The Development of a Suitable Script-An Input Problem in the Analysis of Indian Languages Using the Ibm 360144 Computer*
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The Origin and Spread of the Jawi Script
Sub-regional Symposium on the Incorporation of the Languages of Asian Muslim Peoples into the Standardized Quranic Script 2008 ﻧﺪﻭﺓ November 7-5 ﺷﺒﻪ ,Kuala Lumpur ﺇﻗﻠﻴﻤﻴﺔ ,(SQSP) ﺣﻮﻝ:Project ﺇﺩﺭﺍﺝ ﻟﻐﺎﺕ ﺍﻟﺸﻌﻮﺏ ﺍﻹﺳﻼﻣﻴﺔ ﰲ ﺁﺳﻴﺎ ﰲ ﻣﺸﺮﻭﻉ ﺍﳊﺮﻑ ﺍﻟﻘﺮﺁﱐ 7_9 ﺫﻭ ﺍﻟﻘﻌﺪﺓ 1429 ﻫـ ﺍﳌﻮﺍﻓﻖ 5-7 ﻧﻮﻓﻤﱪ 2008 ﻡ ﻗﺎﻋﺔ ﳎﻠﺲ ﺍﻷﺳﺎﺗﺬﺓ : ﺍﳉﺎﻣﻌﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺍﻟﻌﺎﳌﻴﺔ ﲟﺎﻟﻴﺰﻳﺎ THE ORIGIN AND SPREAD OF THE JAWI SCRIPT Amat Juhari Ph.D Bangi, Malaysia Sub-regional Symposium on the Incorporation of the Languages of Asian Muslim Peoples into the Standardized Quranic Script Project (SQSP), Kuala Lumpur, 5-7 November 2008 THE ORIGIN AND THE SPREAD OF THE JAWI SCRIPT SYNOPSIS This paper discusses the origin and the spread of the Jawi Script. Jawi Script is derived from the Arabic Script, but it later changed its name to Jawi because in Jawi Script there are six more new letters being added to it to represent the six Malay phonemes which are not found in the Arabic Language. The oldest known Jawi writing is the Terengganu Inscriptions dated 24 th February 1303 or 702 Hijrah. Later on Jawi Script was used extensively in the Sultanate of Malacca, the Sultanate of Old Johor, the Sultanate of Aceh, the Sultanate of Johor-Riau and other sultanates and kingdoms of South East Asia. Jawi Script had spread from Aceh in North Sumatra in the west to Ternate and Tidore in the Moluccas Islands in the eastern part of Indonesia, and then from Cambodia in the north to Banten in the south. Nowadays, about 16,000 Malay Jawi manuscripts are being preserved and kept in many libraries and archives around the world. -
Suspicious Identity of U+A9B5 JAVANESE VOWEL SIGN TOLONG
L2/19-003 Suspicious identity of U+A9B5 JAVANESE VOWEL SIGN TOLONG Liang Hai / 梁海 <[email protected]> Aditya Bayu Perdana / <[email protected]> ꦄꦢꦶꦠꦾ ꦧꦪꦸꦥꦢꦤ 4 January 2019 1 Acknowledgements The authors would like to thank Ilham Nurwansah and the Script Ad Hoc group for their feedback. Ilham Nurwansah also kindly provided the Sundanese samples (Figure 2, 3, 4, and 5). 2 Background In the original Unicode Javanese proposal L2/08-015R Proposal for encoding the Javanese script in the UCS, the character tolong (U+A9B5 JAVANESE VOWEL SIGN TOLONG) was described as a vowel sign that is used exclusively in the Sundanese writing system with three major use cases: 1. Used alone as the vowel sign o 2. As a part of the vowel sign eu: <vowel sign ĕ, tolong> 3. As a part of the letters and conjoined forms of reu/leu: <letter / conjoined form rĕ/lĕ, tolong> Table 1. Sundanese tolong usage according to the original proposal Written form ◌ ◌ꦵ ◌ꦼ ◌ꦼꦵ ◌� ◌�ꦵ A9C0 PANGKON A9BC PEPET Encoding (A9B5 TOLONG) A989 PA CEREK (A9B5 TOLONG) (A9B5 TOLONG) Transcription a o ĕ eu rĕ reu Pronunciation [a] [o] [ə] [ɤ] [rə] [rɤ] See also the note under Table 2. However, tolong appears to be merely a stylistic variant of tarung (U+A9B4 JAVANESE VOWEL SIGN TARUNG), therefore the disunification of tolong from tarung is likely a mistake. 3 Proposal The Unicode Standard needs to recommend how the inappropriately disunified character U+A9B5 JAVANESE VOWEL SIGN TOLONG should be handled. 1 In particular, clarification in the names list and the Core Specification is necessary for explaining the background of the mis-disunification and recommending how both the tarung and tolong forms for both the Javanese and Sundanese languages should be implemented. -
Cqmejj · -Uhhrersity
$9uth¢a$t Mia JTogtam -1986-:13.ulletin CQmeJJ · -Uhhrersity ' - SEAP ARCHIVE COPY DO NOT REMOVE This publication has been made possible by the generosity of Robert and Ruth Polson. Southeast Asia Program 1986 Bulletin Cornell University Contents From the Director . 2 Badgley Appointed Curator of the Echols Collection . .. .. .. .. 3 Filming Javanese Manuscript Collections in Surakarta . 4 Microcomputers and the Study of Southeast Asia. .. 6 Celebrating Our Founder's Birthday.............. .... ... 7 Interview with Dr. Hendrik M. J. Maier..................... ... .. 9 Retirements. .. .. .. .. .. .. .. .. .. I 2 Program Publications . 13 About Program People . 14 Thursday Luncheon Speakers .. .. .. .. I 4 Faculty and Staff Publications. .... ... .. .. .. 14 Lauriston Sharp Prize. 14 Social Science Research Council Fellowships . 15 Resident Faculty . .. .. .. 15 Visiting Faculty .. .. .. .. .. .. .. 15 Visiting Fellows. 15 Graduate Students in Field Published by the Southeast Asia Program, Research . 15 Cornell University, 1987 Graduate Students in Residence, Edited by Stanley J. O'Connor Spring 1986................ 15 Full-Year Asian Language Designed by Deena Wickstrom Concentration . I 6 Produced by the Office of Publications Services, Advanced Indonesian Abroad Cornell University Program. .... .......... 16 Recent Doctoral Dissertations The photograph of John H. Badgley was taken by Helen Kelley and of Hendrik M. J . Maier, by Margaret Fabrizzio. by SEAP Students........... 16 Recent Dissertations and Cover design after a woodcut of cloves from 1ratado das drogas e Theses on Southeast Asia by medicinas das indias Orientais, by Crist6vao da Costa Other Students at Cornell.. 16 from the Director Dear Friends, year we were fortunate to have Professor Charnvit Kasetsiri, vice rector of Thammasat University, come to Last year I noted that the Southeast Asia Program was teach the Thailand Seminar. -
Constitution of the Federation of Bosnia and Herzegovina
Emerika Bluma 1, 71000 Sarajevo Tel. 28 35 00 Fax. 28 35 01 Department for Legal Affairs CONSTITUTION OF THE FEDERATION OF BOSNIA AND HERZEGOVINA “Official Gazette of the Federation of Bosnia and Herzegovina”, 1/94, 13/97 CONSTITUTION OF THE FEDERATION OF BOSNIA AND HERZEGOVINA - consolidated translation, with amendments indicated - • The Constitution of the Federation of Bosnia and Herzegovina was adopted by the Constitutional Assembly of the Federation of BiH, at the session held on June 24, 1994. It was published in Slu`bene Novine Federacije Bosne i Hercegovine n. 1, 1994. • Amendment I to the Constitution of the Federation of Bosnia and Herzegovina was passed by the Constitutional Assembly of the Federation of BiH, at the session held on June 24th,1994. It was also published in Slu`bene Novine Federacije Bosne i Hercegovine n. 1, 1994. • Amendments II to XXIV to the Constitution of the Federation of Bosnia and Herzegovina were passed by the Constitutional Assembly of the Federation of BiH, at its 14th session held on June 5th,1996. They were published in Slu`bene Novine Federacije Bosne i Hercegovine n. 13, 1997. • Amendments XXV and XXVI to the Constitution of the Federation of Bosnia and Herzegovina were passed according to the procedure in Chapter VIII, finalized on May 8th, 1997. They were also published in Slu`bene Novine Federacije Bosne i Hercegovine n. 13, 1997. PREAMBLE I. ESTABLISHMENT OF THE FEDERATION Arts. 1-6 II. HUMAN RIGHTS A. General Arts. 1-7 B. Initial Appointment and Functions of the Ombudsmen Arts. 1-9 III. DIVISION OF RESPONSIBILITIES BETWEEN THE FEDERATION GOVERNMENT AND THE CANTONS Arts. -
The Chinese Script T � * 'L
Norman, Jerry, Chinese, Cambridge: Cambridge University Press, 1988. 1 3.1 Th e beginnings of Chinese writing 59 3 FISH HORSE ELEPHANT cow (yu) (m ii) (xiimg) (niu) " The Chinese script t � * 'l Figure 3.1. Pictographs in early Chinese writing 3.1 The beginnings of Chinese writing1 The Chinese script appears as a fully developed writing system in the late Shang .dynasty (fourteenth to eleventh centuries BC). From this period we have copious examples of the script inscribed or written on bones and tortoise shells, for the most part in the form of short divinatory texts. From the same period there also Figure 3.2. The graph fo r quiin'dog' exist a number of inscriptions on bronze vessels of various sorts. The former type of graphic record is referred to as the oracle bone script while the latter is com of this sort of graph are shown in Figure 3.1. The more truly representational a monly known· as the bronze script. The script of this period is already a fully graph is, the more difficult and time-consuming it is to depict. There is a natural developed writing system, capable of recording the contemporary Chinese lan tendency for such graphs to become progressively simplified and stylized as a guage in a complete and unambiguous manner. The maturity of this early script writing system matures and becomes more widely used. As a result, pictographs has suggested to many scholars that it must have passed through a fairly long gradually tend to lose their obvious pictorial quality. The graph for qui'in 'dog' period of development before reaching this stage, but the few examples of writing shown in Figure 3.2 can serve as a good illustration of this sort of development. -
IS 13194 (1991): Indian Script Code for Information Interchange - ISCII [LITD 20: Indian Language Technologies and Products]
इंटरनेट मानक Disclosure to Promote the Right To Information Whereas the Parliament of India has set out to provide a practical regime of right to information for citizens to secure access to information under the control of public authorities, in order to promote transparency and accountability in the working of every public authority, and whereas the attached publication of the Bureau of Indian Standards is of particular interest to the public, particularly disadvantaged communities and those engaged in the pursuit of education and knowledge, the attached public safety standard is made available to promote the timely dissemination of this information in an accurate manner to the public. “जान का अधकार, जी का अधकार” “परा को छोड न 5 तरफ” Mazdoor Kisan Shakti Sangathan Jawaharlal Nehru “The Right to Information, The Right to Live” “Step Out From the Old to the New” IS 13194 (1991): Indian script code for information interchange - ISCII [LITD 20: Indian Language Technologies and Products] “ान $ एक न भारत का नमण” Satyanarayan Gangaram Pitroda “Invent a New India Using Knowledge” “ान एक ऐसा खजाना > जो कभी चराया नह जा सकताह ै”ै Bhartṛhari—Nītiśatakam “Knowledge is such a treasure which cannot be stolen” AMENDMENT NO. 1 DECEMBER 2010 TO IS 13194 : 1991 INDIAN SCRIPT CODE FOR INFORMATION INTERCHANGE — ISCII (Page 4, clause 4.10 ) — Insert the following new clause after 4.10.2 : ‘4.10.3 Indian Rupee — ` is the symbol for Indian Rupee.’ [Page 5, Table 1 and 2, Hex Code (col F and row C), Dec. -
The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan
International Journal of Education, Culture and Society 2019; 4(1): 1-12 http://www.sciencepublishinggroup.com/j/ijecs doi: 10.11648/j.ijecs.20190401.11 ISSN: 2575-3460 (Print); ISSN: 2575-3363 (Online) The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan Anwar Wafi Hayat Department of Economics, Kabul University, Kabul, Afghanistan Email address: To cite this article: Anwar Wafi Hayat. The Impact of Arabic Orthography on Literacy and Economic Development in Afghanistan. International Journal of Education, Culture and Society . Vol. 4, No. 1, 2019, pp. 1-12. doi: 10.11648/j.ijecs.20190401.11 Received : October 15, 2018; Accepted : November 8, 2018; Published : January 31, 2019 Abstract: Currently, Pashto and Dari (Afghan Persian), the two official languages, and other Afghan languages are written in modified Arabic alphabets. Persian adopted the Arabic alphabets in the ninth century, and Pashto, in sixteenth century CE. This article looks at how the Arabic Orthography has hindered Literacy and Economic development in Afghanistan. The article covers a comprehensive analysis of Arabic Orthography adopted for writing Dari and Pashto, a study of the proposed Arabic Language reforms, and research conducted about reading and writing difficulty in Arabic script by Arab intellectuals. The study shows how adopting modified Latin alphabets for a language can improve literacy level which further plays its part in the economic development of a country. The article dives into the history of Romanization of languages in the Islamic World and its impact on Literacy and economic development in those countries. Romanization of the Afghan Official languages and its possible impact on Literacy, Economy, and Peace in Afghanistan is discussed. -
Ћирилица Из Нот Дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia
1 Ћирилица из нот дед: Cyrillic Script from a Sociolinguistic Perspective in Macedonia, Montenegro and Serbia Aleksandra Salamurović (Jena)1 1. Introduction During 2012 and 2013 the question of script use in Serbia, specifically, the fact that Latin script prevails in public use, moved into the spotlight of public discussion, especially in multicultural Novi Sad (Salamurović 2015). After several months-long debates over scripts used on the building of the Center for Culture in Novi Sad, on bus displays and other public facilities, one creative citizen was obviously motivated to express their revolt by posting the following graffiti: Ћирилица из нот дед (“Cyrillics is not dead”), transcribing parts of English text into Serbian using the Cyrillic alphabet. On the other hand, in his current typological study on biscriptality in Slavic and non-Slavic languages, Slavist Daniel Bunčić proclaims in aphoristic form: “Monoscriptality can be cured - learn Cyrillic!” (Bunčić 2016a:16)2 emphasizing an additional value of learning and using the Cyrillic script. Besides both statements relating to Cyrillic script, they also have the common trait that they assign particular attitudes and values to the script. Those socio-cultural attributions are one of the most important features of the script and are of primary importance in selecting the script within biscriptal situations. Moreover, they are of particular interest for language policy and sociolinguistics of script. This paper will examine the current status of Cyrillic script in three South-Slavic countries: Serbia, Montenegro and Macedonia3, the first two being biscriptal in the sense of what Bunčić typologically describes as bigraphism (one language using two scripts, Bunčić 2016c:54), and the last, Macedonia, being typologically monoscriptal but still dealing with two different scripts. -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs.. -
Section 18.1, Han
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
The Origin and Evolvement of Chinese Characters
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal Czasopism Naukowych (E-Journals) BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. -
Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. & Dr. K. Muniratnam Director i/c, Epigraphy, ASI, Mysore Dr. Sayantani Pal Dept. of AIHC, University of Calcutta. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Epigraphy Module Name/Title Kharosthi Script Module Id IC / IEP / 15 Pre requisites Kharosthi Script – Characteristics – Origin – Objectives Different Theories – Distribution and its End Keywords E-text (Quadrant-I) : 1. Introduction Kharosthi was one of the major scripts of the Indian subcontinent in the early period. In the list of 64 scripts occurring in the Lalitavistara (3rd century CE), a text in Buddhist Hybrid Sanskrit, Kharosthi comes second after Brahmi. Thus both of them were considered to be two major scripts of the Indian subcontinent. Both Kharosthi and Brahmi are first encountered in the edicts of Asoka in the 3rd century BCE. 2. Discovery of the script and its Decipherment The script was first discovered on one side of a large number of coins bearing Greek legends on the other side from the north western part of the Indian subcontinent in the first quarter of the 19th century. Later in 1830 to 1834 two full inscriptions of the time of Kanishka bearing the same script were found at Manikiyala in Pakistan. After this discovery James Prinsep named the script as ‘Bactrian Pehelevi’ since it occurred on a number of so called ‘Bactrian’ coins. To James Prinsep the characters first looked similar to Pahlavi (Semitic) characters.