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Hugh Herr Wants to Build a More Perfect Human
strategy+business ISSUE 85 WINTER 2016 Hugh Herr Wants to Build a More Perfect Human At MIT’s Media Lab, an engineer and biophysicist — and double amputee — is designing prosthetics that connect body and brain. BY SALLY HELGESEN REPRINT 16410 feature innovation 1 AT MIT’S MEDIA LAB, AN ENGINEER AND BIOPHYSICIST — AND HUGHDOUBLE AMPUTEE — IS DESIGNING PROSTHETICS THAT CONNECT BODY AND HERR BRAIN BY SALLY HELGESEN feature WANTS innovation TO BUILD A MORE 2 PERFECT HUMAN Sally Helgesen [email protected] is an author, speaker, and leadership development consultant whose most recent book is The Female Vision: Women’s Real Power at Work (with Julie Johnson; Berrett- Koehler, 2010). Hugh Herr sits at a table in his austere glass office we have to ask ourselves now is: What would be more in the famous Media Lab at the Massachusetts Institute useful here, skin or polymer? Fit, function, comfort, and feature of Technology, scrolling through images of a striking aesthetics will dictate our decisions.” fashion model born without a right forearm. As head of A computer scientist, mechanical engineer, and biomechatronics research at MIT and one of the world’s biophysicist, Herr is himself a double amputee. And innovation leading developers of wearable robotics, Herr is making his immersion in robotics was initially driven by a per- a point about how disability is becoming obsolete as the sonal quest to develop superior prosthetics. By analyz- boundary between humans and robots vanishes. ing human motion, studying how electronic devices The model, Rebekah Marine, strikes a pose on the interface with the nervous system, and using live mus- runway. -
Maid, Wife Or Widow?
! COLLEGE NOTES. “Iwas obe of the pages of honor, and train; mine was a mediseval beld her The new Harvard ecatalogue shows costume—blue velvet slashed with ee—— memberskip a 4 of 58 in the Jlaw white satin and laced with silver; my T School mother Jeut we Ler diamond algrette or The cataiogue of Brown University for——"" TOPIC‘S.|) for IM-06 contains several Maid, (IFMMI noteworthy Wife Widow? “She sheuld have added her apron” features. growled Rittmelster, the The new power plant of Cornell U ni- vividly Von Planitz blushed for a KEEPING CLEAN HOGS, versity in Fall Creek Gorge Las jusg warrior a conqueror, and Clarchen and one a hog roots, ring been compleied. the rescue, 1f has that then came generously to bim or her, and that trouble will be Some of the general plans for the “l dare say you would bave been over. As a matter of fact, only a small new library of Yale University appear Wop [rom very glad to have an algrette yours to be practically the E_nen)Q. proportion of hogs care root if they settled. Rittmeister, to self, Herr had you been | College grotesqueness the are well raised, given shade in the Teachers’ announces a course asked to the ball,” she said, sanclly, moved from the of of ten free public YOR THE MOTHER. woinep summer, plenty of variety of food, a lectures in Kinder- warning wueh-dreaded crinoline. Sowme garten “Clarchen,” sald the voice . Knickers 10 be worn again by Theory and Practice, sister, are daring have appeared ou geveral oc- warm bed in winter and good water to of the elder girls and again with the of The personne!l of the board of the this season gowned garments which drink. -
Meghan and Harry That They Would Have to Accept What Was on Offer and Not Demand What Was Not
Contents Title Page Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Photo Section Copyright CHAPTER 1 On May 19th 2018, when Meghan Markle stepped out of the antique Rolls Royce conveying her and her mother Doria Ragland from the former Astor stately home Cliveden to St. George’s Chapel, Windsor, where she was due to be married at 12 noon, she was a veritable vision of loveliness. At that moment, one of the biggest names of the age was born. As the actress ascended the steps of St. George’s Chapel, its interior and exterior gorgeously decorated in the most lavish and tasteful spring flowers, she was a picture of demure and fetching modesty, stylish elegance, transparent joyousness, and radiant beauty. The simplicity of her white silk wedding dress, designed by Clare Waight Keller of Givenchy, with its bateau neckline, three-quarter length sleeves, and stark, unadorned but stunningly simple bodice and skirt, coupled with the extravagant veil, five metres long and three metres wide, heavily embroidered with two of her favourite flowers (wintersweet and California poppy, as well as the fifty three native flowers of the various Commonwealth countries, and symbolic crops of wheat, and a piece of the blue dress that the bride had worn on her first date with the groom), gave out a powerful message. All bridal gowns make statements. Diana, Princess of Wales, according to her friend Carolyn Pride, used hers to announce to the world, ‘Here I am. -
Clothing.Pdf
n r- 0 -I ::c -z " CONTENTS ELEMENTS OF ANCIENT COSTUME ...............................................................................................................315 MEN'S CLOTHING ......................................................................................................................................... 319 SWEATERS ...................................................................................................................................................... 326 GLOVES .........................................................................................................................................................327 HEADGEAR .....................................................................................................................................................328 WOMEN'S CLOTHING ...................................................................................................................................330 CHILDREN'S CLOTHING ............................................................................................................................... .349 SPORTSWEAR ................................................................................................................................................. 352 SHOES ...........................................................................................................................................................354 314 ELEMENTS OF ANCIENT COSTUME PEPLOS TOGA ··--- fibula -._ - fold sinus .. · purple border· - justaucorps . - -
GLOVES, the LONG and SHORT of IT by Patti Jones
GLOVES, THE LONG AND SHORT OF IT By Patti Jones I have always been fascinated by our Model A Era gloves. I find them to be sexy, but important in completing an outfit for fashion judging. In the following pages, I have attempted to show the reader the many styles, fabrics, and leathers that were used and the beautiful art deco designs they inspired. Finding gloves is easy, the hard part is finding ones that fit. Leather gloves are the hardest to find that fit. When being judged, the judges will ask you to wear one glove, and carry the other. This is so they can judge the fit of the glove on the entrant. I know of no easy way of getting leather gloves to fit, other than, putting plenty of talcum powder on and start working your fingers to the end of the glove. Silk gloves can be washed and then immediately put on so that they can dry on your hands and thus, stretch them to fit. I have some plastic glove dryers that help stretch the glove after being washed, but it’s easier to wear them. Example of glove stretchers at right. To measure your hand for your glove size, hold out your hand with fingers touching and the thumb aside. With a tape measure, measure your hand all around, but not tight. The number of inches shown on the tape measure is your correct glove size. Gloves.doc - 1 - November 2009 When looking for gloves, make sure they have the 3 gores on the back of the hand as seen in the examples of this article. -
Transcending the Traditional: Fashion As Performance Jennifer Richards
Transcending the Traditional: Fashion as Performance Jennifer Richards Abstract From Fashion’s inception, there has been an intrinsic link between clothing, performance and the body. This dialogue has been evident throughout the last century and into the present. This paper will examine contemporary examples of the pose through fashion shows, fashion displays and fashion performances. It will discuss the work of Daphne Guinness and Viktor and Rolf, and how their work seeks to reflect the historical associations of the pose but updates this mode within the 21st century fashion climate. It will also consider Olivier Saillard’s work which examines the use of the pose with the contemporary fashion industry. His trilogy of work with the actress Tilda Swinton examines the history of couture, its process and creation, and the viewer’s relationship within the body and garment. These examples seek to break the barriers of the traditional modes of the pose within the fashion context. They ask questions as to our own relationship with clothing and the body, imbuing meaning and symbolism into their work. This paper will argue that these new modes help to raise the profile of the pose as performance, raising their status to work in part as a spiritual medium, evoking emotional responses in our own readings of the work. Key Words Performance, pose, body, meaning, symbolism Introduction In recent years, there has been an increasing number of collaborations between the Visual Arts and the world of Fashion. Major fashion houses have sought out collaborations with performance-based artists such as Marina Abromovich (co-art directing Givenchy’s shows) Yeezy & Vanessa Beecroft. -
STATESTREETS Ioothanniversa As a Bolt of Blue Denim, a Bargain in Beans and Sturdy High Shoes for • Herself and Her Brood
~o 'CHrCAtiO DA~Y TRIBUNE~ FRIDAY. OCTOBER rg'. 1933. WHY SHOULDN'T Satin and Lace in Combination =--- ---=11 Today and OUR WOMEN BE Tomorrow at DAVISCoMPA y __~ ~._._ _._..._~ ;..-+-. : 4. __ ~'...•.~_~• __ ~-- ~-'-;:- - -- - ..•. ~ mE--; __ __. .•.•--.,..•• ~ __:_-_~~_~ SO BEAUTIFUL? Modern Science Keeps THESE GRAND VALUES FOR MEN IN Them That Way. BY ELEANOR NANGLE. When State street was young a woman's shopping IIst was confined to such utterly practical, sober Items STATESTREETS IOOthANNIVERSA as a bolt of blue denim, a bargain In beans and sturdy high shoes for • herself and her brood. As the dust ruffle of her petticoats brushed the cobblestones and the plume of her bonnet bobbed demurely she may have wished, with Irrepres- sible feminine vanity, that she could buy something more effective, If not more exciting, than mutton tallow to soften her water roughened hands. But she never, even on her wildest shopping spree, thought of buying beauty. And If she had she couldn't have found It. A Century of Beauty Progress. Wouldn't she expire-of shock and of pure feminine envy-If she could see the fruits of a century of beauty progress? If she could see her grand- Smart New Fall daughter shop around today, with as much care for a facial or a reducing I treatment or a new shade of eye STETSO~ shadow, as she does for her new fall • suit of British tweeds? If It could be truthfully said that woman wants but little here below, that little is to be beautiful-and HATS beautiful she is nowadays. -
Un Hommage À Thomas Pynchon's Rainbow
Un Hommage à Thomas Pynchon’s Rainbow Peter Bamfield Editions Eclipse, 2012 One of the great novels of the 20th century is Thomas Pynchon’s Gravity’s Rainbow. For those interested in the use of color as a code in literature it is a positive goldmine. Consequently, many erudite essays have been written about this aspect of the work. My activity in this area has involved an examination and compilation of the phrases in which these color codes appear. Using this database I have constructed a reading of the novel based on these phrases. In carrying out this process I set myself the following constraints; . Each phrase abstracted from the novel must contain at least one color term. The words in each phrase must be in the order used by Pynchon. The phrases subsequently used to construct sentences to be in the order in which they occur in the novel. The only freedom to be in the selection of appropriate punctuation. Arguably, the four parts of the novel can be divided into a total of eighty-one episodes. I have followed this convention and hence produced eighty-one sentences covering the four parts. All the words used in this Hommage are Thomas Pynchon’s. Editions Eclipse: http://english.utah.edu/eclipse Part 1 Beyond the Zero Episode 1 With blue shadows, cockades the color of lead, globular lights painted a dark green, velvet black surfaces. At each brown floor, a tartan of orange, rust and scarlet. Giant bananas cluster, radiant yellow, humid green. A short vertical white line begins to vanish in red daybreak. -
English & Continental Furniture & Decorative Arts Old Master Paintings
ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Including The Estate of AILEEN MEHLE & The Collection of JUDITH TAUBMAN Wednesday, May 24 & Thursday, May 25, 2017 NEW YORK SESSION I ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS THE ESTATE OF AILEEN MEHLE THE COLLECTION OF JUDITH TAUBMAN AUCTION Wednesday, May 24, 2017 at 10am SESSION II RUSSIAN WORKS OF ART ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS AUCTION Thursday, May 25, 2017 at 10am EXHIBITIONS Saturday, May 20, 10am – 5pm Sunday, May 21, Noon – 5pm Monday, May 22, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF SESSION I Barbara Anspach Old Master Paintings & Drawings 1-114 The Eileen & Herbert C. Bernard Collection The Estate of Aileen Mehle 115-325 Patricia S. Bradshaw The Collection of Judith Taubman 326-366 Donald Brenwasser Silver & Silver Plate 367-418 A Connecticut Collector Furniture & Decorative Arts 419-567 Claudia Cosla, New York Anne H. and John K. Howat SESSION II Mary Kettaneh Russian Works of Art 568-768 Aileen Mehle Furniture & Decorative Arts 769-843 A Private New York Estate Carpets, Rugs & Tapestries 844-873 A New York Estate A New York Lady Harry Oppenheimer Anne Dubonnet Shaio Elizabeth Stoerk The Thurston Collection Helen R. Yellin INCLUDING PROPERTY FROM The Collection of Adolfo Glossary I The Descendants of Grand Duchess Xenia Alexandrovna Conditions -
THE GREATER INCLINATION by Edith Wharton
THE GREATER INCLINATION By Edith Wharton THE MUSE'S TRAGEDY Danyers afterwards liked to fancy that he had recognized Mrs. Anerton at once; but that, of course, was absurd, since he had seen no portrait of her—she affected a strict anonymity, refusing even her photograph to the most privileged—and from Mrs. Memorall, whom he revered and cultivated as her friend, he had extracted but the one impressionist phrase: "Oh, well, she's like one of those old prints where the lines have the value of color." He was almost certain, at all events, that he had been thinking of Mrs. Anerton as he sat over his breakfast in the empty hotel restaurant, and that, looking up on the approach of the lady who seated herself at the table near the window, he had said to himself, "That might be she." Ever since his Harvard days—he was still young enough to think of them as immensely remote—Danyers had dreamed of Mrs. Anerton, the Silvia of Vincent Rendle's immortal sonnet-cycle, the Mrs. A. of the Life and Letters. Her name was enshrined in some of the noblest English verse of the nineteenth century—and of all past or future centuries, as Danyers, from the stand-point of a maturer judgment, still believed. The first reading of certain poems—of the Antinous, the Pia Tolomei, the Sonnets to Silvia,—had been epochs in Danyers's growth, and the verse seemed to gain in mellowness, in amplitude, in meaning as one brought to its interpretation more experience of life, a finer emotional sense. -
Sovereign Grant Report
The Sovereign Grant and Reserve Annual Report and Accounts 2020-21 The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts ISBN 978-1-5286-2586-9 2020-21 43251.03_Finances Cover 20-21.indd 1 12/05/2021 08:48 SOVEREIGN GRANT ACT 2011 The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2020-21 Presented to Parliament pursuant to Section 2 and Section 4 of the Sovereign Grant Act 2011 Ordered by the House of Commons to be printed 23 June 2021 HC 313 © Crown copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents. Any enquiries regarding this publication should be sent to us using the contact details available at www.royal.uk ISBN 978-1-5286-2586-9 CCS 0421487182 06/21 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by Impress Print Services Limited on behalf of the Controller of Her Majesty’s Stationery Office. FRONT COVER: Image from Her Majesty’s Address to the UK and the Commonwealth on 5th April 2020 CONTENTS Page The Sovereign Grant 2 The Official Duties of The Queen 3 Performance Report 8 Accountability Report: Governance Statement 30 Remuneration and Staff Report 46 Statement of the Keeper of the Privy -
ROYAL BABY Icon of Grace and Style
GRANDPA DAD Nutty? Yes. But If you need advice on T&C HOUSE RULES who’s laughing about breaking rules, ask him organic farming now? first. On Halloween costumes? Try mom. S ussex, a biracial American divorcee, has done your family a massive favor by attract- GIFTS FIT GAGA ing a new audience. Among her many FOR A Just don’t strengths: public speaking and gorgeous PRINCE HOW TO BE A Google her, All the things you’ll okay? handwriting. Sharpen your crayons—she’s super into thank-you notes, too. need for a royal upbringing, from a favorite stuffed Your animal to bibs that grandmother, withstand tea spills. ROYAL BABY icon of grace and style. The arrival of Prince Harry and Meghan Markle’s MUMMY DIOR TOILE DE JOUY GIRAFFE Likely the GEORG JENSEN FIRSTBORN is an event the whole world is ($630), DIOR.COM stern parent, MONEYPHANT waiting for. So, what does the kid need to know? perhaps due BANK ($95), to time on GEORGJENSEN By Elizabeth Holmes Deal or No .COM Deal. YOUR GRANDPARENTS Elsewhere in the family, there is the afore- COUSIN LOUIS Your mentioned Grandpa Wales, who has been proximity in waiting to be king for the better part of Welcome to the world! First and foremost, everyone down a peg, from the current age might eternity. His people over at Clarence House my sincere apologies for not using your number 7, Great-Uncle Andrew, to num- mean sharing are working overtime to make sure we all the spotlight. proper royal title. There has been much ber 59, Zenouska Mowatt, granddaughter love Chuck before that crown hits, going so speculation over how you will be styled.