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Dolphin Films Una Produzione Bieber Time Films & Scooter
DOLPHIN FILMS PRESENTA UNA PRODUZIONE BIEBER TIME FILMS & SCOOTER BRAUN FILMS IN ASSOCIAZIONE CON IM GLOBAL & ISLAND DEF JAM MUSIC GROUP DIRETTO DA JON M.CHU con JUSTIN BIEBER e la speciale partecipazione di SCOOTER BRAUN | USHER RAYMOND IV | JON M. CHU | PATTIE MALLETTE | JEREMY BIEBER | RYAN GOOD | MIKE POSNER | RODNEY JERKINS | ALFREDO FLORES | NICK DEMOURA ...e molti altri! Durata 92 minuti In Italia Believe è distribuito da Nexo Digital e Good Films in collaborazione con i media partner Sky Uno HD, Radio Kiss Kiss, MYmovies.it e Team World. SINOSSI BELIEVE di Justin Bieber regala una visione intima e profonda del tour mondiale dell’artista che ha registrato il tutto esaurito. Non solo vedrete le immagini sbalorditive delle performance dei suoi maggiori successi, ma avrete un biglietto personale per accedere al backstage e scoprire come l’intero tour è stato concepito. Believe garantisce una panoramica esclusiva sulla vita di Justin fuori dal palco ed è un viaggio che ne ripercorre la vita: dagli esordi da perdente che sognava di suonare al Madison Square Garden, fino a diventare la più grande pop star mondiale. “Believe” in Justin Bieber. NOTE DEL REGISTA Ho sempre saputo sin da quando finimmo “Never Say Never” nel 2011, che la storia di Justin Bieber non sarebbe finita. Avevo la sensazione che il capitolo successivo della sua vita sarebbe stato ancora più convincente dell’inizio della sua storia, ma non avrei mai pensato di essere di nuovo io a raccontarlo. Quando, qualche anno dopo, mi arrivò l’invito di Justin a seguirlo in tour per realizzarne un film, presi al volo questa opportunità. -
Setup Recording
INSTRUMENTS recordingsetup © PPVMEDIEN 2009 VOCALS Gesangseffekte zum Hit-Machen GENRE-VOCALS: POP Sound-Effekte für die Charts GESANGSPRODUKTION MIT SYNTHETISCHEM ANSTRICH FÜR DANCEFLOOR, POP & CO. Nichts ist so sehr Schnee von gestern wie die Musikproduktion vom letzten Monat. Zumindest auf die Natur moderner Gesangsproduktionen trifft dies zu, denn kein Genre ist so sehr dem Zeitgeist unterworfen, wie das Musikformat von Künstlern wie Madonna, Lady Gaga, Rihanna oder Justin Timberlake. Im Gegenzug ist aber auch in punkto Vocal Tuning kein anderes Genre derart herrlich befreit von jeglichem Schamgefühl und Konventionen. Foto: Wilschewski, Bearbeitung: K.v.G. 44 recording magazin 6/09 © PPVMEDIEN 2009 Sound-Effekte für die Charts Wie schneidern Produzenten den Stim men der Stars ein zeitgemäßes Gewand? Aller Anfang ist da die Recording Session. Trotz ge- legentlicher Experimentierfreude geben sich auch die Stars hier überwiegend klassisch – ein guter Aufnahmeraum, ein ordentliches Mikrofon, Preamp und AD-Wandler und ab mit dem Signal in die DAW. Erfrischender geht es bei Björk zu: Musste die Ausnahmestimme zum Einsingen ihrer ersten Alben noch ins muffige Tonstudio, so durfte sie die Gesangsparts des Albums „Post“ an der fri- schen Luft, bei Sonnenuntergang und knietief im Ozean stehend sinken, pardon, singen. Ein Stromgenerator, lange Mikrofonkabel, ein Stereomikrofon und ein ADAT-Recorder machten die 360-Grad-Panorama-Session möglich. Und als zweite Location für ihre Gesangsperformance diente Björk dann eine www.recmag.de 45 INSTRUMENTS recordingsetup © PPVMEDIEN 2009 VOCALS Gesangseffekte zum Hit-Machen Fledermaushöhle. Chapeau! Ob es künftig zum guten Ton gehören wird bei jeder größeren Produktion pressewirksam den Konzertflügel im Pool zu versenken und dies per Tonaufnahme zu dokumentieren vermag der Autor nicht zu bewerten. -
Glyn Johns Manny Marroquin Unknown Mortal Orchestra Ishmael
The Creative Music Recording Magazine Glyn Johns Rolling Stones, Who, Led Zeppeelin, Faces Manny Marroquin Rihanna, Kanye West, John Legend Unknown Mortal Orchestra At home with Ruban Nielson Ishmael Butler & Erik Blood Shabazz Palaces: Spacey Hip-Hop Michael Bishop On Classical Recording Music Reviews Robert Forster & Flying Saucer Attack Gear Reviews Issue No. 109 Sept/Oct 2015 I won’t get into the 12 Gauge mic, as Joel Hamilton did a great At first, I did find the F7 to be slightly “tubby” sounding review already. What I will say is that it’s totally different from the ADAM Audio and lackluster in the 500–800 Hz range compared to similar- Mini K47. This, by the way, is a good thing. The pair of Roswells F7 active monitor sized monitors placed in the same position. I tried different delivered quite a meaty sound. The toms spoke in a lovely manner, Sub8 active subwoofer types of mechanical isolation between the desk and monitors, the “air” I look for on the snare was there, the imaging (using Here at Tape Op, we’ve covered several of ADAM Audio’s fine and also placed the F7s on speaker stands away from the wall ORTF configuration) was great, and the cymbal articulation was products, so I won’t go on about introducing the company in an open room. As time went on, the “tubby” character wonderful. The Mini K47 is a perfect choice for recordists who again. I will, however, remind you what they’re known for: the receded. The manual states that “the loudspeakers will take want the full picture of the drums in their overheads. -
The Foreign Service Journal, November 2016.Pdf
PUBLISHED BY THE AMERICAN FOREIGN SERVICE ASSOCIATION NOVEMBER 2016 FULBRIGHT AND THE FOREIGN SERVICE TURKEYS AT THE BORDER FOREIGN SERVICE November 2016 Volume 93, No. 9 20 Cover Story 20 Fulbright Program at 70: The Foreign Service Connection Members of the Foreign Service, some of them Fulbright alumni, play a crucial role in the continuing success of this singular U.S. exchange program. By Jerome Sherman and James Lawrence Focus on Foreign Service Authors 28 In Their Own Write We are pleased to present this year’s roundup of books by Foreign Service members and their families. By Susan B. Maitra 40 Of Related Interest Here is a short list of other 2016 28 titles of interest to diplomats. THE FOREIGN SERVICE JOURNAL | NOVEMBER 2016 5 FOREIGN SERVICE Departments 10 Letters Perspectives 13 Talking Points 7 78 63 In Memory President’s Views Local Lens 70 Books Championing American Diplomacy Chennai, India By Barbara Stephenson By Ed Malcik 9 Letter from the Editor Sharing Your Stories By Shawn Dorman 17 15 Speaking Out Getting Beyond Bureaucratese— Why Writing Like Robots Damages Marketplace U.S. Interests By Paul Poletes 71 Classifieds 77 74 Real Estate Reflections Turkeys Parade at the Border 76 Index to Advertisers By Victoria Hess 78 AFSA NEWS THE OFFICIAL RECORD OF THE AMERICAN FOREIGN SERVICE ASSOCIATION 54 Notes from LM: What Not to Say at the Office Holiday Party 55 Agreement Reached on 2013 MSI Remedies 56 Call for AFSA Award Nominations 56 Sinclaire Language Award Nominations 57 FAM Updates: Resources for New Parents 57 Forum Discusses the Carter Administration’s PD Policy 58 Apply Now for AFSA College Scholarships 59 Combined Federal Campaign: A Great Way to 51 Support AFSA 60 Governing Board Meeting Minutes 51 Washington Nationals Honor the U.S. -
MANNY MARROQUIN EQ User Guide TABLE of CONTENTS
WAVES MANNY MARROQUIN EQ User Guide TABLE OF CONTENTS CHAPTER 1 – INTRODUCTION ......................................................................................3 1.1 WELCOME.................................................................................................................3 1.2 PRODUCT OVERVIEW................................................................................................3 1.3 CONCEPTS, TERMINOLOGY & INTERFACE ..................................................................4 1.4 A FEW WORDS FROM MANNY MARROQUIN ................................................................5 1.5 COMPONENTS ..........................................................................................................6 1.6 WAVESYSTEM TOOLBAR............................................................................................6 CHAPTER 2 – CONTROLS..............................................................................................7 Waves Manny Marroquin EQ User Guide - 2 - Chapter 1 – Introduction 1.1 Welcome Thank you for choosing Waves! In order to get the most out of your new Waves plugin, please take a moment to read this user guide. To install software and manage your licenses, you need to have a free Waves account. Sign up at www.waves.com. With a Waves account you can keep track of your products, renew your Waves Update Plan, participate in bonus programs, and keep up to date with important information. We suggest that you become familiar with the Waves Support pages: www.waves.com/ support. There are -
59Th Press List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 59th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2015 through September 30, 2016 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. 1. HELLO Adele Greg Kurstin, producer; Julian Burg, Tom Elmhirst, Greg Kurstin, Liam Nolan & Alex Pasco, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers Track from: 25 [XL Recordings/Columbia Records] 2. FORMATION Beyoncé Beyoncé Knowles, Mike Will Made-It & Pluss, producers; Jaycen Joshua & Stuart White, engineers/mixers; Dave Kutch, mastering engineer Track from: Lemonade [Parkwood Entertainment/Columbia Records] 3. 7 YEARS Lukas Graham Future Animals & Pilo, producers; Delbert Bowers, Sebastian Fogh, Stefan Forrest & David LaBrel, engineers/mixers; Tom Coyne, mastering engineer Track from: Lukas Graham [Warner Bros. Records] 4. WORK Rihanna Featuring Drake Boi-1da, producer; Noel "Gadget" Campbell, Kuk Harrell, Manny Marroquin, Noah "40" Shebib & Marcos Tovar, engineers/mixers; Chris Gehringer, mastering engineer [Westbury Road Entertainment] 5. STRESSED OUT Twenty One Pilots Mike Elizondo & Tyler Joseph, producers; Neal Avron & Adam Hawkins, engineers/mixers; Chris Gehringer, mastering engineer Track from: Blurryface [Fueled By Ramen] © The Recording Academy 2016 - all rights reserved 1 Not for copy or distribution 59th Finals - Press List General Field Category 2 4. VIEWS Album Of The Year Drake Award to the Artist(s) and to the Album Producer(s), Recording dvsn, Future, Kyla, PartyNextDoor, Rihanna & Wizkid, Engineer(s) and/or Mixer(s) & Mastering Engineer(s), if other than featured artists; Brian Alexander-Morgan, Axlfoliethc, Beat the artist. -
Glyn Johns Manny Marroquin Unknown Mortal
The Creative Music Recording Magazine Glyn Johns Rolling Stones, Who, Led Zeppelin, Faces Manny Marroquin Rihanna, Kanye West, John Legend Unknown Mortal Orchestra At home with Ruban Nielson Ishmael Butler & Erik Blood Shabazz Palaces: Spacey Hip-Hop Michael Bishop On Classical Recording Music Reviews Robert Forster & Flying Saucer Attack Gear Reviews Issue No. 109 Sept/Oct 2015 BLA explains that “core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit.” Sounds good to me (and this description demonstrates today’s constant refinement of successfully implementing digital audio). On the back of the Micro Clock MkIII is a plethora of outputs (AES/XLR, RCA/SPDIF, TOSLINK/SPDIF, and 6 × BNC), making this unit very easy to use as a centerpiece in a more complex studio where a single clock source is required to synchronize many devices. And remember, when a clock pairs well with your ADC and DAC, you’ll get that audible improvement again and again for every conversion channel you use during tracking and mixing. Few pieces of equipment can deliver such comprehensive impact on your system. In the final analysis, for just under $1000, the Micro Clock MkIII is an excellent offering, hopefully signaling the beginning of a price reduction for superior clocking that will, eventually, allow more and more recordmakers to get into better, jitter-free digital audio systems, putting their inferior, prosumer-grade systems finally to rest. The world of recorded sound needs that, badly. -
Final Nominations List General Field
THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 59th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2015 through September 30, 2016 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. 1. HELLO Adele Greg Kurstin, producer; Julian Burg, Tom Elmhirst, Emile Haynie, Greg Kurstin, Liam Nolan, Alex Pasco & Joe Visciano, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers Track from: 25 [XL Recordings/Columbia Records] 2. FORMATION Beyoncé Beyoncé Knowles, Mike Will Made-It & Pluss, producers; Jaycen Joshua & Stuart White, engineers/mixers; Dave Kutch, mastering engineer Track from: Lemonade [Parkwood Entertainment/Columbia Records] 3. 7 YEARS Lukas Graham Future Animals & Pilo, producers; Delbert Bowers, Sebastian Fogh, Stefan Forrest & David LaBrel, engineers/mixers; Tom Coyne, mastering engineer Track from: Lukas Graham [Warner Bros. Records] 4. WORK Rihanna Featuring Drake Boi-1da, producer; Noel "Gadget" Campbell, Kuk Harrell, Manny Marroquin, Noah "40" Shebib & Marcos Tovar, engineers/mixers; Chris Gehringer, mastering engineer [Westbury Road Entertainment] 5. STRESSED OUT Twenty One Pilots Mike Elizondo & Tyler Joseph, producers; Neal Avron & Adam Hawkins, engineers/mixers; Chris Gehringer, mastering engineer Track from: Blurryface [Fueled By Ramen] © The Recording Academy 2016 - all rights reserved 1 Not for copy or distribution 59th Finals - Press List General Field Category 2 4. VIEWS Album Of The Year Drake Award to the Artist(s) and to the Album Producer(s), Recording dvsn, Future, Kyla, PARTYNEXTDOOR, Rihanna & Engineer(s) and/or Mixer(s) & Mastering Engineer(s), if other than Wizkid, featured artists; Brian Alexander-Morgan, the artist. -
Manny Marroquin
CRAFT ive-time Grammy Award winning mix engineer Manny Marroquin turns on its head the stereotype of the top US mixer specialising in a narrow genre of music: he won his first Grammy in 2000 for Mary Mary’s Manny album Thankful, then in 2004 won two Album of the Year Grammys Ffor Kanye West’s College Dropout and Alicia Keys’ The Diary of Alicia Keys. The following year he earned a Grammy for Get Lifted by John Legend, then in 2011 another for Battle Studies by John Mayer. Marroquin mixed two of the Marroquin 2014 Record Of The Year Grammy nominations: Radioactive from alternative rock act Imagine Dragons and Bruno Mars’ album Locked Out Of Heaven, he’s A multi Grammy winning mixer who is unusual is spanning genres as also been nominated on Album Of The Year for mixing on Taylor Swift’s Red comfortably as he spans his desk. NIGEL JOPSON gets an inside line on album. Manny has worked with a very wide selection of artists from diverse productivity and emotion. genres: from Rihanna to the Rolling Stones, Enrique Inglesias to Eminem, Maroon 5 to Mariah Carey, Jay Z to Justin Bieber, Lana Del Ray to Lionel Richie, So did you have a software engineer in your control room, and and 2PAC to Toni Braxton. Marroquin’s work has been heard on 250m albums show an example of the sort of idea you had in mind? sold worldwide, 40 Billboard #1 albums and 100 Top 10 albums, 12 Hot 100 The first brain storming sessions were face to face with the Waves guys, I #1 singles and more than 40 singles in the Billboard Top 10. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 57th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2013 through September 30, 2014 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. 1. FANCY Iggy Azalea Featuring Charli XCX The Arcade & The Invisible Men, producers; Anthony Kilhofler & Eric Weaver, engineers/mixers; Miles Showell, mastering engineer Track from: The New Classic [Def Jam Recordings] 2. CHANDELIER Sia Greg Kurstin & Jesse Shatkin, producers; Greg Kurstin, Manny Marroquin & Jesse Shatkin, engineers/mixers; Emily Lazar, mastering engineer Track from: 1000 Forms Of Fear [RCA Records / Monkey Puzzle Records] 3. STAY WITH ME (DARKCHILD VERSION) Sam Smith Steve Fitzmaurice, Rodney Jerkins & Jimmy Napes, producers; Steve Fitzmaurice, Jimmy Napes & Steve Price, engineers/mixers; Tom Coyne, mastering engineer [Capitol Records] 4. SHAKE IT OFF Taylor Swift Max Martin & Shellback, producers; Serban Ghenea, John Hanes, Sam Holland & Michael Ilbert, engineers/mixers; Tom Coyne, mastering engineer [Big Machine Records] 5. ALL ABOUT THAT BASS Meghan Trainor Kevin Kadish, producer; Kevin Kadish, engineer/mixer; Dave Kutch, mastering engineer [Epic Records] © The Recording Academy 2014 - all rights reserved 1 Not for copy or distribution 57th Finals - Press List General Field Category 3 Category 4 Song Of The Year Best New Artist A Songwriter(s) Award. A song is eligible if it was first released or For a new artist who releases, during the eligibility year, the first if it first achieved prominence during the Eligibility Year. -
Chris Brown Chris Brown Mp3, Flac, Wma
Chris Brown Chris Brown mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Chris Brown Country: US Released: 2005 Style: Rhythm & Blues MP3 version RAR size: 1781 mb FLAC version RAR size: 1805 mb WMA version RAR size: 1945 mb Rating: 4.8 Votes: 887 Other Formats: DXD VOX MIDI MP1 AAC DTS ADX Tracklist Hide Credits 1 Intro 0:56 Run It! 2 3:49 Featuring – Juelz Santana Yo (Excuse Me Miss) 3 3:49 Instruments – Andre Harris , Vidal Davis 4 Young Love 3:38 5 Gimme That 3:06 6 Ya Man Ain't Me 3:34 Winner 7 4:04 Instruments – Bryan-Michael CoxKeyboards [Additional] – Kendrick Dean 8 Ain't No Way (You Won't Love Me) 3:23 What's My Name 9 3:52 Featuring – Noah Guitar, Bass – David Cabrerra Is This Love? 10 3:17 Backing Vocals – Steve Russell Poppin' 11 4:25 Instruments – Andre Harris , Vidal Davis 12 Just Fine 3:52 Say Goodbye 13 4:49 Instruments – Bryan-Michael CoxKeyboards [Additional] – Kendrick Dean Run It! (Remix) 14 4:04 Featuring – Bow Wow, Jermaine Dupri So Glad 15 2:57 Backing Vocals – Chris Brown , Ne-YoInstruments – Ivan "Orthodox" Barias Seen The Light 16 4:09 Featuring – Rico Love Thank You 17 4:26 Guitar – R.T.*Keyboards, Drum Programming – Shea Taylor Gimme That Remix 18 3:57 Featuring – Lil Wayne Companies, etc. Distributed By – Sony BMG Music Entertainment Made By – Sony BMG Music Entertainment Phonographic Copyright (p) – Zomba Recording LLC Copyright (c) – Zomba Recording LLC Credits Art Direction, Design – Courtney Walter Artwork [Graffiti] – SnowstormGrafx.com Co-producer – Antonio Dixon (tracks: 6), Kendrick Dean (tracks: 7), Sean Garrett (tracks: 2, 5, 14, 18) Co-producer [Remix] – L-Roc (tracks: 14) Edited By, Recorded By – Dabling "Hobby Boy" Harward* (tracks: 4, 6, 10), Kelly "Becky 4 Real" Sheehan* (tracks: 4, 6, 10) Engineer [Assistant] – Aaron Renner (tracks: 4, 6, 10), Anthony G. -
AT90 MANNY MARROQUIN LINKIN PARK.Pdf
CMI & Linn The original sampler reborn & godfather of the drum machine MiX-off Linkin Park Shops Album to World’s Best Solid Gold London Olympics Ceremony Sound MY O MEYER ! Hamer Hall Refit PRO !: MINI MIDAS, MAX IMPACT TANNOY VPX: LAB"POWERED CONTENDERS SUBSCRIBE & WIN AFFORDABLE RETRO GEAR THE TASTY !%&'' TEST, ISSUE !" 90 TUBE & MONITOR BUNDLE AU !".#$(inc gst) NZ !#.#$(inc gst) File Under ‘Music’ FEATURE MOST IMPORTANT LINKIN THE CHAIN? High profile mix engineers like Manny Marroquin are employed for their magic touch, but does it stand up in a blind listening test? Linkin Park put it to the test for their latest record Living Things with a good old fashioned mix shootout. Story: Paul Tingen AT !" At the start of this year Manny Marroquin received an of big-name producers. When attempting to make records unusual request. Would he be prepared to mix two that stick out from the crowd, the fairy dust that mixers can tracks for a forthcoming Linkin Park album in a mix-o! sprinkle over music is increasingly highly valued — hence against other top mixers? "e band, producer Rick Rubin, the mix shootout for Living !ings. and Warner Brothers chairman Rob Cavallo were to listen to IN DEMAND these mixes blind on CDs simply marked A, B, C, etc. "e But with this elevated importance, comes a natural supply winner would take home the job of mixing the rest of the and demand conundrum. "e Grammy-winning engineer album, and those that lost would get, well, nothing. It may arrived as one of the US’s top mixers in 2000, following his sound like a straightforward case of ‘may the best mixer work on the debut albums by Pink (Can’t Take Me Home) win,’ but the fact of the matter was that all the approached and particularly Alicia Keys (the best-selling Songs In A mixers were the best in their #eld, had nothing to prove, and Minor).