Les Misérables the Musical Phenomenon
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PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
PETER PAN Or the Boy Who Would Not Grow Up
PRESS RELEASE NORTH HIGH SCHOOL to present PETER PAN or The Boy Who Would Not Grow Up The Appleton North High School Theatre Department will present the play PETER PAN or The Boy Who Would Not Grow Up on May 16th through the 19th in the North High School Auditorium, 5000 North Ballard Road. This new version adapted from the original J.M. Barrie play and novel by Trevor Nunn and John Caird for the Royal Shakespeare Company and the National Theatre of London enjoyed phenomenal success when first produced. The famous team known for their productions of THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY and the musical LES MISERABLES have painstakingly researched and restored Barrie’s original play. “. .a national masterpiece.”—London Times. This is the beloved story of Peter, Wendy, Michael, John, Capt. Hook, Smee, the lost boys, pirates, and the Indians, and of course, Tinker Bell, in their adventures in Never Land. However, for the first time, the play is here restored to Barrie’s original intentions. In the words of adaptor, John Caird: “ We were fascinated to discover that there was no one single document called PETER PAN. What we found was a tantalizing number of different versions, all of them containing some very agreeable surprises….We have made some significant alterations, the greatest of which is the introduction of a new character, the Storyteller, who is in fact the author himself.” North’s theatre director, Ron Parker, states, “This is a very different PETER PAN than the one most people are familiar with. It is neither the popular musical version nor the Disney animated recreation, but goes back to Barrie’s original play and novel. -
Simon Russell Beale Photo: Charlie Carter
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre, -
The Tony-Award-Winning Creators of Les Misérables and Miss Saigon
Report on the January-February 2017 University of Virginia Events around Les Misérables Organized by Professor Emeritus Marva Barnett Thanks to the generous grant from the Arts Endowment, supported by the Provost’s Office Course Enhancement Grant connected to my University Seminar, Les Misérables Today, the University of Virginia hosted several unique events, including the world’s first exhibit devoted to caricatures and cartoons about Victor Hugo’s epic novel and the second UVA artistic residency with the award-winning creators of the world’s longest-running musical—artists who have participated in no other artistic residencies. These events will live on through the internet, including the online presence of the Les Misérables Just for Laughs scholarly catalogue and the video of the February 23 conversation with Boublil and Schönberg. Les Misérables Just for Laughs / Les Misérables Pour Rire Exhibit in the Rotunda Upper West Oval Room, Jan. 21-Feb. 28 Before it was made into over fifty films and an award-winning musical, Victor Hugo’s Les Misérables was a rampant best seller when it appeared in 1862. The popular cartoonists who had caricatured Hugo for thirty years leapt at the chance to satirize his epic novel. With my assistance and that of Emily Umansky (CLAS/Batten ’17), French Hugo specialist Gérard Pouchain mounted the first-ever exhibit of original publications of Les Misérables caricatures— ranging from parodies to comic sketches of the author with his characters. On January 23, at 4:00 p.m. he gave his illustrated French presentation, “La caricature au service de la gloire, ou Victor Hugo raconté par le portrait-charge,” in the Rotunda Dome Room to approximately 25 UVA faculty and students, as well as Charlottesville community members associated with the Alliance Française. -
Virtual Live Auction 5 Pm on Sunday, September 20
Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend. -
A Chorus Line One Singular Sensation…
FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar LisȀngs Due to overwhelming demand, five shows have been added for A Chorus Line One singular sensation… This showstopping piece, winner of nine Tony Awards and the Pulitzer Prize just opened and is nearly sold out at the Cripe Stage at Chance Theater @ Bette Aitken theater arts Center June 30, 2016 … Anaheim, California … Anaheim’s official resident theater company, Chance Theater is pleased to the addiȀon of five addiȀonal performances of … A Chorus Line. Book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban, directed by Chance’s ArȀsȀc Director Oanh Nguyen, choreographed by Hazel Clarke, with music direcȀon by Ryan O’Connell. A Chorus Line opened last Saturday and will continue through August 7th on the Cripe Stage at Chance Theater @ Bette Aitken t heater arts Center. Before we even broke a sweat the Chance has decided to extend its producȀon of the Tony Award winning and Pulizer Prize winning musical A Chorus Line. The Chance is thrilled to give Orange County more opportuniȀes to witness dancers puĀng it all on the line and creaȀng one singular sensaȀon. A Chorus Line takes place in an empty theater, on a bare stage, where the casȀng session for a new Broadway musical is almost complete. For 24 dancers, this audiȀon is the chance of a lifeȀme. It’s what they’ve worked for—with every drop of sweat, every hour of training, every day of their lives. It’s the one opportunity to do what they’ve always dreamed—to have the chance to dance. -
An Empirical Study of the Determinants of the Run-Times of Broadway Musicals
AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Katie Ferguson May 2011 AN EMPIRICAL STUDY OF THE DETERMINANTS OF THE RUN-TIMES OF BROADWAY MUSICALS Katie Ferguson May 2011 Mathematical Economics Abstract With an economic impact of $9.8 billion in the 2008-09 season alone, Broadway as an industry which should be economically studied. Currently there is a large gap in scholarly literature about Broadway with only three quantitative studies having been performed. This thesis aims to help fill this gap by building off of these three studies to determine which factors influence the success- measured as total days on Broadway from opening to closing night- of a Broadway musical. This thesis focuses specifically on musicals as they have been shown in all three empirical studies to have longer runs and a larger economic impact than Broadway plays. The econometric analysis finds many variables- such as a movie version of the musical being released, and winning the Tony for Best Musical- that are predictive of loner run times. Revivals are found to have substantially shorter run times than original runs and over time, musicals are lasting longer. KEYWORDS: (Broadway, Musical, Theatre, Run-time) TABLE OF CONTENTS ABSTRACT 1 INTRODUCTION 1 2 LITERATURE REVIEW 5 Characteristics of the Film Industry..................................................... 5 Live Theatre................................................. ..................................... 7 Modern Day Broadway..................................................................................... 9 Empirical Studies................................................ ..................................... 12 18 3 THEORY 4 DATA & METHODOLOGY 32 5 RESULTS AND CONCLUSION 52 APPENDIX A 65 WORKS CONSULTED 67 CHAPTER I INTRODUCTION Broadway makes an enormous impact on the local economy of New York City. -
A Visual Guide to Identifying Cats
A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6 -
Lesher Will Hear the People Sing Contra Costa Musical Theatre Closes 53Rd Season with Epic Production
Lesher Will Hear The People Sing Contra Costa Musical Theatre Closes 53rd Season with Epic Production WALNUT CREEK, February 15, 2014 — Contra Costa Musical Theatre (CCMT) will present the epic musical “Les Miserables“at Walnut Creek’s Lesher Center for the Arts, March 21 through April 20, 2014. Tickets for “Les Miserables” range from $45 to $54 (with discounts available for seniors, youth, and groups) and are on sale now at the Lesher Center for the Arts Ticket Office, 1601 Civic Drive in Walnut Creek, 925.943.SHOW (943-7469). Tickets can also be purchased online at www.lesherArtscenter.org. Based on the novel of the same name by Victor Hugo, “Les Miserables” has music by Claude-Michel Schonberg, lyrics by Alain Boublil, Jean-Marc Natel and Herbert Kretzmer and book by Schonberg, Boublil, Trevor Nunn and John Caird. The show premiered in London, where it has been running continuously since 1985, making it the longest-running musical ever in the West End. It opened on Broadway in 1987 and ran for 6,680 performances, closing in 2003, making it the fifth longest-running show on Broadway. A Broadway revival ran from 2008 through 2010. A film version of the musical opened in 2012 and was nominated for eight Academy Awards, winning three statues. “Les Miserables” won eight Tony Awards including Best Musical. Set in early 19th-century France, it follows the story of Jean Valjean, a French peasant, and his quest for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister’s starving child. -
Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
Herding Cats: Infosec Follies
Herding Cats: Infosec Follies October 2012 Herding Cats: Infosec Follies 2 Here’s a hot sports opinion for you: I think our industry is terrible at information risk analysis and management. There is a significant gap between what information security professionals consider high risk and what business professionals consider high risk. I’ve been in those meetings where information security has had their legs cut out from under them, but I’ve also been in meetings where open checkbooks for security were passed around like month-old Halloween candy1. There are a number of reasons for this; let’s explore a few here. The most glaring omission is our repeated usage of inaccurate (or inconsistent) historical data. If we are terrible at forecasting when and where events will occur and their impact to our business, we look no better than the sales person who forecasts a 75% miss in the last week of the quarter. So we take an ultra conservative approach to try and cover our bases. There are a bunch of you out there who have done this successfully for a number of years, and so far you haven’t been bit. There used to be an old saying (which probably still exists in some circles, but I’m going to pretend it doesn’t anymore) in the PCI DSS compliance world that went like this: “You are compliant until you are compromised.” Meaning, it didn’t matter what you reported to your processor as long as you were breach free. The moment that breach hit, however, you were in a world of hurt as your misrepresentation of compliance status came to light. -
The South African Who Wrote the English Lyrics for 'Les Miserables' Talks to Marianne Gray in London HERBERT Kretzmer Has Ve
The South African who wrote the English lyrics for ‘Les Miserables’ talks to Marianne Gray in London HERBERT Kretzmer has very little to be miserable about. Apart from living a fascinating life, which started in Kroonstad then went via Paris and New York to London, he also wrote the English lyrics for Les Miserables, the world’s longest-running musical, which is now coming out as an all-star film. For the film, he has written the lyrics for an additional song, Suddenly, which has been nominated for an Oscar as Best Original Song. We meet in his elegant townhouse in Kensington, London, to talk about the film of the musical which is based on Victor Hugo’s novel set in 19th-century France. The musical has been running worldwide for 27 years, has been seen by 60 million people and shows no signs of flagging. The film stars two Australian leading men —Russell Crowe as the relentless Inspector Javert and Hugh Jackman as the hunted ex convict Jean Valjean — and the gorgeous Anne Hathaway as the hapless Fantine, mother of Cosette, who sells her hair to raise money. Hathaway actually had her beautiful long hair shorn to the scalp during one of the movie’s possibly most emotional sequences. Kretzmer only went on set twice during the shoot. He says he is now a “spare wheel”. “Nobody wants a writer round once his work is done,” he laughs. “He’s just being a tourist.” At 87, and with an OBE (Order of the British Empire), a chevalier of the French Ordre des Arts et des Lettres and an honorary doctorate from Rhodes University (which he dropped out of when a student), he still is totally on the ball as he chats, in a soft South African accent, about his extraordinary life.