Chris Brown Chris Brown Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Chris Brown Chris Brown Mp3, Flac, Wma Chris Brown Chris Brown mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Chris Brown Country: US Released: 2005 Style: Rhythm & Blues MP3 version RAR size: 1781 mb FLAC version RAR size: 1805 mb WMA version RAR size: 1945 mb Rating: 4.8 Votes: 887 Other Formats: DXD VOX MIDI MP1 AAC DTS ADX Tracklist Hide Credits 1 Intro 0:56 Run It! 2 3:49 Featuring – Juelz Santana Yo (Excuse Me Miss) 3 3:49 Instruments – Andre Harris , Vidal Davis 4 Young Love 3:38 5 Gimme That 3:06 6 Ya Man Ain't Me 3:34 Winner 7 4:04 Instruments – Bryan-Michael CoxKeyboards [Additional] – Kendrick Dean 8 Ain't No Way (You Won't Love Me) 3:23 What's My Name 9 3:52 Featuring – Noah Guitar, Bass – David Cabrerra Is This Love? 10 3:17 Backing Vocals – Steve Russell Poppin' 11 4:25 Instruments – Andre Harris , Vidal Davis 12 Just Fine 3:52 Say Goodbye 13 4:49 Instruments – Bryan-Michael CoxKeyboards [Additional] – Kendrick Dean Run It! (Remix) 14 4:04 Featuring – Bow Wow, Jermaine Dupri So Glad 15 2:57 Backing Vocals – Chris Brown , Ne-YoInstruments – Ivan "Orthodox" Barias Seen The Light 16 4:09 Featuring – Rico Love Thank You 17 4:26 Guitar – R.T.*Keyboards, Drum Programming – Shea Taylor Gimme That Remix 18 3:57 Featuring – Lil Wayne Companies, etc. Distributed By – Sony BMG Music Entertainment Made By – Sony BMG Music Entertainment Phonographic Copyright (p) – Zomba Recording LLC Copyright (c) – Zomba Recording LLC Credits Art Direction, Design – Courtney Walter Artwork [Graffiti] – SnowstormGrafx.com Co-producer – Antonio Dixon (tracks: 6), Kendrick Dean (tracks: 7), Sean Garrett (tracks: 2, 5, 14, 18) Co-producer [Remix] – L-Roc (tracks: 14) Edited By, Recorded By – Dabling "Hobby Boy" Harward* (tracks: 4, 6, 10), Kelly "Becky 4 Real" Sheehan* (tracks: 4, 6, 10) Engineer [Assistant] – Aaron Renner (tracks: 4, 6, 10), Anthony G. Crisano (tracks: 1, 5, 9, 12, 17, 18), Lucas McLendon (tracks: 1, 16), Patrick Magee (tracks: 2, 5, 18), Vadim Chislov (tracks: 2, 5, 18) Executive-Producer – Chris Brown , Mark Pitts, Tina Davis Guitar [Guitars] – Aaron Fishbein (tracks: 2, 5, 18) Mastered By – Herb Powers, Jr.* Mixed By – Brian Stanley (tracks: 2, 5, 9, 16, 18), Jean-Marie Horvat (tracks: 7, 13), Kevin KD Davis* (tracks: 8), Manny Marroquin (tracks: 15), Rich Keller (tracks: 12), The Underdogs (tracks: 4, 6, 10) Mixed By [Assistant] – Mike Tschupp (tracks: 2), Steve Tolle (tracks: 9, 16), Val Braithwaite* (tracks: 2, 5, 7, 18) Photography By – Clay Patrick McBride Producer – Antonio Dixon (tracks: 4), Cool And Dre* (tracks: 9), Craig Groove (tracks: 16), Eddie Hustle (tracks: 1), Kendrick Dean (tracks: 13), Moox (tracks: 16), Scott Storch (tracks: 2, 5, 14,18), Sean Garrett (tracks: 8), Shuga Bear* (tracks: 16), The Underdogs (tracks: 4, 6, 10) Producer [Assistant] – Tadd Mingo (tracks: 14) Producer [Remix], Producer [Assistant] – Jermaine Dupri (tracks: 14) Producer [Vocals] – Shannon "Slam" Lawrence (tracks: 12) Recorded By – Carlos Paucar (tracks: 5, 18), Charles McCrorey (tracks: 2, 5, 9, 16, 18), Conrad Golding (tracks: 2, 5, 18), John Horesco IV (tracks: 14), Keith Sengbusch (tracks: 9, 12, 16), Sam Thomas (tracks: 7, 13), Shea Taylor (tracks: 17), Wayne Allison* (tracks: 2, 5, 18) Recorded By [Additional Vocal], Mixed By – Stephen "Stevo" George* (tracks: 17) Recorded By [Music], Mixed By – Eddie Hustle (tracks: 1) Recorded By [Vocal] – Charles McCrorey (tracks: 1) Recorded By [Vocals] – Charles McCrorey (tracks: 17) Recorded By, Co-producer – Oak (tracks: 8) Recorded By, Mixed By – Vincent Dilorenzo (tracks: 3, 11) Tracking By [Vocal] – Ian Crosse* (tracks: 8) Tracking By, Recorded By – Frank "Mumbles" Sutton* (tracks: 15) Written-By – Adonis Shropshire (tracks: 7, 13), Andre Lyon (tracks: 9), Antonio Dixon (tracks: 4, 6, 10), Berry Gordy (tracks: 15), Bobby Elli* (tracks: 4), Bunny Sigler (tracks: 16), Charly Charles (tracks: 16), Chris Brown (tracks: 1, 7, 9, 12, 15, 16, 17), Craig Stevens (tracks: 16), Damon Thomas (tracks: 4, 6, 10), Daniel Glass (tracks: 12), Dennis Lussier (tracks: 15), Edmund Clement (tracks: 1), Eric Dawkins (tracks: 6, 10), Alphonso Mizell* (tracks: 15), Freddie Perren (tracks: 15), Harvey Mason Jr. (tracks: 4, 6, 10), Jermaine Dupri (tracks: 14), Johnta Austin (tracks: 3,11), Kendrick Dean (tracks: 7), Kenneth Gamble (tracks: 16), Keri Hilson (tracks: 4), Leon Huff (tracks: 16), Marcello Valenzano (tracks: 9), Noah Stephens IV (tracks: 9), J. Que* (tracks: 4), Peter Zora (tracks: 12), Rico Love (tracks: 16), Scott Storch (tracks: 2, 5, 14, 18), Sean Garrett (tracks: 2, 5, 8, 14, 18), Shad Gregory Moss (tracks: 14), Shaffer Smith (tracks: 15), Shonn Bonnett (tracks: 16), Steve Russell (tracks: 6, 10), Tank (tracks: 6), Tina Davis (tracks: 17), Vinny Barrett* (tracks: 4), Warren Felder (tracks: 8), Zhang Fuquan (tracks: 8) Written-By, Producer – Andre Harris (tracks: 3,11), Bryan-Michael Cox (tracks: 7, 13), Carvin Haggins (tracks: 15), Lance Bennett (tracks: 12), Michael Winans (tracks: 12), Shannon "Slam" Lawrence (tracks: 12), Shea Taylor (tracks: 17), Vidal Davis (tracks: 3,11) Written-By, Producer [Vocal] – Lamont "Hit.LA" Flemming* (tracks: 17) Written-By, Producer, Producer [Vocal] – Ivan Barias* (tracks: 15) Notes 18 track UK version. Made in the EU. Release has a secondary front cover image, included as a separate one-sided card to put in front of the booklet. Tracks 15 and 16 are bonus tracks. Includes free poster. "Run It!" contains a portion of the composition "I Know What Boys Like" written by Christopher Butler. "Young Love" contains a sample from "Sideshow" written by Bobby Elli and Vinny Barrett as performed by Blue Magic. "Ain't No Way (You Won't Love Me)" contains a portion of the composition of "Song of the Dragon & Phoenix" written by Zhang Fuquan. "Run It! (Remix)" contains a sample from "Jam Master Jay" as performed by Run DMC. "So Glad" contains a sample from "It's Great To Be Here" written by Dennis Lussier, Alphonso Mizell, Berry Gordy and Freddie Perren as performed by The Jackson 5. "Seen The Light" contains a sample from "I See The Light" written by Kenneth Gamble, Leon Huff and Bunny Sigler as performed by Billy Paul. Sticker on the front cover states: www.chrisbrownmusic.co.uk Barcode and Other Identifiers Barcode (Text): 8 28768 45102 1 Label Code: LC 07925 Rights Society: BIEM/GEMA Matrix / Runout: SONY BMG MUSIC ENTERTAINMENT 51883840/82876845102 21 Mastering SID Code: IFPI LP 73 Mould SID Code: IFPI RV13 Other versions Category Artist Title (Format) Label Category Country Year Chris Brown (CD, USA & 82876 76816 2 Chris Brown Jive 82876 76816 2 2005 Album) Canada Jive, Chris Brown (CD, 82876 84510 2 Chris Brown Sony 82876 84510 2 Europe 2006 Album, RE) Music Chris Brown (CD, 82876 76820 2 Chris Brown Jive 82876 76820 2 Europe 2005 Album) Chris Brown (CD, 828767682020 Chris Brown Jive 828767682020 Brazil 2006 Album) Chris Brown (Hybrid, 82876-73446-2 Chris Brown Jive 82876-73446-2 US 2005 DualDisc) Related Music albums to Chris Brown by Chris Brown Faith Evans - The First Lady Chris Brown - Fortune Juelz Santana Featuring Chris Brown - Back To The Crib Chris Brown Featuring Juelz Santana - Run It! Jill Scott - Beautifully Human - Words And Sounds Vol. 2 Usher - Confessions Usher - Here I Stand Trey Songz - Trey Day.
Recommended publications
  • Community Concert to Benefit the WSSU Belinda S
    Support Music Education! www.bswnc.org Community Concert to Benefit the WSSU Belinda S. Womack Endowed Memorial Music Education Scholarship Fund Image Credit: James, V. and Pierdomenico, J. (2015). 88+ Music Can Change Your Life, 1st ed., pg. 186. September 23, 2017 at 3:00 pm Enterprise Center 1922 S. Dr. MLK Jr. Drive Winston-Salem, NC 27107 1 Support Music Education! www.bswnc.org Welcome to our celebration of music and heritage event. Belinda S. Womack was a 1973 graduate of WSSU and a native of Winston-Salem, NC USA. She was a double music and education major and a member of the University Choir, under the direction of Permilla F. Dunston and Robert L. Morris. She became a classically trained Mezzo Soprano and certified Music Educator. Maestra Womack retired as a music teacher from the Washington, DC public schools a few years prior to her untimely death from complications of multiple sclerosis in 2014. Indeed, music was the string she used to thread her life’s purpose. Once fully endowed, this scholarship fund will provide tuition assistance, materials, supplies, and pre-professional development opportunities for incoming and existing music majors in choir and band, emphasizing music education, at WSSU and eventually beyond. Today we volunteer our time and talent with the expectation you will continue to support the fine and performing arts in your community! Musically yours, The BSW Music Fund 2017 Collective of Independent Performing Artists 2 Support Music Education! www.bswnc.org CONTENTS Concert Program ( 4 ) The 2017 Collective ( 10 ) Founding Donors ( 19 ) The Legacy ( 20 ) Acknowledgements ( 22 ) Alma Mater ( 23 ) 3 Support Music Education! www.bswnc.org Community Concert Enjoy Classic Soul, Funk-Rock, Reggae, Disco-House Music Before the Show! Dance Mix Audio Track Compliments of The BSW Music Fund T.
    [Show full text]
  • Dolphin Films Una Produzione Bieber Time Films & Scooter
    DOLPHIN FILMS PRESENTA UNA PRODUZIONE BIEBER TIME FILMS & SCOOTER BRAUN FILMS IN ASSOCIAZIONE CON IM GLOBAL & ISLAND DEF JAM MUSIC GROUP DIRETTO DA JON M.CHU con JUSTIN BIEBER e la speciale partecipazione di SCOOTER BRAUN | USHER RAYMOND IV | JON M. CHU | PATTIE MALLETTE | JEREMY BIEBER | RYAN GOOD | MIKE POSNER | RODNEY JERKINS | ALFREDO FLORES | NICK DEMOURA ...e molti altri! Durata 92 minuti In Italia Believe è distribuito da Nexo Digital e Good Films in collaborazione con i media partner Sky Uno HD, Radio Kiss Kiss, MYmovies.it e Team World. SINOSSI BELIEVE di Justin Bieber regala una visione intima e profonda del tour mondiale dell’artista che ha registrato il tutto esaurito. Non solo vedrete le immagini sbalorditive delle performance dei suoi maggiori successi, ma avrete un biglietto personale per accedere al backstage e scoprire come l’intero tour è stato concepito. Believe garantisce una panoramica esclusiva sulla vita di Justin fuori dal palco ed è un viaggio che ne ripercorre la vita: dagli esordi da perdente che sognava di suonare al Madison Square Garden, fino a diventare la più grande pop star mondiale. “Believe” in Justin Bieber. NOTE DEL REGISTA Ho sempre saputo sin da quando finimmo “Never Say Never” nel 2011, che la storia di Justin Bieber non sarebbe finita. Avevo la sensazione che il capitolo successivo della sua vita sarebbe stato ancora più convincente dell’inizio della sua storia, ma non avrei mai pensato di essere di nuovo io a raccontarlo. Quando, qualche anno dopo, mi arrivò l’invito di Justin a seguirlo in tour per realizzarne un film, presi al volo questa opportunità.
    [Show full text]
  • May 10, 2015 Candidates for Graduation- Alpha Order
    MAY 10, 2015 CANDIDATES FOR GRADUATION- ALPHA ORDER Please check your name, this is how it will appear on your degree, NO initials will be placed on the degree. Verify your major(s), your concentration, and minor for accuracy. If you do not see your name, then the Office of the Registrar has not received your application for graduation for this term. If you need to make any changes to your major, concentration, or minor, please fill out a Change of Major form and obtain the necessary signatures. Remember you must meet the requirements for both your major and your minor in order to graduate. No changes can be made to your major or minor the semester you intend to graduate without the approval of the Provost. If your name does not appear on this list and you wish to be a candidate for May 2015 graduation please contact your advisor immediately. The deadline to apply for May 2015 graduation was February 14, 2015. Please Note: After changing your major, please see your new advisor to adjust your graduation date. PRINTED NAME DEGR MAJOR 1 MAJOR 2 MINOR CONC Musa Ahmed Abdulahi PMD PHAM Amel Abdulaziz PMD PHAM LaDavia Rochell Abron-Empy BS MATH Shaun Acree BS ACCT Amari Adams BS MKT Deshaun Sherrod Adams BA PSY BIOL Jasmine Adams BS MATH Milagros Maria Adams PHD NURS Adeleke Adeyemi PHD PHYS Juulcurley Agbor-Enoh PMD PHAM Philpatsy Onwanma Agwu MR ARCH Shanaz Bobadilla Ahmadi PMD PHAM Kacie Anne Akens BA PSY Fuad Akinniyi BA PSY Victor Adedayo Alakija PMD PHAM Marshall Aldoph, Jr.
    [Show full text]
  • Jasmine Deadbolt.Com Interview
    Portriats and Passion with Jasmine Chadwick Portraits and Passion with Jasmine Chadwick by Reg Seeton Jasmine Chadwick has been riding a wave of musical momentum ever since the 2010 release of her debut solo CD, This Is Who I Am. One of the most talked about singer-songwriters in Los Angeles after winning L.A. Rock City's "Best Folk-Rock Artist," Chadwick has steadily turned heads with the sincere sound of This Is Who I Am, which quickly caught the attention of Grammy award winning artist Sarah McLachlan who immediately booked Jasmine as the opener for the 2010 Lilith Tour in Las Vegas. For McLachlan and the Lilith Tour, Chadwick was a perfect match given the raw talent of the 2010 line-up. Sharing the Lilth Tour stage with such talented female artists as The Bangles, Miranda Lambert, Alison Sudol, and Sarah McLachlan, Jasmine Chadwick saw her star soar even more when several top U.S. publications lauded Chadwick for her Lilith performance and debut songs on This Is Who I Am. An autobiographical portrait of her own life experiences and honest view of the world, This Is Who I Am is the passionate Folk-Rock result of a production collaboration with some of the music industry's top names. For her debut, Chadwick laid the best possible studio foundation after working with highly sought after recording engineer Bill Malina (Alanis Morissette, Christina Aguilera), guitarist Shane Fontayne (Bruce Springsteen, Sting), drummer Blair Sinta (Anniie Lennox, Melissa Etheridge), bassist Sean Hurley (Colbie Caillat, John Mayer), keyboardist Mike Farrell (Vanessa Carlton, Macy Gray) and five time Grammy winning mixer Manny Marroquin (Alicia Keys, Katy Perry).
    [Show full text]
  • Setup Recording
    INSTRUMENTS recordingsetup © PPVMEDIEN 2009 VOCALS Gesangseffekte zum Hit-Machen GENRE-VOCALS: POP Sound-Effekte für die Charts GESANGSPRODUKTION MIT SYNTHETISCHEM ANSTRICH FÜR DANCEFLOOR, POP & CO. Nichts ist so sehr Schnee von gestern wie die Musikproduktion vom letzten Monat. Zumindest auf die Natur moderner Gesangsproduktionen trifft dies zu, denn kein Genre ist so sehr dem Zeitgeist unterworfen, wie das Musikformat von Künstlern wie Madonna, Lady Gaga, Rihanna oder Justin Timberlake. Im Gegenzug ist aber auch in punkto Vocal Tuning kein anderes Genre derart herrlich befreit von jeglichem Schamgefühl und Konventionen. Foto: Wilschewski, Bearbeitung: K.v.G. 44 recording magazin 6/09 © PPVMEDIEN 2009 Sound-Effekte für die Charts Wie schneidern Produzenten den Stim men der Stars ein zeitgemäßes Gewand? Aller Anfang ist da die Recording Session. Trotz ge- legentlicher Experimentierfreude geben sich auch die Stars hier überwiegend klassisch – ein guter Aufnahmeraum, ein ordentliches Mikrofon, Preamp und AD-Wandler und ab mit dem Signal in die DAW. Erfrischender geht es bei Björk zu: Musste die Ausnahmestimme zum Einsingen ihrer ersten Alben noch ins muffige Tonstudio, so durfte sie die Gesangsparts des Albums „Post“ an der fri- schen Luft, bei Sonnenuntergang und knietief im Ozean stehend sinken, pardon, singen. Ein Stromgenerator, lange Mikrofonkabel, ein Stereomikrofon und ein ADAT-Recorder machten die 360-Grad-Panorama-Session möglich. Und als zweite Location für ihre Gesangsperformance diente Björk dann eine www.recmag.de 45 INSTRUMENTS recordingsetup © PPVMEDIEN 2009 VOCALS Gesangseffekte zum Hit-Machen Fledermaushöhle. Chapeau! Ob es künftig zum guten Ton gehören wird bei jeder größeren Produktion pressewirksam den Konzertflügel im Pool zu versenken und dies per Tonaufnahme zu dokumentieren vermag der Autor nicht zu bewerten.
    [Show full text]
  • Bark at Park’ Festival by Everett Rosenfeld ‘09 May Day, the Lower School’S Liss, Selected the Music for the Event
    POSTSCRIPT The Park School Brooklandville, MD May 28, 2004 Volume LXIV Issue No. 9 Parents’ Healthy Food Committee bans soda sales on campus by Sarah Dunn ‘06 Starting next year, Park will ban daily nutritional requirements. It is stat- to more healthy drinks. At Oldfields, healthier foods in schools is happening the sale of sodas on campus. This move ed directly in the proposal that, “health many other junk foods have been elimi- all over the country. In New York City is the result of an April 14 proposal made related behaviors are established early in nated as well. Almost 95% of what is sold and Los Angeles public schools, sodas by the Park Healthy Foods Committee, life” and the Committee believes that in its vending machines are healthy were banned from vending machines. In a group that consists of faculty and par- Philadelphia public schools, all soda sales ents. The proposal stated that the school were eliminated. Other states taking a should not profit from the sale of such stand on the foods sold in their cafeteri- unhealthy drinks and that they should not as include Texas, South Carolina, New be sold on school grounds. The Park Hampshire, Washington, California, and Parents’ Association approved the plan; Minnesota. Dr. David Jackson, Head of School, and Next year, Park will discontin- Caleb Karpay ‘04, former Upper School ue its vending machine soda sales as President, also supported it. well. Unlike St. Paul’s, students will be Deirdre Smith, a parent and a permitted to bring sodas on campus, but member of the committee, explained that the school does not wish to profit from the number one disease among teenag- them.
    [Show full text]
  • E38th Stferie Pa. 16546 Mffi^,2QM NEWS: FEATURES
    THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 Mercyhurst College 501|E38th StfErie Pa. 16546 mffi^,2QM The Merciad is also available at merciad.mercyhurst.edu NEWS: Celebrate Earth Day everyday Check out the Police and Safely log for your favorite college violations. PAGE 3 FEATURES: Dr. Gibson's Commu- nication Campaigns Class gears up for mock trade show.* PAGES OPINION: Madam Malarky and the not-so- casual relationship PAGE 6 ARTS& ENTERTAINMENT r\auKatie McA03ms>KnotMcAdams/Photo editoeaoorr The trees planted on the North Side of McAuley parking lot will help remove carbon dioxide from the air and help the underground storm dranage system when It rains. Kilroy and Helbig's performanc benefits the American Cancer Green-minded students Society. ••* *i help the environment recognize that the way we have been PAGE 8 By Jonelle Davis developing is just not sustainable and Contributing writer must be redesigned in order to pre- "Mercyhurst is a model institution for serve the land. environmental sustainahflity, so that w e do Although there were lectures and SPORTS: not compromise future generations from movies shown to celebrate Earth having good lives. The bigger goal is to Day and create awareness, environ- Baseball continues to make Earth Day everyday.' * mental awareness was also created improve. — Dr. Chis Magoc in other ways ranging from passing For many years students and facul- out green cards to cleaning up wa- ty have been working at Mercyhurst tersheds. to make the campus a cleaner, health- According to Magoc, Green Cards PAGE 12 ier environment were passed out in all mailboxes in Each year, their efforts are high- order to create visible reminders of lighted on Earth Day and the sur- how students can contribute to work- rounding weeks.
    [Show full text]
  • Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS and DISCOURSES
    Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized.
    [Show full text]
  • Grammy-Nominated Singer/Songwriter Ro James Returns with 4- Track Smoke Ep
    GRAMMY-NOMINATED SINGER/SONGWRITER RO JAMES RETURNS WITH 4- TRACK SMOKE EP AVAILABLE NOW AT ALL DIGITAL SERVICE PROVIDERS VIA BYSTORM ENTERTAINMENT/RCA RECORDS CLICK HERE TO LISTEN [March 23, 2018, New York, NY] Grammy-nominated singer/songwriter Ro James returns today with the release of his 4-track Smoke EP. The EP is now available to purchase and stream at all digital service providers via ByStorm Entertainment/RCA Records. Smoke EP is the first of two EP installments, which will be released in anticipation for Ro’s sophomore album due out later this year. The second installment, entitled Mirrors EP is due out later this spring. Click here to listen to Smoke EP. Ro James first treated fans to “Lost My Mind” ft. Notorious B.I.G. on March 9th, the anniversary of the legendary Brooklyn-rapper’s death. “Lost My Mind” ft. Notorious B.I.G. is produced by Salaam Remi (Amy Winehouse, Nas, Miguel). Click here to see Ro’s tribute post on Instagram. The Smoke EP features additional production by Soundz (Bryson Tiller, Justin Bieber, Wale), Andre Harris (Rae Sremmurd, Jill Scott, Yo Gotti), and Tricky Stewart (Frank Ocean, Beyoncé, Usher). On the release of the EP, Ro James says: “Smoke is just the intro into the fire. Mirrors is about reflection and self. I’ve been away for a bit recalibrating, growing and learning. I’m ready to share again. Decided to drop an EP and warm it up a little while I finish off the album. Smoke & Mirrors.” The release of the Smoke EP follows Ro’s critically acclaimed debut album ELDORADO, which included his hit single “Permission.” “Permission” has been streamed over 100 million times worldwide, earned Ro his first-ever Grammy nomination for Best R&B Performance and spent 10 weeks at #1 on the Urban Adult Radio chart.
    [Show full text]
  • Michigan State University Commencement Spring 2021
    COMMENCEMENT CEREMONIES SPRING 2021 “Go forth with Spartan pride and confdence, and never lose the love for learning and the drive to make a diference that brought you to MSU.” Samuel L. Stanley Jr., M.D. President Michigan State University Photo above: an MSU entrance marker of brick and limestone, displaying our proud history as the nation’s pioneer land-grant university. On this—and other markers—is a band of alternating samara and acorns derived from maple and oak trees commonly found on campus. This pattern is repeated on the University Mace (see page 13). Inside Cover: Pattern of alternating samara and acorns. Michigan State University photos provided by University Communications. ENVIRONMENTAL TABLE OF CONTENTS STEWARDSHIP Mock Diplomas and the COMMENCEMENT Commencement Program Booklet 3-5 Commencement Ceremonies Commencement mock diplomas, 6 The Michigan State University Board of Trustees which are presented to degree 7 Michigan State University Mission Statement candidates at their commencement 8–10 Congratulatory Letters from the President, Provost, and Executive Vice President ceremonies, are 30% post-consumer 11 Michigan State University recycled content. The Commencement 12 Ceremony Lyrics program booklet is 100% post- 13 University Mace consumer recycled content. 14 Academic Attire Caps and Gowns BACCALAUREATE DEGREES Graduating seniors’ caps and gowns 16 Honors and master’s degrees’ caps and 17-20 College of Agriculture and Natural Resources gowns are made of post-consumer 21-22 Residential College in the Arts and Humanities recycled content; each cap and 23-25 College of Arts and Letters gown is made of a minimum of 26-34 The Eli Broad College of Business 23 plastic bottles.
    [Show full text]
  • Glyn Johns Manny Marroquin Unknown Mortal Orchestra Ishmael
    The Creative Music Recording Magazine Glyn Johns Rolling Stones, Who, Led Zeppeelin, Faces Manny Marroquin Rihanna, Kanye West, John Legend Unknown Mortal Orchestra At home with Ruban Nielson Ishmael Butler & Erik Blood Shabazz Palaces: Spacey Hip-Hop Michael Bishop On Classical Recording Music Reviews Robert Forster & Flying Saucer Attack Gear Reviews Issue No. 109 Sept/Oct 2015 I won’t get into the 12 Gauge mic, as Joel Hamilton did a great At first, I did find the F7 to be slightly “tubby” sounding review already. What I will say is that it’s totally different from the ADAM Audio and lackluster in the 500–800 Hz range compared to similar- Mini K47. This, by the way, is a good thing. The pair of Roswells F7 active monitor sized monitors placed in the same position. I tried different delivered quite a meaty sound. The toms spoke in a lovely manner, Sub8 active subwoofer types of mechanical isolation between the desk and monitors, the “air” I look for on the snare was there, the imaging (using Here at Tape Op, we’ve covered several of ADAM Audio’s fine and also placed the F7s on speaker stands away from the wall ORTF configuration) was great, and the cymbal articulation was products, so I won’t go on about introducing the company in an open room. As time went on, the “tubby” character wonderful. The Mini K47 is a perfect choice for recordists who again. I will, however, remind you what they’re known for: the receded. The manual states that “the loudspeakers will take want the full picture of the drums in their overheads.
    [Show full text]
  • Edwards V. Raymond, 22 F. Supp. 3D 293 (S.D.N.Y. 2014).Pdf
    EDWARDS v. RAYMOND 293 Cite as 22 F.Supp.3d 293 (S.D.N.Y. 2014) 1. Copyrights and Intellectual Property Zacharia L. EDWARDS, Mitch Moses O51 and Vince McClean, Plaintiffs, A plaintiff asserting a copyright in- v. fringement claim must show: (1) ownership Usher RAYMOND IV (p/k/a Usher), Ar- of a valid copyright, and (2) unauthorized ista Records, Inc. (n/k/a RCA Records, copying of the copyrighted work. Inc.), Andre Harris, Vidal David, Ja- son Boyd, Ryan Toby, Universal Music 2. Copyrights and Intellectual Property Corporation (n/k/a Universal Music O53(1) Group, Inc.), Dirty Dre Music (d/b/a To demonstrate unauthorized copying, Universal Music Group, Inc.), Double a plaintiff alleging copyright infringement Oh Eight (d/b/a Universal Music must: (1) show that his work was actually Group, Inc.), Poo BZ Publishing, Inc., copied, and (2) he must establish substan- Hitco Music Publishing, LLC, Music tial similarity or that the copying amounts of Windswept, Pladis Music, Inc. and to an improper or unlawful appropriation. EMI April Music, Inc., Defendants. No. 13 Civ. 7985(DLC). 3. Copyrights and Intellectual Property O83(3.1) United States District Court, S.D. New York. In a copyright infringement action, ac- tual copying may be established by direct Signed May 23, 2014. or indirect evidence. Background: Music composers brought action against alleged infringers of their 4. Copyrights and Intellectual Property musical composition and sound recording O53(1) rights in song entitled ‘‘Caught Up,’’ as- serting claims for copyright infringement The plaintiff in a copyright infringe- and breach of contract.
    [Show full text]