Advanced Lesson One
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manufacturing Realisms
Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions. -
Viewing Film from a Communication Perspective
Communication and Theater Association of Minnesota Journal Volume 36 Article 6 January 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Purdue University, [email protected] Rebekah L. Fox Purdue University Jennifer L. Bezek Purdue University Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Curriculum and Social Inquiry Commons, Film and Media Studies Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Clair, R., Fox, R., & Bezek, J. (2009). Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom. Communication and Theater Association of Minnesota Journal, 36, 70-87. This Teacher's Workbook is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Clair et al.: Viewing Film from a Communication Perspective: Film as Public Rel 70 CTAMJ Summer 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Professor [email protected] Rebekah L. Fox, Ph.D. Jennifer L. Bezek, M.A. Department of Communication Purdue University West Lafayette, IN ABSTRACT Academics approach film from multiple perspectives, including critical, literary, rhetorical, and managerial approaches. Furthermore, and outside of film studies courses, films are frequently used as a pedagogical tool. -
Marty Kline Storyboards
http://oac.cdlib.org/findaid/ark:/13030/c88k7d82 No online items Marty Kline storyboards Special Collections Margaret Herrick Library© 2014 Marty Kline storyboards 535 1 Descriptive Summary Title: Marty Kline storyboards Date (inclusive): 1989-1993 Collection number: 535 Creator: Kline, Marty Extent: 1.3 linear feet of papers. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Marty Kline storyboards, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Biography Martin A. Kline is an American storyboard artist, production and concept illustrator, and visual effects art director active in film since the 1980s. He served as a storyboard artist on several films directed by Robert Zemeckis. Collection Scope and Content Summary The Marty Kline storyboards span the years 1989-1993 and encompass 1.3 linear feet. There are photocopies of storyboards for three films directed by Robert Zemeckis, BACK TO THE FUTURE PART II (1989), DEATH BECOMES HER (1992), and FORREST GUMP (1993); and one directed by Steven Spielberg, JURASSIC PARK (1993). While the drawings are primarily by Kline, some are drawn by other storyboard artists. Arrangement Arranged in the following series: 1. Production files. Indexing Terms Kline, Marty--Archives. storyboard artists Marty Kline storyboards 535 2. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
A Longitudinal Analysis of Port Systems in Asia Joyce
A LONGITUDINAL ANALYSIS OF PORT SYSTEMS IN ASIA JOYCE LOW MEI WAN @ PHAN MEI LING JOAN NATIONAL UNIVERSITY OF SINGAPORE 2008 A LONGITUDINAL ANALYSIS OF PORT SYSTEMS IN ASIA JOYCE LOW MEI WAN @ PHAN MEI LING JOAN (B.B.A (Hons), M.Sc. (Mgt), NUS) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF INDUSTRIAL AND SYSTEMS ENGINEERING NATIONAL UNIVERSITY OF SINGAPORE 2008 CONTENTS List of Tables v List of Figures vii Acknowledgments viii Summary ix Chapter 1 Introduction 1 1. Background 1.1 Research Scope and Objectives 1.2 Structure of Dissertation Chapter 2 An Empirical Investigation on the Cargo Traffic 11 Performances in East Asian Ports 2. Introduction 2.1 Model of Analysis 2.2 Empirical Analysis at the Aggregate Port Industry Level 2.2.1 Data Description and Sample 2.2.2 The Variables 2.2.3 The Results 2.2.4 Implications of Findings 2.3 Cluster Analysis at the Disaggregate Individual Port Level 2.3.1 Seaport Clusters 2.3.2 Airport Clusters 2.4 Discussions 2.5 Conclusions i Chapter 3 Assessment of Hub Status among Major Asian Ports 68 from A Network Perspective 3. Introduction 3.1 Literature Review 3.2 Model Components 3.2.1 Port Connectivity Index 3.2.2 Port Cooperation Index 3.3 The Case Studies 3.3.1 Alpha Shipping Lines 3.3.2 Gamma Shipping Lines 3.2.2 Beta Shipping Lines 3.4 Discussions 3.4.1 Qualitative Analysis of Empirical Results 3.4.2 Robustness of Analysis 3.4.3 Key Factors Influencing Port Competitiveness 3.4.4 Importance of Inter-Port Relationship to Port Traffic 3.5 Conclusions Chapter 4 The Changing Landscape of the Airport Industry and its 104 Strategic Impact on Air Hub Development in Asia 4. -
Incidents in the Life of a Slave Girl Philemon Isaiah Amos
ENGL 4384: Senior Seminar Student Anthology Fall 2012 Dr. Rebecca Harrison, Professor Department of English & Philosophy Printed on campus by UWG Publications and Printing. A Culture of Captivity: Subversive Femininity and Literary Landscapes Introduction 5 Dr. Rebecca L. Harrison I. Captive Women/Colonizing Texts “Heathenish, Indelicate and Indecent”: Male Authorship, 13 Narration, and the Transculturated, Mutable Female in James T. DeShields Cynthia Ann Parker, James Seaver’s A Narrative of the Life of Mrs. Mary Jemison, and Royal B. Stratton’s Captivity of the Oatman Girls Mary Catherine Lyons American Colonization and the Death of the Female 34 Captive Hannah Barnes Mitchell The Comfortable Captive: Applying Double-Voice 49 Discourse to Cotton Mather’s and John Greenleaf Whittier’s Depictions of Hannah Dustan’s Captivity to Ultimately Reveal Potential Female Agency Michelle Guinn II. Captive Others: Cutting through Sentimental Scripts “Lors, Chile! What’s You Crying ’Bout?”: Sympathy & Tears 62 in Harriet Jacobs’ Incidents in the Life of a Slave Girl Philemon Isaiah Amos The Absolutely Real Ramifications of a Full-Time Genocide: 79 Exploring Mary Rowlandson’s Role in Alexie’s “Captivity” and True Diary Gina Riccobono III. Generic Adaptations & Dislodging the Narrative Tradition Transgressing the “bloody old hag”: Gender in Nathaniel 93 Hawthorne’s “The Duston Family” Michele Drane Creating the Autonomous Early American Woman: Angela 112 Carter and Caroline Gordon (Re) Employ the Female Captivity Narrative Genre Wayne Bell Death Becomes Her: The American Female Victim-Hero 125 Legacy Wes Shelton IV. Crossing the Borders of Captivity Capturing Dorinda Oakley 143 Dorinda Purser Unknowable and Thereby Unconquerable: Examining Ada 157 McGrath’s Resistance in The Piano Brett Hill ‘Bonds of Land and Blood’: Communal Captivity and 171 Subversive Femininity in Woodrell’s Winter’s Bone Jason Cole Contributors 190 A Culture of Captivity: Subversive Femininity and Literary Landscapes Dr. -
Sui GENERIS GENIUS: HOW the DESIGN PROTECTION STATUTE COULD BE AMENDED to INCLUDE ENTERTAINMENT PITCH IDEAS
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW Sui GENERIS GENIUS: HOW THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG ABSTRACT Hollywood writers and idea men have struggled to gain protection for their entertainment treatments because their works are caught in the realm between unprotected ideas and fully protected expression. In addition to their failure to secure federal copyright protection for their treatments, idea men have also failed to obtain state law protection for their entertainment ideas, leaving them with virtually no legal recourse for idea theft. This comment proposes that Congress should create sui generis protection for ideas in the entertainment industry similar to the protections afforded under the Vessel Hull Design Protection Act. Copyright © 2009 The John Marshall Law School M Cite as Lindsey Weisselberg, Sui Generis Genius: How the Design ProtectionStatute Could be Amended to Include EntertainmentPitch Ideas, 9 J. MARSHALL REV. INTELL. PROP. L. 184 (2009). Sui GENERIS GENIUS: How THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG* INTRODUCTION Imagine moving to Los Angeles to follow your Hollywood dream of making it big as a screenwriter. After several years finding little success in the industry, you are given a shot at developing a drama for a major TV network. You pitch your idea with a fully detailed outline of characters and subplots. But then, after completing the script for the pilot episode, the network fires you; and your involvement in the project is over. The network, however, continues to run with your idea. About a year later, a highly anticipated new show premieres with striking similarities to the original idea you pitched to the network. -
Cowboys, Postmodern Heroes, and Anti-Heroes: the Many Faces
COWBOYS, POSTMODERN HEROES, AND ANTI-HEROES: THE MANY FACES OF THE ALTERIZED WHITE MAN Hyon Joo Yoo Murphree, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2000 APPROVED: Diane Negra, Major Professor Olaf Hoerschelmann, Committee Member Diana York Blaine, Committee Member C. Melinda Levin, Graduate Coordinator of the Department of Radio, TV and Film Steve Craig, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Murphree, Hyon Joo Yoo, Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man. Master of Arts (Radio, Television and Film), August 2000, 131 pp., references, 48 titles. This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50’s through 90’s coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes’ “intero-alterity” is further problematized by antiheroes in Tim Burton’s films. TABLE OF CONTENTS INTRODUCTION...........................................................................................................................................3 1. Reading a Dynamic Connection between the 1950’s and 1990’s..........................................................6 2. -
Jackson Dockery Date: 3/11/16 Run Tom Run: the Unexpected
Jackson Dockery Date: 3/11/16 Run Tom Run: The Unexpected Stereotype I think when you start a high-concept, analytical paper on the arts and what they mean in the world, you should always ask the hard-hitting, down-to-earth, what-the-people-want-to-hear questions that…well the people want to hear. Can you name a Tom Hanks character? And at first I know what you’re going to say, “Oh come on bro, you’ve got to be kidding me bro, Forrest Gump bro. Not a tough question. Not a tough YOU bro.” And although you may be true Uncle Eli from Boston, I’d omit that one because the character’s name is in the freakin’ title. So then you may go, oh Tom Hanks in Big, or Tom Hanks in Cast Away, or Tom Hanks in Saving Private Ryan, but as you go on you realize that these aren’t characters but merely an actor and the movies he’s been in. It’s no question Hanks is currently one of the world’s most beloved American actor, a man who is undeniably talented and versatile. But why then do we find ourselves with each movie he makes, more and more detached from the great characters that he’s creating? Is it the thick blur of celebrity? Perhaps the immense fame Hanks has garnered has not hurt his performance, but our perception of them. Hindering our ability to lose ourselves in a story and leave the real world outside for the theater we’ve walked into. -
An Experiment in Comedy, Stunts, and Visual Effects
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-16-2016 “Down to the Last:” An experiment in comedy, stunts, and visual effects Margaret Ann Broach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Broach, Margaret Ann, "“Down to the Last:” An experiment in comedy, stunts, and visual effects" (2016). University of New Orleans Theses and Dissertations. 2246. https://scholarworks.uno.edu/td/2246 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “Down to the Last:” An experiment in comedy, stunts, and visual effects A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements of the degree of Master of Fine Arts In Film and Theatre With a concentration in Film Production By Margaret Broach B.F.A. -
Ghosts: 'What Lies Beneath' and 'The Others'
UvA-DARE (Digital Academic Repository) Escaping entrapment Gothic heroines in contemporary film Onaran, G. Publication date 2017 Document Version Other version License Other Link to publication Citation for published version (APA): Onaran, G. (2017). Escaping entrapment: Gothic heroines in contemporary film. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 CHAPTER II ghosts: What Lies Beneath and The Others not so happily after all: from the marital gothic to the maternal gothic In this chapter, I will investigate two contemporary gothic films, namely The Others (Alejandro Amenábar, 2001) and What Lies Beneath (Robert Zemeckis, 2000), in order to explore the intricate workings of patriarchal family values and how these affect the contemporary gothic heroine. -
In This Issue the Classical Beat 3 Sourtoe on TV 4 Queenie and the Bees 10 Infinitus Performs at the Odd Steven and Chris Sample Klondike Rocking at the Rectory
The WEDNESDAY, OCTOBER 1, 2014 • VOL. 25, NO. 11 $1.50 Nice weather for ducks? Nope - they KLONDIKE fly south. SUN Dawson Studied by Action Canada Group One sure sign of fall is the sight of the Klondike Spirit making one of its last cruises for the season. The boat is now resting in its winter berth until next spring. For a gorgeous colour version of this shot, check out our Facebook page. Photo by Dan Davidson in this Issue The Classical Beat 3 Sourtoe on TV 4 Queenie and the Bees 10 Infinitus performs at the Odd Steven and Chris sample Klondike Rocking at the Rectory. 2015 calendars Hall. cuisine. are now here! What to see and do in Dawson! 2 Authors on 8th winners 6 & 7 Teaching Farm established 11 YSOVA scholarships 20 Uffish Thoughts 4 Berton House reading 7 TV Guide 14-18 Classifieds 23 Letters 5 CNED builds connectons 8 Berton House Project published 12 City notices 24 P2 WEDNESDAY, October 1, 2014 THE KLONDIKE SUN What to SEE AND DO in DAWSON now: The Westminster Hotel fRidayS in The lOunge: This free public service helps our readers find their way through the many activities all over town. Any small happening may need preparation and geORge mCCOnkey 6-9 p.m. our Friday Happy Hour Music Series, fea- planning, so let us know in good time! To join this listing contact the office at tures a variety of local musicians, changing every week. 11 p.m. Pit House Band. [email protected]. HOOTENANY in the tavern on Tuesdays & Fridays from 6-9pm FAMILY COFFEE HOUSE NIGHT ThRee ChORdS & The TRuTh in the lounge on Wednesdays from 6-9pm Saturday October 11, 2014 7:00 pm at KIAC plays on Thursdays in the tavern from 6-9pm in the Ballroom Admission is by donation with all proceeds contributing to a Chamber of Commerce Meetingsdifferent community group.