2020 Fall Chicago International Edition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
List of Films Set in Berlin
LisListt of ffilmsilms sesett in Berlin From Wikipedia, the free encyclopedia This is a list of films whose setting is Berlin, Germany. Contents 1 1920s 2 1930s 3 1940s 4 1950s 5 1960s 6 1970s The world city Berlin is setting and filming location of 7 1980s numerous movies since the beginnings of the silent film 8 1990s era. 9 2000s 10 2010s 11 See also 1920s 1922 Dr. Mabuse the Gambler ( ( Dr Dr.. Mabuse, dederr SpielSpieler er ), 1922 - first (silent) film about the character Doctor Mabuse from the novels of Norbert Jacques, by Fritz Lang. 1924 The Last Laugh ( ( Der Letzte Mann), 1924 - The aging doorman at a Berlin hotel is demoted to washroom attendant but gets the last laugh, by F.W. Murnau. 1925 Varieté ( (Variety), 1925 - Circus melodrama set in Berlin, with the circus scenes in the Berlin Wintergarten, by EwEwalaldd AnAndrédré DDuupontpont.. Slums of Berlin ( ( Di Diee Verrufenen), 1925 - an engineer in Berlin is released from prison, but his father throws him out, his fiancée left him and there is no chance to find work. Directed by Gerhard Lamprecht. 1926 Di Diee letzte DrDroschkeoschke vvonon BeBerlirlinn, 1926 - showing the life of an old coachman in Berlin still driving the droshky during the time when the automobile arises. Directed by Carl Boese. 1927 Ber Berlin:lin: Symphony of a GGreatreat City ( ( Ber Berlin:lin: DiDiee Sinfonie der GroßsGroßstadt tadt ), 1927 - Expressionist documentary film of 1920s Berlin by Walter Ruttmann. Metropolis, 1927 - Berlin-inspired futuristic classic by Fritz Lang. 1928 Refuge ( ( Zuflucht ), 1928 - a lonely and tired man comes home after several years abroad, lives with a market-woman in Berlin and starts working for the Berlin U-Bahn. -
Case Global 25Celebrating News from the International Law Center & Institutes Years
v. 7 no. 1 2015 Case Global 25Celebrating News from the International Law Center & Institutes Years Changing lives over spring break Students, alumna journey to Dilley, TX to provide legal help to undocumented refugees in detention center hen three Case Western Reserve highlighted the plight of the families held University School of Law students at the South Texas Family Residential Wentered their immigration law Center in Dilley, Texas, Madeline Jack, Dozens of mothers and class one February evening, they had no Harrison Blythe, and JoAnna Gavigan idea how much their legal education would quickly agreed to spend their spring break children released as a be put to the test to help undocumented assisting Peyton and her Ohio team result of the team’s women and children detained by U.S. in bringing legal representation to the Immigration and Customs Enforcement detained women and children. work during spring in a for profit prison run by Corrections Corporation of America. Thanks to the generous financial break. support from the Case Western Reserve But once instructor and Cleveland immigration attorney Jennifer Peyton Continued on page 7 Ranked 11th in the nation by U.S. News & World Report ABOUT THE FREDERICK K. COX INTERNATIONAL LAW CENTER We are pleased to celebrate the 25th anniversary of the endowment of our Frederick K. Cox International Law Center this year. This issue of Case Global News includes a timeline of our major milestones on the way to becoming the #11th ranked international law program in the country. The newsletter also provides an update on the activities of our international law program and its 30 associated faculty members, as well as a preview of our upcoming lectures and conferences. -
THE EDUKATORS (German)
THE EDUKATORS (German) Activity Guide by Amanda K. Plummer Title: The Edukators Director: Hans Weingartner Country: Germany Year: 2004 Starring/Character: Daniel Brühl: Jan Julia Jentsch: Jule Stipe Erceg: Peter Burghart Klaußner: Hardenberg Writers: Katharina Held, Hans Weingartner Length: 127 minutes Language: German Location/Time of Action: Berlin, Germany, circa 2004 More information: http://imdb.com/title/tt0408777/ http://www3.ifcfilms.com/theedukators/ http://www.theedukators.com http://www.rottentomatoes.com/m/edukators http://en.wikipedia.org/wiki/The_Edukators SUMMARY: The Edukators is about three young people living in present-day Berlin. Jule is a student who is horribly in debt as a result of an automobile accident. Early in the film she is evicted from her apartment, despite having finally paid six months worth of back rent. Her boyfriend, Peter, invites her to move in with him and his friend Jan. Jan and Peter are more than friends; they are partners in a political/social activism scheme. Calling themselves “The Edukators,” they break into the homes of extravagantly wealthy people. Instead of burglarizing the homes, they rearrange the valuables and leave a note with a lesson. The one at the beginning of the film reads, “Your days of plenty are numbered.” Jule learns of this secret life when Peter goes to Barcelona for three days, leaving her alone with Jan. Together, Jule and Jan break into the home of Hardenberg, the businessman whose car Jule crashed into. They leave Hardenberg a lesson that reads, “You have too much money.” Unfortunately, they also leave behind Jule’s cell phone. Jan and Jule return to Hardenberg’s house the following night to retrieve the phone and are interrupted by Hardenberg. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 4-12-2007 Kenyon Collegian - April 12, 2007 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 12, 2007" (2007). The Kenyon Collegian. 75. https://digital.kenyon.edu/collegian/75 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Established 1856 Volume CXXXIV, Number 22 www.kenyoncollegian.com PB News The Kenyon Collegian Thursday, April 12, 2007 Thursday, April 12, 2007 The Kenyon Collegian News THE KENYON COLLEGIAN Gambier, Ohio Thursday, April 12, 2007 12 Pages ‘Hell week’ draws ire, support BY Allison Burket seem out-of-touch with independents, initiate new members.” •Not just in Leonard Students were unable to wake the News Editor assuming that all of us are indebted to Singing is an important part of Leonard residents were not the student before class began at 8:10 p.m. them for their parties.” this unity-building process for the only students affected by hell week “It didn’t bother us too much in class, “The Delt singing woke me up Martyn wrote a private e-mail Delta Tau Delta fraternity. The song activities. Molly Schlemmer ’08, a Wat- except his alarm on his computer did a few times” on Tuesday, April 3, said to James Reid ’08, president of Delta that awoke students in Leonard is “a son resident, was awoken at 7:30 a.m. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Fact Bool( 1997
Fact Bool( 1997 The University of Georg:;ia The Fact Book 1997 Cover View from Lenox, MA, c. 1930 Anna Richards Brewster, 1870-1952 Oil on canvas Georgia Museum of Art, The University of Georgia: gift of William T. Brewster GMOA 54.480 Anna Richards was the sixth child of Anna Matlock and William Trost Richards (1833-1905), the I~ -t:t~r a well-known painter of New England and England. Born in Germantown, Pennsylvania, Anna livecl' 'With her family in Great Britain between 1878 and 1880, where her father's watercolors and oils had gr~ ~t , success. While there, Anna began painting with her father, which she continued to do after the fa ~ 11 Y sd return to the United States. She also attended the Cowles Art School in Boston and in New York ~orke with John LaFarge and William Merritt Chase. During the 1890s and early 1900s Anna again traveled and lived in Europe, mainly England and P"""~ ris .. where she studied with Benjamin Constant and Jean-Paul Laurens. In 1905, while living and w o·~ ,_ ng m London, she married William Tenney Brewster, an English professor at Barnard College. The cou ~le settled in Westchester County, New York, traveling frequently to Europe and North Africa, as we ll ~8 throughout the United States. Like her father and many other American painters at the turn of the century, Anna worked directly f' ..-om nature, making small pencil and oil sketches which formed the basis for her final, large-scale wor<~· Her earlier watercolors show her father's influence, but gradually her style became more like the contemporary work of the tonalists and early impressionists, her brushwork became looser and b·~ ader and her colors warmer. -
Matias Corbett Garcez Gil Scott-Heron: a Black Bullet
MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Florianópolis, 2015 2 3 MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Tese de doutorado apresentada à Banca Examinadora do Programa de Pós-Graduação em Inglês do Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina, como requisito parcial para a obtenção do título de Doutor em Estudos Culturais, linha de pesquisa Poéticas de Resistência, sob a orientação da Professora Doutora Maria Lúcia Milléo Martins. Florianópolis, 2015 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Garcez, Matias Corbett Gil Scott-Heron: A Black Bullet Through The Heart Of White America / Matias Corbett Garcez ; orientadora, Maria Lúcia Milléo Martins - Florianópolis, SC, 2015. 292 p. Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós Graduação em Literatura. Inclui referências 1. Literatura. 2. Gil Scott-Heron. 3. Poéticas de Resistência . 4. Contra-narrativas . 5. FonoFicção. I. Milléo Martins, Maria Lúcia. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Literatura. III. Título. 6 7 Dedicated to my wife and love, Cristiane, and my son, Ravi. 8 9 ACKNOWLEDGMENTS I would like to thank CNPQ and Projeto de Extensão: Cursos Extracurriculares for the financial support granted throughout my studies. I would also like to thank Professor Maria Lúcia Milléo Martins for accepting me as her advisee, and for all the guidance and support during my research. I would also like to express my gratitude to my family, who gave me a lot of support, love, and motivation. -
The Joyful Sounds of Being Your Own Black Self
THE JOYFUL SOUNDS OF BEING YOUR OWN BLACK SELF By AMIR ASIM GILMORE A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Teaching & Learning MAY 2019 © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of AMIR ASIM GILMORE find it satisfactory and recommend that it be accepted. Pamela Jean Bettis, Ph.D., Chair Paula Groves Price, Ph.D. John Joseph Lupinacci, Ph.D. Anthony Gordon Rud Jr., Ph.D. Francene T. Watson, Ph.D. ii ACKNOWLEDGMENT This project has truly been a labor of love, as it takes a village to write a dissertation. I would first like to thank my parents. Without them, none of this would be possible. I would like to thank my dad, Cleveland Gilmore for inviting me into the Black Study through jazz. It is through jazz, I developed the identity of being an Edtiste. I would like to thank my mom, Rosita Faulkner, for showing me how to refuse and what mundane refusal looks like as a daily practice. It was her refusal that helped guide me away from doing traditional social science research. How dope is it to say that your parents made the dissertation? Very dope! While the academy might recognize and acknowledge me as the first Ph.D. in my family, my mom and dad will always be the first doctors in my eyes.