DOCSLIB.ORG

Edwards V. Raymond, 22 F. Supp. 3D 293 (S.D.N.Y. 2014).Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edwards V. Raymond, 22 F. Supp. 3D 293 (S.D.N.Y. 2014).Pdf EDWARDS v. RAYMOND 293 Cite as 22 F.Supp.3d 293 (S.D.N.Y. 2014) 1. Copyrights and Intellectual Property Zacharia L. EDWARDS, Mitch Moses O51 and Vince McClean, Plaintiffs, A plaintiff asserting a copyright in- v. fringement claim must show: (1) ownership Usher RAYMOND IV (p/k/a Usher), Ar- of a valid copyright, and (2) unauthorized ista Records, Inc. (n/k/a RCA Records, copying of the copyrighted work. Inc.), Andre Harris, Vidal David, Ja- son Boyd, Ryan Toby, Universal Music 2. Copyrights and Intellectual Property Corporation (n/k/a Universal Music O53(1) Group, Inc.), Dirty Dre Music (d/b/a To demonstrate unauthorized copying, Universal Music Group, Inc.), Double a plaintiff alleging copyright infringement Oh Eight (d/b/a Universal Music must: (1) show that his work was actually Group, Inc.), Poo BZ Publishing, Inc., copied, and (2) he must establish substan- Hitco Music Publishing, LLC, Music tial similarity or that the copying amounts of Windswept, Pladis Music, Inc. and to an improper or unlawful appropriation. EMI April Music, Inc., Defendants. No. 13 Civ. 7985(DLC). 3. Copyrights and Intellectual Property O83(3.1) United States District Court, S.D. New York. In a copyright infringement action, ac- tual copying may be established by direct Signed May 23, 2014. or indirect evidence. Background: Music composers brought action against alleged infringers of their 4. Copyrights and Intellectual Property musical composition and sound recording O53(1) rights in song entitled ‘‘Caught Up,’’ as- serting claims for copyright infringement The plaintiff in a copyright infringe- and breach of contract. Defendants moved ment case must show that the copying to dismiss. amounts to an improper or unlawful appro- priation by demonstrating that substantial Holdings: The District Court, Denise Cote, J., held that: similarities relate to protectable material. (1) phrase ‘‘caught up,’’ used as title of 5. Copyrights and Intellectual Property both parties’ songs, was not eligible for O4.5 copyright protection; It is a fundamental principle of copy- (2) composers failed to plausibly allege right law that the similarity between two substantial similarity between parties’ songs; works must concern the expression of ideas, not the ideas themselves; this princi- (3) there was no substantial similarity in ple, known as the ‘‘idea/expression dichoto- the music; my,’’ assures authors the right to their (4) there was no substantial similarity in original expression, but encourages others the lyrics; and to build freely upon the ideas and informa- (5) exercise of supplemental jurisdiction tion conveyed by a work. over composers’ state law claim was See publication Words and Phras- not warranted. es for other judicial constructions Motion granted. and definitions. 294 22 FEDERAL SUPPLEMENT, 3d SERIES 6. Copyrights and Intellectual Property therein, do not plausibly give rise to an O53(1) entitlement of relief. Fed.Rules Civ.Proc. In assessing claims of substantial sim- Rule 12(b)(6), 28 U.S.C.A. ilarity between copyrighted material and allegedly infringing material, a court must 10. Copyrights and Intellectual Property O decide whether the similarities shared by 8 the works are something more than mere Phrase ‘‘caught up,’’ used as title of generalized idea or themes. both music composers’ song and alleged 7. Copyrights and Intellectual Property infringers’ song, was not eligible for copy- O66 right protection, where it was not original to composers, but, rather, was used in In the context of a case alleging music everyday speech in a variety of contexts, plagiarism, the plaintiff in a copyright in- and it enjoyed a robust existence in the fringement case is constrained to prove public domain long before composers em- that defendant took from plaintiff’s works ployed it for their song’s title and in the so much of what is pleasing to the ears of key lyrics. lay listeners, who comprise the audience for whom such music is composed, that 11. Copyrights and Intellectual Property defendant wrongfully appropriated some- O4, 12(1) thing which belongs to the plaintiff. Common phrases are not eligible for 8. Copyrights and Intellectual Property copyright protection, and only those com- O 82 ponents of a work that are original to the It is entirely appropriate for the dis- author are eligible for copyright protec- trict court to consider the similarity be- tion. tween copyrighted material and allegedly infringing material in connection with a 12. Copyrights and Intellectual Property motion to dismiss for failure to state a O12(1, 3) claim, because the court has before it all An original arrangement of unprotect- that is necessary in order to make such an able material can be protected by the evaluation. Fed.Rules Civ.Proc.Rule copyright laws; even a directory that con- 12(b)(6), 28 U.S.C.A. tains absolutely no protectible written ex- 9. Copyrights and Intellectual Property pression, only facts, meets the constitu- O53(1) tional minimum for copyright protection if When a court is called upon to consid- it features an original selection or arrange- er on a motion to dismiss for failure to ment. state a claim whether copyrighted material and allegedly infringing material are sub- 13. Copyrights and Intellectual Property O stantially similar, no discovery or fact-find- 66 ing is typically necessary, because what is Music composers failed to plausibly required is only a comparison of the allege substantial similarity between their works; if, in making that evaluation, the copyrighted song and alleged infringers’ district court determines that the two song, as required to state a copyright in- works are not substantially similar as a fringement claim, where their allegations matter of law, the district court can prop- addressed similarities in the ideas ex- erly conclude that the plaintiff’s complaint, pressed by the two songs, which were not together with the works incorporated copyrightable as a matter of law, and they EDWARDS v. RAYMOND 295 Cite as 22 F.Supp.3d 293 (S.D.N.Y. 2014) did not allege any original use of common 18. Federal Courts O2564 expressions used in both songs. District Court would not exercise sup- 14. Copyrights and Intellectual Property plemental jurisdiction over music compos- O66 ers’ state law breach of contract claim There was no substantial similarity in after it dismissed their federal copyright the music of composers’ copyrighted song infringement claim against alleged infring- and alleged infringers’ song, as would sup- ers, where the litigation was at an early port composers’ copyright infringement stage, discovery had not yet commenced, claim, where composers’ song was in sig- principles of judicial economy did not coun- nificant part a rap song while alleged in- sel in favor of the exercise of jurisdiction, fringers’ song had no rapping, composers’ and there was no reason grounded in prin- song consisted of a duet including male ciples of convenience, fairness, or comity to and female singer while alleged infringers’ depart from standard practice of declining song featured solo male lead singer, the to exercise jurisdiction over state law songs featured entirely dissimilar melo- claims once no federal law claims re- dies, and total concept and overall feel of mained. 28 U.S.C.A. § 1367(c)(3). the music was different. 15. Copyrights and Intellectual Property O66 There was no substantial similarity in David J. Voelker, Olga S. Dmytriyeva, the lyrics of composers’ copyrighted song Voelker Litigation Group, Chicago, IL, for and alleged infringers’ song, as would sup- the Plaintiffs Zacharia L. Edwards, Mitch port composers’ copyright infringement Moses, and Vince McClean. claim, although both songs used phrase Jonathan D. Davis, Jonathan D. Davis, ‘‘caught up’’ in its chorus, where ‘‘caught P.C., New York, NY, for the Defendants up’’ phrase was not copyrightable, and Usher Raymond IV and Sony Music En- there was no overlap between lyrics of the tertainment. songs beyond commonplace words like ‘‘hit’’ ‘‘girl,’’ and ‘‘control.’’ OPINION & ORDER 16. Federal Courts O2541 In deciding whether to exercise juris- DENISE COTE, District Judge: diction over supplemental state law claims, Zacharia L. Edwards, Mitch Moses, and district courts should balance the values of Vince McCLean (collectively, the ‘‘Plain- judicial economy, convenience, fairness, tiffs’’) bring this action against Usher Ray- and comity. 28 U.S.C.A. § 1367(c)(3). mond IV (‘‘Usher’’), Sony Music Entertain- 17. Federal Courts O2564 ment (‘‘Sony’’), and other related music When the federal claims are eliminat- industry defendants 1 (collectively, the ed in the early stages of litigation, courts ‘‘Defendants’’), asserting copyright in- should generally decline to exercise pen- fringement and breach of contract. The dent jurisdiction over remaining state law Plaintiffs plead one count of copyright in- claims. fringement. They allege that the Defen- 1. Those defendants are Andre Harris, Vidal Eight, Poo B Z Publishing, Inc., Hitco Music Davis, Jason Boyd, Ryan Toby, Universal Mu- Publishing, LLC, Music of Windswept, Pladis sic Corporation, Dirty Dre Music, Double Oh Music Inc., and EMI April Music, Inc. 296 22 FEDERAL SUPPLEMENT, 3d SERIES dants willfully copied the Plaintiff’s origi- The Plaintiffs contend that Usher began nal composition, entitled ‘‘Caught Up’’ work on his album ‘‘Confessions’’ in late (‘‘Plaintiffs’ Song’’), to create Usher’s 2004 2002. On March 23, 2004 Usher released hit song of the same name (the ‘‘Chal- ‘‘Confessions,’’ which included as a track lenged Song’’) in violation of 17 U.S.C. the Challenged Song, also entitled ‘‘Caught § 501. The Plaintiffs contend that the Up.’’ The album and the Challenged Song Defendants violated the Plaintiffs’ musical achieved great popularity. The Chal- composition and sound recording rights in lenged Song peaked at number eight on their song. See 17 U.S.C. § 102(2) & (7). the U.S. Billboard ‘‘Hot 100’’ Chart. They also allege one count of breach of On November 7, 2013, the Plaintiffs filed contract against defendants Usher and this lawsuit.
Load more

Recommended publications
  • Community Concert to Benefit the WSSU Belinda S
    Support Music Education! www.bswnc.org Community Concert to Benefit the WSSU Belinda S. Womack Endowed Memorial Music Education Scholarship Fund Image Credit: James, V. and Pierdomenico, J. (2015). 88+ Music Can Change Your Life, 1st ed., pg. 186. September 23, 2017 at 3:00 pm Enterprise Center 1922 S. Dr. MLK Jr. Drive Winston-Salem, NC 27107 1 Support Music Education! www.bswnc.org Welcome to our celebration of music and heritage event. Belinda S. Womack was a 1973 graduate of WSSU and a native of Winston-Salem, NC USA. She was a double music and education major and a member of the University Choir, under the direction of Permilla F. Dunston and Robert L. Morris. She became a classically trained Mezzo Soprano and certified Music Educator. Maestra Womack retired as a music teacher from the Washington, DC public schools a few years prior to her untimely death from complications of multiple sclerosis in 2014. Indeed, music was the string she used to thread her life’s purpose. Once fully endowed, this scholarship fund will provide tuition assistance, materials, supplies, and pre-professional development opportunities for incoming and existing music majors in choir and band, emphasizing music education, at WSSU and eventually beyond. Today we volunteer our time and talent with the expectation you will continue to support the fine and performing arts in your community! Musically yours, The BSW Music Fund 2017 Collective of Independent Performing Artists 2 Support Music Education! www.bswnc.org CONTENTS Concert Program ( 4 ) The 2017 Collective ( 10 ) Founding Donors ( 19 ) The Legacy ( 20 ) Acknowledgements ( 22 ) Alma Mater ( 23 ) 3 Support Music Education! www.bswnc.org Community Concert Enjoy Classic Soul, Funk-Rock, Reggae, Disco-House Music Before the Show! Dance Mix Audio Track Compliments of The BSW Music Fund T.
    [Show full text]
  • May 10, 2015 Candidates for Graduation- Alpha Order
    MAY 10, 2015 CANDIDATES FOR GRADUATION- ALPHA ORDER Please check your name, this is how it will appear on your degree, NO initials will be placed on the degree. Verify your major(s), your concentration, and minor for accuracy. If you do not see your name, then the Office of the Registrar has not received your application for graduation for this term. If you need to make any changes to your major, concentration, or minor, please fill out a Change of Major form and obtain the necessary signatures. Remember you must meet the requirements for both your major and your minor in order to graduate. No changes can be made to your major or minor the semester you intend to graduate without the approval of the Provost. If your name does not appear on this list and you wish to be a candidate for May 2015 graduation please contact your advisor immediately. The deadline to apply for May 2015 graduation was February 14, 2015. Please Note: After changing your major, please see your new advisor to adjust your graduation date. PRINTED NAME DEGR MAJOR 1 MAJOR 2 MINOR CONC Musa Ahmed Abdulahi PMD PHAM Amel Abdulaziz PMD PHAM LaDavia Rochell Abron-Empy BS MATH Shaun Acree BS ACCT Amari Adams BS MKT Deshaun Sherrod Adams BA PSY BIOL Jasmine Adams BS MATH Milagros Maria Adams PHD NURS Adeleke Adeyemi PHD PHYS Juulcurley Agbor-Enoh PMD PHAM Philpatsy Onwanma Agwu MR ARCH Shanaz Bobadilla Ahmadi PMD PHAM Kacie Anne Akens BA PSY Fuad Akinniyi BA PSY Victor Adedayo Alakija PMD PHAM Marshall Aldoph, Jr.
    [Show full text]
  • Bark at Park’ Festival by Everett Rosenfeld ‘09 May Day, the Lower School’S Liss, Selected the Music for the Event
    POSTSCRIPT The Park School Brooklandville, MD May 28, 2004 Volume LXIV Issue No. 9 Parents’ Healthy Food Committee bans soda sales on campus by Sarah Dunn ‘06 Starting next year, Park will ban daily nutritional requirements. It is stat- to more healthy drinks. At Oldfields, healthier foods in schools is happening the sale of sodas on campus. This move ed directly in the proposal that, “health many other junk foods have been elimi- all over the country. In New York City is the result of an April 14 proposal made related behaviors are established early in nated as well. Almost 95% of what is sold and Los Angeles public schools, sodas by the Park Healthy Foods Committee, life” and the Committee believes that in its vending machines are healthy were banned from vending machines. In a group that consists of faculty and par- Philadelphia public schools, all soda sales ents. The proposal stated that the school were eliminated. Other states taking a should not profit from the sale of such stand on the foods sold in their cafeteri- unhealthy drinks and that they should not as include Texas, South Carolina, New be sold on school grounds. The Park Hampshire, Washington, California, and Parents’ Association approved the plan; Minnesota. Dr. David Jackson, Head of School, and Next year, Park will discontin- Caleb Karpay ‘04, former Upper School ue its vending machine soda sales as President, also supported it. well. Unlike St. Paul’s, students will be Deirdre Smith, a parent and a permitted to bring sodas on campus, but member of the committee, explained that the school does not wish to profit from the number one disease among teenag- them.
    [Show full text]
  • E38th Stferie Pa. 16546 Mffi^,2QM NEWS: FEATURES
    THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 Mercyhurst College 501|E38th StfErie Pa. 16546 mffi^,2QM The Merciad is also available at merciad.mercyhurst.edu NEWS: Celebrate Earth Day everyday Check out the Police and Safely log for your favorite college violations. PAGE 3 FEATURES: Dr. Gibson's Commu- nication Campaigns Class gears up for mock trade show.* PAGES OPINION: Madam Malarky and the not-so- casual relationship PAGE 6 ARTS& ENTERTAINMENT r\auKatie McA03ms>KnotMcAdams/Photo editoeaoorr The trees planted on the North Side of McAuley parking lot will help remove carbon dioxide from the air and help the underground storm dranage system when It rains. Kilroy and Helbig's performanc benefits the American Cancer Green-minded students Society. ••* *i help the environment recognize that the way we have been PAGE 8 By Jonelle Davis developing is just not sustainable and Contributing writer must be redesigned in order to pre- "Mercyhurst is a model institution for serve the land. environmental sustainahflity, so that w e do Although there were lectures and SPORTS: not compromise future generations from movies shown to celebrate Earth having good lives. The bigger goal is to Day and create awareness, environ- Baseball continues to make Earth Day everyday.' * mental awareness was also created improve. — Dr. Chis Magoc in other ways ranging from passing For many years students and facul- out green cards to cleaning up wa- ty have been working at Mercyhurst tersheds. to make the campus a cleaner, health- According to Magoc, Green Cards PAGE 12 ier environment were passed out in all mailboxes in Each year, their efforts are high- order to create visible reminders of lighted on Earth Day and the sur- how students can contribute to work- rounding weeks.
    [Show full text]
  • Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS and DISCOURSES
    Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized.
    [Show full text]
  • Grammy-Nominated Singer/Songwriter Ro James Returns with 4- Track Smoke Ep
    GRAMMY-NOMINATED SINGER/SONGWRITER RO JAMES RETURNS WITH 4- TRACK SMOKE EP AVAILABLE NOW AT ALL DIGITAL SERVICE PROVIDERS VIA BYSTORM ENTERTAINMENT/RCA RECORDS CLICK HERE TO LISTEN [March 23, 2018, New York, NY] Grammy-nominated singer/songwriter Ro James returns today with the release of his 4-track Smoke EP. The EP is now available to purchase and stream at all digital service providers via ByStorm Entertainment/RCA Records. Smoke EP is the first of two EP installments, which will be released in anticipation for Ro’s sophomore album due out later this year. The second installment, entitled Mirrors EP is due out later this spring. Click here to listen to Smoke EP. Ro James first treated fans to “Lost My Mind” ft. Notorious B.I.G. on March 9th, the anniversary of the legendary Brooklyn-rapper’s death. “Lost My Mind” ft. Notorious B.I.G. is produced by Salaam Remi (Amy Winehouse, Nas, Miguel). Click here to see Ro’s tribute post on Instagram. The Smoke EP features additional production by Soundz (Bryson Tiller, Justin Bieber, Wale), Andre Harris (Rae Sremmurd, Jill Scott, Yo Gotti), and Tricky Stewart (Frank Ocean, Beyoncé, Usher). On the release of the EP, Ro James says: “Smoke is just the intro into the fire. Mirrors is about reflection and self. I’ve been away for a bit recalibrating, growing and learning. I’m ready to share again. Decided to drop an EP and warm it up a little while I finish off the album. Smoke & Mirrors.” The release of the Smoke EP follows Ro’s critically acclaimed debut album ELDORADO, which included his hit single “Permission.” “Permission” has been streamed over 100 million times worldwide, earned Ro his first-ever Grammy nomination for Best R&B Performance and spent 10 weeks at #1 on the Urban Adult Radio chart.
    [Show full text]
  • Michigan State University Commencement Spring 2021
    COMMENCEMENT CEREMONIES SPRING 2021 “Go forth with Spartan pride and confdence, and never lose the love for learning and the drive to make a diference that brought you to MSU.” Samuel L. Stanley Jr., M.D. President Michigan State University Photo above: an MSU entrance marker of brick and limestone, displaying our proud history as the nation’s pioneer land-grant university. On this—and other markers—is a band of alternating samara and acorns derived from maple and oak trees commonly found on campus. This pattern is repeated on the University Mace (see page 13). Inside Cover: Pattern of alternating samara and acorns. Michigan State University photos provided by University Communications. ENVIRONMENTAL TABLE OF CONTENTS STEWARDSHIP Mock Diplomas and the COMMENCEMENT Commencement Program Booklet 3-5 Commencement Ceremonies Commencement mock diplomas, 6 The Michigan State University Board of Trustees which are presented to degree 7 Michigan State University Mission Statement candidates at their commencement 8–10 Congratulatory Letters from the President, Provost, and Executive Vice President ceremonies, are 30% post-consumer 11 Michigan State University recycled content. The Commencement 12 Ceremony Lyrics program booklet is 100% post- 13 University Mace consumer recycled content. 14 Academic Attire Caps and Gowns BACCALAUREATE DEGREES Graduating seniors’ caps and gowns 16 Honors and master’s degrees’ caps and 17-20 College of Agriculture and Natural Resources gowns are made of post-consumer 21-22 Residential College in the Arts and Humanities recycled content; each cap and 23-25 College of Arts and Letters gown is made of a minimum of 26-34 The Eli Broad College of Business 23 plastic bottles.
    [Show full text]
  • Hip-Hop and R&B Lessons About "Mama"
    Chaney and Brown: Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Ho BLACK MOTHERHOOD . Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Hop and R&B Lessons about “Mama” Cassandra Chaney and Arielle Brown A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as Source of Strength and Self-Confidence; (3) Motherhood as Superior to Fatherhood; (4) Motherhood as Teacher and Disciplinarian; and (5) Motherhood Instills Unconditional Endless Love. Supporting qualitative lyrics are provided to support each of the aforementioned themes. For most Black women, the ability to create, nurture, and provide for their progeny holds boundless personal, cultural, and social significance. Although racism, sexism, and classism frequently make motherhood difficult,1 becoming a mother is one of the most salient personal and social identity symbols for many Black women. Several years ago, Shirley A. Hill2 wrote, “motherhood is a significant marker of womanhood. It provides a
    [Show full text]
  • Journal of Hip Hop Studies
    et al.: Journal of Hip Hop Studies June 2016 Published by VCU Scholars Compass, 2016 1 Journal of Hip Hop Studies, Vol. 3 [2016], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, PhD Student, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre E. Johnson, University of Memphis Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol3/iss1/1 2 et al.: Journal of Hip Hop Studies . Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2016 3 Journal of Hip Hop Studies, Vol.
    [Show full text]
  • Glen Lewis No Matter Album Download Album Glen Lewis No Matter Album Download Album
    glen lewis no matter album download album Glen lewis no matter album download album. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e1fa837a3ecad8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Glenn Lewis - Stay With Me Album. T's Box first new release featuring R&B superstar Glenn Lewis! Published by Terrys 83ST Music (ASCAP), Kiwani Music/Warner Chappel (ASCAP) Recorded at Portside Studios, DE Mixed at Rosehip Studios Chicago, IL. Muzikman Edition Remix. Album. Stay With Me - Jane Lewis. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Stay With Me - Michael Lington. 50 видео Воспроизвести все Микс Glenn Lewis - Stay with me Muzikman. Glenn Lewis - Fall Again - Продолжительность: 4:30 Mathieu 4 083 512. Язык: Русский. Страна: США. Текст песни: Guess its true, Im not good at a one-night stand But I still need love cause Im just a man These nights never seem to go to plan I dont want you to leave, will you hold my hand.
    [Show full text]
  • MICHAEL JACKSON 101 Greatest SONGS
    MICHAEL JACKSON 101 101 GrEAtESt Songs MICHAEL JACKSON 101 101 GrEAtESt Songs &E Andy Healy MICHAEL JACKSON 101 101 GrEAtESt Songs . Andy Healy 2013 Dedicated first and foremost to Michael Jackson and the Jackson family for a lifetime of music. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And to all the musicians, writers, arrangers, engineers and producers written works are credited to Andy Healy as author. This Creative Commons licence does not who shared their talents and brought these musical masterpieces into being. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This book is also dedicated to the fans the world over - new, old, and yet to be - who by exploring the richness in the art will ensure Michael’s musical legacy I do not claim any ownership of the photographs featured and all rights reside with the original and influence continues on. copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. Finally thanks to Trish who kept the encouragement coming and to all who welcomed this book with open arms. This is a book by a fan for the fans. &E any great books have been written about Michael’s music and artistry. This Mcollection of 101 Greatest Songs is by no means absolute, nor is in intended to be.
    [Show full text]
  • May 10, 2015 Candidates for Graduation- Major Order
    MAY 10, 2015 CANDIDATES FOR GRADUATION- MAJOR ORDER Please check your name, this is how it will appear on your degree, NO initials will be placed on the degree. Verify your major(s), your concentration, and minor for accuracy. If you do not see your name, then the Office of the Registrar has not received your application for graduation for this term. If you need to make any changes to your major, concentration, or minor, please fill out a Change of Major form and obtain the necessary signatures. Remember you must meet the requirements for both your major and your minor in order to graduate. No changes can be made to your major or minor the semester you intend to graduate without the approval of the Provost. If your name does not appear on this list and you wish to be a candidate for May 2015 graduation please contact your advisor immediately. The deadline to apply for May 2015 graduation was February 14, 2015. Please Note: After changing your major, please see your new advisor to adjust your graduation date. PRINTED NAME DEGR MAJOR 1 MAJOR 2 MINOR CONC Shaun Acree BS ACCT Adriana Marie Bowman BS ACCT Justin Derrick Bush BS ACCT Edward Chooe Chalobah BS ACCT Ciara LaRae Charity BS ACCT Dominic Desean Davis BS ACCT Dontae Davis-Croft BS ACCT Alanté Delores English BS ACCT Terrelle Thomas Fields BS ACCT Ashley Harris BS ACCT Jasmine Highsmith-Ruffin BS ACCT Justin Nathaniel Jones BS ACCT Romiah Trinice Joyner BS ACCT Michael Dwayne Robinson, II BS ACCT Fredatu Senesie BS ACCT Cameron Jordan Silas BS ACCT Kimannee Kasheem Simon BS ACCT Darrick Devon Taylor BS ACCT LEA Troy Chamberlain Winston BS ACCT Dwayne Dorsey, Jr.
    [Show full text]