The Abyss Contact ACCOLADES Academy Award Nominee Kong: Skull Island: Visual Effects Academy Award Winner Avatar: Visual Effects BAFTA Award Winner Avatar: Visual Effects Saturn Award Winner Avatar: Visual Effects Academy Award Winner Forrest Gump: Visual Effects BAFTA Award Winner Forrest Gump: Visual Effects EMPLOYMENT Alchemic Ltd. Visual Effects Supervisor 2017-2019 Legendary Pictures Visual Effects Sup, 2U Dir 2014-2016 Michael Jackson Estate Visual Effects Supervisor 2013-2014 Weta Digital Development Supervisor 2013 Digital Domain Visual Effects Supervisor 2010-2012 Weta Digital Visual Effects Supervisor 2006-2009 20th Century Fox Visual Effects Supervisor 2006 Walt Disney Studios Visual Effects Supervisor 2004-2005 New Line Cinema Visual Effects Supervisor 2004 Universal Pictures Visual Effects Supervisor 2004 Weta Digital Visual Effects Supervisor 2003 Cinesite Visual Effects Supervisor 2002-2003 ESC Entertainment Visual Effects Supervisor 2001-2002 Industrial Light & Magic Visual Effects Supervisor 1998-2001 Sony Pictures Imageworks Visual Effects Supervisor 1996-1998 Industrial Light & Magic CG Sup, Technical Director 1989-1996 AFFILIATIONS Director’s Guild of America 2nd Unit Director Academy of Motion Picture Arts and Sciences Visual Effects Branch Association for Computing Machinery EDUCATION Epic Games Unreal Engine Virtual Production Fellowship University of California, Berkeley Bachelor Of Arts: Computer Graphics E: [email protected] M: +1-415-259-8888.

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Marty Kline Storyboards
http://oac.cdlib.org/findaid/ark:/13030/c88k7d82 No online items Marty Kline storyboards Special Collections Margaret Herrick Library© 2014 Marty Kline storyboards 535 1 Descriptive Summary Title: Marty Kline storyboards Date (inclusive): 1989-1993 Collection number: 535 Creator: Kline, Marty Extent: 1.3 linear feet of papers. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Marty Kline storyboards, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Biography Martin A. Kline is an American storyboard artist, production and concept illustrator, and visual effects art director active in film since the 1980s. He served as a storyboard artist on several films directed by Robert Zemeckis. Collection Scope and Content Summary The Marty Kline storyboards span the years 1989-1993 and encompass 1.3 linear feet. There are photocopies of storyboards for three films directed by Robert Zemeckis, BACK TO THE FUTURE PART II (1989), DEATH BECOMES HER (1992), and FORREST GUMP (1993); and one directed by Steven Spielberg, JURASSIC PARK (1993). While the drawings are primarily by Kline, some are drawn by other storyboard artists. Arrangement Arranged in the following series: 1. Production files. Indexing Terms Kline, Marty--Archives. storyboard artists Marty Kline storyboards 535 2.
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Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
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Incidents in the Life of a Slave Girl Philemon Isaiah Amos
ENGL 4384: Senior Seminar Student Anthology Fall 2012 Dr. Rebecca Harrison, Professor Department of English & Philosophy Printed on campus by UWG Publications and Printing. A Culture of Captivity: Subversive Femininity and Literary Landscapes Introduction 5 Dr. Rebecca L. Harrison I. Captive Women/Colonizing Texts “Heathenish, Indelicate and Indecent”: Male Authorship, 13 Narration, and the Transculturated, Mutable Female in James T. DeShields Cynthia Ann Parker, James Seaver’s A Narrative of the Life of Mrs. Mary Jemison, and Royal B. Stratton’s Captivity of the Oatman Girls Mary Catherine Lyons American Colonization and the Death of the Female 34 Captive Hannah Barnes Mitchell The Comfortable Captive: Applying Double-Voice 49 Discourse to Cotton Mather’s and John Greenleaf Whittier’s Depictions of Hannah Dustan’s Captivity to Ultimately Reveal Potential Female Agency Michelle Guinn II. Captive Others: Cutting through Sentimental Scripts “Lors, Chile! What’s You Crying ’Bout?”: Sympathy & Tears 62 in Harriet Jacobs’ Incidents in the Life of a Slave Girl Philemon Isaiah Amos The Absolutely Real Ramifications of a Full-Time Genocide: 79 Exploring Mary Rowlandson’s Role in Alexie’s “Captivity” and True Diary Gina Riccobono III. Generic Adaptations & Dislodging the Narrative Tradition Transgressing the “bloody old hag”: Gender in Nathaniel 93 Hawthorne’s “The Duston Family” Michele Drane Creating the Autonomous Early American Woman: Angela 112 Carter and Caroline Gordon (Re) Employ the Female Captivity Narrative Genre Wayne Bell Death Becomes Her: The American Female Victim-Hero 125 Legacy Wes Shelton IV. Crossing the Borders of Captivity Capturing Dorinda Oakley 143 Dorinda Purser Unknowable and Thereby Unconquerable: Examining Ada 157 McGrath’s Resistance in The Piano Brett Hill ‘Bonds of Land and Blood’: Communal Captivity and 171 Subversive Femininity in Woodrell’s Winter’s Bone Jason Cole Contributors 190 A Culture of Captivity: Subversive Femininity and Literary Landscapes Dr.
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Cowboys, Postmodern Heroes, and Anti-Heroes: the Many Faces
COWBOYS, POSTMODERN HEROES, AND ANTI-HEROES: THE MANY FACES OF THE ALTERIZED WHITE MAN Hyon Joo Yoo Murphree, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2000 APPROVED: Diane Negra, Major Professor Olaf Hoerschelmann, Committee Member Diana York Blaine, Committee Member C. Melinda Levin, Graduate Coordinator of the Department of Radio, TV and Film Steve Craig, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Murphree, Hyon Joo Yoo, Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man. Master of Arts (Radio, Television and Film), August 2000, 131 pp., references, 48 titles. This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50’s through 90’s coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes’ “intero-alterity” is further problematized by antiheroes in Tim Burton’s films. TABLE OF CONTENTS INTRODUCTION...........................................................................................................................................3 1. Reading a Dynamic Connection between the 1950’s and 1990’s..........................................................6 2.
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An Experiment in Comedy, Stunts, and Visual Effects
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-16-2016 “Down to the Last:” An experiment in comedy, stunts, and visual effects Margaret Ann Broach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Broach, Margaret Ann, "“Down to the Last:” An experiment in comedy, stunts, and visual effects" (2016). University of New Orleans Theses and Dissertations. 2246. https://scholarworks.uno.edu/td/2246 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “Down to the Last:” An experiment in comedy, stunts, and visual effects A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements of the degree of Master of Fine Arts In Film and Theatre With a concentration in Film Production By Margaret Broach B.F.A.
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Hartford Public Library DVD Title List
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Hartford Public Library DVD Title List
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Visual Effects Society Names Ken Ralston Recipient of VES Lifetime Achievement Award
SIGGRAPH 2017 (http://s2017.siggraph.org/) Menu s SIGGRAPH Asia 2016 (http://sa2016.siggraph.org) (/) Home (/) » Discover » Discover If you study, create, or use digital tools and media, you might be a SIGGRAPH person. » News (/discover/news) Visual Effects Society Names Ken Ralston Recipient of VES Lifetime Achievement Award PAGES WITHIN DISCOVER VISUAL EFFECTS (/TAGS/VISUAL-EFFECTS), FILM (/TAGS/FILM), GRAPHICS (/TAGS/GRAPHICS) 21 Oct 2016 Source: VES Press Release On October 20, 2016, the Visual Effects Society (VES), the industry’s professional global honorary society, named multiple Academy Award®-winning visual effects pioneer Ken Ralston as the recipient of the VES Lifetime Achievement Award in recognition of his enormous contributions to filmed entertainment. The award will be presented at the 15th Annual VES Awards on February 7, 2017 at the Beverly Hilton Hotel. The VES Lifetime Achievement Award, bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Ralston for his intuitive vision and unparalleled mastery of visual effects. Ralston’s creative vision and fierce technical expertise have earned him an impressive five Academy Awards®. His groundbreaking work has built a rich legacy, one that has profoundly impacted future generations of artists and innovators. "Ken Ralston is an amazing force and a defining voice of the visual effects community,” said Mike Chambers, VES Board Chair. “His creativity, leadership, and ability to use technologies to enhance the art of storytelling have brought us some of the most memorable films of all time.
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Alan Silvestri
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Flight of the Navigator Digital Booklet
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DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
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Los Beowulfs De Robert Zemeckis Y Caitlín R
Miscelánea Medieval Murciana 2009, XXXIII; pp. 9-31 ESTRATEGIAS Y RECURSOS PARA LA REELABORACIÓN DE UN POEMA HEROICO MEDIEVAL EN EL SIGLO XXI: LOS BEOWULFS DE ROBERT ZEMECKIS Y CAITLÍN R. KIERNAN Juan Camilo Conde Silvestre1 RESUMEN La presencia de la Edad Media como uno de los marcos privilegiados por la cultura popular contemporánea es fácilmente constatable en la cantidad de películas, novelas, cómics e incluso juguetes, videojuegos y hasta parques temáticos inspirados en distintos aspectos de este periodo de la historia europea. El poema anglo-sajón Beowulf no es ajeno a esta ‘apropiación’ y cuenta con decenas de (re)creaciones y adaptaciones en distintos for- matos. Entre las más recientes destacan la película Beowulf de Robert Zemeckis (2007) y la novela homónima de Cailtlín R. Kiernan (2007), ambas basadas en el guión firmado por Neil Gaiman y Roger Avary (2007). En este trabajo se analizan estas dos propuestas, tanto desde los parámetros de la cultura popular, como en su relación con el poema medieval del que parten. De este modo, se detectan algunas estrategias literarias y culturales que remiten con cierta fidelidad al original y añaden así un componente intelectual o culto a estas dos versiones populares. Palabras clave: Literatura medieval, literatura anglo-sajona, Beowulf, adaptación litera- ria, adaptación cinematográfica, cultura popular, intertextualidad. ABSTRACT The Middle Ages has been privileged in countless adaptations within popular culture. The number of movies, novels, graphic novels, toys, computer games and even amusement parks based on different aspects related to this historical period is indeed very high. The anglo-saxon poem Beowulf is not an exception and there are dozens of adaptations or re- creations which ‘appropiate’ the poem in different formats.
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