In This Issue the Classical Beat 3 Sourtoe on TV 4 Queenie and the Bees 10 Infinitus Performs at the Odd Steven and Chris Sample Klondike Rocking at the Rectory
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Manufacturing Realisms
Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions. -
The Alaska Story
COMPASS BEARINGS Gary Walter The Alaska Story his is the season for regional annual meet- our own fledgling movement, just four years old at ings. The Covenant, though one church, has the time, to step into the initiative in their place. The Televen regions within the United States and Covenant did, and Alaska became one of our very first Canada known as conferences. Each year delegates mission endeavors, along with China. The blight of a from churches within those areas gather to celebrate few early missionaries being sidetracked by the gold what God is doing and to deliberate on where God is rush notwithstanding, the emerging endeavor, joining leading. It is also a time to make new friendships and the efforts of Alaska Native leaders and missionaries, deepen old bonds. went on to develop churches, orphanages, schools, This year I traveled to the meeting of our Alaska and clinics over the first several decades. region, known as ECCAK (Evangelical Covenant Alaska is where the Covenant Church first grew Church of Alaska). Given the scope of what we do in multiethnic understanding. It hasn’t always been and the relatively small population of the state, Alaska easy, and it hasn’t always been done right. No one may be the only place in the United States and Cana- would deny that there have been hurtful, paternalistic, da where having heard of the Covenant is culturally and insensitive moments. But just because we haven’t normative—well, OK, at least not all that unusual. always gotten it right, doesn’t mean it isn’t right. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Viewing Film from a Communication Perspective
Communication and Theater Association of Minnesota Journal Volume 36 Article 6 January 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Purdue University, [email protected] Rebekah L. Fox Purdue University Jennifer L. Bezek Purdue University Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Curriculum and Social Inquiry Commons, Film and Media Studies Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Clair, R., Fox, R., & Bezek, J. (2009). Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom. Communication and Theater Association of Minnesota Journal, 36, 70-87. This Teacher's Workbook is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Clair et al.: Viewing Film from a Communication Perspective: Film as Public Rel 70 CTAMJ Summer 2009 Viewing Film from a Communication Perspective: Film as Public Relations, Product Placement, and Rhetorical Advocacy in the College Classroom Robin Patric Clair Professor [email protected] Rebekah L. Fox, Ph.D. Jennifer L. Bezek, M.A. Department of Communication Purdue University West Lafayette, IN ABSTRACT Academics approach film from multiple perspectives, including critical, literary, rhetorical, and managerial approaches. Furthermore, and outside of film studies courses, films are frequently used as a pedagogical tool. -
Z-Nation - EP 2XX - FULL PINK (10/10/15) 2
EPISODE 200 "PEACE OF MURPHY" Written by REDACTED Directed by REDACTED PRODUCTION DRAFT 08/01/15 FULL BLUE 08/05/15 The Asylum Los Angeles 45315 FADE IN: 1 EXT. COUNTRY ROAD - DAY 1 We open on a desolate stretch of back-road. The mid-day sun beats down. There’s no noise. No crickets chirping. Like most places in this world: dead and way too quiet. A RUSTED BILLBOARD casts a shadow across the sweltering tarmac. A cartoon bear warning visitors that “ONLY YOU CAN PREVENT FOREST FIRES”. Behind the billboard, in the distance - AN ATOMIC FIRE RAVAGES THE LANDSCAPE. SLOW FOOTSTEPS break the silence. A WOUNDED-MAN drags himself down the road. Blackened and burned: The clothes are literally falling from his back. He’s sick and desperate - A victim of radiation poisoning. The Wounded-Man reaches the shadow of the billboard before stumbling - And collapsing to his knees. He looks towards the sky. Coughs. WOUNDED-MAN Please. Somebody... Anybody? ANGLE ON: A VEHICLE APPROACHING FROM THE DISTANCE The man smiles, his prayers have been answered. WOUNDED-MAN (CONT’D) Oh God, stop. Please stop. He climbs to his feet with what strength he can muster and frantically waves his arms around. The Truck continues its approach - It’s not slowing down. He realizes - and DASHES to the side - just as the vehicle speeds past. SCREECH! - The Truck comes to a complete stop just past the billboard. Brake-lights shine. The truck reverses back towards the bewildered man. The driver side window rolls down, revealing the mans savior - MURPHY sitting at the wheel with ROBERTA riding shotgun. -
Zombies in Western Culture: a Twenty-First Century Crisis
JOHN VERVAEKE, CHRISTOPHER MASTROPIETRO AND FILIP MISCEVIC Zombies in Western Culture A Twenty-First Century Crisis To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/602 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Zombies in Western Culture A Twenty-First Century Crisis John Vervaeke, Christopher Mastropietro, and Filip Miscevic https://www.openbookpublishers.com © 2017 John Vervaeke, Christopher Mastropietro and Filip Miscevic. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: John Vervaeke, Christopher Mastropietro and Filip Miscevic, Zombies in Western Culture: A Twenty-First Century Crisis. Cambridge, UK: Open Book Publishers, 2017, http://dx.doi. org/10.11647/OBP.0113 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/602#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
TV Listings Aug21-28
SATURDAY EVENING AUGUST 21, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Stand Up to Cancer (N) NCIS: New Orleans ’ 48 Hours ’ CBS 2 News at 10PM Retire NCIS ’ NCIS: New Orleans ’ 4 83 Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ Grace Paid Prog. ThisMinute 5 5Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ 1st Look In Touch Hollywood 6 6Stand Up to Cancer (N) Hell’s Kitchen ’ FOX 6 News at 9 (N) News (:35) Game of Talents (:35) TMZ ’ (:35) Extra (N) ’ 7 7Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News at 10pm Castle ’ Castle ’ Paid Prog. 9 9MLS Soccer Chicago Fire FC at Orlando City SC. Weekend News WGN News GN Sports Two Men Two Men Mom ’ Mom ’ Mom ’ 9.2 986 Hazel Hazel Jeannie Jeannie Bewitched Bewitched That Girl That Girl McHale McHale Burns Burns Benny 10 10 Lawrence Welk’s TV Great Performances ’ This Land Is Your Land (My Music) Bee Gees: One Night Only ’ Agatha and Murders 11 Father Brown ’ Shakespeare Death in Paradise ’ Professor T Unforgotten Rick Steves: The Alps ’ 12 12 Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News Big 12 Sp Entertainment Tonight (12:05) Nightwatch ’ Forensic 18 18 FamFeud FamFeud Goldbergs Goldbergs Polka! Polka! Polka! Last Man Last Man King King Funny You Funny You Skin Care 24 24 High School Football Ring of Honor Wrestling World Poker Tour Game Time World 414 Video Spotlight Music 26 WNBA Basketball: Lynx at Sky Family Guy Burgers Burgers Burgers Family Guy Family Guy Jokers Jokers ThisMinute 32 13 Stand Up to Cancer (N) Hell’s Kitchen ’ News Flannery Game of Talents ’ Bensinger TMZ (N) ’ PiYo Wor. -
A Longitudinal Analysis of Port Systems in Asia Joyce
A LONGITUDINAL ANALYSIS OF PORT SYSTEMS IN ASIA JOYCE LOW MEI WAN @ PHAN MEI LING JOAN NATIONAL UNIVERSITY OF SINGAPORE 2008 A LONGITUDINAL ANALYSIS OF PORT SYSTEMS IN ASIA JOYCE LOW MEI WAN @ PHAN MEI LING JOAN (B.B.A (Hons), M.Sc. (Mgt), NUS) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF INDUSTRIAL AND SYSTEMS ENGINEERING NATIONAL UNIVERSITY OF SINGAPORE 2008 CONTENTS List of Tables v List of Figures vii Acknowledgments viii Summary ix Chapter 1 Introduction 1 1. Background 1.1 Research Scope and Objectives 1.2 Structure of Dissertation Chapter 2 An Empirical Investigation on the Cargo Traffic 11 Performances in East Asian Ports 2. Introduction 2.1 Model of Analysis 2.2 Empirical Analysis at the Aggregate Port Industry Level 2.2.1 Data Description and Sample 2.2.2 The Variables 2.2.3 The Results 2.2.4 Implications of Findings 2.3 Cluster Analysis at the Disaggregate Individual Port Level 2.3.1 Seaport Clusters 2.3.2 Airport Clusters 2.4 Discussions 2.5 Conclusions i Chapter 3 Assessment of Hub Status among Major Asian Ports 68 from A Network Perspective 3. Introduction 3.1 Literature Review 3.2 Model Components 3.2.1 Port Connectivity Index 3.2.2 Port Cooperation Index 3.3 The Case Studies 3.3.1 Alpha Shipping Lines 3.3.2 Gamma Shipping Lines 3.2.2 Beta Shipping Lines 3.4 Discussions 3.4.1 Qualitative Analysis of Empirical Results 3.4.2 Robustness of Analysis 3.4.3 Key Factors Influencing Port Competitiveness 3.4.4 Importance of Inter-Port Relationship to Port Traffic 3.5 Conclusions Chapter 4 The Changing Landscape of the Airport Industry and its 104 Strategic Impact on Air Hub Development in Asia 4. -
DGA's 2014-2015 Episodic Television Diversity Report Reveals
FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period). -
Sui GENERIS GENIUS: HOW the DESIGN PROTECTION STATUTE COULD BE AMENDED to INCLUDE ENTERTAINMENT PITCH IDEAS
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW Sui GENERIS GENIUS: HOW THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG ABSTRACT Hollywood writers and idea men have struggled to gain protection for their entertainment treatments because their works are caught in the realm between unprotected ideas and fully protected expression. In addition to their failure to secure federal copyright protection for their treatments, idea men have also failed to obtain state law protection for their entertainment ideas, leaving them with virtually no legal recourse for idea theft. This comment proposes that Congress should create sui generis protection for ideas in the entertainment industry similar to the protections afforded under the Vessel Hull Design Protection Act. Copyright © 2009 The John Marshall Law School M Cite as Lindsey Weisselberg, Sui Generis Genius: How the Design ProtectionStatute Could be Amended to Include EntertainmentPitch Ideas, 9 J. MARSHALL REV. INTELL. PROP. L. 184 (2009). Sui GENERIS GENIUS: How THE DESIGN PROTECTION STATUTE COULD BE AMENDED TO INCLUDE ENTERTAINMENT PITCH IDEAS LINDSEY WEISSELBERG* INTRODUCTION Imagine moving to Los Angeles to follow your Hollywood dream of making it big as a screenwriter. After several years finding little success in the industry, you are given a shot at developing a drama for a major TV network. You pitch your idea with a fully detailed outline of characters and subplots. But then, after completing the script for the pilot episode, the network fires you; and your involvement in the project is over. The network, however, continues to run with your idea. About a year later, a highly anticipated new show premieres with striking similarities to the original idea you pitched to the network. -
Put Your Foot Down
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Is This Hidden Gem the Best Sci-Fi Series Ever? by Steve Sternberg
August 2021 #114 __________________________________________________________________________________________ _____ Is This Hidden Gem the Best Sci-Fi Series Ever? By Steve Sternberg There are so many sub-genres of science fiction, and so many excellent vastly different sci-fi movies and television series, that singling out any as “the best” seems silly. How can you compare stories featuring aliens (e.g., Falling Skies, Colony, Raised by Wolves) to fantasy (e.g., Buffy the Vampire Slayer, Game of Thrones, The Witcher), horror (e.g., American Horror Stories, Van Helsing, Servant), post-apocalyptic (e.g., The Walking Dead, The Last Ship, Z Nation), space operas (e.g., Battlestar Galactica, Babylon 5, The Expanse), super heroes (e.g., The Flash, Titans, Superman & Lois), alternate histories (Man in the High Castle, Watchmen, For All Mankind), cyberpunk (e.g., Dollhouse, Almost Human, Altered Carbon), dystopian futures (e.g., The Handmaid’s Tale, Westworld, Snowpiercer), parallel worlds (e.g., Sliders, Fringe, Counterpoint), time travel (e.g., Quantum Leap, Travelers, Outlander) the supernatural (e.g., X-Files, Supernatural, Stranger Things), or franchises (e.g., Star Trek, Star Wars, Stargate)? A Sternberg Report Sponsored Message The Sternberg Report ©2021 __________________________________________________________________________________________ _____ That said, Netflix’s mystery thriller, Dark, needs to be carved into the Mount Rushmore of science-fiction dramas. It’s the most meticulously well-crafted series I’ve ever seen. It can be as confounding as it is compelling, but when it’s over, you realize you’ve just seen a masterpiece. Dark is among the very best sci-fi series ever made, and is certainly the best one incorporating time travel.