Alfred, Lord Tennyson 1 Alfred, Lord Tennyson
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1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
Poet Andrew Motion, Interviewed at National Portrait Gallery, London, 14 March 2014
Picture the Poet – Fusion Digital Gallery audio transcript: Poet Andrew Motion, interviewed at National Portrait Gallery, London, 14 March 2014 For me, poems begin with a sense of, well, I think it is a sort of musical ache if that means anything to anybody else; it's a preverbal back-of-the-mind unlit part of the mind yearning to complete something. Robert Frost very beautifully says ‘a poem begins with a lump in the throat, a love sickness, a homesickness’. That has always meant a lot to me, that remark, partly because it catches the distress often involved in writing, lovesickness and homesickness being horrible things, but also because it allows us to think a little bit about preverbalness; a lump in the throat is not quite a verbalised thing yet. So, far back in my mind, I have a feeling of wanting to complete something that is unfinished, to satisfy something which is already disappointed, to complete the circle in some way; but what idea that might have to do with at that point, I really don’t know. And I then drag it to the slightly better-lit front of my mind, and in that process words, what we call ideas, concepts, phrases, allusions, references, bits of childhood etc. etc., all start to stick to it; so it becomes something that is recognisable as a poem. Writing poems for me, and I guess for most people, is a strange businesses of getting the side of your mind that knows what it's doing, that is calculating, that might go to a place to get inspiration, with the side of your mind that really doesn't know what it's up to at all; that is the expression of your ‘un’ or ‘sub’ conscious. -
Researching a Single Journalist 1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Greenwich Academic Literature Archive 1 Researching a single journalist Alfred Austin John Morton In the introduction to the Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, Alexis Easley, Andrew King, and I identi- fied several periodical types our volume had not dwelt on in detail. Among these were party political journals. While several journals with loose political affiliations were discussed in passing (for example, Blackwood’s Edinburgh Review, which was founded as something of a Tory corrective to the Whig Edinburgh Review), they were not treated primarily as organs of political ideology. Before co-writing the introduction to the Routledge Handbook, I had already decided to undertake a study of Alfred Austin for this chapter; it is a genuine coincidence, although not an unhappy one, that at every stage of his career Austin betrayed a definitively Conservative outlook and founded one of the most influential late Victorian Conservative journals, the National Review. This chapter, in addition to considering Austin as a political journalist and establishing this as the primary factor behind his appointment to the laureateship, will also through practice demonstrate the difficulty – in fact near-impossibility – of researching one nineteenth-century journalist in isolation. Austin is nowadays remembered for what many would term the wrong reasons, chief among these his status as the apparently least deserving poet laureate in British history. I first came across his work when writing my PhD thesis, which investigated the critical and cultural legacy of Alfred Tennyson in the sixty or so years after his death. -
Laureateship Under the Reign of Queen Victoria
English Language and Literature Studies; Vol. 3, No. 4; 2013 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Laureateship under the Reign of Queen Victoria Mohammed Kasim Harmoush1 1 Faculty of Arts, King Abdul Aziz University, Jeddah, Saudi Arabia Correspondence: Mohammed Kasim Harmoush, Associate Professor of English, Faculty of Arts, King Abdul Aziz University, Jeddah, Saudi Arabia. E-mail: [email protected] Received: October 15, 2013 Accepted: November 1, 2013 Online Published: November 28, 2013 doi:10.5539/ells.v3n4p68 URL: http://dx.doi.org/10.5539/ells.v3n4p68 Abstract Many foreign learners of English in our Middle Eastern universities encounter terms such as poet laureate or laureateship without troubling themselves to search for the origin of these terms, or even taking enough time to specify their true meanings or identify the poets honoured with the title of poet laureate, and how the candidates are selected in Victorian times. This paper is designed to give answers to the above speculations. Upon reviewing many sources in this regard, we become sure that the title of Laureateship is often offered by the authority to a man of letters not necessary very well-known poet, but to a man who could serve the Queen by writing poems or articles celebrating her royal occasions and sharing her the same political taste. Keywords: laureateship, Victorian poets, Queen Victoria, Victorian times 1. The Main Discussion We believe that shedding light upon this topic is a useful and interesting undertaking in the present. This paper mainly focuses on the poets laureate of the Victorian period. -
Czech Portraits Friday, Mar
Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument. -
Duncan Campbell Scott - Poems
Classic Poetry Series Duncan Campbell Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Duncan Campbell Scott(2 August 1862 – 19 December 1947) Duncan Campbell Scott was a Canadian poet and prose writer. With <a href="http://www.poemhunter.com/charles-g-d-roberts/">Charles G.D. Roberts</a>, <a href="http://www.poemhunter.com/bliss-carman/">Bliss Carman</a> and <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, he is classed as one of Canada's Confederation Poets. Scott was also a Canadian lifetime civil servant who served as deputy superintendent of the Department of Indian Affairs from 1913 to 1932, and is "best known" today for "advocating the assimilation of Canada’s First Nations peoples" in that capacity. <b>Life</b> Scott was born in Ottawa, Ontario, the son of Rev. William Scott and Janet MacCallum. He was educated at Stanstead Wesleyan Academy. Early in life, he became an accomplished pianist. Scott wanted to be a doctor, but family finances were precarious, so in 1879 he joined the federal civil service. As the story goes, "William Scott might not have money [but] he had connections in high places. Among his acquaintances was the prime minister, Sir John A. Macdonald, who agreed to meet with Duncan. As chance would have it, when Duncan arrived for his interview, the prime minister had a memo on his desk from the Indian Branch of the Department of the Interior asking for a temporary copying clerk. Making a quick decision while the serious young applicant waited in front of him, Macdonald wrote across the request: 'Approved. -
Trinity College War Memorial Mcmxiv–Mcmxviii
TRINITY COLLEGE WAR MEMORIAL MCMXIV–MCMXVIII Iuxta fidem defuncti sunt omnes isti non acceptis repromissionibus sed a longe [eas] aspicientes et salutantes et confitentes quia peregrini et hospites sunt super terram. These all died in faith, not having received the promises, but having seen them afar off, and were persuaded of them, and embraced them, and confessed that they were strangers and pilgrims on the earth. Hebrews 11: 13 Adamson, William at Trinity June 25 1909; BA 1912. Lieutenant, 16th Lancers, ‘C’ Squadron. Wounded; twice mentioned in despatches. Born Nov 23 1884 at Sunderland, Northumberland. Son of Died April 8 1918 of wounds received in action. Buried at William Adamson of Langham Tower, Sunderland. School: St Sever Cemetery, Rouen, France. UWL, FWR, CWGC Sherborne. Admitted as pensioner at Trinity June 25 1904; BA 1907; MA 1911. Captain, 6th Loyal North Lancshire Allen, Melville Richard Howell Agnew Regiment, 6th Battalion. Killed in action in Iraq, April 24 1916. Commemorated at Basra Memorial, Iraq. UWL, FWR, CWGC Born Aug 8 1891 in Barnes, London. Son of Richard William Allen. School: Harrow. Admitted as pensioner at Trinity Addy, James Carlton Oct 1 1910. Aviator’s Certificate Dec 22 1914. Lieutenant (Aeroplane Officer), Royal Flying Corps. Killed in flying Born Oct 19 1890 at Felkirk, West Riding, Yorkshire. Son of accident March 21 1917. Buried at Bedford Cemetery, Beds. James Jenkin Addy of ‘Carlton’, Holbeck Hill, Scarborough, UWL, FWR, CWGC Yorks. School: Shrewsbury. Admitted as pensioner at Trinity June 25 1910; BA 1913. Captain, Temporary Major, East Allom, Charles Cedric Gordon Yorkshire Regiment. Military Cross. -
“Our Little Systems Have Their Day”: Tennyson's Poetic
“OUR LITTLE SYSTEMS HAVE THEIR DAY”: TENNYSON’S POETIC TREATMENT OF SCIENCE by Emily Carroll Shearer A Dissertation Submitted in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy in English Middle Tennessee State University 2014 Dissertation Committee: Dr. Rebecca King, Department of English, Chair Dr. Larry Gentry, Department of English Dr. Tammy Melton, Department of Chemistry © 2014 Emily Carroll Shearer ii For Mom and Dad – I’ve spent almost two years writing this “damn dissertation.” It’s around 38,000 words, so you’d think that a few extra for the dedication wouldn’t be that much more. It amazes me how words fail me when I want them the most. I don’t have the words to thank you for homeschooling me or for raising me to be a stubborn mule when it comes to achieving something (trust me, that’s an asset in graduate school) or for teaching me not to put up with crap from anyone. I don’t know how to say thank you for showing me how to listen or be kind to others, to take other people into heart as family, and to keep laughter as a constant companion. I don’t know how to say thank you for teaching me not to give up—and for not giving up on me when I felt like giving up on myself. Then again, maybe I do have the words. I love you so much. iii ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. Rebecca King for all her work in helping me prepare this dissertation. -
Fellows of the Royal Society 1660 – 2007
Library and Information Services List of Fellows of the Royal Society 1660 – 2007 K - Z Library and Information Services List of Fellows of the Royal Society 1660 - 2007 A complete listing of all Fellows and Foreign Members since the foundation of the Society K - Z July 2007 List of Fellows of the Royal Society 1660 - 2007 The list contains the name, dates of birth and death (where known), membership type and date of election for all Fellows of the Royal Society since 1660, including the most recently elected Fellows (details correct at July 2007) and provides a quick reference to around 8,000 Fellows. It is produced from the Sackler Archive Resource, a biographical database of Fellows of the Royal Society since its foundation in 1660. Generously funded by Dr Raymond R Sackler, Hon KBE, and Mrs Beverly Sackler, the Resource offers access to information on all Fellows of the Royal Society since the seventeenth century, from key characters in the evolution of science to fascinating lesser- known figures. In addition to the information presented in this list, records include details of a Fellow’s education, career, participation in the Royal Society and membership of other societies. Citations and proposers have been transcribed from election certificates and added to the online archive catalogue and digital images of the certificates have been attached to the catalogue records. This list is also available in electronic form via the Library pages of the Royal Society web site: www.royalsoc.ac.uk/library Contributions of biographical details on any Fellow would be most welcome. -
In Memoriam: an Ode to Melancholy and Religion in Tennyson's
IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree Master’s Degree In English Literature by Melissa Thea Valk San Francisco, California Fall 2020 Copyright by Melissa Thea Valk 2020 CERTIFICATION OF APPROVAL I certify that I have read I certify that I have read “In Memoriam:” An Ode to Melancholy and Religion in Tennyson’s Magnum Opus” by Melissa Thea Valk, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Summer Star , Ph.D. Assistant Professor Sara Hackenberg, Ph.D. Associate Professor IN MEMORIAM: AN ODE TO MELANCHOLY AND RELIGION IN TENNYSON’S MAGNUM OPUS Melissa Thea Valk San Francisco, California 2020 This thesis dissects the role of melancholic imagery and religion in Alfred Tennyson’s poetry, with a special focus on his magnum opus, In Memoriam A.H.H (1850) and how the use of melancholy and religion act as rhetorical tropes in conveying the depths of his grief after losing his dear friend, Arthur Hallam. Furthermore, I analyzed particular cantos adjacent to a few of his other poems such as “The Lady of Shalott” (1833 and 1842), “Mariana” (1830), and “The Sleeping Beauty” (1830). The use of melancholic imagery is abundant in Tennyson’s work, but this thesis argues that upon the death of Arthur Hallam, Tennyson reconfigured his melancholic aesthetic that we see in his older poems to fit the melancholic tone in his elegy. -
Arts, Literary & History Trail
Arts, Literary & History Trail - FRESHWATER - KS4 Alfred, Lord Tennyson Poet Laureate Resident at Farringford House, Freshwater Tennyson was born in Lincolnshire in 1809 and attended Trinity College, Cambridge in 1827 where he received The Chancellor’s Gold Medal (a prestigious award given for poetry) in 1829. His frst solo collection of poems were published soon after. Poetry wriritng was important to Victorians as there was no recorded music at this time. When Tennyson’s poem ‘Maud’ (written in 1854-55) became a frm favourite with British Society, Alfred Lord Tennyson was able to buy Farringford House (now a hotel), on the Isle of Wight, which he initially rented with his wife from 1853. In 1850, he was made Poet Laureate and he held this post for forty years. Heralded as one of the greatest poets in British History, he died, at the age of 83, in 1892. The monument which stands at the top of Tennyson Down (renamed in his honour) was erected after his death. Before your visit... 1. Look at a couple of poems by Tennyson e.g. Crossing the Bar and Break, Break, Break. There are online analysis notes for both poems. Do a comparison with a poem from the GCSE Syllabus. 2. Can you identify which phrases in Tennyson’s poems can be linked to the place he lived - e.g. the sea on a stormy day, the downs in summer? 3. Investigate the frustrations of being in the public eye. Compare Tennyson with JK Rowling, both driven to move house as a result of media attention. -
Professor Sir Andrew Motion
Impact case study (REF3b) Institution: Royal Holloway, University of London Unit of Assessment: English Title of case study: Literature in Public Life: Professor Sir Andrew Motion. 1. Summary of the impact (indicative maximum 100 words) Professor Sir Andrew Motion works at the heart of the poetry sector in the UK and speaks for it at all levels of public discourse. His research into poetry through criticism and practice, and his tireless public engagement, lead to impacts on a wide range of users in cultural life and education, civil society, public discourses and public services. These are achieved through such positions as Director and Co-Founder of The Poetry Archive (since 2003) Chair of Arts Council Review Group (2009) Director of Poetry by Heart (from 2012). Widespread benefits are felt through the creation and identification of cultural capital influence on education and public policy (2008-13). 2. Underpinning research (indicative maximum 500 words) Professor Motion was appointed Professor of Creative Writing (0.5 FTE) in the English Department at Royal Holloway in 2003. He was already established in the Laureateship, occupying this high office in public life to serve Queen and Commonwealth, engaged in revitalizing the traditions of the role established by such figures as Wordsworth, Tennyson, Betjeman and Hughes. His writing continued to mark not simply Royal occasions, but also encompassed many commissions from Charities seeking his voice to promote their causes in verse. Beyond his work as poet and novelist, he is an influential biographer, editor, and literary critic, specializing in Romantic, twentieth-century and contemporary literature. These are all areas of activity which he has maintained since his appointment at Royal Holloway and since stepping down as Laureate (2009).