Justin Tepper EMC

Total Page：16

File Type：pdf, Size：1020Kb

Justin Tepper EMC Height: 6’0” www.justinatepper.com Voice: Baritenor G2-A#4 REGIONAL THEATRE * - Upcoming ^ - New York Premiere SCHOOLHOUSE ROCK Joe Surflight Theatre | d. Paula Sloan HUNCHBACK OF NOTRE DAME^ Choir White Plains Performing Arts | d. Frank Portanova BONNIE & CLYDE u/s Buck (perf.)/Preacher Kokandy Productions | d. Spencer Neiman INTO THE WOODS Wolf/Cinderella’s Prince Cultural Arts Playhouse | d. Bruce Grossman HAIRSPRAY Link Larkin Cultural Arts Playhouse | d. Bruce Grossman EDUCATIONAL THEATRE THE WHO’S TOMMY Captain Walker Northwestern University | d. Geoff Button URINETOWN Caldwell B. Cladwell Northwestern University | d. Scott Weinstein HAIR Walter Northwestern University | d. Matt Hawkins JAMES AND THE GIANT PEACH Centipede Northwestern University | d. Rives Collins DOGFIGHT Boland Northwestern University | d. Dylan Pager MYSTERY OF EDWIN DROOD John Jasper Northwestern University | d. Ryan Martin PIRATES OF PENZANCE Pirate Northwestern University | d. Matt Hawkins READINGS/NEW WORK MOLETOWN Tank Three Act Theatre Company | d. Eric Mark Olson (Music/Lyrics: Courtney Christison & Joshua Latimore) ROCKNE Lars/Harper American Music Theatre Project | d. David Bell (Music: Michael Mahler/Lyrics: David Bell & Michael Mahler) LA RÉVOLUTION FRANÇAISE Soloist/Ensemble FWD Theatre Project | d. David Bell (Music: Claude-Michel Schönberg/Lyrics: Alain Boublil & Michael Mahler) MUSEUM OF BROKEN RELATIONSHIPS George American Music Theatre Project | d. David Bell (Music: Dan Green/Lyrics: Dan Green & David Bell) DISCOUNT GHOST STORIES Vocalist / Band American Music Theatre Project | d. Lindsay Maron (Music & Lyrics: Alexander Sage Oyen & Jess Kahkoska) BEYOND BELIEF: a superhero story Mr. Brooks The 86th Annual Waa-Mu Show | d. David Bell TRAINING Northwestern University | B.A. Theatre, Musical Theatre Certificate, Theatre for Young Audiences Module Acting: Dawn Mora, David Bell, Amanda Dehnert, Mary Poole, Karen Olivo Voice: Kelli Morgan McHugh, Keven Keyes, Melissa Foster, Mason Senft Dance: Jeff Hancock, Joel Valentin-Martinez, Jocelyn Garner, Billy Siegenfeld, Amanda Lower SPECIAL SKILLS Advanced Piano, Intermediate Saxophone, Intermediate Guitar, Music Directing, Producing, Stage Managing, TYA, Pledge of Allegiance Backwards, Conversational French, Composing, Good with Kids, A Cappella Arranging .

Copy Link

Recommended publications

The Tony-Award-Winning Creators of Les Misérables and Miss Saigon
Report on the January-February 2017 University of Virginia Events around Les Misérables Organized by Professor Emeritus Marva Barnett Thanks to the generous grant from the Arts Endowment, supported by the Provost’s Office Course Enhancement Grant connected to my University Seminar, Les Misérables Today, the University of Virginia hosted several unique events, including the world’s first exhibit devoted to caricatures and cartoons about Victor Hugo’s epic novel and the second UVA artistic residency with the award-winning creators of the world’s longest-running musical—artists who have participated in no other artistic residencies. These events will live on through the internet, including the online presence of the Les Misérables Just for Laughs scholarly catalogue and the video of the February 23 conversation with Boublil and Schönberg. Les Misérables Just for Laughs / Les Misérables Pour Rire Exhibit in the Rotunda Upper West Oval Room, Jan. 21-Feb. 28 Before it was made into over fifty films and an award-winning musical, Victor Hugo’s Les Misérables was a rampant best seller when it appeared in 1862. The popular cartoonists who had caricatured Hugo for thirty years leapt at the chance to satirize his epic novel. With my assistance and that of Emily Umansky (CLAS/Batten ’17), French Hugo specialist Gérard Pouchain mounted the first-ever exhibit of original publications of Les Misérables caricatures— ranging from parodies to comic sketches of the author with his characters. On January 23, at 4:00 p.m. he gave his illustrated French presentation, “La caricature au service de la gloire, ou Victor Hugo raconté par le portrait-charge,” in the Rotunda Dome Room to approximately 25 UVA faculty and students, as well as Charlottesville community members associated with the Alliance Française.
[Show full text]
Lesher Will Hear the People Sing Contra Costa Musical Theatre Closes 53Rd Season with Epic Production
Lesher Will Hear The People Sing Contra Costa Musical Theatre Closes 53rd Season with Epic Production WALNUT CREEK, February 15, 2014 — Contra Costa Musical Theatre (CCMT) will present the epic musical “Les Miserables“at Walnut Creek’s Lesher Center for the Arts, March 21 through April 20, 2014. Tickets for “Les Miserables” range from $45 to $54 (with discounts available for seniors, youth, and groups) and are on sale now at the Lesher Center for the Arts Ticket Office, 1601 Civic Drive in Walnut Creek, 925.943.SHOW (943-7469). Tickets can also be purchased online at www.lesherArtscenter.org. Based on the novel of the same name by Victor Hugo, “Les Miserables” has music by Claude-Michel Schonberg, lyrics by Alain Boublil, Jean-Marc Natel and Herbert Kretzmer and book by Schonberg, Boublil, Trevor Nunn and John Caird. The show premiered in London, where it has been running continuously since 1985, making it the longest-running musical ever in the West End. It opened on Broadway in 1987 and ran for 6,680 performances, closing in 2003, making it the fifth longest-running show on Broadway. A Broadway revival ran from 2008 through 2010. A film version of the musical opened in 2012 and was nominated for eight Academy Awards, winning three statues. “Les Miserables” won eight Tony Awards including Best Musical. Set in early 19th-century France, it follows the story of Jean Valjean, a French peasant, and his quest for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister’s starving child.
[Show full text]
Consumer Alert Regarding Ticket Purchasing
CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116.
[Show full text]
Musical Theatre: a Forum for Political Expression
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 5-1999 Musical Theatre: A Forum for Political Expression Boyd Frank Richards University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Richards, Boyd Frank, "Musical Theatre: A Forum for Political Expression" (1999). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/337 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. UNIVERSITY HONORS PROGRAM SENIOR PROJECT • APPROVAL -IJO J?J /" t~.s Name: -·v~ __ ~~v~--_______________ _______________________- _ J3~~~~ ____ ~~:__ d_ epartmen. ______________________ _ College: ~ *' S' '.e..' 0 t· Faculty Mentor: __ K~---j~2..9:::.C.e.--------------------------- PROJECT TITLE; _~LCQ.(__ :Jherui:~~ ___ I1 __:lQ.C1:UiLl~-- __ _ --------JI!.c. __ Pdl~'aJ___ ~J:tZ~L~ .. -_______________ _ ---------------------------------------_.------------------ I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this :::'ed: _._________ ._____________ , Faculty !v1entor Date: _LL_ -9fL-------- Comments (Optional): Musical Theater: A Forum for Political Expression Presented by: Ashlee Ellis Boyd Richards May 5,1999 Table of Contents Table of Contents ................................................................................2 Introduction: Musical Theatre - A Forum for Political Expression ..................
[Show full text]
Performed Entirely by Students a Musical by ALAIN BOUBLIL And
Performed entirely by students A musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHOENBERG Based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHOENBERG Lyrics by HERBERT KRETZMER Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Orchestrations by JOHN CAMERON Original London production directed and adapted by TREVOR NUNN and JOHN CAIRD Original London production by CAMERON MACKINTOSH and THE ROYAL SHAKESPEARE COMPANY School Edition specially adapted and licensed by MUSIC THEATRE INTERNATIONAL and CAMERON MACKINTOSH March 31, 2006 at 7:30pm April 1, 2006 at 7:30pm April 2, 2006 at 2:00pm CAST OF CHARACTERS (In Order of Appearance) Javert.......................................................................................................................... .....David TomczakO Jean Valjean........................................................................................................................Devin ArcherO Bishop of Digne..................................................................................................................... Jason MillerO Constables...............................................................................................Tim Havis, Marshall Bowerman Foreman....... ..............................................................................................................................Zach PaulO Fantine......................... .........................................................................................Brianna SchumacherO Old Woman...........................................................................................................................Kaitlyne
[Show full text]
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved.
[Show full text]
Hollywood Pantages Theatre Los Angeles, California
® ® HOLLYWOODTHEATRE PANTAGES NAME THEATRE LOS ANGELES, CALIFORNIA 03-277.16-8.11 Charlie Miss Cover.indd Saigon Pantages.indd 1 1 7/2/193/6/19 10:05 3:15 PMAM HOLLYWOOD PANTAGES THEATRE CAMERON MACKINTOSH PRESENTS BOUBLIL & SCHÖNBERG’S Starring RED CONCEPCIÓN EMILY BAUTISTA ANTHONY FESTA and STACIE BONO J.DAUGHTRY JINWOO JUNG at certain performances EYMARD CABLING plays the role The Engineer and MYRA MOLLOY plays the role of Kim. Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by RICHARD MALTBY, JR. & ALAIN BOUBLIL Adapted from the Original French text by ALAIN BOUBLIL Additional lyrics by MICHAEL MAHLER Orchestrations by WILLIAM DAVID BROHN Musical Supervision by STEPHEN BROOKER Lighting Designed by BRUNO POET Projections by LUKE HALLS Sound Designed by MICK POTTER Costumes Designed by ANDREANE NEOFITOU Design Concept by ADRIAN VAUX Production Designed by TOTIE DRIVER & MATT KINLEY Additional Choreography by GEOFFREY GARRATT Musical Staging and Choreography by BOB AVIAN Directed by LAURENCE CONNOR For MISS SAIGON National Tour Casting by General Management TARA RUBIN CASTING GREGORY VANDER PLOEG MERRI SUGARMAN, CSA & CLAIRE BURKE, CSA for Gentry & Associates Executive Producers Executive Producer NICHOLAS ALLOTT & SETH SKLAR-HEYN SETH WENIG for Cameron Mackintosh Inc. for NETworks Presentations Associate Sound Designer Associate Costume Designer Associate Lighting Designers Associate Set Designer ADAM FISHER DARYL A. STONE WARREN LETTON & JOHN VIESTA CHRISTINE PETERS Resident Director Music Director Musical Supervisor Associate Choreographer Associate Director RYAN EMMONS WILL CURRY JAMES MOORE JESSE ROBB SETH SKLAR-HEYN A CAMERON MACKINTOSH and NETWORKS Presentation 4 PLAYBILL 7.16-8.11 Miss Saigon Pantages.indd 2 7/2/19 10:05 AM CAST (in order of appearance) ACT I SAIGON—1975 The Engineer ...................................................................................................RED CONCEPCIÓN Kim ..................................................................................................................
[Show full text]
The New National Tour of Cameron Mackintosh's
Tweet it! Experience the acclaimed new production of @MissSaigonUS when it makes its premiere in Philly @KimmelCenter 03/19-03/31. More info at kimmelcenter.org. #BWYPHL #ArtHappensHere Press Contacts: Lauren Woodard Carole Morganti, CJM Public Relations (215) 790-5835 (609) 953-0570 [email protected] [email protected] THE NEW NATIONAL TOUR OF CAMERON MACKINTOSH’S DYNAMITE BROADWAY REVIVAL OF BOUBLIL AND SCHÖNBERG’S LEGENDARY MUSICAL MISS SAIGON ARRIVES IN PHILADELPHIA FOR ITS KIMMEL CENTER CULTURAL CAMPUS PREMIERE MARCH 19 – 31, 2019 FOR IMMEDIATE RELEASE (Philadelphia, PA, January 31, 2019) – Cameron Mackintosh’s acclaimed new production of Boublil and Schönberg’s legendary musical Miss Saigon —a smash hit in London, Broadway, and across the UK— comes to Philadelphia March 19 – 31, playing at the Academy of Music on the Kimmel Center Cultural Campus for the first time ever. “We are ecstatic to welcome this brand-new production of Miss Saigon to Philadelphia!” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Our Broadway Philadelphia audiences will be spellbound by this epic love story along with the iconic Broadway score brought back to the stage in spectacular fashion as only Cameron Mackintosh can do.” Cameron Mackintosh said “It’s hard to believe that it has been over 27 years since Miss Saigon first opened in North America but, if anything, the tragic love story at the heart of the show has become even more relevant today with innocent people being torn apart by war all over the world. This brilliant new production, directed by Laurence Connor and featuring the original dazzling choreography by Bob Avian, takes a grittier, more realistic approach that magnifies the power and epic sweep of Boublil and Schönberg’s tremendous score.
[Show full text]
Winter 2012 Folded Program Updated 1.27.12
BROADWAY WORLDWIDE PROGRAM TESTIMONIALS “Nothing will do more to open doors for our young people and prepare them for unimagined new careers.” -Former President Bill Clinton on the StudentsLive Broadway Education Programs PRESENTS “Programs like these enable a new generation of audiences to make the arts a permanent part of their lives.” -Secretary Of State Hillary Clinton on the StudentsLive Broadway Education Programs BR - BROADWAY “This was the most well-prepared and well-executed education program I have ever attended…here’s a program that makes students live and breathe in a way they never did before.” DREAM CAMP -Peter Filichia, Theatre Critic, Newark Star Ledger and TheaterMania.com “Wow! I cried though the first 5 numbers and three more times throughout the course of the show. What you put together is incredible. It reminded me of the magic of Broadway WINTER 2012 and how lucky we all are to be a part of this. More importantly what it can do for these children, how it can bring them out of their shells. You did a wonderful job. I was honored to be a guest.” - Stephanie Klemons, Broadway Cast Member, In The Heights “I want to say thank you for giving me the opportunity to attend the Broadway Dream Camp. What an incredible amount of song and dance the kids learned in English! The quality of their performance was evidence of the strong teachers that they had. It was inspiring to see their passionate faces having a great time on stage and fearlessly nailing each number. I felt privileged to share in the experience.
[Show full text]
Les Miserables”
BACKSTAGE Cyrus W. Irish Auditorium, Lowell, MA Spring 2014 www.actorsincorporated.com ACTORS inc presents… A New Production of BOUBLIL and SCHÖNBERG’S A musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHÖNBERG Based on a novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French Text by ALAIN BOUBLIL and JEAN-MARC NATEL Additional material by JAMES FENTON Adapted and originally directed by TREVOR NUNN and JOHN CAIRD Orchestrations by JOHN CAMERON Original London Production by CAMERON MACKINTOSH and THE ROYAL SHAKESPEARE COMPANY LES MISÉRABLES is licensed by Music Theatre International [MTI] www.mtishows.com by arrangement with CAMERON MACKINTOSH LTD Director\Producer Music Director CORINNE HICKEY JASEN WHEATLEY Featuring the Lowell Philharmonic Orchestra Directed by VALERIE TAYLOR April 25 and 26, 2014 LES MISÉRABLES is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684; Fax: 212-397-4684. www.MTIShows.com 24 Hour Service Installation Auto Deliveries Tank Removals Free Estimates Annual Cleaning 120 Plain Street Lowell, MA 01851 978-453-1581 www.mahoneyoilco.com [email protected] Mahoney Oil Company has been family owned and operated since 1925. Over the years we have been serving generations of families and have been providing warmth and protection at an affordable rate. Mahoney Oil is dedicated to serving the communities of the greater Lowell area. Contact us today for a free estimate. We have an exceptional staff to help you with your heating needs. Production Credits Producer/Director……………..…………..……… Corinne C.
[Show full text]
Herbert Kretzmer, Who Has Died Aged XX, Was the Journalist and Lyricist
HERBERT KRETZMER OBE 05.10.1925 – 14.10.2020 By Liz Lineham Herbert Kretzmer, who has died aged 95, was the South-African born British newspaper journalist, lyricist and critic known as ‘Mr Mis’ for his key role in transforming an obscure 1980 French “concept” album into the musical behemoth that is Les Misérables. It is without doubt the words that Kretzmer penned in English, when allied to the music of Claude-Michel Schönberg, that lit the fuse of a global phenomenon. The longest running musical in London’s West End (35 years and counting) and the third-longest on Broadway (16 years), it has enjoyed openings in every major city, been staged by more than 100 touring companies, and seen by upwards of 70 million people in 44 countries to date. Multi-award winning “Les Mis” – as its fans call it but never Kretzmer, who considered it disrespectful to Victor Hugo’s 19th century masterpiece - garnered 12 Tony nominations in 1987. It won 8, including Best Score (shared by Kretzmer, composer Schönberg and French lyricist Alain Boublil), and topped a 2005 British poll of Essential Musicals. Ranked in second place in the league of the world’s longest- running musicals (behind The Fantasticks with 42 years on Broadway) few would bet against it one day claiming the crown. In the last decade, a new generation has discovered its magic through the 2012 Oscar-winning film and box-office triumph directed by Tom Hooper. Susan Boyle’s interpretation of the quintessential torch song, I Dreamed a Dream, on Britain’s Got Talent in 2009 inspired many more to see the show.
[Show full text]
Barrowman, John (B
Barrowman, John (b. 1967) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com John Barrowman. Photograph by Steve Barry. Accomplished actor and singer John Barrowman has won plaudits as a musical theater Image appears under the star, as well as for his roles in film and television. He is especially known for his Creative Commons extremely skillful interpretations of the works of Cole Porter, Andrew Lloyd Webber, Attribution ShareAlike and Stephen Sondheim. 2.0 license. A native of Glasgow, Scotland, Barrowman was born on March 11, 1967. He spent much of his youth in Aurora, Illinois after his father, employed by the Caterpillar construction equipment company, was transferred to the United States. Barrowman first became captivated by theater when he saw Peter Pan (book by James M. Barrie, music by Moose Charlap and Jule Styne, lyrics by Carolyn Leigh, Betty Comden, and Adolph Green) as a small child in Glasgow. His initial acting experience came in a high school play, but he was planning to study to become a teacher. Before he entered college, however, he attended a production of Michael Bennett's Dreamgirls (book and lyrics by Tom Eyen, music by Henry Krieger) with his mother, who commented afterward that she believed that a career in theater was what he really wanted. Barrowman acknowledged that it was true, and the die was cast. He enrolled in the musical theater program at United States International University in San Diego, California. During the summers after his first and second years at college, he sang and acted in shows at the Nashville theme park Opryland USA.
[Show full text]