A Longitudinal Analysis of Port Systems in Asia Joyce
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Manufacturing Realisms
Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions. -
Viewing Film from a Communication Perspective
Communication and Theater Association of Minnesota Journal Volume 36 Article 6 January 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Purdue University, [email protected] Rebekah L. Fox Purdue University Jennifer L. Bezek Purdue University Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Curriculum and Social Inquiry Commons, Film and Media Studies Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Clair, R., Fox, R., & Bezek, J. (2009). Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom. Communication and Theater Association of Minnesota Journal, 36, 70-87. This Teacher's Workbook is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Clair et al.: Viewing Film from a Communication Perspective: Film as Public Rel 70 CTAMJ Summer 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Professor [email protected] Rebekah L. Fox, Ph.D. Jennifer L. Bezek, M.A. Department of Communication Purdue University West Lafayette, IN ABSTRACT Academics approach film from multiple perspectives, including critical, literary, rhetorical, and managerial approaches. Furthermore, and outside of film studies courses, films are frequently used as a pedagogical tool. -
Asia-Express Logistics Holdings Limited 亞 洲 速 運 物 流 控 股 有 限
IMPORTANT If you are in any doubt about any of the contents of this prospectus, you should obtain independent professional advice. Asia-express Logistics Holdings Limited 亞 洲 速運物 流 控 股 有 限 公 司 (incorporated in the Cayman Islands with limited liability) LISTING ON GEM OF THE STOCK EXCHANGE OF HONG KONG LIMITED BY WAY OF SHARE OFFER Number of Offer Shares : 120,000,000 Shares Number of Placing Shares : 108,000,000 Shares (subject to reallocation) Number of Public Offer Shares : 12,000,000 Shares (subject to reallocation) Offer Price : Not more than HK$0.58 per Offer Share and expected to be not less than HK$0.42 per Offer Share plus brokerage of 1%, Stock Exchange trading fee of 0.005% and SFC transaction levy of 0.0027% (payable in full on application, subject to refund on final pricing) Nominal value : HK$0.01 per Share Stock code : 8620 Sole Sponsor South China Capital Limited Joint Bookrunners and Joint Lead Managers China Tonghai Securities Limited Wealth Link Securities Limited South China Securities Limited Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. A copy of this prospectus, together with the documents specified in the section headed ‘‘Documents Delivered to the Registrar of Companies and Available for Inspection — Documents Delivered to the Registrar of Companies’’ in Appendix V to this prospectus, has been registered by the Registrar of Companies in Hong Kong as required by section 342C of the Companies (Winding Up and Miscellaneous Provisions) Ordinance (Chapter 32 of the Laws of Hong Kong). -
Sui GENERIS GENIUS: HOW the DESIGN PROTECTION STATUTE COULD BE AMENDED to INCLUDE ENTERTAINMENT PITCH IDEAS
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW Sui GENERIS GENIUS: HOW THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG ABSTRACT Hollywood writers and idea men have struggled to gain protection for their entertainment treatments because their works are caught in the realm between unprotected ideas and fully protected expression. In addition to their failure to secure federal copyright protection for their treatments, idea men have also failed to obtain state law protection for their entertainment ideas, leaving them with virtually no legal recourse for idea theft. This comment proposes that Congress should create sui generis protection for ideas in the entertainment industry similar to the protections afforded under the Vessel Hull Design Protection Act. Copyright © 2009 The John Marshall Law School M Cite as Lindsey Weisselberg, Sui Generis Genius: How the Design ProtectionStatute Could be Amended to Include EntertainmentPitch Ideas, 9 J. MARSHALL REV. INTELL. PROP. L. 184 (2009). Sui GENERIS GENIUS: How THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG* INTRODUCTION Imagine moving to Los Angeles to follow your Hollywood dream of making it big as a screenwriter. After several years finding little success in the industry, you are given a shot at developing a drama for a major TV network. You pitch your idea with a fully detailed outline of characters and subplots. But then, after completing the script for the pilot episode, the network fires you; and your involvement in the project is over. The network, however, continues to run with your idea. About a year later, a highly anticipated new show premieres with striking similarities to the original idea you pitched to the network. -
Jackson Dockery Date: 3/11/16 Run Tom Run: the Unexpected
Jackson Dockery Date: 3/11/16 Run Tom Run: The Unexpected Stereotype I think when you start a high-concept, analytical paper on the arts and what they mean in the world, you should always ask the hard-hitting, down-to-earth, what-the-people-want-to-hear questions that…well the people want to hear. Can you name a Tom Hanks character? And at first I know what you’re going to say, “Oh come on bro, you’ve got to be kidding me bro, Forrest Gump bro. Not a tough question. Not a tough YOU bro.” And although you may be true Uncle Eli from Boston, I’d omit that one because the character’s name is in the freakin’ title. So then you may go, oh Tom Hanks in Big, or Tom Hanks in Cast Away, or Tom Hanks in Saving Private Ryan, but as you go on you realize that these aren’t characters but merely an actor and the movies he’s been in. It’s no question Hanks is currently one of the world’s most beloved American actor, a man who is undeniably talented and versatile. But why then do we find ourselves with each movie he makes, more and more detached from the great characters that he’s creating? Is it the thick blur of celebrity? Perhaps the immense fame Hanks has garnered has not hurt his performance, but our perception of them. Hindering our ability to lose ourselves in a story and leave the real world outside for the theater we’ve walked into. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ⌧ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended May 31, 2005. OR " TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to . Commission file number 1-15829 FEDEX CORPORATION (Exact Name of Registrant as Specified in its Charter) Delaware 62-1721435 (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 942 South Shady Grove Road, Memphis, Tennessee 38120 (Address of Principal Executive Offices) (ZIP Code) Registrant’s telephone number, including area code: (901) 818-7500 Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Common Stock, par value $.10 per share New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months(or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes $ No " Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K (§ 229.405 of this chapter) is not contained herein, and will not be contained, to the best of Registrant’s knowledge, in definitive proxy or information statements incorporated by reference in Part III of thisForm 10-K or any amendment to this Form 10-K. -
In This Issue the Classical Beat 3 Sourtoe on TV 4 Queenie and the Bees 10 Infinitus Performs at the Odd Steven and Chris Sample Klondike Rocking at the Rectory
The WEDNESDAY, OCTOBER 1, 2014 • VOL. 25, NO. 11 $1.50 Nice weather for ducks? Nope - they KLONDIKE fly south. SUN Dawson Studied by Action Canada Group One sure sign of fall is the sight of the Klondike Spirit making one of its last cruises for the season. The boat is now resting in its winter berth until next spring. For a gorgeous colour version of this shot, check out our Facebook page. Photo by Dan Davidson in this Issue The Classical Beat 3 Sourtoe on TV 4 Queenie and the Bees 10 Infinitus performs at the Odd Steven and Chris sample Klondike Rocking at the Rectory. 2015 calendars Hall. cuisine. are now here! What to see and do in Dawson! 2 Authors on 8th winners 6 & 7 Teaching Farm established 11 YSOVA scholarships 20 Uffish Thoughts 4 Berton House reading 7 TV Guide 14-18 Classifieds 23 Letters 5 CNED builds connectons 8 Berton House Project published 12 City notices 24 P2 WEDNESDAY, October 1, 2014 THE KLONDIKE SUN What to SEE AND DO in DAWSON now: The Westminster Hotel fRidayS in The lOunge: This free public service helps our readers find their way through the many activities all over town. Any small happening may need preparation and geORge mCCOnkey 6-9 p.m. our Friday Happy Hour Music Series, fea- planning, so let us know in good time! To join this listing contact the office at tures a variety of local musicians, changing every week. 11 p.m. Pit House Band. [email protected]. HOOTENANY in the tavern on Tuesdays & Fridays from 6-9pm FAMILY COFFEE HOUSE NIGHT ThRee ChORdS & The TRuTh in the lounge on Wednesdays from 6-9pm Saturday October 11, 2014 7:00 pm at KIAC plays on Thursdays in the tavern from 6-9pm in the Ballroom Admission is by donation with all proceeds contributing to a Chamber of Commerce Meetingsdifferent community group. -
Narrative of the Life of Frederick Douglass Author: Frederick Douglass, 1817?–95 First Published: 1845
NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS, AN AMERICAN SLAVE BY FREDERICK DOUGLASS 7^WYS`f7Taa]e NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS, AN AMERICAN SLAVE. WRITTEN BY HIMSELF. BOSTON PUBLISHED AT THE ANTI-SLAVERY OFFICE, NO. 25 CORNHILL 1845 Entered, according to Act of Congress, in the year 1845, BY FREDERICK DOUGLASS, in the Clerk’s Office of the District Court of Massachusetts. COPYRIGHT INFORMATION Book: Narrative of the Life of Frederick Douglass Author: Frederick Douglass, 1817?–95 First published: 1845 The original book is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries’ copyright laws to be certain they can legally download this ebook. The Online Books Page has an FAQ which gives a summary of copyright durations for many other countries, as well as links to more official sources. This PDF ebook was created by José Menéndez. PREFACE. IN the month of August, 1841, I attended an anti-slavery convention in Nantucket, at which it was my happiness to become acquainted with FREDERICK DOUGLASS, the writer of the following Narrative. He was a stranger to nearly every member of that body; but, having recently made his escape from the southern prison-house of bondage, and feeling his curiosity excited to ascertain the principles and measures of the abolitionists,—of whom he had heard a somewhat vague description while he was a slave,—he was induced to give his attendance, on the occasion alluded to, though at that time a resident in New Bedford. -
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Five-Star Television
July 20 - 26, 2019 AUTO Demián Bichir and Roselyn Sanchez star in “Grand Hotel” HOME FLOOD LIFE WORK 101 E. Clinton St., Roseboro, N.C. 910-525-5222 [email protected] Five-star television We ought to weigh well, See What Your Neighbors Are Talking About! what we can only once decide. Complete Funeral Service including: Traditional Funerals, Cremation For all your Pre-Need-Pre-Planning flooring Independently Owned & Operated needs! Since 1920’s Butler Funeral Home 401 W. Roseboro Street 2 locations to Hwy. 24 Windwood Dr. Roseboro, NC better serve you Stedman, NC 910-525-5138 910-223-7400 www.clintonappliance.com 591-592-7077 401 NE Blvd., Clinton, NC 910-525-4337 (fax) 910-307-0353(fax) Page 2 — Saturday, July 20, 2019 — Sampson Independent On the Cover Hot stuff: ABC’s ‘Grand Hotel’ puts the sizzle in summer By Kyla Brewer TV Media ith its stunning hotels, sizzling- Whot beaches and even hotter nightlife, Miami is a haven for peo- ple looking for a taste of the high life. Yet, life in Miami isn’t all fun in the sun, and a new series set in a posh hotel explores the dark side of the sunshine state. Academy Award nominee Demián Bichir (“A Better Life,” 2011) stars as Santiago Mendoza, the owner of Miami Beach’s last family- run hotel, in “Grand Hotel,” airing Monday, July 22, on ABC. Inspired by the popular Spanish TV series “Gran Hotel,” the drama offers viewers a modern take on the classic upstairs- downstairs story as it follows the lives of the Mendozas and their wealthy guests, along with those of their loyal working-class staff. -
Alan Silvestri
ALAN SILVESTRI AWARDS/NOMINATIONS THE SOCIETY OF COMPOSERS AND AVENGERS: ENDGAME LYRICISTS NOMINATION (2020) Outstanding Original Score for a Studio Film 67th ANNUAL GRAMMY AWARDS AVENGERS: ENDGAME NOMINATION (2020) Best Score Soundtrack for Visual Media 66th ANNUAL GRAMMY AWARDS AVENGERS: INFITINTY WAR NOMINATION (2019) Best Instrumental Composition ACADEMY OF SCIENCE FICTION, READY PLAYER ONE FANTASY & HORROR FILMS AWARD NOMINATION (2019) Best Music ACADEMY OF SCIENCE FICTION, AVENGERS: ENDGAME FANTASY & HORROR FILMS AWARD NOMINATION (2019) Best Music HOLLYWOOD MUSIC IN MEDIA (2019) AVENGERS: ENDGAME Original Score – Sci-fi/Fantasy INTERNATIONAL FILM MUSIC CRITICS READY PLAYER ONE ASSOCIATION NOMINATION (2019) Best Original Score for a Fantasy/Science Fiction/Horror Film INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2019) Film Composer of the Year WORLD SOUNDTRACK AWARD WELCOME TO MARWEN NOMINATION (2019) AVENGERS: ENDGAME Film Composer of the Year HOLLYWOOD MUSIC IN MEDIA READY PLAYER ONE NOMINATION (2018) Original Score-Sci-Fi/Fantasy/Horror Film 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI INTERNATIONAL FILM MUSIC CRITICS ALAN SILVESTRI: WORLD SOUNDTRACK ASSOCIATION NOMINATION (2016) AWARDS Best Archival Release of an Existing Score – Compilation HOLLYWOOD MUSIC IN MEDIA THE WALK NOMINATION (2015) Original Score-Feature Film EMMY AWARD (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music INTERNATIONAL FILM MUSIC -
Softball Complex and Players Will Be Available Following Practice #1 Leandra Hines
TABLE OF CONTENTS/ MEDIA INFORMATION MEDIA INFORMATION TABLE OF CONENTS GENERAL INFORMATION • All interview requests for Tiger softball players 2009 Roster ............................................................2 Name of School: .............. University of Memphis and coaches must be directed through the Ath- 2009 Preview ..........................................................3 Location: .................................... Memphis, Tenn. letic Media Relations Offi ce at (901) 678-2444. Head Coach Windy Thees ...................................4-5 Assistant Coaches ..................................................6 Founded: .....................................................1912 Interviews will be arranged around practice Player Pages .....................................................7-17 Enrollment: ...............................................20,379 times and class schedules. #4 Leila Dolfo .................................................7 Nickname:..................................................Tigers #24 Brittany Gooch ........................................8 Colors: ..........................................Blue and Gray • Practices are open to the media. The coaches #5 Tori Gross .................................................. 9 Home Field: .....................Tiger Softball Complex and players will be available following practice #1 Leandra Hines ........................................ 10 Capacity:........................................................275 for interviews upon advanced request. #23 Lyndsey