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“Our Little Systems Have Their Day”: Tennyson's Poetic
“OUR LITTLE SYSTEMS HAVE THEIR DAY”: TENNYSON’S POETIC TREATMENT OF SCIENCE by Emily Carroll Shearer A Dissertation Submitted in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy in English Middle Tennessee State University 2014 Dissertation Committee: Dr. Rebecca King, Department of English, Chair Dr. Larry Gentry, Department of English Dr. Tammy Melton, Department of Chemistry © 2014 Emily Carroll Shearer ii For Mom and Dad – I’ve spent almost two years writing this “damn dissertation.” It’s around 38,000 words, so you’d think that a few extra for the dedication wouldn’t be that much more. It amazes me how words fail me when I want them the most. I don’t have the words to thank you for homeschooling me or for raising me to be a stubborn mule when it comes to achieving something (trust me, that’s an asset in graduate school) or for teaching me not to put up with crap from anyone. I don’t know how to say thank you for showing me how to listen or be kind to others, to take other people into heart as family, and to keep laughter as a constant companion. I don’t know how to say thank you for teaching me not to give up—and for not giving up on me when I felt like giving up on myself. Then again, maybe I do have the words. I love you so much. iii ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. Rebecca King for all her work in helping me prepare this dissertation. -
In Memoriam: an Ode to Melancholy and Religion in Tennyson's
IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree Master’s Degree In English Literature by Melissa Thea Valk San Francisco, California Fall 2020 Copyright by Melissa Thea Valk 2020 CERTIFICATION OF APPROVAL I certify that I have read I certify that I have read “In Memoriam:” An Ode to Melancholy and Religion in Tennyson’s Magnum Opus” by Melissa Thea Valk, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Summer Star , Ph.D. Assistant Professor Sara Hackenberg, Ph.D. Associate Professor IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS Melissa Thea Valk San Francisco, California 2020 This thesis dissects the role of melancholic imagery and religion in Alfred Tennyson’s poetry, with a special focus on his magnum opus, In Memoriam A.H.H (1850) and how the use of melancholy and religion act as rhetorical tropes in conveying the depths of his grief after losing his dear friend, Arthur Hallam. Furthermore, I analyzed particular cantos adjacent to a few of his other poems such as “The Lady of Shalott” (1833 and 1842), “Mariana” (1830), and “The Sleeping Beauty” (1830). The use of melancholic imagery is abundant in Tennyson’s work, but this thesis argues that upon the death of Arthur Hallam, Tennyson reconfigured his melancholic aesthetic that we see in his older poems to fit the melancholic tone in his elegy. -
Symbol and Mood in Tennyson's Nature Poetry Margery Moore Taylor
University of Richmond UR Scholarship Repository Master's Theses Student Research 1971 Symbol and mood in Tennyson's nature poetry Margery Moore Taylor Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Taylor, Margery Moore, "Symbol and mood in Tennyson's nature poetry" (1971). Master's Theses. 1335. https://scholarship.richmond.edu/masters-theses/1335 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SYJYIBOL AND MOOD IN TENNYSON•S NATURE POETRY BY MA1"1GERY MOORE TAYLOR A THESIS SUBI.'IITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS JUNE, 1971 Approved for the Department of English and the Graduate School by: Cha rman of the Department of English c:;Dean ofJ'.� the (JG�e . � School CONTENTS INTRODUCTION CHAPTER I: NATURE AND SYMBOLISM CHAPTER II: NATURE AND MOOD CONCLUSION BIBLIOGRAPHY INTRODUCTION The purpose of this paper is to show Tennyson's preoccupation with nature in his poetry, his use of her as a projector of moods and s.ymbolism, the interrelation of landscape with depth of feeling and narrative or even simple picturesqueness. Widely celebrated as the supreme English poet and often called the Victorian Oracle,1 Tenny son may well be considered the best exemplar of the nine teenth century. -
Study Material on the Poem "Ulysses" by Alfred Tennyson , CC-5, 3Rd Semester, English Honours
Study Material on the poem "Ulysses" by Alfred Tennyson , CC-5, 3rd Semester, English Honours Alfred Tennyson: Alfred Tennyson (6 August 1809 – 6 October 1892) was a British poet. He was the Poet Laureate during much of Queen Victoria's reign and remains one of the most popular British poets. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also excelled at penning short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as "Ulysses", although "In Memoriam A.H.H." was written to commemorate his friend Arthur Hallam, a fellow poet and student at Trinity College, Cambridge, after he died of a stroke at the age of 22. Tennyson also wrote some notable blank verse including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success. A number of phrases from Tennyson's work have become commonplaces of the English language, including "Nature, red in tooth and claw" (In Memoriam A.H.H.), "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "To strive, to seek, to find, and not to yield", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
'A Flute of Arcady': Autograph Poems of Tennyson's Friend, Arthur Henry Hallam
'A FLUTE OF ARCADY': AUTOGRAPH POEMS OF TENNYSON'S FRIEND, ARTHUR HENRY HALLAM ROGER EVANS And all we met was fair and good, And all was good that Time could bring. And all the secret of the Spring Moved in the chambers of the blood: And many an old philosophy On Argive heights divinely sang. And round us all the thicket rang To many a flute of Arcady. Tennyson, In Memoriam A.H.H., Section 23 ALTHOUGH Arthur Henry Hallam (fig. i) is granted a column and a half in the pages of the Dictionary of National Biography, he remains a tenuous shade in the national memory. He achieved no conventional academic distinction or position of political or social prominence, he left little that may be called ground-breaking and he fathered no progeny, worthy or otherwise. This said, his early death at the age of twenty-two so profoundly shook the greatest poet of the Victorian age, Alfred Lord Tennyson, and its greatest prime minister, W. E. Gladstone, he was a living presence in their memory to the end of their long lives. More importantly for us, he is a presence in the canon of English literature to be equated with Lycidas and Adonais, for he was the subject of one of the most sustainedly moving elegies in our language, Tennyson's In Memoriam A.H.H. In March 1998 the British Library acquired one of Hallam's notebooks, the most extensive collection of his poetry in his hand to survive and by far the most personal.^ It is a slim volume of some seventy folios, bound in now fragile calf boards, much of the spine gone but with the stitching intact and showing no evidence of having lost any folios except for one which is a mere stub. -
Tennyson and Aestheticism
>4 Art for Art C\, containscan escapethe scandalouspreciosiry of beingeven containable. Yet, though the bowl may be cracked,the pot broken, the urn smashed, to break through all the conditions of comely form, the shapewhich remains,even if just'shards',will continue to express recovering,touch by touch, a loveliness... the senseof music, or beauty,set againstthe hard truth. Celan'sPoetry lVaher Pater may increasingly,after 'Todesfuge]have consisted of 'musicalfragments', broken bits of a vision which it can hardly bearto recall,but the music The only aristocraryis neverto touch ... does not thereforestop. The cello comes in behind pain, just as, in that early, bitterly beautiful, guilry poem, 'Todesfugelthe death fugue FernandoPessoa goeson and on, the playersunable to do anythingelse except 'sing now and play'. 3 Touchitg Forms: Tennyson and Aestheticism 'Art for Art's sake! Hail, truest Lord of Hell!' (III. 12. l)t Ten- nyson's uninspired squib is a rare outburst on a subject which engrossedmany of his contemporaries.Berween Victorian aestheti- cism and Victoria's Laureate there is a marked stand-off, a silence broken only here and there by skirmisheson both sides.Tennyson never refersto Pater in his letters,owned none of his books, though he certainly read and marked some of his essaysin journals.2Pa- ter, for his part, is oddly circumspectabout Tennyson. In the essay on 'Sryle' he praisesthe poet's eclectic mix of 'savoursome'Latin and 'Racy Saxon monosyllables' which are, significantly, 'close ro us as touch and sight'.3 Otherwise, quotations from Tennyson are dropped anonymously. 'The blot upon the brain lThat will show it- self without', from 'Maud', turns up unacknowledgedin the essay I All quotations from Tennyson's poetry are taken from The Poemsof Tennyson,ed. -
On the Trail of Alfred, Lord Tennyson
Poet of the People the of Poet Alfred later in life in later Alfred 9 Alfred and Emily’s Marriage Certificate Marriage Emily’s and Alfred 10 7 8 Voice of the Victorian Age, Age, Victorian the of Voice Julia Margaret Cameron Margaret Julia from all over the world today. world the over all from still inspire and comfort people people comfort and inspire still leaves a legacy of words which which words of legacy a leaves Prince Albert’s death. Albert’s Prince nestling in rural Lincolnshire, Lincolnshire, rural in nestling reading In Memoriam after after Memoriam In reading man from a small hamlet hamlet small a from man who gained comfort from from comfort gained who time. This gentle, thoughtful thoughtful gentle, This time. visitors, and Queen Victoria, Victoria, Queen and visitors, Compass Point Business Services 2018 Services Business Point Compass the most notable people of that that of people notable most the Emily Sellwood Emily most significant year of Tennyson’s life. Tennyson’s of year significant most photographed many of his his of many photographed Design, & Print by Amended £57,000, Tennyson mixed with with mixed Tennyson £57,000, was appointed in his place. 1850 was the the was 1850 place. his in appointed was Julia Margaret Cameron, who who Cameron, Margaret Julia City Graphics, Tealby, Lincolnshire © 2008 2008 © Lincolnshire Tealby, Graphics, City £10,000, leaving an estate of of estate an leaving £10,000, had died in April that year and Alfred Alfred and year that April in died had included the photographer photographer the included by: Designed earning an annual income of of income annual an earning Poet Laureate William Wordsworth Wordsworth William Laureate Poet acquaintances. -
Barking Dogs and Deaf Ears: the Ysm Terious Unheeded Scottish Origin of Tennyson's in Memoriam Patrick G
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-27-2014 Barking Dogs and Deaf Ears: The ysM terious Unheeded Scottish Origin of Tennyson's In Memoriam Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2014. Patrick Scott, "Barking Dogs and Deaf Ears: The ysM terious Unheeded Scottish Origin of Tennyson's In Memoriam," The ysM teries at Our Own Doors,43rd Victorians Institute, Charlotte, NC: (c) Patrick Scott, 2014. This Presentation is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Scott—Barking Dogs--1 "The Mysteries at Our Own Doors:" Victorians Institute 43rd Annual Conference Winthrop University/Omni Downtown, Charlotte NC, October 24/25, 2014 Special Panel 20: Mysteries of Scholarship, chair William Naufftus Friday, Oct. 24, 5:15 pm, Juniper Room BARKING DOGS AND DEAF EARS: THE MYSTERIOUS UNHEEDED SCOTTISH ORIGIN OF TENNYSON’S IN MEMORIAM Patrick Scott, University of South Carolina I want to begin by conflating two literary passages. The first is the obvious allusion in my title, to the exchange in Conan Doyle’s story “Silver Blaize,” between Inspector Gregory and Sherlock Holmes, as echoed more recently by Mark Haddon: “Is there any other point,” Gregory asks, “to which you would wish to draw my attention?” “To the curious incident of the dog in the night-time.” “The dog did nothing in the night-time.” “That was the curious incident.” The second passage is from the opening to T.S. -
Hallam Tennyson, Born 10 December 1920, Is Sir Charles Tennyson's Youngest and Only Surviving Son
Notes PART !~CHAPTER 1 Hallam Tennyson, born 10 December 1920, is Sir Charles Tennyson's youngest and only surviving son. Educated at Eton and Balliol, he spent the war in Egypt and Italy with the Friends' Ambulance Unit and later, with his wife, started a rural reconstruction programme in West Bengal for the American Quakers. Six years as a freelance writer and journalist followed; he published a book of short stories, The Wall of Dust (1948), a biography, books of history, travel and biography and a novel about India, The Dark Goddess (1958). From 1956 until 1979 he worked for the BBC, retiring as Assistant Head of Radio Drama. He broadcasts frequently and has written many plays and documentaries for radio and television. This lecture was delivered on 9 May 1979, under the auspices of the Lincoln County Council. 1. Wordsworth's Prelude (de Selincourt edition, Oxford University Press, 1933). 2. Ibid., Book II, 1, 69-71; Book VIII, 1, 404-9. 3. Across the Gaps, first broadcast 26 December 1974; text and recording in BBC Radio Archives. 4. Wordsworth's Prelude, op. cit., Book II, 1, 447. 5. Ibid., Book II, 1, 282-3. 6. Ibid., Book II, 1, 272-6. 7. Margot Asquith, Autobiography, vol. (1962 edition: Eyre & Spottiswoode), p. 137. 8. Lionel Tennyson (Macmillan, 1891; privately printed), Tennyson Research Centre, Lincoln, p. 1. 9. This tradition comes from the family of Annie Thackeray Ritchie. It is known that Annie's husband, Richmond, was in love with Eleanor during her four years of widowhood. 10. Lionel Tennyson, op. -
Alfred, Lord Tennyson 1 Alfred, Lord Tennyson
Alfred, Lord Tennyson 1 Alfred, Lord Tennyson The Right Honourable Lord Tennyson FRS 1869 Carbon print by Julia Margaret Cameron Born 6 August 1809 Somersby, Lincolnshire, England United Kingdom Died 6 October 1892 (aged 83) [] Lurgashall, Sussex, England United Kingdom Occupation Poet Laureate Alma mater Cambridge University Spouse(s) Emily Sellwood (m. 1850–w. 1892) Children • Hallam Tennyson (b. 11 August 1852) • Lionel (b. 16 March 1854) Alfred Tennyson, 1st Baron Tennyson, FRS (6 August 1809 – 6 October 1892) was Poet Laureate of Great Britain and Ireland during much of Queen Victoria's reign and remains one of the most popular British poets.[1] Tennyson excelled at penning short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from a brain haemorrhage before they could marry. Tennyson also wrote some notable blank verse including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success. A number of phrases from Tennyson's work have become commonplaces of the English language, including "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "To strive, to seek, to find, and not to yield", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new".