DOCSLIB.ORG

English & Continental Furniture & Decorative Arts Old Master Paintings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
English & Continental Furniture & Decorative Arts Old Master Paintings ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Including The Estate of AILEEN MEHLE & The Collection of JUDITH TAUBMAN Wednesday, May 24 & Thursday, May 25, 2017 NEW YORK SESSION I ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS THE ESTATE OF AILEEN MEHLE THE COLLECTION OF JUDITH TAUBMAN AUCTION Wednesday, May 24, 2017 at 10am SESSION II RUSSIAN WORKS OF ART ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS AUCTION Thursday, May 25, 2017 at 10am EXHIBITIONS Saturday, May 20, 10am – 5pm Sunday, May 21, Noon – 5pm Monday, May 22, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF SESSION I Barbara Anspach Old Master Paintings & Drawings 1-114 The Eileen & Herbert C. Bernard Collection The Estate of Aileen Mehle 115-325 Patricia S. Bradshaw The Collection of Judith Taubman 326-366 Donald Brenwasser Silver & Silver Plate 367-418 A Connecticut Collector Furniture & Decorative Arts 419-567 Claudia Cosla, New York Anne H. and John K. Howat SESSION II Mary Kettaneh Russian Works of Art 568-768 Aileen Mehle Furniture & Decorative Arts 769-843 A Private New York Estate Carpets, Rugs & Tapestries 844-873 A New York Estate A New York Lady Harry Oppenheimer Anne Dubonnet Shaio Elizabeth Stoerk The Thurston Collection Helen R. Yellin INCLUDING PROPERTY FROM The Collection of Adolfo Glossary I The Descendants of Grand Duchess Xenia Alexandrovna Conditions of Sale II A Greenwich Village Penthouse, New York Terms of Guarantee IV Mrs. Paul Guth Information on Sales & Use Tax V A Lady of Title Buying at Doyle VI A New York Collector Selling at Doyle VIII A New York Private Collection Auction Schedule IX The Jessye Norman ‘White Gates’ Collection SESSION I Company Directory X A Pennsylvania Collection Absentee Bid Form XII A Private Collection A Private Collector, Ardsley, NY A Private Collector, Long Island OLD MASTER PAINTINGS & DRAWINGS A Santa Barbara Collector A Southern California Collector THE ESTATE OF AILEEN MEHLE The Collection of Judith Taubman A Prominent Virginia Collection An Eminent Washington, DC Collector THE COLLECTION OF JUDITH TAUBMAN ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS WEDNESDAY, MAY 24, 2017 Lot 48 7 Circle of Juan Pantoja de la Cruz Portrait of a Lady in Elegant Dress Oil on canvas 32 x 23 3/4 inches (81.3 x 60.3 cm) C $3,000-6,000 See Illustration 8 Follower of Lucas Cranach The Christ Child with the Infant Saint John the Baptist Bearing Cranach’s serpent device and dated 1517 (lr) Oil on panel 15 7/8 x 10 inches (45 x 25 cm) C Property of Mrs. Paul Guth $1,000-3,000 9 16th Century Flemish Manner Christ and the Apostles in a Landscape Oil on panel 19 x 27 1/8 inches (48.3 x 69 cm) C $800-1,200 10 Flemish School 16th Century Portrait of a Monk Inscribed Ano Dni 1571/Aetatis Suae 44 across the upper register Oil on panel 17 1/2 x 13 3/4 inches (44.5 x 34.5 cm) The Latin inscription ANXIA VITA NIHIL on the book is a quotation from a classical Roman epitaph: Decipimur votis; tempore fallimur; mors deridet curas; anxia vita nihil (We are deceived by our wishes; disappointed by time; death laughs at our sorrows; the anxious life is 1 worth nothing). C $1,000-3,000 1 3 5 Italian School Manner of Tiziano Vecellio, called Titian Circle of Jacopo Negretti, 11 16th Century Portrait of Pope Paul III called Palma il Giovane French 15th Century Manner The Adoration of the Magi Oil on canvas laid to Masonite The Baptism of Christ Philip the Bold, Duke of Burgundy and Oil on canvas 19 1/2 x 15 1/2 inches (49.5 x 39.5 cm) Oil on canvas Isabella of Portugal, Duchess of Burgundy: Two 39 x 44 1/2 inches (99 x 113 cm) C 40 1/2 x 33 inches (103 x 84 cm) Oil on canvas C Estate of Elizabeth Stoerk $800-1,200 Unframed 21 x 17 3/8 inches (53.4 x 44.2 cm) $4,000-6,000 C These two portraits appear to belong to a series See Illustration $3,000-6,000 depicting the ducal House of Burgundy. 4 Phillip the Bold (Philippe le Hardi, 1342-1405) Attributed to Jacopo Negretti, was the grandfather of Philip the Good 7 2 called Palma il Giovane 6 (Philippe le Bon, 1395-1467), to whom Italian School The Creation of Eve Attributed to Lambert Sustris Isabella of Portugal (1397-1471) was married 16th Century Brown ink and wash on paper The Martyrdom of a Military Saint in 1430. She became the mother of her Madonna and Child with John the Baptist, 8 3/4 x 5 1/4 inches (22.3 x 13.2 cm) Oil on panel husband’s successor, Charles the Bold Saint Anthony of Padua and a Female Provenance: 9 1/2 x 14 1/8 inches (24 x 36 cm) (Charles le Téméraire, 1433-1477). Monastic Saint Collection of Merrill and Frederick Lake, Provenance: C Bearing the brand mark Fideikommiss New York Sale: Dorotheum, Vienna, March 19, 1937, lot 31 $800-1,200 Wesendonck on the reverse C Purchased by Frau Emmy Gregoric, Vienna; Oil on panel $1,000-2,000 By descent in her family to the present owner 11 3/4 x 17 1/2 inches (30 x 44.5 cm) Private collection, Connecticut 12 Provenance: C Flemish School Otto and Mathilde Wesendonck, $800-1,200 16th/17th Century Zurich and Berlin The Adoration of the Magi Private collection, New York Oil on panel C 19 1/2 x 14 1/2 inches (49.5 x 37 cm) $1,500-3,500 C $1,000-3,000 6 DOYLE • MAY 24 & 25, 2017 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 19 Paulus Moreelse Dutch, 1571-1638 Portrait of a Lady in a Black Velvet Dress with a Reticella Lace Collar and Brocade Sleeves Signed PMorle and dated 1624 (ur) Oil on panel 28 x 21 ½ inches (71.2 x 54.6 cm) Provenance: Private collection Sale: Parke Bernet Galleries, New York, March 5, 1952, lot 75 Purchased from the above sale by a private collector Descended in the same family to the present owner Exhibited: Berlin, Royal Academy, 1909, no. 90 C Property of a Private Collector, Ardsley, NY $8,000-12,000 See Illustration 20 Northern European School 17th Century Vanitas Still Life 13 Oil on panel 15 x 22 inches (38 x 56 cm) Unframed C $600-800 13 15 17 Dutch School Attributed to Giuseppe Valeriani Attributed to Giovanni Francesco Grimaldi 21 17th Century Venus and Adonis Figure Reclining in a Landscape Dutch School Orpheus Charming the Animals Stamped with unidentified collector’s mark (lr) Sepia ink and wash on paper 17th Century Oil on canvas Ink and wash on heavy paper 4 3/8 x 8 5/16 inches (10.6 x 21.1 cm) Portrait of a Gentleman Holding a Book 38 1/2 x 67 3/4 inches (98 x 172 cm) 6 1/2 x 7 3/4 inches (16.5 x 19.8 cm) Provenance: Oil on canvas C Provenance: Durlacher Brothers, New York Unframed $4,000-6,000 Fazio Collection, Geneva Purchased March 8, 1965, as by 60 1/4 x 47 1/4 inches (153 x 120 cm) 19 See Illustration Colnaghi, London Annibale Carracci The pages of the book held by the sitter C Estate of Barbara Anspach C The Eileen & Herbert C. Bernard contain a possible signature (illegible) and 14 $1,000-2,000 Collection the date 1618; a drawing of a skull and Cornelis van Poelenburgh $300-500 crossed bones; the Latin words despice 22 23 Dutch, 1586-1667 16 (look down on); prospice (watch); respice English School Circle of Lucas van Uden Diana and Callisto Attributed to Simone Brentana 18 (consider); and suspice (undertake) 17th Century Hunter and Game Oil on panel Coriolanus Persuaded by the Volscians Manner of Gillis Peeters arranged in a radiating pattern; and a Portrait of Sir Richard Bolton, Oil on panel 10 1/4 x 13 3/8 inches (26 x 34 cm) to Attack Rome Italianate Landscape with Cattle and reference to 1 Corinthians 15:36, Chancellor of Ireland 9 x 12 1/2 inches (22.8 x 31.8 cm) Unframed Oil on canvas Other Livestock beside a River a verse from Saint Paul’s discourse on Inscribed Riccardus Bolton Equne/ Dr. and Mrs. Oskar K. Cosla Dr. and Mrs. Oskar K. Cosla 45 5/8 x 57 1/4 inches (116.2 x 145.5 cm) Inscribed P. Peeters (ll) the Resurrection: You fool! What you sow Cancellarius Hib: and dated 1639 on a By descent in the family to the present owner By descent in the family to Unframed Oil on canvas laid to Masonite does not come to life unless it dies. banderole (ur) Private collection, New York the present owner Provenance: 19 1/2 x 23 1/4 inches (49.5 x 59 cm) C Oil on canvas C Estate of Claudia Cosla, New York Private collection, New York Said to have belonged to the collection of C $1,000-3,000 23 1/4 x 18 inches (59 x 45.7 cm) $1,000-2,000 C Estate of Claudia Cosla, New York a noble family in Verona $1,000-1,500 Sir Richard Bolton (1570?-1648) was a $4,000-6,000 Purchased in Italy, February 1994 by the lawyer from Staffordshire who, early in present owner the reign of James I, pursued a political Private collection, New York career in Ireland.
Load more

Recommended publications
  • The Heritage Within
    Aleksandar Pantić CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN MA Thesis in Cultural Heritage Studies: Academic Research, Policy, Management. Central European University Budapest May 2018. CEU eTD Collection CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Cultural Heritage Studies: Academic Research, Policy, Management. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner CEU eTD Collection ____________________________________________ Examiner Budapest May 2018. CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Cultural Heritage Studies: Academic Research, Policy, Management. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2018. CREATIVE PRACTICE OF MOSAIC ART, THE HERITAGE WITHIN by Aleksandar Pantić (Republic of Serbia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest,
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 21 May 2016
    Philippa H Deeley Ltd Catalogue 21 May 2016 1 A Victorian Staffordshire pottery flatback figural 16 A Staffordshire pottery flatback group of a seated group of Queen Victoria and King Victor lion with a Greek warrior on his back and a boy Emmanuel II of Sardinia, c1860, titled 'Queen and beside him with a bow, 39cm high £30.00 - £50.00 King of Sardinia', to the base, 34.5cm high £50.00 - 17 A Victorian Staffordshire pottery flatback figure of £60.00 the Prince of Wales with a dog, titled to the base, 2 A Victorian Staffordshire pottery figure of Will 37cm high £30.00 - £40.00 Watch, the notorious smuggler and privateer, 18 A Victorian Staffordshire flatback group of a girl on holding a pistol in each hand, titled to the base, a pony, 22cm high and another Staffordshire 32.5cm high £40.00 - £60.00 flatback group of a lady riding in a carriage behind 3 A Victorian Staffordshire pottery flatback figural a rearing horse, 22.5cm high £40.00 - £60.00 group of King John signing the Magna Carta in a 19 A Stafforshire pottery flatback pocket watch stand tent flanked by two children, 30.5cm high £50.00 - in the form of three Scottish ladies dancing, 27cm £70.00 high and two smaller groups of two Scottish girls 4 A Victorian Staffordshire pottery figure of Queen dancing, 14.5cm high and a drummer boy, his Victoria seated upon her throne, 19cm high, and a sweetheart and a rabbit, 16cm high £30.00 - smaller figure of Prince Albert in a similar pose, £40.00 13.5cm high £50.00 - £70.00 20 Three Staffordshire pottery flatback pastille 5 A pair of Staffordshire
    [Show full text]
  • Historic Furnishings Assessment, Morristown National Historical Park, Morristown, New Jersey
    ~~e, ~ t..toS2.t.?B (Y\D\L • [)qf- 331 I J3d-~(l.S National Park Service -- ~~· U.S. Department of the Interior Historic Furnishings Assessment Morristown National Historical Park, Morristown, New Jersey Decemb r 2 ATTENTION: Portions of this scanned document are illegible due to the poor quality of the source document. HISTORIC FURNISHINGS ASSESSMENT Ford Mansion and Wic·k House Morristown National Historical Park Morristown, New Jersey by Laurel A. Racine Senior Curator ..J Northeast Museum Services Center National Park Service December 2003 Introduction Morristown National Historical Park has two furnished historic houses: The Ford Mansion, otherwise known as Washington's Headquarters, at the edge of Morristown proper, and the Wick House in Jockey Hollow about six miles south. The following report is a Historic Furnishings Assessment based on a one-week site visit (November 2001) to Morristown National Historical Park (MORR) and a review of the available resources including National Park Service (NPS) reports, manuscript collections, photographs, relevant secondary sources, and other paper-based materials. The goal of the assessment is to identify avenues for making the Ford Mansion and Wick House more accurate and compelling installations in order to increase the public's understanding of the historic events that took place there. The assessment begins with overall issues at the park including staffing, interpretation, and a potential new exhibition on historic preservation at the Museum. The assessment then addresses the houses individually. For each house the researcher briefly outlines the history of the site, discusses previous research and planning efforts, analyzes the history of room use and furnishings, describes current use and conditions, indicates extant research materials, outlines treatment options, lists the sources consulted, and recommends sourc.es for future consultation.
    [Show full text]
  • Quarterdeck MARITIME LITERATURE & ART REVIEW
    Quarterdeck MARITIME LITERATURE & ART REVIEW AUTUMN 2020 Compliments of McBooks Press MARITIME ART British Marine Watercolors A brief guide for collectors PD - Art BY JAMES MITCHELL All images courtesy of John Mitchell Fine Paintings in London ABOVE Detail from “A Frig- James Mitchell is the co-proprietor of John Mitchell ate and a Yacht becalmed Fine Paintings which has been associated with tradi- in the Solent,” oil on can- tional British and European paintings for ninety years. vas, 25” x 29”, by English marine artist Charles With a gallery just off Brook Street in the heart of Lon- Brooking (1723-1759). don’s Mayfair, the business is now run by James and William Mitchell, the grandsons of John Mitchell who began the dealership in 1931, and their colleague James Astley Birtwistle. ver the centuries, “the silver sea,” of which Shakespeare wrote, shaped Britain’s island home and deepest identity. Britons, many Obelieved, had saltwater running in their veins. However, in modern Britain, our extraordi- nary history as a seafaring nation is not nearly as familiar as it once was. The great Age of Sail has become the esoteric province of historians and enthusiasts sustained by regular doses of Quar- terdeck and the latest gripping novels of our fa- collectors of pictures from the same period. vorite naval authors. Once-acclaimed sea painters – Brooking, Similarly, English marine painting no longer Serres, Cleveley, Swaine, Pocock, among others receives the attention it deserves, and its subject – aren’t a common currency in the way they matter thought too specialized, even among were, say, half a century ago.
    [Show full text]
  • The Dining Room
    the Dining Room Celebrate being together in the room that is the heart of what home is about. Create a space that welcomes you and your guest and makes each moment a special occasion. HOOKER® FURNITURE contents 4 47 the 2 Adagio 4 Affinity New! dining room 7 American Life - Roslyn County New! Celebrate being together with dining room furniture from Hooker. Whether it’s a routine meal for two “on the go” 12 American Life - Urban Elevation New! between activities and appointments, or a lingering holiday 15 Arabella feast for a houseful of guests, our dining room collections will 19 Archivist enrich every occasion. 23 Auberose From expandable refectory tables to fliptop tables, we have 28 Bohéme New! a dining solution to meet your needs. From 18th Century European to French Country to Contemporary, our style 32 Chatelet selection is vast and varied. Design details like exquisite 35 Corsica veneer work, shaped fronts, turned legs and planked tops will 39 Curata lift your spirits and impress your guests. 42 Elixir Just as we give careful attention to our design details, we 44 Hill Country also give thought to added function in our dining pieces. Your meal preparation and serving will be easier as you take 50 Leesburg advantage of our wine bottle racks, flatware storage drawers 52 Live Edge and expandable tops. 54 Mélange With our functional and stylish dining room selections, we’ll 56 Pacifica New! help you elevate meal times to memorable experiences. 58 Palisade 64 Sanctuary 61 Rhapsody 72 Sandcastle 76 Skyline 28 79 Solana 82 Sorella 7 83 Studio 7H 86 Sunset Point 90 Transcend 92 Treviso 95 True Vintage 98 Tynecastle 101 Vintage West 104 Wakefield 106 Waverly Place 107 Dining Tables 109 Dining Tables with Added Function 112 Bars & Entertaining 116 Dining Chairs 124 Barstools & Counter Stools 7 132 Index & Additional Information 12 1 ADAGIO For more information on Adagio items, please see index on page 132.
    [Show full text]
  • Replicating Paintings
    Contemporary Aesthetics (Journal Archive) Volume 16 Volume 16 (2018) Article 16 1-1-2018 Replicating Paintings Matteo Ravasio University of Auckland, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/liberalarts_contempaesthetics Part of the Aesthetics Commons Recommended Citation Ravasio, Matteo (2018) "Replicating Paintings," Contemporary Aesthetics (Journal Archive): Vol. 16 , Article 16. Available at: https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol16/iss1/16 This Article is brought to you for free and open access by the Liberal Arts Division at DigitalCommons@RISD. It has been accepted for inclusion in Contemporary Aesthetics (Journal Archive) by an authorized editor of DigitalCommons@RISD. For more information, please contact [email protected]. Replicating Paintings Matteo Ravasio About CA Journal Abstract In this paper, I discuss cases of replication in the visual arts, with Contact CA particular focus on paintings. In the first part, I focus on painted copies, that is, manual reproductions of paintings created by artists. Painted Links copies are sometimes used for the purpose of aesthetic education on the original. I explore the relation between the creation of painted copies Submissions and their use as aesthetic surrogates of the original artwork and draw a Search Journal positive conclusion on the aesthetic benefits of replica production by artists. A skeptical conclusion follows regarding the use of such replicas Enter search terms as surrogates for the original painting. The second part of the paper concerns mechanically produced replicas, such as photographs and 3-D Search prints. On the basis of some of the claims made in the first part, I set conditions that mechanically produced replicas need to meet in order to function as aesthetic surrogates of an original.
    [Show full text]
  • Cattails Beginning-Year Edition
    cattails January 2015 cattails January 2015 Contents ________________________________________________________________________ Editor's Prelude • Contributors • Haiku Pages • Haibun Pages • Haiga & Tankart Page • Senryu Pages • Tanka Pages • Tanka Translation Page • Youth Corner Page • UHTS Contest Winners • Pen this Painting Page • Book Review Pages • Featured Poet Page • cAt taLes Cartoons • Ark and Apple Videos • not included in PDF archive White Page • Spotlight Feature Page • Artist Showcase Page • FAQ Page • Not included on this page of cattails are other subjects over on the UHTS Main Website like: What to submit, How to submit, contest info, How to Join, to see the last e-News Bulletin, learn about the UHTS Officers and Support Team, visit the Archives view our Members List, the Calendar, and other information, please revisit the UHTS Main Website cattails January 2015 cattails January 2015 Principal Editor's Prelude ____________________________________________________________ Happy International Haibun Month from the UHTS A very warm welcome to our 2015 edition of cattails collected works of the UHTS, and a very happy new year. There were a record number of submissions received for this edition (1,272), albeit only 387 were accepted for publication. Our membership has risen to over 400 people now and is still going strong each and every day. Please keep passing the word to your peers and friends, as we plan to soon become the largest international and most cohesive poetry society of its kind in the world. When choosing work for publication, as principal editor of cattails, I look for Japanese style short forms that have been composed firstly and quietly considerate of sophisticated literary works that reflect the natural world through poetic beauty of thought.
    [Show full text]
  • 2 Day On-Line Auction Antiques & Fine
    2 DAY ON-LINE AUCTION ANTIQUES & FINE ART THURS 15TH & FRI 16th OCTOBER @ 10am Catalogue £2 C A T A L O G U E of the 2 day sale of ANTIQUES, COLLECTABLES & FINE ART on behalf of Executors and Private Vendors at Truro Sale Room, Newquay Road, Truro, Cornwall TR1 1RH on Thursday 15th & Friday 16th October 2020 at 10am CONDITIONS OF SALE 1. Commission at the rate of 15% plus VAT will be charged to purchasers on each item. 2. None of the Lots are subject to VAT. 3. Payment Terms - Payment by cash or debit card only. Credit cards not accepted. 4. All goods to be paid for on the sale day and no goods may be removed until a receipted account has been obtained from the sale office. 5. All lots are the responsibility of the purchaser from the fall of the hammer. 6. This catalogue is prepared for the benefit only of purchasers and no guarantee is given or implied in respect of any lot. Purchasers are deemed to have satisfied themselves as to the quantity, quality and description of each lot before bidding. 7. All electrical goods have been tested for their electrical safety. This test in no way implies any guarantee or warranty in respect of the working order of these items but merely is a test in respect of their electrical safety. 8. All items are to be removed on the day of sale unless other arrangements are made with the Auctioneers. 9. Other conditions of sale as displayed and announced at the time of sale.
    [Show full text]
  • Jackie Onassis Dies Shy Glamour Characterized Ex-First Lady by Robert D
    Jackie Onassis dies Shy glamour characterized ex-first lady By Robert D. McFadden The New York Times NEW YORK — Jiequeline Kennedy Onassis, the widow of President John F. Kenfiedy and of the Greek shipping magnate Aris- totle Onassis, died of a form of cancer of the lymphatic system Thursday at her apartment. She was 64 years old. Onassis, who had enjoyed ro- bust good health nearly all her life, began being treated for non-Hodg- kin's lymphoma in early January and had been undergoing chemo- therapy and other treatments in recent months while continuing her work as a book editor and her social, family and other personal routines. But the disease, which attacks Daily News lymph nodes in the neck, armpits and groin, which are a major com- ponent of the body's immune sys- FRIDAY, MAY 20, 1994 tem, grew progressively worse. Onassis entered the New York Hospital-Cornell Medical Center for the last time on Monday, but returned to her Fifth Avenue apartment on Wednesday after her doctors said there was no more they could do. In recent years Onassis had lived quietly but not in seclusion, working at Doubleday; joining ef- forts to preserve historic New York buildings; spending time with her son, daughter and grand- children; jogging in Central Park; getting away to her estates in New Jersey, at Hyannis, Mass., and on Martha's Vineyard, and going about town with Maurice Tern- pelsman, a financier who had be- come her closest companion. Surviving her are her daughter, Caroline Kennedy Schlossberg; a son, John F.
    [Show full text]
  • 1998 Education
    1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits
    [Show full text]
  • DUTCH and ENGLISH PAINTINGS Seascape Gallery 1600 – 1850
    DUTCH AND ENGLISH PAINTINGS Seascape Gallery 1600 – 1850 The art and ship models in this station are devoted to the early Dutch and English seascape painters. The historical emphasis here explains the importance of the sea to these nations. Historical Overview: The Dutch: During the 17th century, the Netherlands emerged as one of the great maritime oriented empires. The Dutch Republic was born in 1579 with the signing of the Union of Utrecht by the seven northern provinces of the Netherlands. Two years later the United Provinces of the Netherlands declared their independence from the Spain. They formed a loose confederation as a representative body that met in The Hague where they decided on issues of taxation and defense. During their heyday, the Dutch enjoyed a worldwide empire, dominated international trade and built the strongest economy in Europe on the foundation of a powerful merchant class and a republican form of government. The Dutch economy was based on a mutually supportive industry of agriculture, fishing and international cargo trading. At their command was a huge navy and merchant fleet of fluyts, cargo ships specially designed to sail through the world, which controlled a large percentage of the international trade. In 1595 the first Dutch ships sailed for the East Indies. The Dutch East Indies Company (the VOC as it was known) was established in 1602 and competed directly with Spain and Portugal for the spices of the Far East and the Indian subcontinent. The success of the VOC encouraged the Dutch to expand to the Americas where they established colonies in Brazil, Curacao and the Virgin Islands.
    [Show full text]
  • 1 70X51cm 600-1200 2 3500-6500 3 160X210mm 100-200 4 400-900 5
    1 Luca Cambiaso (1527–1585)-manner of, The Holy Family, oil on textile or paper on wooden board. On the reverse old panel support. 70x51cm 600-1200 2 North or Central Italian door arch, 14th/15th Century, white marble with grey veins, in the centre Salvator Mundi, flanked left and right by two angels in praying position, each with one open wing to the top. The ches with depth folds worked in half height 65cm, relief. Weathered, parts missing. length 110cm 3500-6500 3 Antonio Tempesta (1555-1630)-attributed, Soldier with sword and shield on a horse, monogrammed A. T. F. ? Black chalk with brown and black wash on brown paper, in passepartout, described "ant:Tempeste", framed, under glass. 160x210mm 100-200 4 Ivory baker in medieval manner with carved decorations of knights, a king and soldiers in front of a town, decorated with shields, coat of arms, flowers. The lower base with smaller turned ring and carved animals and dragons. Damages and height 18cm, parts missing, dirt. German. diameter 9,3cm 400-900 5 Giovanni Battista Salvi da Sassoferrato (1609-1685)-follower, Portrait of the Virgin, oil on canvas in a later gilded and carved frame. 52x40cm 300-700 6 Limoges enamel goblet, in oval shape, oval feet with thin shaft, as well as oval body and lid. Copper with rich ornamental painted floral enamel decorations in white, silver and golden colours on blue ground. Inside as well blue and gold decorated. height 16cm, On the top a gilded bronze figure. Dammaged. French, length 13cm, 17th/18th Century. depth 10cm 400-800 7 Jan van Kessel the Elder (1626-1679)-manner of, Study of insects, two frogs and a snail, a ring with pearl and some coins.
    [Show full text]